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Book Review of Memory Piece by Lisa Ko

Review by Kevin Brown

Lisa Ko’s second novel follows three Asian-American women—Giselle, Ellen, and Jackie—who meet as teenagers, then remain close for the rest of their lives, though they see each other infrequently. Giselle becomes a performance artist, Ellen transforms a house she and others squatted into a type of communal living space, and Jackie revolutionizes the tech industry, careers and passions that seem far removed from one another.

However, they are all creators of some sort, even artists, though the world seems bent on preventing them from becoming so. They encounter sexism and misogyny, racism, and capitalist expectations, working together and separately to overcome (or simply thwart) those barriers and demands, to find success in their own ways. Ko moves the novel from the 1980s of their teenage years all the way to a future beyond their deaths to explore the ways in which they impact their world and how they become the women they need to be to survive and thrive in that world.

Underneath their different pursuits, they are all trying to answer the same questions that all artists are trying to answer, the questions Giselle knows an interviewer is really asking her: “HOW DO YOU LIVE (HOW DARE YOU LIVE) WHAT DO YOU DO (WHAT SHOULD WE DO) HOW DO WE LIVE HOW DO WE DIE WHAT DO WE NEED TO HEAR.”

Ko’s novel provides three different answers to those questions, but, more importantly, it asks the readers to find the answers in their lives.


Memory Piece by Lisa Ko. Riverhead Books, March 2024.

Reviewer bio: Kevin Brown has published three books of poetry: Liturgical Calendar: Poems (Wipf and Stock); A Lexicon of Lost Words (winner of the Violet Reed Haas Prize for Poetry, Snake Nation Press); and Exit Lines (Plain View Press). He also has a memoir, Another Way: Finding Faith, Then Finding It Again, and a book of scholarship, They Love to Tell the Stories: Five Contemporary Novelists Take on the Gospels. Twitter @kevinbrownwrite

Book Review :: The Heaven and Earth Grocery Store by James McBride

Review by Kevin Brown

The Heaven and Earth Grocery Store, James McBride’s latest novel, centers around a small community in Pottstown, Pennsylvania, in the early and middle twentieth century. The neighborhood of Chicken Hill is changing, first from a largely Jewish area to a primarily African American one, but then even that dichotomy breaks down with a significant influx of Eastern European Jews who don’t always see the world the same way the older immigrant community does.

Moshe bridges the original divide, as he owns a theatre that once hosted vaudeville acts, but then transitioned to Black bands as demand grew. His primary employee is Nate, a Black man, who helps Moshe work across the racial divide. However, the main impetus for Moshe’s doing so is his wife, Chona, who runs the titular grocery store. She encourages (forces, really) Moshe to leave the grocery store in the neighborhood even as its demographics change, and she becomes the face of welcome to anyone who walks in.

She even makes Moshe hide Dodo, Nate and Addie’s deaf nephew, when the state comes to take him away, a decision that will lead to much of the conflict in the novel. However, Chona stands for the heaven and earth of the store, as she attempts to live out the love of God, the will of God, on earth, as it is in heaven, a message of inclusivity needed now as much as ever.


The Heaven and Earth Grocery Store by James McBride. Riverhead Books, August 2023.

Reviewer bio: Kevin Brown has published three books of poetry: Liturgical Calendar: Poems (Wipf and Stock); A Lexicon of Lost Words (winner of the Violet Reed Haas Prize for Poetry, Snake Nation Press); and Exit Lines (Plain View Press). He also has a memoir, Another Way: Finding Faith, Then Finding It Again, and a book of scholarship, They Love to Tell the Stories: Five Contemporary Novelists Take on the Gospels. Twitter @kevinbrownwrite

Book Review :: The Vaster Wilds by Lauren Groff

Guest Post by Kevin Brown

The premise of Lauren Groff’s latest novel, The Vaster Wilds, is simple: a girl runs away from a settlement in Colonial America for reasons the reader will discover later in the book. The storyline moves between her attempts to stay alive in an unwelcoming environment and her past life as a servant. Those two situations are not as different from one another as they initially seem.

While Groff tells a believable story about a girl several hundred years ago, she is just as interested in talking about what it means to be a female in the twenty-first century. One of the few times the girl encounters anybody outside the settlement, she sees two Indigenous men. When Groff writes, “And she was chilled to her soul, for it was reflexive, for she feared the fate of women anywhere, women caught alone on a dark street in a city, in a country lane far from human ears, in any place where there were no other people nearby to witness,” she could be describing everyday life for women.

Groff also reminds readers of men’s insatiable need to own and dominate, whether that’s women or land. Near the end of the novel, the narrator reflects, “The men of her own country had always felt this nothing deep within them; . . . it gave them a need to set their boots upon everything they saw.”

Groff is writing about what it means to be a woman in America today, living in fear of what men might do to them while watching what men do to the world around them.


The Vaster Wilds by Lauren Groff. Riverhead Books, September 2023.

Reviewer bio: Kevin Brown has published three books of poetry: Liturgical Calendar: Poems (Wipf and Stock); A Lexicon of Lost Words (winner of the Violet Reed Haas Prize for Poetry, Snake Nation Press); and Exit Lines (Plain View Press). He also has a memoir, Another Way: Finding Faith, Then Finding It Again, and a book of scholarship, They Love to Tell the Stories: Five Contemporary Novelists Take on the Gospels. Twitter @kevinbrownwrite

South of Superior

Ellen Airgood’s debut novel South of Superior is categorized first under “self-realization in women” and secondly under “Michigan Fiction.” Such categories never tell the full story. Certainly there is a female main character, but she is for much of the book unsympathetic and certainly not a superwoman, and the novel’s delight is in the realism of all the vividly portrayed characters and of Michigan life in a place like Grand Marais, here renamed McAllaster. All Michiganders (not just women) should relish this book for the reliving of this state’s recognizable features and lifestyles.

Continue reading “South of Superior”