NewPages Blog :: New Books

Sound Fury Poetry by Mark Levine
University of Iowa Press, November 2022

Throughout Sound Fury, poems by metaphysician Robert Herrick are refashioned into phantasmagorical oddities of likeness and difference. Figures from the fringes of popular imagination—Zane Grey, Robinson Crusoe, Porfirio Díaz—surface as cobbled-together avatars on the theme of identity. Brilliantly asserting the necessity of humane and resistant modes of speech against the vapid sounds and enforced silences of orthodoxy, Sound Fury finds the poet “Now, in our former state/ In our current one/ In stately procession,” venturing forth in a world “where things of questionable being go.”

Welcome to Dragon Talk: Inspiring Conversations About Dungeons & Dragons and the People Who Love to Play It
By Shelly Mazzanoble and Greg Tito
University of Iowa Press, December 2022

If you have any D&D fans on your holiday gift lists, then Welcome to Dragon Talk is exactly what you are looking for! Hosts of the official D&D podcast, Shelly Mazzanoble and Greg Tito and their surprising guests show how this beloved pastime has amassed a diverse, tight-knit following of players who defy stereotypes. The authors recount some of their most inspiring interviews and illuminate how their guests use the core tenets of the game in everyday life. An A-list actor defends D&D by baring his soul (and his muscles) on social media. A teacher in a disadvantaged district in Houston creates a D&D club that motivates students to want to read and think analytically. A writer and live-streamer demonstrates how D&D–inspired communication breaks barriers and empowers people of color. Readers will see why Dungeons & Dragons has remained such a pop culture phenomenon and how it has given this disparate and growing community the inspiration to flourish and spread some in-game magic into the real world.

Disbound by Hajar Hussaini
University of Iowa Press, November 2022

Hajar Hussaini’s poems in Disbound scrutinize the social, political, and historical traces inherited from one’s language. The traces she finds—the flow of international commodities implied in a plosive consonant, an image of the world’s nations convening to reject the full stop—retrieve a personal history between countries (Afghanistan and the United States) and languages (Persian and English) that has been constantly disrupted and distorted by war, governments, and media. Hussaini sees the subjectivity emerging out of these traces as mirroring the governments to whom she has been subject, blurring the line between her identity and her legal identification. The poems of Disbound seek beauty and understanding in sadness and confusion, and find the chance for love in displacement, even as the space for reconciliation in politics and thought seems to get narrower.

The Woods
Short Fiction by Janice Obuchowski
University of Iowa Press, November 2022

Winner of The John Simmons Short Fiction Award, The Woods explores the lives of people in a small Vermont college town and its surrounding areas—a place at the edge of the bucolic, where the land begins to shift into something untamed. In the tradition of Elizabeth Strout’s Olive Kitteridge and Sherwood Anderson’s Winesburg, Ohio, these stories follow people who carry private griefs but search for contentment. As they try to make sense of their worlds, grappling with problems—worried about their careers, their marriages, their children, their ambitions—they also sift through the happiness they have, and often find deep solace in the landscape.

Memorandum from the Iowa Cloud Appreciation Society
Fiction by Joseph G. Peterson
University of Iowa Press, November 2022

When his girlfriend, Rosemary, asks about his life, Jim Moore, a successful salesman whose territory covers the entire continental United States and parts of Canada, doesn’t think there is anything to say and so he tells her “nothing happened,” or maybe he doesn’t know how to put it all into words or maybe he doesn’t want to. Stuck in an airport because of blizzard conditions, and packed into a crowded terminal with other travelers, Moore has come to believe that his life is not worth reporting about because it has largely been a life lived without incident. However, chance encounters with a yoga instructor, a man traveling to bury his mother, and an enigmatic woodsman reawaken long dormant emotions about his father’s suicide and cause Jim to newly reflect on his own life and on a memorandum that he later discovered in his deceased father’s papers, which lists all the names of the clouds, and which Jim now, from time to time, recants as if it were his own private kaddish to memorialize his lost father.

Butcher’s Work: True Crime Tales of American Murder and Madness
Nonfiction by Harold Schechter
University of Iowa Press, November 2022

In Butcher’s Work, Harold Schechter explores the story of a Civil War veteran who perpetrated one of the most ghastly mass slaughters in the annals of U.S. crime. A nineteenth-century female serial killer whose victims included three husbands and six of her own children. A Gilded Age “Bluebeard” who did away with as many as fifty wives throughout the country. A decorated World War I hero who orchestrated a murder that stunned Jazz Age America. While other infamous homicides from the same eras—the Lizzie Borden slayings, for example, or the “thrill killing” committed by Leopold and Loeb—have entered into our cultural mythology, these four equally sensational crimes have largely faded from public memory. A quartet of gripping historical true-crime narratives, Butcher’s Work restores these once-notorious cases to vivid, dramatic life. Harold Schechter is professor emeritus at Queens College, CUNY. Among his more than forty books are a series of historical true-crime narratives about America’s most infamous serial killers, including Hell’s Princess. He is married to the poet, Kimiko Hahn.