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Book Review :: To Free the Captives by Tracy K. Smith

To Free the Captives by Tracy K. Smith book cover image

Guest Post by Kevin Brown

In To Free the Captives, poet Tracy K. Smith brings her lyrical writing style to the essay form, as she explores what it means to be Black in America today. Rather than straightforward essays laying out an argument, though, Smith uses parts of her life—her marriage and motherhood, for example—as entry points into meditations on the world as she experiences it.

She ruminates on the difference between being Free (white) and Freed (Black) throughout the collection, as she reminds readers that the past is as present as ever, for good and ill. She draws on the lineage she knows and delves into her family history, but she also looks to the broader Black culture for ancestors who can support her and the other Freed, as they continue to shape lives of meaning and beauty.

This approach isn’t metaphorical for Smith, as she feels those who have come before her speaking to her and guiding her in who she should be and who she could yet become. Her subtitle of “A Plea for the American Soul” reminds readers that both the Free and Freed must live in and through this past, as we all seek to create a present and future together; ignoring the past will only deepen the divide that has always existed in the American soul.

To Free the Captives by Tracy K. Smith. Alfred A. Knopf, 2023.

Reviewer bio: Kevin Brown has published three books of poetry: Liturgical Calendar: Poems (Wipf and Stock); A Lexicon of Lost Words (winner of the Violet Reed Haas Prize for Poetry, Snake Nation Press); and Exit Lines (Plain View Press). He also has a memoir, Another Way: Finding Faith, Then Finding It Again, and a book of scholarship, They Love to Tell the Stories: Five Contemporary Novelists Take on the Gospels.

Sponsored :: New Book :: Dead Men Cast No Shadows

cover of Sergio Ramirez' Dead Men Cast No Shadows translated by Daryl R. Hague

Dead Men Cast No Shadows: The Managua Trilogy 3, Novel by Sergio Ramirez translated from Spanish by Daryl R. Hague

McPherson & Company, October 2023

Forcibly exiled to Honduras at the conclusion of No One Weeps for Me Now, Inspector Dolores Morales returns in Sergio Ramirez’s final, stand-alone volume of The Managua Trilogy, accompanied by a cast of brave priests, corrupt secret service agents, washed up former foot soldiers, and out-for-themselves vestiges of mid-century ideals, all colliding in this exuberant portrait of the depredations of oligarchs and dictators, the human cost of promises deferred, and the implacable hopes and resolve of Nicaraguans.

“Dead Men Cast No Shadows is an enormously entertaining novel about responses to perfidy in high places by one of the most prominent writers in the Spanish-speaking world. It is a courageous act of political defiance; Ramírez has paid a painful price for simply putting pen to paper to tell the truth. . . . He examines a shameful period in Nicaraguan history through the lens of a police/detective yarn and he succeeds magnificently.”— Brooks Geikan, The Arts Fuse

Now living in exile in Spain, Sergio Ramirez is the only Central American author ever to be awarded the Cervantes Prize, the highest honor in Spanish language letters.

Book Review :: The Future by Naomi Alderman

The Future by Naomi Alderman book cover image

Guest Post by Kevin Brown

The Future, Naomi Alderman’s latest novel, is set in a near-future America that’s dominated by three tech companies: Fantail, Anvil, and Medlar. Those companies are a clear combination of social media sites (ranging from Facebook to TikTok), Apple, and Amazon, and their three leaders echo attributes of Jeff Bezos, Elon Musk, Mark Zuckerberg, and Steve Jobs.

I would like to say that the fictional companies are doing far more damage to Alderman’s world than their real-life inspiration, but I could only say that for certain because Alderman lets readers know what her CEOs are actually up to. They’re preparing for the end of the world, as was Martha Einkorn — who was raised in a cult that focused on preparing for the end of the world, but who has become the assistant for the CEO of Fantail — and Lai Zhen, a survivalist who’s become famous thanks to her online presence.

They meet and begin a relationship that is complicated by the billionaires’ seeming desire to bring about the end of the world as they know it. Alderman’s satire of our technology-obsessed world and the egos that run it is spot on, but she also creates characters worth caring about.

Readers won’t just want the world to continue because they want to see the tech leaders lose, but because they want Martha and Lai Zhen to live on.

The Future by Naomi Alderman. Simon and Schuster, November 2023.

Reviewer bio: Kevin Brown has published three books of poetry: Liturgical Calendar: Poems (Wipf and Stock); A Lexicon of Lost Words (winner of the Violet Reed Haas Prize for Poetry, Snake Nation Press); and Exit Lines (Plain View Press). He also has a memoir, Another Way: Finding Faith, Then Finding It Again, and a book of scholarship, They Love to Tell the Stories: Five Contemporary Novelists Take on the Gospels.

Book Review :: Dear Park Ranger by Jeff Darren Muse

Dear Park Ranger by Jeff Darren Muse book cover image

Guest Post by Susan Kay Anderson

Imagine zoning out during a campfire talk at a National Park, wondering what the ranger’s life is really like during their off-hours. . . This book of essays satisfies some of that curiosity as Jeff Darren Muse takes readers through his life’s journey. Muse offers the ins and outs of his profession through carefully constructed prose and is very entertaining in his telling. In his chapter “SAR Talk,” Muse describes being behind the counter while his co-rangers pack up gear: “The counter is important, I tell myself. The lead ranger put me here because I’m good with people. […] I’ve got a shiny badge that looks like a toy. I’ve got a buzz cut, a thinning hairline. I’m in my own damn storm. On a ledge. Stuck.” Here, Muse is talking about his own anger that has put him “on a ledge.” This writing explores how Muse rescues himself by acknowledging what is around him and what and who has traveled before him. Gary Snyder is one of his role models, and Muse shares private thoughts and experiences walking in Snyder’s footsteps, traveling further and further into ranger adventures.

Dear Park Ranger by Jeff Darren Muse. Wayfarer Books, May 2023.

Reviewer bio: Susan Kay Anderson lives in southwestern Oregon’s Umpqua River Basin. Her long poem “Man’s West Once” was selected for Barrow Street Journal’s “4 X 2 Project” and is included in Mezzanine (2019). Anderson also published Virginia Brautigan Aste’s memoir, Please Plant This Book Coast To Coast (2021).

Editor’s Choice :: Tandem

Tandem: A Novel by Andy Mozina book cover image

Tandem: A Novel by Andy Mozina
Tortoise Books, October 2023

In Andy Mozina’s novel Tandem, Mike Kovacs is an economics professor who’s trying to get over a bitter divorce. He is barely on speaking terms with his only child. And he has just killed two bicyclists in an inebriated hit-and-run at a deserted Michigan beach.

Claire Boland’s daughter is one of the victims. She’s racked with guilt over what she might have done differently as a parent. Her marriage is buckling under the weight of the tragedy. And yet there’s one person who seems to understand the magnitude of her grief—her neighbor, Mike Kovacs.

Tandem is a dark comedy about two lives that intersect in the most awful way possible. Mozina’s novel details the absurd lengths people go to avoid uncomfortable truths. It’s an exploration of the weight of guilt and the longing for justice—and the extreme lengths we will go to for love.

Andy Mozina is the author of the novel Contrary Motion (Spiegel & Grau) and two story collections: Quality Snacks was a finalist for the Flannery O’Connor Award, and The Women Were Leaving the Men won the GLCA New Writers Award. He teaches literature and creative writing at Kalamazoo College.

Editor’s Choice is not a paid promotion; selections are made solely at the discretion of the editor; descriptions are from the publisher’s website. To discover more great books from small, independent, and university presses, visit the NewPages Guide to Publishers as well as our Books Received monthly roundup. Subscribe to our weekly newsletter to stay up to date!

Book Review :: Songs From The Dementia Suitcase by Karen Massey

Songs From The Dementia Suitcase by Karen Massey book cover image

Guest Post by Susan Kay Anderson

In response to Karen Massey’s Songs From The Dementia Suitcase, I wonder who would want these songs, let alone be handed this suitcase, when the whole world is at odds with memory (past wrongs/wars/devastation)? Well, what I found inside this excellent work was a surprise in the form of a short poem of found material called “Two Blue Songs,” which Massey notes uses Virginia Woolf’s “The Waves” as a source text. “Two Blue Songs” is folded into narrative poems having to do with family and caregiving. Not that the work is bereft of these; what surprises me is the wonderful short parts to it, divided “1.” and “2.” which look a little old-fashioned, yet so familiar and comforting when the poem glides into the unknown: “all the world thick with swans” and “it is summer it is winter.” Stumbling upon this poem was a moment of grace and understanding, if such a thing can be said of the understanding of dementia and its stealth. It is so, so difficult to write about dementia without sounding sappy or drippy. Maybe the key to what this is all about is indeed in waves and the soothing nature of water.

Songs From The Dementia Suitcase by Karen Massey. above/ground press, August 2023.

Reviewer bio: Susan Kay Anderson lives in southwestern Oregon’s Umpqua River Basin. Her long poem “Man’s West Once” was selected for Barrow Street Journal’s “4 X 2 Project” and is included in Mezzanine (2019). Anderson also published Virginia Brautigan Aste’s memoir, Please Plant This Book Coast To Coast (2021).

Sponsored :: New Book :: Dirty Suburbia

cover of Dirty Suburbia, a book by Sara Hosey

Dirty Suburbia, Fiction by Sara Hosey

Vine Leaves Press, January 2024

The stories in Sara Hosey’s stunning collection, Dirty Suburbia, trace the lives of girls and women struggling to live with dignity in a world that often hates them.

Dirty suburbias are working-class neighborhoods in which girls who are left to fend for themselves sometimes become predators, as well as affluent communities in which women discover that money is no protection against sexism, both their own and others’.

Book Review :: Where Are the Snows by Kathleen Rooney

Where Are the Snows by Kathleen Rooney book cover image

Guest Post by Susan Kay Anderson

Kathleen Rooney’s, Where Are the Snows, is dedicated “To the future.” This book of prose-influenced poems seems longer than seventy-three pages. Mainly consisting of long sentences reaching across the page like obsessions, it is beautifully made, with attractive cover and front matter graphics. The Table of Contents seems demure because of its scallop-edged border. Line breaks are not of concern here. Instead, being entertaining is. Underneath the jokes and ironic spins, Rooney blends advice column writing with poetry. Each poem is about a fact or observation and explores every facet as far as the imagination will go. In “The Point in Time or Space At Which Something Originates,” Rooney explores “newness,” the word “new,” and “beginnings.” She writes: “Can beginner’s luck apply from moment to moment? Not sure, but I hope so.” I wouldn’t go as far as saying she uses the techniques of stand-up comedians, but elements are here in what gets turned around. In the poem, “Foretelling the Future by a Randomly Chosen Passage from a Book,” Rooney concludes: “Quick! Somebody give me another assignment. Somebody tell me that what we do matters.” Rooney’s book matters. Laughing during the pain of life matters.

Where Are the Snows by Kathleen Rooney. Texas A&M University Press, September 2022.

Reviewer bio: Susan Kay Anderson lives in southwestern Oregon’s Umpqua River Basin. Her long poem “Man’s West Once” was selected for Barrow Street Journal’s “4 X 2 Project” and is included in Mezzanine (2019). Anderson also published Virginia Brautigan Aste’s memoir, Please Plant This Book Coast To Coast (2021).

Sponsored :: New Book :: Strange Attractors

cover of Strange Attractors: The Ephrem Stories by Janice Deal

Strange Attractors: The Ephrem Stories, Fiction by Janice Deal

New Door Books, September 2023

In Janice Deal’s linked story collection, everyday people navigate the uncertainties of life in the American heartland, seeking order in chaos with a very human mix of resilience and folly.

At first glance, the fictional Ephrem, Illinois, seems a friendly, familiar town—it draws you right in, even if you don’t need supplies at the mall or a snack at Brat Station. But as you come closer, you discover people who are complex and unpredictable. Life itself is capricious, and loneliness can turn a person strange. Yet there’s much affection here, small and large examples of human kindness.

For years, Janice Deal has been publishing award-winning stories about Ephrem. (Reviewers have compared them to Anton Chekhov, Sherwood Anderson, and Flannery O’Connor.) Now assembled for the first time, these extraordinary tales offer a masterful snapshot of life in today’s small-town America.

Janice Deal is the author of a novel, The Sound of Rabbits, and a previous story collection, The Decline of Pigeons. Stories from Strange Attractors have won The Moth Short Story Prize and the Cagibi Macaron Prize. Janice has also received an Illinois Arts Council Artists Fellowship Award for prose.

Book Review :: Under the Skin by Linda Villarosa

Under the Skin by Linda Villarosa book cover image

Guest Post by Kevin Brown

Linda Villarosa’s Under the Skin: The Hidden Toll of Racism on American Lives and on the Health of Our Nation exposes the overt and hidden racism that runs throughout the healthcare industry, as well as other health-related concerns—such as the influence of social and physical living conditions on mortality. Villarosa draws on the history of health and medicine to show the variety of ways the then-legalized and socially accepted racism continues to affect how healthcare professionals today see people of color, especially African Americans. What was once obvious and intentional is now built into systems, whether that’s the way research privileges the white body or medical technologies continue the bias against Black bodies. One of her main throughlines is how the medical establishment doesn’t listen to African Americans, especially women, and especially mothers. No matter what their socioeconomic status or education level, African Americans have to work to convince those in the healthcare system that their pain is real, that their suffering needs attention. Time and time again, those pleas are ignored, leading to higher rates of mortality among minority communities, again, especially in maternal deaths. Villarosa ends the book by focusing on the effects of the COVID-19 pandemic, but she also ends with hope that changes are happening, even amid such continued suffering.

Under the Skin: The Hidden Toll of Racism on American Lives and on the Health of Our Nation by Linda Villarosa. Doubleday, May 2023.

Reviewer bio: Kevin Brown has published three books of poetry: Liturgical Calendar: Poems (Wipf and Stock); A Lexicon of Lost Words (winner of the Violet Reed Haas Prize for Poetry, Snake Nation Press); and Exit Lines (Plain View Press). He also has a memoir, Another Way: Finding Faith, Then Finding It Again, and a book of scholarship, They Love to Tell the Stories: Five Contemporary Novelists Take on the Gospels. Twitter @kevinbrownwrite

Book Review :: So Late in the Day by Claire Keegan

So Late in the Day by Claire Keegan book cover image

Guest Post by Kevin Brown

So Late in the Day, Claire Keegan’s latest collection of stories is subtitled “stories of women and men.” That could just as well read, “stories of women who are trying to live their lives and men who attempt to thwart them.” The middle of three stories, “The Long and Painful Death,” originally published in 2007, tells of a writer who just wants to use her two weeks at a retreat to produce new work, but one man intrudes upon her solitude. She reverts to societal expectations of what a woman should do to entertain a guest, ruining her day. The final story, “Antarctica,” first published in 1999, is more extreme in the complications that ensue. It’s the title story, though, that is the gem of this strong collection. Keegan published it last year, and it is a story that speaks to the gender dynamics of our time. The premise is simple, as it follows a man who meets a woman, then proposes to her. However, their relationship doesn’t go as planned, and he has the opportunity to learn about the world and women, but he learns exactly the wrong lesson. Keegan’s style, as always, is sparse and powerful, much like Chekhov, her favorite writer (who makes an appearance in the middle story). Keegan creates women who want to craft meaningful lives in the world, but the men who interact with them do their best to prevent those lives from coming to fruition.

So Late in the Day by Claire Keegan. Grove Press, 2023

Reviewer bio: Kevin Brown has published three books of poetry: Liturgical Calendar: Poems (Wipf and Stock); A Lexicon of Lost Words (winner of the Violet Reed Haas Prize for Poetry, Snake Nation Press); and Exit Lines (Plain View Press). He also has a memoir, Another Way: Finding Faith, Then Finding It Again, and a book of scholarship, They Love to Tell the Stories: Five Contemporary Novelists Take on the Gospels. Twitter @kevinbrownwrite or kevinbrownwrites.weebly.com/.

New Book :: With Death, an Orange Segment Between Our Teeth

With Death, an Orange Segment Between Our Teeth by Marie-Claire Bancquart book cover image

With Death, an Orange Segment Between Our Teeth by Marie-Claire Bancquart
Translated from the French by Wendeline A. Hardenberg
Orison Books, November 2023

Marie-Claire Bancquart (1932–2019) was a prolific and prize-winning French poet, novelist, essayist, and critic. In her poetry, she combines an erudite vocabulary and references to classical literature with an earthy sensibility and a fascination with experiencing the smallest moments of everyday life fully. The deceptive simplicity of her poems lays bare the mysteries underlying the world we inhabit and our very existence. Wendeline A. Hardenberg’s careful and skillful translations are sure to broaden the audience for this significant poet as yet too little known outside of France.

To discover more great books from small, independent, and university presses, visit the NewPages Guide to Publishers as well as our Books Received monthly roundup. Subscribe to our weekly newsletter to stay up to date!

Book Review :: Good Grief, the Ground by Margaret Ray

Good Grief, the Ground by Margaret Ray book cover image

Guest Post by Jami Macarty

In Good Grief, the Ground, Margaret Ray’s debut collection, “we are in Central Florida.” It is late summer. We are coming of age, making out at the movies, sneaking into a pool, navigating gender tensions and expectations, and “no one is dead yet.” The poet writes personally of “the cusp of childhood” and adulthood and expands socio-politically to “the border / between” a “violent history / of colonialization” and what we “get away with… because” we “are white,” between queer desire and autonomy, between “this woman and wanting” “and wanting to be.” There is “a glow of danger and ferocity pulsing off” Ray’s lines, a ”buzzing-heat-made-into-sound that means” “we change // when we can name things.” But in reality “naming it’s no inoculation against / what happens in every parking lot alone at night.” There are “too many dead women.” In these poems, Ray is the one who carries both her younger and adult selves “across the threshold” where “[c]hildren are made of risk” and “someone says hysterectomy.” Whether we are children or adults, “everything / has always arranged itself into before / and after.” Everyone has to be “fluent in the grammar / of emergency.” The poems emit “the feeling of being ready to go somewhere,” but soon realize “there were never any good exit strategies.” Considering this ground of no exit, do we continue to risk “betting on anything” or do we go about “inoculating … against / hope”? Ray’s poems strive toward “self-sufficient womanhood” to “build the version where memory works,” to “feel at home in this life.” Isn’t that what we all want, dear reader? Margaret Ray’s Good Grief, the Ground “sparkles with impermanence,” “the most delicious tingling.”

Good Grief, the Ground by Margaret Ray. BOA Editions Ltd., April 2023

Reviewer bio: Jami Macarty is the author of The Minuses (Center for Literary Publishing, 2020), winner of the 2020 New Mexico/Arizona Book Award – Poetry Arizona, and three chapbooks, including Mind of Spring (Vallum, 2017), winner of the 2017 Vallum Chapbook Award. Jami’s writing has been honored by financial support from Arizona Commission on the Arts, British Columbia Arts Council, and by editors at magazines such as The Capilano Review, Concision Poetry Journal, Interim, Redivider, Vallum, and Volt, where Jami’s poems appear.

Book Review :: Apogee/Perigee by Leesa Dean

Apogee/Perigee by Leesa Dean book cover image

Guest Post by Susan Kay Anderson

Apogee/Perigee by Leesa Dean is about relationships near and far. What is the poet’s relationship to situations, people, and other everyday items? I see Dean’s poems in a creative, concrete way; and see them as points on an astrology chart, which is circular and the connecting points to various houses/states of being. This is a sacred, esoteric book of poems not to be approached offhandedly. Slowly, by studying these dialed-up, circles of potency, there is a lot revealed, as in these lines from “House of Values”:

[. . . ] movies
on repeat. ice cream on repeat.
dinner at bedtime. toys kept in
Crown Royale bags.

At first, I did not get that these were astrology charts. They looked like maps with scroll and script writing. When I went back and examined them, it was plain as can be. In these lines, Dean remembers her grandmother’s teachings:

[. . . ] her eyes lit like
bright swans when her mouth
formed the words.

I love, “her eyes lit like bright swans” so much. I can see and feel this image. The mystery, the sacred, and the overcoming of what was endured make for careful reading. If I read nothing else, I would be satisfied.

Apogee/Perigee by Leesa Dean. above/ground press, April 2023.

Reviewer bio: Susan Kay Anderson lives in southwestern Oregon’s Umpqua River Basin. Her long poem “Man’s West Once” was selected for Barrow Street Journal’s “4 X 2 Project” and is included in Mezzanine (2019). Anderson also published Virginia Brautigan Aste’s memoir, Please Plant This Book Coast To Coast (2021).

New Book :: The Capture of Krao Farini

The Capture of Krao Farini by Nay Saysourinho book cover image

The Capture of Krao Farini by Nay Saysourinho
Ugly Duckling Presse, September 2023

The Capture of Krao Farini is part Turing test, part circus flyer. Written in the imagined voice of Krao Farini, a real sideshow performer brought to the United States at the turn of the 20th century, the book dissolves the line between algorithm and spectacle to reveal the ultimate consolation prize – to be acclaimed as human enough. Nay Saysourinho is a writer, visual artist, and recipient of a 2023 Baldwin for the Arts Fellowship. She was previously a Rona Jaffe Fellow at MacDowell and a Short Fiction Scholar at Tin House Winter Workshop. She holds a Berkeley Fellowship from Yale and has received support from Kundiman, The Writers Grotto, and the Tucson Festival of Books Literary Awards.

To discover more great books from small, independent, and university presses, visit the NewPages Guide to Publishers as well as our Books Received monthly roundup. Subscribe to our weekly newsletter to stay up to date!

Book Review :: Let Us Descend by Jesmyn Ward

Let Us Descend by Jesmyn Ward book cover image

Guest Post by Kevin Brown

Let Us Descend, Jesmyn Ward’s latest novel, like other neo-slave narratives—Colson Whitehead’s The Underground Railroad, Toni Morrison’s Beloved, and Ta-Nehisi Coates’ The Water Dancer— uses the mystical and the magical in her portrayal of slavery. Annis is separated from her mother and sold further South into even more brutal conditions. One way she survives is by drawing on the spirits of wind, water, and earth, as well as her ancestors. However, Ward doesn’t use these supernatural elements to make Annis’ existence easier; in fact, Annis often argues with these spirits about what they have done and where they have failed her or her family. Annis must ultimately rely on herself and those around her in order to survive and find a way to exist in a brutal system that consistently tries to break every bond she has, including the one with herself. Ward focuses more on the psychological and emotional effects of slavery than she does the physical abuse, though that’s certainly present. She is more concerned with Annis’ inner life and her relationships with her family and others who are enslaved than she is with recreating the brutality of the system. She ultimately wants to celebrate the resilience of the human spirit rather than relying on the supernatural spirits to provide an unrealistic survival for Annis.

Let Us Descend by Jesmyn Ward. Scribner, October 2023.

Reviewer bio: Kevin Brown has published three books of poetry: Liturgical Calendar: Poems (Wipf and Stock); A Lexicon of Lost Words (winner of the Violet Reed Haas Prize for Poetry, Snake Nation Press); and Exit Lines (Plain View Press). He also has a memoir, Another Way: Finding Faith, Then Finding It Again, and a book of scholarship, They Love to Tell the Stories: Five Contemporary Novelists Take on the Gospels. Twitter @kevinbrownwrite

November 2023 eLitPak :: New Release from Regal House

cover of Kevin Carey's Junior Miles and the Junkman from Regal Publishing's Fitzroy Books imprint
click image to view flyer

Perfect Book for Middle Grade to Adults

Get your copy of Kevin Carey’s Junior Miles and the Junkman today!

“A tender, transformative novel for all who sometimes feel they don’t fit in, for anyone who’s ever been struck down by scamming or bullying, and for anyone who ever suffers profound pangs of loss—you will never forget this terrific story.”
—Naomi Shihab Nye, Young People’s Poet Laureate of the United States 2019 – 2021

Want early access to our eLitPak flyers? Subscribe to our weekly newsletter! You can also support NewPages with a paid subscription and get early access to the majority submission opportunities, upcoming events, and more before they are posted to our site.

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Book Review :: Meltwater by Claire Wahmanholm

Meltwater by Claire Wahmanholm book cover image

Guest Post by Jami Macarty

In Meltwater, Claire Wahmanholm buoys her poems between the loss of a child and glacial ice melt, between “wail / and wishing.” Her poems read like a glossary of “every passing catastrophe,” acknowledging that everything is “made of / vanishing.” And, the poet is “living,” “alive / to notice,” asking, What are the implications of artistic fertility and motherhood when we are killing Earth? Perhaps because the “clock is about to start,” poetic form and sequence are important aspects of Meltwater. In the abecedary poems “O,” “M,” “P,” and “XYZ,” there is an alliterative and assonating accumulation “between mist and milk.” In opposition, words melt “white letters of dread invisible against / their surface of snow” in the eight erasures entitled “Meltwater.” In another series that makes use of variations of the statement “Everything Will Try to Kill You,” Wahmanholm invokes Lucille Clifton’s poem “won’t you celebrate with me.” In her poem, Clifton asserts “something has tried to kill me / and has failed,” but Wahmanholm admits she has “no plan to keep the chemicals separate / from the lake, the acid separate from the rain, the bird from the glass.” A series of four other poems entitled “Glacier” recounts visiting “the bright blue undersides turning over and over in the bay,” which “sounds like a metaphor but isn’t.” Wahmanholm is “talking about water.” The glacial ice melt and sea level rise that will flood coastal areas. Unlike other writers who write about climate crises, I get the feeling Wahmanholm does not write to either avert or despite disaster. Wahmanholm writes “to be ready for whatever [is] left of the world” and what “we suffer the empty universe for.”

Meltwater by Claire Wahmanholm. Milkweed Editions, March 2023.

Reviewer bio: Jami Macarty is the author of The Minuses (Center for Literary Publishing, 2020), winner of the 2020 New Mexico/Arizona Book Award – Poetry Arizona, and three chapbooks, including Mind of Spring (Vallum, 2017), winner of the 2017 Vallum Chapbook Award. Jami’s writing has been honored by financial support from Arizona Commission on the Arts, British Columbia Arts Council, and by editors at magazines such as The Capilano Review, Concision Poetry Journal, Interim, Redivider, Vallum, and Volt, where Jami’s poems appear.

Book Review :: How To by Heather Cadsby

How To by Heather Cadsby book cover image

Guest Post by Susan Kay Anderson

The prose poems in How To by Heather Cadsby are hilarious, and their titles are satisfying enough, let alone the bodies of the poems. Some examples: “How to catch flamboyant bohemians,” “How to tell if it’s different,” and “How to look at a broken fountain.” Each one offers its own non-advice and leads me to hunger for more.

I love how Cadsby plays with expectations. These poems offer surprises that are language-based without being frustrating to read. They are LOL poems, as in this line from “How to know if your venn diagram is pentimento”:

Golf is geometry as is burlesque.

These are funny and my mind creates illustrations or comic images to go with them as I read. I am challenged by this as a reader and also immensely entertained. Not a lot of poetry is funny. Many times, when poets try to be funny, they start rhyming or sound like Dean Young imitators (even though that is a good thing). Thank goodness to have read Cadsby’s inventions, I say to myself, wondering how I will manage to set this book down and get my mind back.

How To by Heather Cadsby. above/ground press, September 2023.

Reviewer bio: Susan Kay Anderson lives in southwestern Oregon’s Umpqua River Basin. Her long poem “Man’s West Once” was selected for Barrow Street Journal’s “4 X 2 Project” and is included in Mezzanine (2019). Anderson also published Virginia Brautigan Aste’s memoir, Please Plant This Book Coast To Coast (2021).

New Book :: High Lonesome

High Lonesome: Poems by Allison Titus book cover image

High Lonesome: Poems by Allison Titus
Saturnalia Books, October 2023

High Lonesome by Allison Titus is a radio left on in a candlelit room, playing softly into the shadows as the hours fall through the evening. Interruptions of static, a slow confetti of grief drifting into the corners, mysterious white noise dispatches. Here is a meditation on estrangement—from an other, from the world, from the self—and its long aftermath spent learning how to cultivate tenderness and devotion in a world “where nobody / is tender enough,” a practice that alternates between sorrow and transcendence. These poems are little ceremonies of attention to a variety of lonelinesses, both human and non-human.

To discover more great books from small, independent, and university presses, visit the NewPages Guide to Publishers as well as our Books Received monthly roundup. Subscribe to our weekly newsletter to stay up to date!

Book Review :: White Cat, Black Dog by Kelly Link

White Cat, Black Dog by Kelly Link book cover image

Guest Post by Kevin Brown

White Cat, Black Dog, Kelly Link’s collection of short stories, draws from Grimm’s fairy tales and uses them as inspiration for new stories. Some of those new stories are quite contemporary, while some read very much like the fairy tales that inspire her—most are a mix of that feeling. For example, the final story, “Skinder’s Veil” is based on “Snow-White and Rose-Red,” but it tells the story of Andy, a graduate student who hasn’t been working on his dissertation. A friend from graduate school offers him a three-week housesitting job at a rural home in Vermont. There are rules, though, in that he must welcome anybody who comes to the back door, but not the front door, including Skinder himself (who seems to be Death, but that isn’t clear). As in fairy tales, Link purposefully omits important information, leaving it to the reader to decide who some characters are or what particular events or places mean. In “The White Road” (based on “The Musicians of Bremen”), for example, the white road seems to be some portal to another place, but it could also simply be the evil that exists within each of us. Though Link has modernized some of the settings and plots from Grimm’s collection of tales, humanity never seems to change.

White Cat, Black Dog by Kelly Link. Random House, October 2023.

Reviewer bio: Kevin Brown has published three books of poetry: Liturgical Calendar: Poems (Wipf and Stock); A Lexicon of Lost Words (winner of the Violet Reed Haas Prize for Poetry, Snake Nation Press); and Exit Lines (Plain View Press). He also has a memoir, Another Way: Finding Faith, Then Finding It Again, and a book of scholarship, They Love to Tell the Stories: Five Contemporary Novelists Take on the Gospels. Twitter @kevinbrownwrite

New Book :: The Hurricane Book

The Hurricane Book A Lyric History By Claudia Acevedo-Quiñones book cover image

The Hurricane Book: A Lyric History by Claudia Acevedo-Quiñones
Rose Metal Press, October 2023

In The Hurricane Book, Claudia Acevedo-Quiñones pieces together the story of her family and Puerto Rico using a captivating combination of historical facts, poems, maps, overheard conversations, and flash essays. Organized around six hurricanes that passed through the island with varying degrees of intensity between 1928 and 2017, The Hurricane Book documents the myriad ways in which colonialism—particularly the relationship between the United States and the island—has seeped into the lives of Puerto Ricans, affecting how they and their land recover from catastrophe, as well as how families and citizens are bound to one another. Through accounts of relatives, folklore, and necessary escape, Acevedo-Quiñones illuminates both the tenderness and heartbreak of bonds with family and homeland.

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Book Review :: Once These Hills by Chris McGinley

Once These Hills by Chris McGinley book cover image

Guest Post by Ashley Holloway

Set in 1898, Chris McGinley’s rural noir saga Once These Hills introduces the reader to life in eastern Kentucky on Black Boar Mountain, a world relatively untouched by modernization. Gaining momentum quickly, this story follows protagonist Lydia King, then aged 10, as she navigates life in a world that favors only the few. By championing strong female characters throughout the book, McGinley emphasizes the hardships of life in the early part of the twentieth century in rural Appalachia and how survival truly was reserved for the fittest.

As life starts to change on Black Boar Mountain, McGinley explores the relationship between big business and politics where the arrival of the Railway Company and its single-minded pursuit of advancement serves as a brilliant metaphor for our North American history of colonialism and capitalism. Through its insightful and nuanced dialogue and well-paced storyline, McGinley highlights the relationships between power, influence, and affluence, and how modernization often leaves some behind. In Once These Hills, McGinley has created a full-circle story with well-developed, three-dimensional characters, wrapping them up in a saga that successfully reminds us of the inevitability of the future; it is coming, and McGinley wants us to be prepared.

Once These Hills by Chris McGinley. Shotgun Honey, August 2023.

Reviewer Bio: Ashley Holloway gets bored easily, so she lives her life according to an ‘&.’ She teaches healthcare leadership in Calgary, AB, and is a nurse with a Master of Public Health, a graduate diploma in Global Leadership, with further studies in intercultural communication and international development. She writes in a variety of genres with work appearing across Canada and the US and has co-authored three books. Ashley is an editor for Unleash Press and her work has been nominated for the Pushcart Prize. She also really loves punctuation.

New Book :: Uncollected Later Poems (1968-1979)

Uncollected Later Poems (1968-1979) by Ernst Meister book cover image

Uncollected Later Poems (1968-1979) by Ernst Meister
Translated by Graham Foust and Samuel Frederick
Wave Books, November 2023

In these skillful new translations by poet Graham Foust and scholar Samuel Frederick, whose work has previously been shortlisted for the National Translation Award in Poetry, each line is gnomic yet ample, opening spaces of reflection on mortality and infinity. Now preserved in this portable, English-language volume, these poems from Georg Büchner Prize winner Ernst Meister’s last decade are oracular and entrancing. While the collections previously published by Wave—Of Entirety Say the Sentence (2015), In Time’s Rift (2012), and Wallless Space (2014) —provide expansive access to Meister’s late work, Uncollected Later Poems (1968–1979) delivers granular, endlessly rewarding profundities.

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New Book :: Cutting the Stems

Cutting the Stems by Virginie Lalucq book cover image

Cutting the Stems by Virginie Lalucq
Saturnalia Books, October 2023

Translated from the French, Cutting the Stems by Virginie Lalucq is a playful, long poem in sections that contains a pastiche of various unlikely influences: manuals on gardening and plant propagation, etymological dictionaries, gemstone and mineral guides, a how-to for florists, and other “un-poetic” texts. Lalucq’s poem incorporates word play, linguistic borrowings, and etymological references, and McQuerry and Bourhis’s translation captures, and, at times, reinvents, that word play for an English audience. Translated by Claire McQuerry and Céline Bourhis.

To discover more great books from small, independent, and university presses, visit the NewPages Guide to Publishers as well as our Books Received monthly roundup. Subscribe to our weekly newsletter to stay up to date!

Book Review :: Hood Vacations by Michal ‘MJ’ Jones

Hood Vacations by Michal MJ Jones book cover image

Guest Post by Susan Kay Anderson

I love seeing the various styles/forms of poems in Hood Vacations by Michal “MJ” Jones and the way they’re never the same from one to the next. This variety shows hard work and willingness to bend. I especially admire how one moment we could be skirting Nate Mackey’s style in Double Trio, and then the next poem is like a small concentration in the mode of Tom Clark. Filled with backslashes, “Turnstiles” is a one-stanza poem about the author’s young son. It is interesting to see how the use of this punctuation flips readers through Jones’ narrative in the poem:

[. . . ] He’s exhausted bones/by nautical
twilight I gaze/between crib bars/brown skin/in deepening dusk

Societal and racial violence, family issues, birth, identity, and travel to hot springs are topics Jones makes fascinating through restrained telling that turns wild, full of expletives and eroticism. I appreciate that there are longer poems here. “Channelings” is seven pages long, in seven sections, so it is a pleasure to read in such a sensible layout and such a relief to see and read a poem this way. Hood Vacations is a break with something to show for, something to keep us there. Exquisite!

Hood Vacations by Michal ‘MJ’ Jones. Black Lawrence Press, January 2023.

Reviewer bio: Susan Kay Anderson lives in southwestern Oregon’s Umpqua River Basin. Her long poem “Man’s West Once” was selected for Barrow Street Journal’s “4 X 2 Project” and is included in Mezzanine (2019). Anderson also published Virginia Brautigan Aste’s memoir, Please Plant This Book Coast To Coast (2021).

Book Review :: a beautiful rebellion by Rita Bouvier

a beautiful rebellion by Rita Bouvier book cover image

Guest Post by Jami Macarty

Rita Bouvier invokes Linda Hogan’s belief from The Radiant Lives of Animals (Beacon Press, 2020): “The cure of susto, soul sickness, is not found in books.” And yet this Métis writer gives readers a beautiful rebellion, a book “carrying ancestral memories of the land,” and “adding to the story / like old times around the fire / giving thanks always giving thanks.” The ethos here: “as long as we have more to enjoy / than another we have responsibility / to lift each other again / and again.” In odes, elegies, “call it prayer if you want” or “an invocation for the sick and the dying,” Bouvier’s are poems that both “ponder the murky waters of truth and reconciliation” and “the massive weight of colonial history” as well as celebrate the “new greening of spring” and praise her “relative’s warm hands,” “crying out / marrsî my relatives!” As Bouvier strives “to wash away the pain and sorrow / as right renewal,” “her questions are very simple / who counts? what counts?” Bouvier suggests that to find answers, we must “look beyond ourselves to others / human and non-human / with whom we share this marbled blue and green planet.” With “wild rose” and “the scent of sage enveloping” in a beautiful rebellion, Rita Bouvier offers readers “a gift of renewal / / understanding that language is the sinew / connecting us to a life force” and “when we tire… / … / a bed of mustard-yellow dandelions.”

a beautiful rebellion by Rita Bouvier. Thistledown Press, April 2023.

Reviewer bio: Jami Macarty is the author of The Minuses (Center for Literary Publishing, 2020), winner of the 2020 New Mexico/Arizona Book Award – Poetry Arizona, and three chapbooks, including Mind of Spring (Vallum, 2017), winner of the 2017 Vallum Chapbook Award. Jami’s writing has been honored by financial support from Arizona Commission on the Arts, British Columbia Arts Council, and by editors at magazines such as The Capilano Review, Concision Poetry Journal, Interim, Redivider, Vallum, and Volt, where Jami’s poems appear.

New Book :: 11

11 by Carlos Soto-Román book cover image

11 by Carlos Soto-Román
Ugly Duckling Presse, September 2023

The title of Carlos Soto-Román’s 11 evokes the “other” September 11: Chile’s September 11, 1973, when Augusto Pinochet led a military coup to oust the democratically elected government of Salvador Allende and inaugurated a brutal 17-year dictatorship. Assembled from found material such as declassified documents, testimonies, interviews, and media files, 11 immerses readers in the State-sponsored terror during this period and the effects it would continue to have on Chile. The poetry in this book adopts the form of collage, erasure, and appropriation, the language emerging from censorship and suffocation as experienced under military rule. Soto-Román’s work asks us to understand the past through what has been covered up, to reflect on the spoken and unspoken pieces that interact to create a collective memory. How does censorship translate into another language when translation already involves so many degrees of selective removal? This collaborative version in English, taken on by eight translators, attempts to answer that question and provide a means to reflect on the relationship between writing, trauma, and politics.

To discover more great books from small, independent, and university presses, visit the NewPages Guide to Publishers as well as our Books Received monthly roundup. Subscribe to our weekly newsletter to stay up to date!

New Book :: I am the dead, who, you take care of me

I am the dead, who, you take care of me by Anthony McCann book cover image

I am the dead, who, you take care of me by Anthony McCann
Wave Books, November 2023

The poems in Anthony McCann’s I am the dead, who, you take care of me are acutely aware of the ways in which language communes the living and the dead. Following the poet’s recent prose work on the historical and ecological conflicts of the American West, these poems are necrosocial biomes where the living play dead and the dead bite back. Here we find that the past is “a perfect copy of the land./ But with all the panic of the meat.” By situating himself among lyric poets such as Jack Spicer, John Ashbery, and Amiri Baraka, McCann reveals how poetry can be both an unnerving and enlivening sort of devotion. “I want life—but for the living” he writes. By turns playful, mournful, and darkly humorous, these works ultimately leave us emboldened in their wake.

To discover more great books from small, independent, and university presses, visit the NewPages Guide to Publishers as well as our Books Received monthly roundup. Subscribe to our weekly newsletter to stay up to date!

Book Review :: Heating the Outdoors by Marie-Andrée Gill

Heating the Outdoors by Marie-Andrée Gill book cover image

Guest Post by Jami Macarty

Heating the Outdoors, an intimate lyric written by Marie-Andrée Gill and tenderly translated from the French by Kristen Renee Miller, is a “love story like all others.” As a result, the poems balance precariously between “simple happiness” and “storm damage.” More pointedly, Gill writes: “love is a virgin forest / then a clear cut.” The reader enters at the “clear cut,” then follows Gill through three phases of her love story as she experiences break-up, objectivity, and rebound. Throughout the collection, there is the feeling that Gill is “writing to survive” after “turbulent intimacy.” Despite the colonization of her heart, there is “something” in her that “keeps a lamp on”; something beseeches “where do I even begin to switch off my hopes”? It may be hope that prevents acceptance and leads to the repetition of “old dramas” and “sex bombs reigniting” once again. The poems do not provide an easy answer, but they do reflect how the constant battle for a woman’s sanity and autonomy inside a love relationship is analogous to skating on thin ice. In Heating the Outdoors, Gill determines that the woman not “end up in an asylum,” but instead “seeking [her] place somewhere out on the trail” in the boreal forest. “Outside is the only answer I found inside,” she writes. Turning toward a new intimate, nature’s “aspen,” “elk,” “bright paths of snowflakes,” Gill, an Ilnu and Québécoise woman, begins to “feel worthy of its / voice” and her own.

Heating the Outdoors by Marie-Andrée Gill translated by Kristen Renee Miller. Book*hug Press, March 2023.

Reviewer bio: Jami Macarty is the author of The Minuses (Center for Literary Publishing, 2020), winner of the 2020 New Mexico/Arizona Book Award – Poetry Arizona, and three chapbooks, including Mind of Spring (Vallum, 2017), winner of the 2017 Vallum Chapbook Award. Jami’s writing has been honored by financial support from Arizona Commission on the Arts, British Columbia Arts Council, and by editors at magazines such as The Capilano Review, Concision Poetry Journal, Interim, Redivider, Vallum, and Volt, where Jami’s poems appear. More at https://jamimacarty.com/

New Book :: DEGREES OF ROMANCE

DEGREES OF ROMANCE by Peter Krumbach book cover image

DEGREES OF ROMANCE by Peter Krumbach
Elixir Press, January 2023

DEGREES OF ROMANCE by Peter Krumbach won the 2022 Elixir Press Antivenom Poetry Award. As contest judge Candice Reffe describes the book, these dazzling prose poems are a portal into “a realm where some great secret is to be divulged, the gate to what’s been sought but never found briefly ajar.” Enter. Details of ordinary life—the scraping of a spoon, the “fat blue mailbox bolted to a sidewalk”—shimmer like auras the poet reads in the world around us. Part observation, part divination, the poems send messages in invisible ink that appear when you tip them to the sun, the dispatch you’ve been waiting for.

To discover more great books from small, independent, and university presses, visit the NewPages Guide to Publishers as well as our Books Received monthly roundup. Subscribe to our weekly newsletter to stay up to date!

Book Review :: The Alta Vista Improvements by rob mclennan

rob mclennan image

Guest Post by Susan Kay Anderson

There must be an angst category in poetry called urban angst poetry when you realize you live in a city but have been feeling and acting like you are in the countryside. Maybe that’s not the case, here, exactly. More like pandemic angst, which the entire planet can relate to. rob mclennan’s Alta Vista Improvements is a place where such a realization occurs and is one of above/ground press’ unique pamphlets churned out in Canada. Here are a few lines in the titular poem in Section 5, which I loved reading:

[. . . ] this through-line
of patchwork housing, outcrop. A craft

of optimism, ignorance. The internet
equally bears each alphabet.

This is delicious writing! mclennan highlights the loss of the family goldfish through multiple fish, multiple losses; something is wrong in the picture of domesticity. What is it? We don’t exactly find out, yet travel the off-road territory with mclennan and enjoy every moment. In “Summer, pandemic,” as he waits for us in the car, his loyalty goes above and beyond to the complicated:

[. . . ] I perch in precooked car
awaiting our cat, in his follow up appointment
to recent dental extraction [. . . ]

Will life get itself all sorted out? In The Alta Vista Improvements, we sit and ponder (and hope) in all the wreckage.

The Alta Vista Improvements by rob mclennan. above/ground press, February 2023.

Reviewer bio: Susan Kay Anderson lives in southwestern Oregon’s Umpqua River Basin. Her long poem “Man’s West Once” was selected for Barrow Street Journal’s “4 X 2 Project” and is included in Mezzanine (2019). Anderson also published Virginia Brautigan Aste’s memoir, Please Plant This Book Coast To Coast (2021).

New Book :: The Engineers

The Engineers: Poems by Katy Lederer book cover image

The Engineers: Poems by Katy Lederer
Saturnalia Books, October 2023

In her long-anticipated fourth collection, The Engineers, Katy Lederer draws on the newfangled languages of reproductive technology, genetic engineering, and global warming to ask the age-old questions: What is “the self”? What is “the other”? And how to reproduce “one’s self”? In poems that are both lyrical and playfully autobiographical, Lederer imagines form as a kind of genetics, synthesizing lines out of a rigorous constraint. Things can go wrong. The body—or poem—malfunctions, evacuating crucial parts of itself (miscarriage), or growing too aggressively or quickly (cancer). The body—or poem—attacks or even eats itself (autoimmune dysfunction; autophagy). Written almost entirely in the choral “we,” the poems move among the perspectives of the bewildered parent, the unborn child, and the inscrutable God who looks down upon the human world.

To discover more great books from small, independent, and university presses, visit the NewPages Guide to Publishers as well as our Books Received monthly roundup. Subscribe to our weekly newsletter to stay up to date!

New Book :: Ascent of the Mothers

Ascent of the Mothers by Noelle Kocot book cover image

Ascent of the Mothers by Noelle Kocot
Wave Books, November 2023

Ascent of the Mothers, Noelle Kocot’s ninth collection, is a sagacious testament to the ways in which poetry can shape personhood. “I am nothing” they write, “Or else I have made myself / Too big for words.” The scope of this book is marked by Kocot’s psychic journey punctuated by a near-fatal car crash, which elicited a new understanding of their spirituality and gender nonconforming identity. Generous, self-aware, and resilient, Ascent of the Mothers is a treasure to behold and be shared.

To discover more great books from small, independent, and university presses, visit the NewPages Guide to Publishers as well as our Books Received monthly roundup. Subscribe to our weekly newsletter to stay up to date!

Sponsored :: New Book :: 2024… Your Year of More

cover of 2024... Your Year of More by Noah William Smith

2024… Your Year of More by Noah William Smith

Self-published, October 2023

2024… Your Year of More is your go-to book to set goals and mindfully invest your efforts. It appeals to adults of all ages, nationalities, and backgrounds who wish to improve their lives. Its pages are packed with something special for everyone.

The pages contain practical ideas from A to Z, thought-provoking questions, and self-reflective exercises that inspire you to live your best life.

The book is an ideal companion during your moments of solitude. You can read it in the early morning before the rest of the world wakes up or during the evenings after a long day. You may also find it enjoyable while writing in your journal or taking a lunch break.

Enthusiastic indie author Noah William Smith knows the blessings and challenges of intelligence, creativity, high sensitivity and being a minority, underdog and outsider. While his books are based on his experiences, they offer valuable insights without being prescriptive or offering advice.

The book’s authenticity and invaluable insights make it a compelling read that will remain relevant for many years!

Are you considering investing in yourself or searching for the perfect gift for someone special? Enjoy this life-changing book that you cannot afford to miss!

Sponsored :: New Book :: They Write Your Name on a Grain of Rice

cover of They Write Your Name on a Grain of Rice by Lori Jakiela

They Write Your Name on a Grain of Rice: On Cancer, Love, and Living Even So, Memoir by Lori Jakiela

Atticus Books, October 2023

They Write Your Name on a Grain of Rice—the latest book from award-winning Pittsburgh author Lori Jakiela—is much more than a cancer memoir. It’s a pause between polarities. Cancer is almost an afterthought. Inspired by Amy Krouse Rosenthal’s Encyclopedia of an Ordinary Life, it celebrates the tiny moments that make up a time capsule of a life.

A weirdly funny book about mortality, Rice is also about family, genetics, nature vs. nurture, the Rust Belt, EPA clean-up zones, emotional support peacocks, box turtles, Emily Dickinson, Lynyrd Skynyrd, Andy Warhol(a), and so much more. A fresh voice aligned with the work of classic stream-of-consciousness writers like Richard Brautigan and Virginia Woolf, Jakiela explores the way a mind works—complete with leaps and spirals—while reflecting on a life thoroughly lived against a dire breast cancer diagnosis.

Half new and selected essays, half spiraling memoir, Rice is experimental in both voice and form, and offers a fresh approach to age-old questions about life, love, mortality, and the fine art of living, even so.

Book Review :: A Sky of Paper Stars by Susie Yi

A Sky of Paper Stars by Susie Yi book cover image

A Sky of Paper Stars by Susie Yi is both satisfyingly predictable and enticingly surprising. The story centers on middle-schooler Yuna and her attempt to detach from her Korean identity and fit in among her American schoolmates. Not finding the acceptance she craves, Yuna wishes to return to Korea, a place she left when she was just a baby and visited infrequently.

Memories of her halmoni (grandmother) and the stories her mother tells her about growing up there make Yuna believe she would be better off living in Korea. She makes the dreaded wish to return as she folds her 1000th tiny origami star and blames herself when news comes of her halmoni’s death. Burdened with the guilt that she has brought this untimely end, Yuna’s hand seems to turn to paper. Yuna travels to the funeral in Korea where she meets family she cannot even remember and who share memories of their halmoni that Yuna has no part in, causing her to feel even more isolated. As the shame over her wish grows, the transformation of her body to paper begins to creep up her arm. The only remedy, Yuna decides, is to complete an unfinished jar of paper stars her grandmother began folding. Once she reaches 1000, Yuna believes her wish will be reversed, and her halmoni will be restored.

Flashbacks in the novel shift from full-color images to blue or sepia tones, while the remaining present-day images throughout use deep, rich hues and dark brown rather than black linework to create a warmer overall tonality to the story. There are beautifully rendered full bleed pages to represent dream/surreal/imagination (I could envision a whole wordless book of these works by Yi). It’s these more fantastical elements of the story that help connect three generations of women and set the final emotional tone of the novel. The ending is heartwarming and surprising, enticing the reader to close the book and start all over again.

A Sky of Paper Stars by Susi Yi. Roaring Book Press, September 2023.

Reviewer bio: NewPages.com Editor Denise Hill reviews books based on personal interest.

Book Review :: Wellness by Nathan Hill

Wellness by Nathan Hill book cover image

Guest Post by Kevin Brown

In Wellness, Nathan Hill has written a novel that is of its time, while still being timeless. In exploring the particularly American obsession with wellness and improvement, what he is really excavating is the power and peril of stories. His second novel follows Jack and Elizabeth, a couple who fell in love at first sight in 1993, and who are negotiating their marriage after just over two decades of being together. They tell themselves stories about their marriage, as well as their childhoods, hoping to make sense of their lives. Hill weaves minor characters’ stories in, as well: Jack’s father becomes obsessed with conspiracy theories; Elizabeth’s friend Brandie hosts a group that believes one can manifest happiness by speaking it into the universe; and Kate and Kyle, a couple who find meaning through polyamory and a critique of monogamy. While Hill satirizes each of these characters—and more, especially the postmodern cultural conversation in academia in the 1990s, one of the most humorous sections of the novel—he also understands why they (and we) need stories at all. When Elizabeth seems ready to turn to nihilism, wondering if anything is real, her mentor tells her, “Believe what you believe, my dear, but believe gently. Believe compassionately. Believe with curiosity. Believe with humility. And don’t trust the arrogance of certainty.” That’s good advice for our divided country and world, now and anytime anyone might pick up this novel.

Wellness by Nathan Hill. Alfred A. Knopf, September 2023.

Reviewer bio: Kevin Brown has published three books of poetry: Liturgical Calendar: Poems (Wipf and Stock); A Lexicon of Lost Words (winner of the Violet Reed Haas Prize for Poetry, Snake Nation Press); and Exit Lines (Plain View Press). He also has a memoir, Another Way: Finding Faith, Then Finding It Again, and a book of scholarship, They Love to Tell the Stories: Five Contemporary Novelists Take on the Gospels. Twitter @kevinbrownwrite or kevinbrownwrites.weebly.com/.

New Book :: The Best American Newspaper Narratives

The Best American Newspaper Narratives, Volume 10, Edited by Gayle Reaves, University of North Texas Press book cover image

The Best American Newspaper Narratives, Volume 10
Edited by Gayle Reaves
University of North Texas Press, September 2023

This anthology collects the ten winners of the 2022 Best American Newspaper Narrative Writing Contest at UNT’s Mayborn Literary Nonfiction Conference. First place winner: Jason Fagone, “The Jessica Simulation: Love and Loss in the Age of A.I.,” about one man’s attempt to still communicate with his dead fiancée (San Francisco Chronicle). Second place: Jenna Russell, Penelope Overton, and David Abel, “The Lobster Trap” (The Boston Globe and Portland Press Herald). Third place: Jada Yuan, “Discovering Dr. Wu” (The Washington Post). Runners-up include works by Lane DeGregory, Christopher Goffard, Evan Allen, Mark Johnson, Annie Gowen, Peter Jamison, and Douglas Perry.

To discover more great books from small, independent, and university presses, visit the NewPages Guide to Publishers as well as our Books Received monthly roundup. Subscribe to our weekly newsletter to stay up to date!

New Book :: The JAB Anthology

The JAB Anthology edited by Johanna Drucker & Brad Freeman book cover image

The JAB Anthology edited by Johanna Drucker & Brad Freeman
University of Iowa Press, October 2023

The Journal of Artists’ Books: Selections from the Journal of Artists’ Books, 1994–2020 contains some of the best critical writing on artists’ books produced in the last quarter of a century. Driven by the editorial vision of artist Brad Freeman, JAB began as a provocative pamphlet and expanded to become a significant journal documenting artists’ books from multiple perspectives. The JAB Anthology contains contributions by many renowned figures in the field including Anne Moeglin-Delcroix, Janet Zweig, Monica Carroll, Adam Dickerson, Alisa Scudamore, Mary Jo Pauly, April Sheridan, Doro Boehme, Gerrit Jan de Rook, Océane Delleaux, Brandon Graham, Jérôme Dupeyrat, Ward Tietz, Paulo Silveira, Philip Cabau, Leszek Brogowski, Lyn Ashby, Tim Mosely, Debra Parr, Pedro Moura, Levi Sherman, Catarina Figueiredo Cardoso, Isabel Baraona, and the editors.

To discover more great books from small, independent, and university presses, visit the NewPages Guide to Publishers as well as our Books Received monthly roundup. Subscribe to our weekly newsletter to stay up to date!

Book Review :: A knife so sharp its edge cannot be seen by Erin Noteboom

A knife so sharp its edge cannot be seen by Erin Noteboom book cover image

Guest Post by Jami Macarty

In A knife so sharp its edge cannot be seen, Erin Noteboom positions readers on the fine line between the “sting and sweetness” of “lives in depth and distance.” This is a poet interested in demarcations and definitions, where memory meets metaphor, perspective meets specifics, and recombination implies structure. The poet repeatedly flips a coin, showing readers one side, then the other, revealing the enigma where one concept begins and another ends. Within the poems, the mysteriously undefinable is proximal to the scientifically discoverable. Wilhelm Röntgen, who developed X-rays, and Marie Curie, who discovered radium and polonium, are among the scientists Noteboom’s poems present to readers. The poems, like these scientists, are focused on the interplay between light, shadow, and darkness that permits new, profound, and various forms of seeing, as “the eye is lighthouse.” Such a quest for “the sensation of light” and the “struggle for another label” inevitably has a cost. “For such a cost, there must be benefit / that is the equation of science,” writes Noteboom, who determines as a writer, “I want to use my life up / like a pencil. I want to eat stone and leave behind / the shell of a word I live inside, / something open.” Noteboom’s poetry examines “the cost / of the beauty. The beauty of the cost.” The poems mark readers with their exploration of science’s brilliance, life’s radiance, and what it is “to write at the end of the world.”

A knife so sharp its edge cannot be seen by Erin Noteboom. Brick Books, April 2023.

Reviewer bio: Jami Macarty is the author of The Minuses (Center for Literary Publishing, 2020), winner of the 2020 New Mexico/Arizona Book Award – Poetry Arizona, and three chapbooks, including Mind of Spring (Vallum, 2017), winner of the 2017 Vallum Chapbook Award. Jami’s writing has been honored by financial support from Arizona Commission on the Arts, British Columbia Arts Council, and by editors at magazines such as The Capilano Review, Concision Poetry Journal, Interim, Redivider, Vallum, and Volt, where Jami’s poems appear. More at https://jamimacarty.com/

New Book :: Interior Landscape

Interior Landscape by Mirta Rosenberg book cover image

Interior Landscape by Mirta Rosenberg
Translated by Yaki Setton and Sergio Waisman
Ugly Duckling Presse, September 2023

Mirta Rosenberg (1951-2019) is a key poet of the ’80s generation in Argentina. In Interior Landscape, Rosenberg explores questions of life and death, of changes experienced in one’s body through time and the resulting changes in perspective. These poems contemplate the dislocation of the self, posing questions about the relationship between subjectivity, perception, the body, and memory. Rosenberg’s voice is at once autobiographical and critical, displaying the interior landscapes of its experience as well as the complex ways that language forms a fundamental part of that experience. Originally published in Spanish in Argentina in 2012, Interior Landscape is the first book-length translation of Rosenberg’s poetry to be published in English.

To discover more great books from small, independent, and university presses, visit the NewPages Guide to Publishers as well as our Books Received monthly roundup. Subscribe to our weekly newsletter to stay up to date!

New Book :: Tinted Trails

cover of literary magazine Tint Journal's anthology Tinted Trails: Exploring Writers in English as a Second Language

Tinted Trails: Exploring Writings in English as a Second Language edited by Lisa Schantl, Filippo Bagnasco, Andrea Farber, and Chiara Meitz
Tint Journal, November 2023

Literary magazine Tint Journal celebrates its five-year anniversary with the release of Tinted Trails, the first ever printed anthology entirely dedicated to those who write in English as a second language (ESL). This collection offers both authors and readers the chance to meet via the medium of the English language, in a whirl of perspectives, sensibilities, and idiolects.

The book showcases fiction, nonfiction, and poetry previously published online on Tint Journal and a selection of so far unpublished texts from well-established translingual voices. The breadth and the possibilities of the English language are unlocked by the variety of cultural, geographical, and personal experiences of these writers, each adding a crucial contribution to the present and future development of multilingual literature. Topical introductions by Marjorie Agosín and Juhea Kim add weight and context to the collection, while the themed sections that bring together the various texts—Belonging, (lm)Migration, Upheaval, Identities—guide the reader through the peculiarities of this fundamental collection of ESL writings. A further layer is created through the artworks curated by Vanesa Erjavec and her own text illustrations.

With its origin in such a rich and diverse literary and cultural environment, Tinted Trails proudly joins the ever-growing landscape of global literature in English.

The anthology will be presented at a festival of the same name this November in Graz, Austria, and beyond where participants can experience the variety of ESL literature with authors from all over the globe, try translingual writing themselves at a workshop, and get involved in discussions about literature, art, and life in-between it all.

To discover more great books from small, independent, and university presses, visit the NewPages Guide to Publishers as well as our Books Received monthly roundup. Subscribe to our weekly newsletter to stay up to date!

Book Review :: Excisions by Hilary Plum

Excisions by Hilary Plum book cover image

Guest Post by Susan Kay Anderson

I’m attracted at once to the cover of Excisions by Hilary Plum. It is one of those famous tapestries from Medieval times, “The Unicorn Surrenders to a Maiden,” which is part of The Unicorn Tapestry series. That theme is theorized to represent Christ (with the unicorn being hunted) and the Crucifixion/Courtly Love. The titular long poem and section weaves in and out of the world of the Unicorn Tapestry and comes face-to-face with real-life situations and circumstances that Plum shows readers. The poet seems like the maiden, then like the wounded and dying unicorn, and then like the hound who has attacked the unicorn. Each line of Plum’s poems is precise and layers itself against the next line so that each creates a huge, whole image. These are such a mix of old and new, as in these lines from “If a gun disappears it reappears”:

…like
heaving stones no archeologist
schooled in empire
declines…

The images Plum creates are intriguing and captivating. I don’t know what to do with so many of them but to go back again and again to meditate and dream.

Excisions by Hilary Plum. Black Lawrence Press, October 2022.

Reviewer bio: Susan Kay Anderson lives in southwestern Oregon’s Umpqua River Basin. Her long poem “Man’s West Once” was selected for Barrow Street Journal’s “4 X 2 Project” and is included in Mezzanine (2019). Anderson also published Virginia Brautigan Aste’s memoir, Please Plant This Book Coast To Coast (2021).

New Book :: The Shining

The Shining by Dorothea Lasky book cover image

The Shining by Dorothea Lasky
Wave Books, October 2023

As labyrinthine as its namesake, Dorothea Lasky’s The Shining is an ekphrastic horror lyric that shapes an entirely unique feminist psychological landscape. Lasky guides readers through the familiar rooms of the Overlook Hotel, both realized and imagined, inhabiting characters and spaces that have been somewhat flattened in Stephen King’s novel or Stanley Kubrick’s film adaptation. Ultimately, Lasky’s poems point to the ways in which language is always haunted—by past selves, poetic ancestors, and paradoxical histories.

To discover more great books from small, independent, and university presses, visit the NewPages Guide to Publishers as well as our Books Received monthly roundup. Subscribe to our weekly newsletter to stay up to date!

Indie Bookstores Rock!

Photograph of the staff inside indie bookstore The Open Book located in Warrenton, Virginia

Indie bookstores are cozy nooks to enjoy with the onset of fall, and NewPages Guide to Independent Bookstores in the U.S. and Canada is a great resource for finding local independent bookstores both in your own area and as you travel. There is no better way to get to know a city than to check in with their local indie bookstore(s). For authors and publishers, our list is a great resource for finding sales outlets and reading venues to promote your books.

NewPages.com currently lists only brick-and-mortar stores (no online-only, pop-up, mobile, comics-only shops, or shops with books as a side business). We offer free enhanced listings in our Guide to Independent Bookstores to help booksellers connect with book lovers, so you can find a lot of info for many of the stores.

If we’re missing any stores you know about, drop us a quick note!

[Thanks to our friends at The Open Book in Warrenton, VA, for the lovely staff photo!]

Book Review :: Deep Are These Distances Between Us by Susan Atefat-Peckham

Guest Post by Jami Macarty

Deep Are These Distances Between Us: Poems by Susan Atefat-Peckham book cover image

In an act of personal yearning, Editor Darius Atefat-Peckham offers readers his mother’s voice from beyond. In Deep Are These Distances Between Us, Iranian-American poet Susan Atefat-Peckham (1970–2004) tenders a “shining, shimmering / space” for poems prescient, prophetic, compassionate, forgiving, and ecstatic, “her hands cupped like a bowl / filled with sunlight and water and pleading.” Atefat-Peckham pleads for “words louder than the silence between them” to offer comfort to our wounded world. The poems trace “[s]hadows / we are bound by”—the Iranian state’s gender-based oppression, the Iran-Iraq War of the 1980s, Islamophobia in the aftermath of the September 11, 2001 terrorist attacks—“to speak of / and hold, to carry” and resolve, “knees snapped to the earth,” in a devotional conversation with Persian mystics.

Despite the fact that Susan Atefat-Peckham died in a car accident when her son was three years old, her mind, advocacy, heart, and soul remain “bright, burning, / and alive” in her poetry. On a day when Narges Mohammadi was awarded the Nobel Peace Prize while imprisoned for her advocacy of Iranian women’s rights and sixteen-year-old Armita Geravand was dragged unconscious from a train after being beaten for not wearing a hijab, Susan Atefat-Peckham’s poems remind us that “there is always an ear listening / in the silence.” The distances between Susan Atefat-Peckham and us may be great, yet hers is unmistakably a poetry for our perilous times. Susan Atefat-Peckham is “still / in the universe.” She lives on via her poetry, which provides readers with a “place of repeated / comfort where even scars will brighten.”

Deep Are These Distances Between Us by Susan Atefat-Peckham. CavanKerry Press, May 2023.

Reviewer bio: Jami Macarty is the author of The Minuses (Center for Literary Publishing, 2020), winner of the 2020 New Mexico/Arizona Book Award – Poetry Arizona, and three chapbooks, including Mind of Spring (Vallum, 2017), winner of the 2017 Vallum Chapbook Award. Jami’s writing has been honored by financial support from Arizona Commission on the Arts, British Columbia Arts Council, and by editors at magazines such as The Capilano Review, Concision Poetry Journal, Interim, Redivider, Vallum, and Volt, where Jami’s poems appear. More at https://jamimacarty.com/

New Books October 2023

drawing of a bear reading a book while sitting on a stack of books

Welcome to the end of October! Hard to believe it is here already, isn’t it? With the ending of October comes our monthly breakdown of all the wonderful new and forthcoming titles that NewPages has received during the month. You can view the full list here.

If you are a follower of our blog or a subscriber to our weekly newsletter, you can see several of the titles we received featured. For publishers or authors looking to be featured on our blog and social media, please visit our FAQ page.

Still haven’t gone through the complete list from September yet? No worries. You can access the archive online here.

New Book :: The Medieval Worlds of Neil Gaiman

The Medieval Worlds of Neil Gaiman: From Beowulf to Sleeping Beauty by Shiloh Carroll book cover image

The Medieval Worlds of Neil Gaiman: From Beowulf to Sleeping Beauty by Shiloh Carroll
University of Iowa Press, September 2023

Readers love to sink into Gaiman’s medieval worlds—but what makes them “medieval”? Shiloh Carroll offers an introduction to the idea of medievalism, how the literature and culture of the Middle Ages have been reinterpreted and repurposed over the centuries, and how the layers of interpretation have impacted Gaiman’s own use of medieval material. She examines influences from Norse mythology and Beowulf to medieval romances and fairy tales in order to expand readers’ understanding and appreciation of Gaiman’s work, as well as the rest of the medievalist films, TV shows, and books that are so popular today.

To discover more great books from small, independent, and university presses, visit the NewPages Guide to Publishers as well as our Books Received monthly roundup. Subscribe to our weekly newsletter to stay up to date!

Book Review :: Intaglio Daughters by Laynie Browne

Intaglio Daughters by Laynie Browne book cover image

Guest Post by Susan Kay Anderson

Okay, these are weird poems, weird-in-a-good-way weird because they excite the imagination. Browne has taken Lyn Hejinian’s [alert: L=A=N=G=U=A=G=E poetry] poems and added her own two cents to them. She has not embellished them but taken a title and then riffed on it. Each poem ends with the title (which are phrases, mostly) changed around. This adds to the meaning and feeling of what Hejinian has done. It stretches the sense of things, as in “Language is as blind as sheep”:

It begins with,

Imbroglio daughters, imbroglio mind…

concluding with,

…Language unkind and steep

This adds to what Hejinian has built, and while these poems can be seen as collaborative, they use the found material of titles and transform them into sparkling jewels of poems, turning them luxurious and dazzling.

I don’t mind combing through these with the weight of mystery that comes with the territory of oblique writing like Language Poets are famous for, and away from which many, many poets run. These are poems to run to, towards the playfully topsy-turvy.

Intaglio Daughters by Laynie Browne. Ornithopter Press, September 2023.

Reviewer bio: Susan Kay Anderson lives in southwestern Oregon’s Umpqua River Basin. Her long poem “Man’s West Once” was selected for Barrow Street Journal’s “4 X 2 Project” and is included in Mezzanine (2019). Anderson also published Virginia Brautigan Aste’s memoir, Please Plant This Book Coast To Coast (2021).