Rattle :: NewPages Guide to Literary Magazines
Poetry for the 21st Century
About Rattle: Rattle is the journal for people who love poetry—whether they realize it yet, or not.
12411 Ventura Blvd
Studio City, CA 91604
Phone: (818) 505-6777
Simultaneous submissions: yes Email submissions: yes Reading period: year-round Response time: 4-8 weeks Payment: yes (see website) Contests: yes (see website) ISSN: 1097-2900 Founded: 1994 Issues per year: 4 Distributors: Ingram, Armadillo, Ubiquity Average pages: 100 Sample copy: $5.95 Cover Price: $5.95 Subscription (Ind): $20/yr Subscription 1 year (Inst): $20
Publisher’s Description: For over a decade people have been discovering a love of poetry through Rattle. Each issue is a demonstration that it doesn’t take a scholar to be moved by the written word, that great literature is something everyone can enjoy. The lawyer, the landscaper, the academic and housewife all share our pages. We put the voices of Dunn and Levine and Laux flush against names you’ve never heard, but won’t forget. We’ve been featured in Best American Poetry, but we’re most proud of the readers we touch, the writers unafraid to make noise.
Lost in the literary shuffle is the simple truth that language is moving, that life is compelling, full of burdens and joys we all share. Published quarterly, each perfect-bound issue is 100 pages of poetry, essays, interviews with heart. Poetry should make you laugh or cry; it should enlighten and entertain. Our mission at Rattle is to cull the 10,000 submissions we receive each year into a collection that will stay with you long after you’ve set it down, a collection you’ll return to again and again. Share in the intimacy of experience only poetry allows. Listen closely: What makes you rattle?
The Fall 2014 issue of Rattle features 41 Poets of Faith. As Kenny Williams writes in his contributor’s note, “To call yourself a ‘poet of faith’ is a dangerous move.” As Chris Anderson says, confessing that faith includes doubt is a cliché: “The hard thing both personally and creatively is to profess what we believe, and that we do believe.” But these poets do the hard thing in poem after poem, exploring the world openly and honestly through the lenses of their various faith traditions. In the conversations section, Alan Fox discusses poetry and faith with Catholic deacon Chris Anderson.
Rattle #44 is another entirely open issue. It’s summer, and poetry has turned up the heat, it seems, with visits to strip clubs and topless swimming pools, and Kenny Tanemura’s brilliant “Ode to Short Shorts.” But it’s not all love and lust: These poems run the gamut of human experience, from churches to trust falls, suicide to salvation. The issue also features several long poems, including Lucas Crawford’s unforgettable indictment, “Your Fat Daughter Remembers What You Said.” In the conversations section, Timothy Green discusses poetry and life in a lively conversation with California Poet Laureate Juan Felipe Herrera.
Rattle #43 focuses on the love poem, with new work by 40 poets. From sonnets, triolets, and villanelles, to free verse, letters, and lyrics—we spent a year looking for love, in all the ways a poet can slice it. Old love new love, red love, blue love. Mean love, green love, thick love, lean love. In one poem kissing is a religion, another’s love is for a chicken. The issue is a strange brew, but love potions often are. To help make sense of it all, we interview poet and philosopher Troy Jollimore, author of the non-fiction book Love’s Vision.
last updated 09/02/2014