Book Review :: Listening to Mars by Sally Ashton
Review by Jami Macarty
Sally Ashton’s fifth book Listening to Mars offers readers “thought experiments otherwise known as poems” while “trying to understand” the COVID-19 health crisis, which brought with it death, uncertainty, anxiety, social upheaval, and political protest. Across the globe, “People began to die” or were “separated” from their families while “shelves emptied” and “we were forced to watch the execution of an innocent man in slow motion, over and over.” In other words, “the really big tragedies [of] these days.”
Conjuring “The Dark Night of the Soul,” by St. John of the Cross, and “In a Dark Time,” by Theodore Roethke, Ashton endeavors to “make sense of a dark time” via a Sci-Fi space curiosity. Imagining life on Mars seems to offer artistic escape to the poet, while calling out billionaires’ plots for a “backup planet” bolsters the purpose of her expression. In the moon’s waxing “curve,” a welcomed companionship; the “Stay-at-home orders to ‘flatten the curve’” a source of “panic.” The poems centering on celestial spheres in the Milky Way Galaxy act like points on orbital planes beaming attention back to Earth. The gravity of the situation on Earth is inescapable.
Planetary health and human anguish are also suggested in Ashton’s go-to poetic forms: the monostich and prose paragraphs. The spacious singular lines and dense text blocks suggest the themes and thematic tensions of the poems. The monostiches enact isolation, alienation, and lacunae; prose poems evoke connection, extension, and protest (of form). The collection also includes haibun and “haiku-ish” expressions. These Japanese-derived forms offer lyric qualities adept at managing grief and important to balancing “present danger” in the poems. The “sad trombone” and “highs of panic” brightened by “glints of light.”
Ultimately, the poet seeks “words that make the world look like what it feels like.” In a dark time, Sally Ashton finds her “way with a pen.”
Listening to Mars by Sally Ashton. Cornerstone Press, February 2024.
Reviewer bio: Jami Macarty is the author of The Long Now Conditions Permit, winner of the 2023 Test Site Poetry Series Prize, forthcoming fall 2024, and The Minuses (Center for Literary Publishing, 2020), winner of the 2020 New Mexico/Arizona Book Award – Poetry Arizona. Jami’s four chapbooks include The Whole Catastrophe, forthcoming summer 2024 from the Vallum Chapbook Series, and Mind of Spring (Vallum, 2017), winner of the 2017 Vallum Chapbook Award. To learn more about Jami’s writing, editing, and teaching practices visit her author website.
