In the introduction to the inaugural issue of Boat Magazine, Editor Erin Spens writes, “We got a few blank stares when we told people we were picking up our 8-month-old studio and moving it to Sarajevo for a month to make a magazine. We suspected there were a few reasons for the confusion; magazines seem to be a dying art form, moving a brand new business in the middle of a recession is ludicrous, and Sarajevo? Where is Sarajevo? Precisely.”

The concept for Boat Magazine is a fresh one. Travel to “forgotten cities,” dock there for a month and set up a publication studio that pulls together “the most talented people we know; writers, photographers, illustrators, musicians… gave them a blank canvas, and set them loose on the streets” to create a magazine focused on that host city. Sarajevo is their first stop on this new venture.

The magazine features works by Dave Eggers, Jasmin Brutus, Lamija Hadžiosmanović, Ziyah Gafić, Max Knight, Sarah Correia, Jasmin Brutus, Zoë Barker, Davey Spens, Milomir Kovačević, Danis Tanović, Lara Ciarabellini, Bernie Gardner, Enes Zlatar Bure, Jonathan Cherry, Sam Baldwin, Neno Navaković, Agatha A. Nitecka, and Sophie Cooke.

The Quotable is a quarterly online and print magazine “showcasing tomorrow’s quote-worthy authors.” Each issue will feature short stories, essays, poetry and artwork based on a specific theme and quote. The first issue is available online at no cost, and in print, epub, mobi both for single issue purchase and subscription.

The inaugural issue features works by A.J. Kandathil, Eddie Jones, Brooke Bailey, Jasmon Drain, Chris Wiewiora, Joseph Pravda, Rob McClure Smith, Bruce Bischoff, Alicia Dekker, William Zebulon Peacock, and Don Campbell.

Behind the scenes of The Quotable are Editors Eimile Denizer, Lisa Heins, and Leslye PJ Reaves, Poetry Editor Deborah Preg, Art Editor Michael Reid, Associate Editor Mary Wilt, and Copy Editor Cassie Pinner.

The Quotable accepts submissions during the following reading periods:

December 1 – February 1 : Spring Issue
March 1 – May 1 : Summer Issue
June 1 – August 1 : Fall Issue
September 1 – November 1 : Winter Issue

Unless otherwise noted, each issue will be centered around a theme. The next theme for Issue III is Transformation: “The universe is transformation; our life is what our thoughts make it.” ~Marcus Aurelius

The Quatable accepts flash fiction (under 1,000 words), short fiction (under 3,000 words), creative nonfiction (under 3,000 words), poetry (up to three submissions of one poem per submission), art and photography.

The folks at Chamber Four (C4), in addition to their book review and book news website, and on the heels of their fiction anthology of the web’s best stories, have launched their own literary magazine. C4 Magazine features fiction, nonfiction, poetry and artwork and is available in print ($12) and online and in various ebook formats for free: PDF, ePub, and Mobi. You can also get Issue 1 at Smashwords, Barnes and Noble, Diesel eBooks, on Stanza apps on iPhone and iPad, and on the Nook app on Android and other devices (in apps, search for “C4 issue 1”). Coming soon to the Kobo and Sony Reader ebookstores.

Issue 1 includes fiction by Gregory Blake Smith, Bilal Ibne Rasheed, Margaret Finnegan, Kim Henderson, Michael Henson, Anne Leigh Parrish, Ron Koppelberger; nonfiction by Marc Levy, Terra Brigando, M.J. Fievre; poetry by D.H. Sutherland, Gale Acuff, William Doreski, Yaul Perez-Stable Husni, Shannon C. Walsh, Luca Penne, Julian Smith-Newman, Katelyn Kiley, Daniel Lawless, Jenn Monroe, Greg Hewett; artwork by Ganesha Balunsat, Eleanor-Leonne Bennett, Guillermo Esteves, Dennis van Dijk, Christoph Zurbuchen, Sandro Garcia, Christopher Woods, Paivi Salonen, Ivo Berg.

C4 Magazine is open for submissions for its second issue: fiction (short stories, flash fiction); nonfiction (personal essays, memoir excerpts, travel writing); poetry (traditional, experimental); digital visual art (anything 2D and static, i.e. pictures, drawings, etc.). Deadline: July 1, 2011

Twice yearly in print and online (aXmag), The Jackson Hole Review publishes fiction, essays, poetry and visual arts emphasizing themes relative to the West in a broad sense: “Small towns and mountain towns from the Rockies to the Great Smokies share their quest for the American identity with the neighborhoods of the Midwest and the coasts, whether city or suburb.”

The inaugural Spring 2011 issue is themed Connect/Disconnect. Author Kim Barnes has observed, “There are so many ways in which the West – or at least the idea of the West – is a study in contradictions. We are both nomadic and desirous to put down roots… We want both community and isolation.”

Contributors include Diana Smith, Kirk Vandyke, Jacob Routzahn, Patty Somlo, Tricia Louvar, Caroline Treadwell, Jessica S. Tanguay, Sarah Wang, Courtney Gustafson, Dulco Jacobs, Elizabeth Tinker, Nicole Burdick, Linda Hazen, Marcia Casey, Susan Marsh, Devin Murphy, Jennifer Minniti-Shippey, Cal Grayson, Alexandra Rose Kornblum, Thomas Macker, and Mike Bressler.

Behind the scenes, Jackson Hole Review is made up of Editor-in-Chief Matthew Irwin, Managing Editor Amy Early, Art Director Benjamin Carlson, Associate Editors Benjamin Bombard and Robyn Vincent, Contributing Editors Nicole Burdick, Marcia Casey, Robin Early, Linda Hazel, Sarah Kilby, and Publisher Mary Grossman, Planet Jackson Hole, Inc., Jackson, Wyoming.

Edited by Peter Lucas, Abigail Wheetley and Amy Graziano, Prime Mincer publishes fiction, creative non-fiction, and poetry in a print and e-version (Smashwords) three times a year (March, July, November). Free previews are available online.

The first issue includes works by David Cozy, Jared Yates Sexton, Rusty Barnes, Hobie Anthony, Eleanor Levine, Jackson Lassiter, John C. Mannone, JP Dancing Bear, Stephanie Dickinson, Portia Carryer, Dustin Monk, Desiree Dighton, Michael Meyerhofer, Lisbeth Davidow, Bryan Estes, Paul Kavanagh, Shawn Mitchell, Wendy Taylor Carlisle, Grace Koong, Kate Ristow, Jay Boyer, Jon Tribble, and Amy Schreibman Walter.

Prime Mincer accepts fiction and creative nonfiction submissions up to 7500 words and graphic narratives up to 25 pages (print size — 6×9).

For poetry, Prime Mincer‘s 2011 poetry contest with final judge Rodney Jones, is open until October 1. First prize is $300, publication, 10 copies, and runner-up receives $50, publication, and 5 copies. All entries considered for publication.

Editor Larry Smith has revived Caliban, now Calibanonline:

In the mid-80s, American politics and writing took a turn to the right. The great American tradition of innovative, imaginative writing, from Whitman and Dickinson through the giants of the 20th century, was overshadowed by an obsession with literary formalism. Lawrence R. Smith founded Caliban in 1986 to counter this tendency. Writers who flourished in George Hitchcock’s legendary kayak magazine, which closed in 1984, moved to Caliban: Raymond Carver, Robert Bly, Colette Inez, James Tate, W.S. Merwin, Michael McClure, Charles Simic, Diane Wakoski, Philip Levine, Louis Simpson, Russell Edson, and many others. Writers who had never published in kayak also joined the Caliban scene: William Burroughs, Maxine Hong Kingston, Jim Harrison, Wanda Coleman, Louise Erdrich, William Stafford, among a host of others. Caliban was an instant success, praised by Andrei Codrescu in a review of issues #1 and #2 on NPR’s “All Things Considered” and given a Coordinating Council of Little Magazines award for outstanding new magazine. The original Caliban was also awarded three National Endowment for the Arts grants in support of the publication costs of the magazine. The Bancroft Library of the University of California, Berkeley, purchased the Caliban archives in 1997.

In 2010, fourteen years after the physical magazine closed, Smith started an online version. It looks just like the old Caliban: it has the same design, format, and even the same typeface. You hear the sound of turning pages as you move through it in virtual space. As one artist remarked, “This is the way angels read.” In addition to the outstanding contributors that characterized the old magazine, the new Calibanonline features full color, high-resolution art reproductions throughout each issue, short art videos, and recordings of original musical compositions. In that sense, the new online version offers even more than the original.

Pictured: Issue #3 is a celebration of George Hitchcock, who died in August of 2010 at the age of 96, featuring a portfolio of his artwork and late poems, an interview with Marjorie Simon, and contributions from Robert Bly, Wanda Coleman, Ricardo Pau-Llosa, John Digby, Nancy Willard, Charles Bernstein, Ray Gonzalez, Jim Hair, Christine Kuhn, A.A. Hedgecoke, Greg Sipes, Nico Vassilakis, Thomas Lux, Marjorie Simon, Shirley Kaufman, Margaret Atwood, Tim Kahl, Stephen Kessler, William Harmon, Deanne Yorita, Robert Peters, Jack Anderson, Vern Rutsala, Lou Lipsitz, Tom Wayman and Linda Lappin.

The newest venture by A Public Space is an annual English-language version of the acclaimed literary magazine Monkey Business: New Voices from Japan. The magazine is edited by Motoyuki Shibata (curator, along with Roland Kelts, of the Focus: Japan portfolio in APS 1) and Ted Goossen.

“We offer nothing in the way of a ‘concept’ or ‘lifestyle’ aimed at a particular age bracket or social group, no useful information to help you get ahead,” write the editors. “Our inspiration for the name Monkey Business is the immortal Chuck Berry tune. No other work of art that I know of deals with the aggravations we face every day so straightforwardly and with such liberating humor. That is the guiding star we follow on this journey.”

The first issue includes literary works by Hideo Furukawa, Hiromi Kawakami, Mina Ishikawa, Atsushi Nakajima, Barry Yourgrau, Yoko Ogawa, Inuo Taguchi, Koji Uno, Masayo Koike, Shion Mizuhara, Minoru Ozawa, and Sachiko Kishimoto with translations by Ted Goossen, Jay Rubin, M. Cody Poulton, and Michael Emmerich. Also included is a manga by the Brother and Sister Nishioka, based on the story by Franz Kafka, translated by J. A. Underwood.

Twenty-five percent of all sales of Monkey Business will benefit Japan’s Nippon Foundation/CANPAN Northeastern Japan Earthquake and Tsunami Relief Fund.

Edited by Peter Lucas, Abigail Wheetley and Amy Graziano, Prime Mincer publishes fiction, creative non-fiction, and poetry in a print and e-version (Smashwords) three times a year (March, July, November). Free previews are available online.

The first issue includes works by David Cozy, Jared Yates Sexton, Rusty Barnes, Hobie Anthony, Eleanor Levine, Jackson Lassiter, John C. Mannone, JP Dancing Bear, Stephanie Dickinson, Portia Carryer, Dustin Monk, Desiree Dighton, Michael Meyerhofer, Lisbeth Davidow, Bryan Estes, Paul Kavanagh, Shawn Mitchell, Wendy Taylor Carlisle, Grace Koong, Kate Ristow, Jay Boyer, Jon Tribble, and Amy Schreibman Walter.

Prime Mincer accepts fiction and creative nonfiction submissions up to 7500 words and graphic narratives up to 25 pages (print size — 6×9).

For poetry, Prime Mincer‘s 2011 poetry contest with final judge Rodney Jones, is open until October 1. First prize is $300, publication, 10 copies, and runner-up receives $50, publication, and 5 copies. All entries considered for publication.

Three Coyotes publishes the work of our best poets, writers and artists in response to the environment, the American West, current issues, animals, the arts, imagination and survival. The staff behind the publication includes Joan Fox, editor, Judy Eddy, business manager/proofreading & editing, and Peter Schnittman, technical support/design & layout.

Issue One features fiction by Meg Files, Alex Kuo, and Gerald Vizenor, nonfiction by Joan Burbick, BK Loren, Heidi MacDonald, and Steve Pavlik, poetry by Francisco X. Alarcon, janice Gould, David Ignatow, Yaedi Ignatow, Adrian C. Louis, and Afaa Michael Weaver, and photography by Wesley Rothman and a thirteen-photograph portfolio with artist statement by Chuck Fox.

Looking ahead, Issue Two will feature an exclusive essay by Janay Brun about her experience as a whistleblower reporting the roles and actions leading to the killing of Macho B, the last known wild jaguar in the United States; an interview with a wildlife rehabilitator; an essay about rattlesnakes; and, more.

Issue Two will also include a “Subscriber Forum Topic” for essays, poems, short stories, and artwork reflecting upon the difference between hunting and killing.

These and all general submissions are accepted via email only during the months of October, November, April and May.

[Issue One Cover, Cane Creek Branch, Utah, Chuck Fox, photographer]