Outside the Frame Catherine Pritchard Childress EastOver Press, April 2023
The poetry in Outside the Frame by Catherine Pritchard Childress gives full-throated voice to those who are historically silenced, while bearing witness to a complex culture that both perpetuates that silence and cries out to be heard and to be seen. Seeking to subvert tradition in the pursuit of truth, these poems move seamlessly between worlds—the biblical and the contemporary, the mythical and the uncomfortably real. The speakers here reflect not the poet, but any woman, all women, from Lot’s wife to housewife—unnamed, unheard, yet unrelenting.
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The poems of Deborah Pope’s Wild Liar emerge from a fundamental engagement with the nature of memory—its shifting constructions and needs, its equilibriums and disquiets. Refracted through language rich with Pope’s distinctive lyricism and acute eye for detail, the poems plumb the experience of the passing of parents, the departure of children, the weathers of a long marriage, and an acknowledgment of mortality. Whether writing with sly humor or emotional directness, her voice compels attention—it is clear-eyed and assessing, poignant and wise.
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In Deep, Judith Sanders’ debut poetry collection shifts deftly among registers of language, from satirical to heartfelt to laugh-out-loud funny. Many of her poems delight in flights of imagination. Her observations are accurate, musical, and precise. Her politics are expressed slyly, elliptically; there’s a feminist strain, too. Her voice is unpretentiously real, whether probing everyday experiences or ultimate cosmic paradoxes. Wherever these wide-ranging poems travel, they plunge in deep.
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The poems in Daniel Klawitter’s Where Sunday Used to Be display a masterful and contemporary twist on a beloved poetic tradition that carefully employs the tools of meter, rhyme, and rhythm. Readers will find these poems to be both accessible and thought-provoking. It is rare to encounter a poet capable of such range in tone and subject matter: from the humorous to the tragic, the divine to the devilish, the author expertly blurs the lines between our notions of the sacred and the secular.
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Sacred Spells: Collected Works by Assotto Saint Nightboat Books, August 2023
In this timely collection of poetry, plays, fiction, and performance texts, Assotto Saint draws upon music and incantation, his Haitian heritage, and a politics of liberation to weaves together a tapestry of literature that celebrates life in the face of death. Influential to contemporary writers such as Essex Hemphill, Marlon Riggs, and Melvin Dixon, Sacred Spells is Saint’s crucial legacy–five hundred incandescent pages of painful, lyric writing that exemplifies the visceral, spiritual dimensions of an artistic practice that’s integral to Black and trans activist movements in the United States, both historic and present.
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The poetry in Danielle Pieratti’s Approximate Body reflects upon the dramas of domestic life with equal parts cynicism, nostalgia, and grief. Richly narrative, fragmented, and featuring a variety of landscapes suburban, tropical, and ancient, these poems affirm an intricate mix of guilt and longing, proclaiming that “if I’ve loved / anything it has not been / enough.”
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Imagine a book’s binding has dissolved. Now consider what it means when a country loses its binding: “each house / to grieve a long list / of mourners / who had no procession.” Now, dear reader, you are in the “tenacious presence” of Disbound, Afghan poet and translator Hajar Hussaini’s debut. Disbound’s inquiry: What binds self, family, and nation after war? The nation: Afghanistan, where “the state of affairs chauffeurs the thousands / out of place.”
The poems of Disbound offer “an inventory / / of memories” and the demographics of immigration: “four in ten would leave given the opportunity.” The lives of citizens are pitted against papers and files: “shake an immigrant / and scraps of paper fall out of reality”; “father may die before the files are processed.”
Gestures of dismantling contribute to Disbound’s aesthetics. According to the end notes, several of the collection’s poems “are made of found language borrowed from” various Afghan media sources. This repurposing seems to allow the poet to subvert ideological messages while highlighting a “new gen continuum” and privileging artistic expression: “a slaughterhouse / was renovated / an art production built /… / … / against forgetting.”
Similarly, expression of female sexuality and desire “in gendered halls” is brought forward: “in this language the body / is both / alive and not.” The “manifestation of… immeasurable needs” is perhaps a disbounding from Afghan national norms, and in that way, a “gain,” if there is such a thing, from disbounding. In a book, written out of profound disconnection, Hussaini’s willingness to reconnect with language and the body “is a post-traumatic act,” is a radical act to rebound and rebind after disbound.
Disbound by Hajar Hussaini. University of Iowa Press, November 2022.
Reviewer bio: Jami Macarty is the author of The Minuses (Center for Literary Publishing, 2020), winner of the 2020 New Mexico/Arizona Book Award – Poetry Arizona, and three chapbooks, including Mind of Spring (Vallum, 2017), winner of the 2017 Vallum Chapbook Award. Jami’s writing has been honored by financial support from Arizona Commission on the Arts, British Columbia Arts Council, and by editors at magazines such as The Capilano Review, Concision Poetry Journal, Interim, Redivider, Vallum, and Volt, where Jami’s poems appear. More at https://jamimacarty.com/
The prose poems in Dear Outsiders by Jenny Sadre-Orafai explore how we are part of and stranger to our environments and to our families and how identities form by where and who we come from. Told through two siblings’ perspectives of the loss of their parents, the book is a map of isolation, longing, and what it means to be deserted and alive. Sadre-Orafai is an Iranian Mexican American poet and writer. She is the co-author of Book of Levitations and the author of Malak and Paper, Cotton, Leather. Her poetry and prose have appeared in numerous literary magazines. She co-founded Josephine Quarterly and teaches creative writing at Kennesaw State University.
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A book-length sequence of poems, Matthew Thorburn’s String tells the story of a teenage boy’s experiences in a time of war and its aftermath. He loses his family and friends, his home and the life he knew, but survives to tell his story. Written in the boy’s fractured, echoing voice—in lines that are frequently enjambed and use almost no punctuation—String embodies his trauma and confusion in a poetic sequence that is part lullaby, part nightmare, but always a music that is uniquely his. Thorburn is the author of eight poetry collections, including The Grace of Distance, a finalist for the Paterson Poetry Prize, and the book-length poem Dear Almost, which won the Lascaux Prize.
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The EastOver Anthology of Rural Stories, 2023: Writers of Color edited by Keith Pilapil Lesmeister EastOver Press, March 2023
The EastOver Anthology of Rural Stories, 2023: Writers of Color is a collection of short fiction from deep in the heart of America’s rural spaces. In this inaugural volume’s introduction, series editor Keith Pilapil Lesmeister points out that “people living in communities like mine aren’t simply thinking about the urban-rural divide, we’re living it.” He adds, “Pundits, political pollsters, politicians themselves all want to know…what’s going on out here in the sticks? What’s important to rural folks? What do we have foremost on our minds?”
The writers in this collection—all people of color—offer diverse answers. Their unique takes will, in many cases, startle readers who cling to stereotypical views of folks who live in rural America: Jinwoo Chong, Risë Kevalshar Collins, Jamie Figueroa, Libby Flores, Jane Hammons, Mark L. Keats, Laura Lee Lucas, Jennifer Morales, Tisha Marie Reichle-Aguilera, Jeanette Weaskus, and Erika T. Wurth.
In Sonnets with Two Torches and One Cliff, Robert Thomas presents eighty nontraditional sonnets that explore love and jealousy—the traditional obsessions of sonnets—from nontraditional angles. Other galaxies are jealous of Earth in these heartbreaking, funny, ecstatic, profound, and never boring poems. “What if creatures in other galaxies / have a vague sense that something is missing, / but don’t know it’s Little Richard, Shakespeare, / and cornbread with plum jam?”
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Hydra Medusa by Brandon Shimoda is part coping mechanism, part magical act, and was composed while Shimoda was working five jobs and raising a child—during bus commutes, before bed, at sunrise. Encountering the ghosts of Japanese American ancestors, friends, children, and bodies of water, it asks: What is the desert but a site where people have died, are dying; are buried, unburied, memorialized, erased. Where they are trying, against and within the energy of it all, to contend with our inherited present—and to live.
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Crimes of the Tongue: Essays and Stories by Alicia Gaspar de Alba Arte Público Press, March 2023
In Crimes of the Tongue: Essays and Stories, award-winning writer Alici Gaspar de Alba explores other “crimes of the tongue” in the essays in this volume: pochismo, or the mixing of English and Spanish, as both a family taboo and a politics of identity; the haunting memory of La Llorona, protector of undocumented immigrants and abandoned children, and her blood-curdling cry of loss and revenge; the intersection of the personal and the political in the transgressive work of Chicana/Latina artists; the sexual and linguistic rebellions of La Malinche and Sor Juana Inés de la Cruz; and the reverse coyotaje, or border crossing, of Chicana lesbian feminist theory translated into Spanish and visual art as a way of sneaking this counterhegemonic pocha poetic thought into Mexico. These essays and stories are always intellectually rigorous and often achingly personal.
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Bark On: A Novel by Mason Boyles Driftwood Press, February 2023
In Bark On: A Novel by Mason Boyles, Ezra Fogerty is an aspiring professional triathlete training out of his ma’s trailer in the eroding North Carolina beach town of Kure. When the recently disgraced celebrity coach Benji Newton shows up at his doorstep offering to train him for the Chapel Hill Ironman, Ezra accepts eagerly. Benji’s methods prove brutal and ritualistic, and seem connected to Kure’s abruptly climbing coyote population. As Ezra begins to question the logic behind his preparation, Benji invites the orphaned prodigy Casper Swayze to train with them. The diminutive Casper one-ups Ezra in every workout until suffering a disastrous injury that coincides with Benji’s disappearance, leaving Ezra to choose between caring for Casper and completing preparations for the biggest race of his career.
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Scarcely published in his lifetime, Hyatt’s work survives thanks to the intervention of poets and friends who saved his manuscripts and kept his poems in circulation. Queer in the decades before Gay Liberation; Romani; incarcerated in prisons and asylums; illiterate into adulthood: it’s tempting to read Hyatt according to the familiar script of the doomed poet, resounding with loneliness and isolation. But his poetry—“hot and tender,” funny and sad—tells another story: of love, liberatory commitment, and desire.
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Recalibrating and Other Poems by Christopher Norris Parlor Press, February 2023
These poems in Recalibrating continue Christopher Norris’s spirited exploration of the paths by which contemporary poetry might find its way out of the self-enclosed sphere of lyric subjectivity into the larger air of philosophical, ethical, political, scientific, and environmental debate. They do so through a range of formal resources, among them rhyme and meter, which Norris regards as portals of creative-intellectual discovery. Norris also deploys a great range of stanza forms and verse structures to demonstrate the variety of ways in which technique and prosody can serve not only to emphasize, deepen or qualify a point but to express thoughts and feelings beyond the communicative reach of prose discourse. These aspects of his work are subject to commentary in a concluding essay where Norris talks about his passage from literary theory to philosophy and thence to poetry, although—as the reader will soon discover—without having left those earlier interests behind.
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Diving at the Lip of the Water, Karen Poppy’s debut full-length collection of poetry, explores the mystery and beauty of nature alongside the human potential that lives somewhere beyond our imposed boundaries. While the collection shows the author’s ability to move from precise individual worlds to political critique and macro ideas about human nature, each poem offers something of a contemplative nudge. Poppy’s gentle call to action is summarized as she writes, “The poetic voice has / Invisible instructions: / Crack open in case / Of emergency.”
Perhaps we are all living that emergency and in need of the voices that stand up for the magic of existence and refuse to over-define and confine. These poems offer philosophy, relational stories, and appreciation for the natural world. They invite readers to look to the wisdom around us, in all that nourishes, urging, “Growth will come Don’t let / This slowness burden you.” Anyone looking to remember the beauty of life or hear the sweet song of voices that do not shout will find a journey and a gift in Karen Poppy’s collection.
Reviewer bio: Jen Knox is a writer based in Ohio. Her work appears in Chicago Tribune, Chicago Quarterly Review, Room Magazine, and The Saturday Evening Post. She was the recipient of the Montana Prize for Nonfiction from CutBank. Jen’s first novel, We Arrive Uninvited, was released in March 2023. Jenknox.com
NewPages receives many wonderful book titles each month to share with our readers. You can read more about some of these by clicking on “New Books” under the NewPages Blog or Books tab on the menu. If you are a publisher or author looking to be listed here or featured on our blog and social media, please contact us!
Poetry The Boxer of Quirinal, John Barr, Red Hen Press Brother Poem, Will Harris, Wesleyan University Press Chariot, Timothy Donnelly, Wave Books Dear Outsiders, Jenny Sadre-Orafai, University of Akron Press A Duration, Richard Meier, Wave Books The Flowers of Buffoonery, Osamu Dazai, New Directions Publishing Fulgurite, Catherine Kyle, Cornerstone Press Hydra Medusa, Brandon Shimoda, Nightboat Books Iggy Horse, Michael Earl Craig, Wave Books Imaginary Sonnets, Daniel Galef, Word Galaxy Press In Deep, Judith Sanders, Kelsay Books Lucky Breaks, Yevgenia Belorusets, New Directions Publishing
The poems of Ron Slate’s Joy Ride look for the connections and listen for the echoes between world events, family lore, work, mortality, and art. Slate examines the intangibility of the past by exploring the notion of storytelling itself—the stories we tell ourselves, our families, and our communities about the events that have shaped our experience.
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Named for the glassy, mazelike structures that can form underground when lightning strikes sand, Fulgurite weaves together reality and myth. Informed by fairy tales, domestic fabulism, and environmental concerns, Catherine Kyle examines gender on large and small scales. Patriarchal influences in domestic spaces are compared to patriarchal influences on national and global levels, and identity is made complex by the fusion of survival, dissociation, and promise. The collection bears witness to the grief of the everyday while simultaneously pursuing hope.
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The Middle Daughter by Chika Unigwe Dzanc Books, April 2023
When seventeen-year-old Nani loses her older sister and then her father in quick succession, her world spins off its axis. Isolated and misunderstood by her grieving mother and sister, she’s drawn to an itinerant preacher, a handsome self-proclaimed man of God who offers her a new place to belong. All too soon, Nani finds herself estranged from her family, tethered to her abusive husband by children she loves but cannot fully comprehend. She must find the courage to break free and wrestle her life back—without losing what she loves most.
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Catherine Pioli’s medical graphic memoir Down to the Bone: A Leukemia Story will make you cry. Much like Tolstoy’s “The Death of Ivan Illych,” you already know how the story ends before even turning the first page. Pioli, an illustrator and graphic designer, chronicles her journey from the diagnosis of acute leukemia to her metaphorical last breath – a touching scene where her partner leans over her in bed with a worried look but is relieved, when Catherine snores loudly, to realize she is still alive. The next two pages are blank except for the text: “Catherine drew her last breath on July 31, 2017.” Niagara Falls – because readers cannot help but follow her hope with each new diagnosis, each technical nuance explained, and drawings of cute plump little characters: red and white blood cells, platelets, stem cells, and those blasted blasts. Her self-characterizations express her range of attitudes and emotions through various stages: stubbornness, physical illness, exhaustion, not-telling-the-whole-truths to protect other’s (as well as her own) sense of hope. The lack of frames captures the lost sense of time throughout, one event melding into another. Backgrounds are simple line sketches with color on main characters and objects, the overwhelming white space a constant presence of the sterile medical environment. There is humor but far more humanity in Pioli’s story about a ‘rare’ cancer, but one that takes away a beautiful life and leaves sorrow in its wake. Pioli’s book helps touch this sweet spot in us all while educating readers about cancer and how they can help.
Down to the Bone by Catherine Piolini. graphic mundi, December 2022.
Reviewer bio: Denise Hill is Editor of NewPages.com and reviews books she chooses based on her own personal interests.
Lifeline to a Soul: The Life-Changing Perspective I Gained While Teaching Entrepreneurship to Prisoners by John McLaughlin was released this month in celebration of Second Chance Month: “On March 31, 2023, President Joseph R. Biden proclaimed April 2023 as Second Chance Month and called for observance of the month with appropriate programs, ceremonies, and activities.” For John McLaughlin, this was the perfect time to share his experiences with others. After devoting half of his lifetime transforming his start-up business into a multi-million dollar industry leader, McLaughlin set out in a new direction: to teach what he had learned to others. Due to a lack of teaching experience, his only job offer was to teach entrepreneurship to prisoners at a minimum-security camp in North Carolina. McLaughlin gradually built an effective program until a scandal involving prison officials blindsides his progress and threatens to bring his teaching career to an unceremonious end. Lifeline to a Soul takes readers inside the fence and chronicles the victories and challenges one man faced as a first-time teacher in the strange world of prison life. McLaughlin also works with Lifeline Education Connection, which offers low-cost classes to the public, allowing individuals “who have faced obstacles in their life achieve their aspirations in the areas of personal finance and entrepreneurship,” hosted by Founder Tavares James.
Queering the Border: Essays by Emma Pérez Arte Público Press, November 2022
The essays in Queering the Border by Emma Pérez reveal the influence of Gloria Anzaldúa’s scholarship; recount the controversy surrounding artist Alma López’s digital print, “Our Lady,” in which the Virgin of Guadalupe appears in a provocative bikini; and evaluate interviews with 25 LGBTQ people in the El Paso/Ciudad Juárez area to expose life on the border as a queer of color. This collection also includes short fiction and an epistolary love poem to the first feminist of the Americas, Sor Juana Inés de la Cruz, or in this case, Sor Juanx. Bringing together the work of a noted Chicanx writer and academic, this volume reinforces the body of work by LGBTQ people of color dealing with racism and sexism, conquest and colonization, power and privilege, all with a particular emphasis on the Southwest borderlands.
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A Suit of Paper Feathers by Nate Duke Parlor Press, January 2023
In A Suit of Paper Feathers, Nate Duke writes about Americana singers like Lucinda Williams and Tom T. Hall. Several poems interrogate his experiences working on farms in rural Oregon with WWOOF. The ‘farm’ poems in the manuscript are complemented by some poems about working for his mother’s environmental mitigation company in Arkansas. Duke engages these experiences through an ecocritical lens, which he also turns to broader cultural referents such as installation artist Christo.
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Ephemera by Sierra DeMulder Button Poetry, June 2023
In Sierra DeMulder’s melancholic yet beautifully hopeful poetry collection, Ephemera, she writes with the wisdom of someone who has learned to love and lose. Each poem reads delicately and elegantly, just fleeting memories on the page. Split into four sections detailing intimate experiences from the painful deaths of family members who clung to life, to passionate love she feels for her own mortal wife, DeMulder plays a sweet song by pulling on her own well-worn heartstrings. DeMulder ruminates on what will come and what will fade. Despite this impermanent nature, you can feel the tender warmth DeMulder holds for her family in every line, even the moments she wishes she could forget.
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This powerful collection of poems draws on American and African-American experimental lyric traditions, pushing language and form to their limits. Geoffrey Jacques’s poetry inspires deep thought, taking up themes of music, psychology, and literature. This work embodies the potential of poetry to forge new connections between aesthetic expression and the often onerous facts of human existence. Poems such as “Still Life” and “Detour Ahead” produce a juxtaposition of inspired poetic form and rich, complex realities of life, addressing topics of joy and love, race, class, politics, and the aesthetics of the everyday. With a contemporary and sophisticated tenor, Jacques lends his uniquely moving and provocative perspective to advancing discourse in these critical topics.
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Her Scant State by Barbara Tomash Apogee Press, March 2023
In Her Scant State, Barbara Tomash’s brilliant reworking of Henry James’s The Portrait of a Lady, the continuity and causality of the nineteenth-century novel are transformed into the isolate flecks of twenty-first-century poetry. Through excision and refashioning, Tomash has uncovered the troubling, luminous strands within the text, and provided a revelatory and radical new experience of her protagonist, Isabel. If the novelist built a world that is stable, the poet unveils a world that is fluid or broken or shifting and shimmering, in which the language has its own story to tell. When that language is set free in the poem, placed in dialogue with silence, what do we find in Her Scant State? America, men, marriage, money: the familiar detritus of our capitalism. And also a breathtaking lyricism, alive inside every word of this powerful poem.
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On the surface, I Have Some Questions For You by Rebecca Makkai looks like another addition to the true crime genre, an appearance reinforced by the fact that Bodie Kane runs a podcast devoted to true crime. She returns to the boarding school she attended as a student to teach classes on podcasting and film studies, only for one of her students to work on a podcast investigating the death of one of Bodie’s classmates. However, Makkai goes well beyond this genre—subverting it at times, in fact—to explore the patriarchal structures women have to navigate on a daily basis and the real risks to their safety that come up again and again. Makkai has written a novel that raises questions about masculinity, internet culture, true crime, feminism, privilege, and justice, but she doesn’t provide any answers, as good novels are wont to do. The impressive part is that she has done all of that while telling a compelling story with characters readers care about. Readers will want to turn the page, not to find out about one more murder or microaggression, but to see what happens to Bodie and her classmates and students. Hopefully, they’ll see the world differently by the time they find out what has happened, as well.
Reviewer bio: Kevin Brown has published three books of poetry: Liturgical Calendar: Poems (Wipf and Stock); A Lexicon of Lost Words (winner of the Violet Reed Haas Prize for Poetry, Snake Nation Press); and Exit Lines (Plain View Press). He also has a memoir, Another Way: Finding Faith, Then Finding It Again, and a book of scholarship, They Love to Tell the Stories: Five Contemporary Novelists Take on the Gospels. Twitter @kevinbrownwrite or kevinbrownwrites.weebly.com/.
A Short History of Anger by Joy Manesiotis Parlor Press, February 2023
Both a book-length poetic hybrid and a live performance, A Short History of Anger takes as its source material the Destruction of Smyrna, the Turkish army’s genocide of Smyrna’s Greek citizens in 1922, and the resulting population exchange. Used as a blueprint for state-sponsored ethnic cleansing and forced migration, The Destruction of Smyrna is an event about which the world has remained strangely silent. Governed by its musical, ritualistic construction and lament structure, A Short History of Anger attempts to excavate the legacy of genocide and displacement that has resonated from The Destruction. It is meant to be deeply affective, rather than narrative, and move in the way historical occurrences pass into the present and live through subsequent generations. A Short History of Anger combines prose and poetry, essay and verse, persona and chorus; built with many voices, layers and fractures, it employs a modern-day Greek Chorus.
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Staying Right Here by Usman Hameedi Button Poetry, April 2023
Usman Hameedi’s debut collection, Staying Right Here, is a journey in finding home. Hameedi invites readers to bear witness to vignettes of joy and hardship as he navigates finding his place in America. From an ode to Bodegas, an autobiography of his eyebrows, and elegies for lost friends, Hameedi’s thematic metaphors for family, wellness, and American biases weave a literary tapestry. Reading Usman’s work is like drinking a warm chai while watching the sunset in Brooklyn, or coming home to an aromatic Biryani. Hameedi writes with an unmistakably unique voice that is not afraid of who he is.
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Marc Vincenz’s The Pearl Diver of Irunmani charts the paths of consciousness on an aquatic journey into the heart of mind and matter. What does it mean to be alive? What does it mean to be alive preparing for death? What animates the soul moments before death? In this collection, Marc Vincenz trans-navigates the oceans of consciousness that contain all the elements of life and death. . . and rebirth. In a language that is spare and ghostly, the narrator embarks upon finding that pearl of knowledge embedded in the heart of meaning.
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Between Twilight by Connie Post NYQ Books, February 2023
In Between Twilight, Post delves deep into the difficult journeys of everyday life and intersects those with the difficult maps of the past. There are “atrocities in the body” and many ways a person can falter, fall or rise from “the hue of an unseen self.” Post explores the necessary truths, the ones we can no longer hide, the ones we’ve held on to, for too long. In these poems, the reader will more fully understand Faulkner’s “the past is never the past in never past, it’s not even dead.” The poet infuses elements of evolution, illness, astronomy, humanity, internal travels inside our bodies, and travels back in time “before shadows understood their first for light.” Post’s poems will seep into our subconscious and help us see how a room can be “dark and iridescent all at once.”
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In this memoir, The Longest Race, Kara Goucher, with Mary Pilson, tells the story of how she became a world-class runner, focusing on her time at the Nike Oregon Project. Goucher talks about the mental abuse she endured as a woman, especially the intense scrutiny of her weight and appearance, but also her pregnancy. She was in the program during the doping scandals of the early part of the century, which later led her to testify against her former coach and teammates. She endured sexual harassment and assault on several occasions. Throughout all of this mental and sexual abuse, she was trying to be one of the best runners in America and the world. Goucher’s memoir reveals the realities of what has happened at the top of various sports throughout the past few decades, especially the ways people in power have abused and ignored women. As Pilson writes in the introduction, “If you’ve ever bought a shirt or pair of shoes with a swoosh, you need to know this story. If you’ve ever tuned in to watch an Olympic final, a World Series, a Super Bowl, or any other professional sporting event, you need to know this story.” Even non-runners need to know this story.
Reviewer bio: Kevin Brown has published three books of poetry: Liturgical Calendar: Poems (Wipf and Stock); A Lexicon of Lost Words (winner of the Violet Reed Haas Prize for Poetry, Snake Nation Press); and Exit Lines (Plain View Press). He also has a memoir, Another Way: Finding Faith, Then Finding It Again, and a book of scholarship, They Love to Tell the Stories: Five Contemporary Novelists Take on the Gospels. Twitter @kevinbrownwrite or kevinbrownwrites.weebly.com/.
Before After by Owen McLeod Saturnalia Books, March 2023
From action figures to alcoholism, mental illness to mortality, devotion to divorce, Before After interrogates yet celebrates the paradoxes of living in a world both beautiful and brutal—a world, according to these poems, in which Jesus texts random emojis from the cross, people suddenly sprout wings, human hearts are replaced by Platonic machines, and caskets are shrunk down to serve as symbolic trinkets. Along this journey through the real and surreal, the works of great poets—Hopkins, Plath, Lowell, and more—are lovingly subverted in the search for novel meanings that match this world. Written by a self-taught and award-winning poet, Before After challenges, with wit and compassion, our distinctions between thinking and feeling, sacred and profane, wellness and madness, before and after.
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Far From New York State by Matthew Johnson NYQ Books, March 2023
Matthew Johnson’s second poetry volume constructs a space where the rural communities of Upstate, the suburban living of the Lower Hudson Valley, and the metropolitan landscapes of the City are woven together in a mosaic snapshot. A collection of poems where the historical and cultural traditions of New York State meet, the reader is acquainted not only with seminal figures across the cultural channels of literature, music, and sports, such as Washington Irving, Paul Robeson, and the ’86 Mets, but to the author himself. Tender, playful, and meditative, Johnson presents stories that he has lived, and shares others that have been passed down through familial storytelling around the kitchen table and cookout barbecue pit.
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Whatever’s Forbidden the Wise by Anthony Madrid Canarium Books, April 2023
In Anthony Madrid’s fourth book, Whatever’s Forbidden the Wise, the poet appraises this world “full of ancient things whose shapes and colors have changed,” as his singular, unforgettable and voice resonates in ghazals, rubai, ditties, and “gnomic stanzas.” A polymath and iconoclast, Madrid knows the names of the stars and turns their light into astonishing music.
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Tess Gunty’s debut novel, The Rabbit Hutch, is so weird and wild, with characters that can strike readers as so unlikable, I’m worried people won’t stick with it, which they definitely should, if for no other reason than her astonishing comparisons. Gunty’s title refers to a public housing unit where several of the main characters live, but it also refers to people whom society has put in a small cage, specifically people society has damaged in some way. For example, Blandine (originally Tiffany) has grown up in the foster care system and ends up living with three boys who have come up in similar circumstances, all of whom suffer from a lack of meaningful relationships. Moses and his mother—a woman who became famous as a child star on a TV sitcom—also have no real relationship, leaving Moses adrift as an adult, taking petty vengeance on those who hurt him. The novel sounds dark, and it is, overall, but not in a gratuitous manner. Instead, Gunty spends most of the book setting up the darkness—not just the characters’ immediate conditions, but also the realities of climate change and urban development—only to reveal a select few moments of light, just enough to remind readers of what is still good in the world and what can continue to be good, if only they work to make it so.
Reviewer bio: Kevin Brown has published three books of poetry: Liturgical Calendar: Poems (Wipf and Stock); A Lexicon of Lost Words (winner of the Violet Reed Haas Prize for Poetry, Snake Nation Press); and Exit Lines (Plain View Press). He also has a memoir, Another Way: Finding Faith, Then Finding It Again, and a book of scholarship, They Love to Tell the Stories: Five Contemporary Novelists Take on the Gospels. Twitter @kevinbrownwrite or kevinbrownwrites.weebly.com/.
Whether crisp and understated or capacious and kinetic, the poems in Lee Upton’s seventh collection are lyrically dexterous and reverberant. Shrewd, formally ambitious, excavating cultural myths and contradictions, these poems allow the ordinary and the supernatural to inhabit one another. The poems are often attentive to suffering: torture as it persists through centuries, the extinction of species, and the agonies of illness, grief, and the blasting of innocence are meditated upon. At the same time, in this book of mysteries, the cultivation of the redemptive energy of wit, in favor of the sensual and tender, performs as a means to resist violence.
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Rattle Poetry Chapbook Prize Winner, The Fight Journal by John W. Evans is a heartsick elegy for a failed marriage. Written in couplets that mirror the back-and-forth of two parties alternately warring with each other and struggling to hold a family together, Evans explores the depths of longing, bitterness, resignation, and hope that humanize the struggle to live and parent during and after divorce. As much a story of resolve as it is vulnerability, The Fight Journal is a bittersweet account of the complexities of connection, the power of sympathy, and the many forms that love takes in lives that continue. This chapbook currently comes free with all spring-issue subscriptions to Rattle poetry magazine. Subscribers receive four issues of Rattle and four chapbooks for $25. See their website for more information.
Two extraordinary North American poets have come together in this shared book of poetry that exemplifies the depth to which the natural world and our place in it is perceived. Whether it’s Silvia Scheibli’s ability to connect with a Latin American culture that has been so influential on her own work, or Patty Dickson Pieczka’s wanderings through the dream-like reality of her ever-deepening world, these are all poems from poets who have not only earned their words but lived them as well.
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pH of Au by Vanessa Couto Johnson Parlor Press, January 2023
Through chemistry, alchemy, citizenship, and social connections, the speaker of pH of Au navigates location and displacement, physical and otherwise. A Brazilian, a Texan, a granddaughter, a periodically long-distance partner—through her various identities, some properties of gold manifest.
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The Mare by Seth Christian Martel is a graphic novel that takes readers on a paranormal adventure with Indigo, a post-senior-year teen whose next steps are uncertain due to her rocky home life. As with any good YA story, Indigo has a best friend who is both a sidekick and a guide. Kasia is the steady rock with a summer internship and plans to go to medical school, a foil to Indigo’s widowed and now divorced alcoholic father whose need for caretaking causes Indigo to lose her job. All of these could be contributors to Indigo’s strange nightmares in which she is possessed by some ethereal being. Concern for Indigo’s health due to lack of sleep leads the two teens to explore remedies for her nightmares, or a “Mare” as they learn from a book – “the spirit of someone wronged that saps its victim’s energy at night.”
The images throughout are black and white with graywash and bold outlines that add a sense of 3-D. Blue enters as highlights in Indigo’s hair and as she transitions into her sleep-induced possessions. The full blue hue wash with white electric scribbles creates the eerie effect of paranormal embodiment. The pacing drives readers through several well-connected layers of development: teen summers, angst over outfits, indie band concerts, and crushes, but also the mystery of The Mare and Indigo’s finally coming to solve it.
My only criticism is that I wished the story was longer and more developed. There were details left unexplored that would have helped connect readers more to the main characters and repulsed us from others. The psychopathology related to The Mare is present but also underdeveloped, especially for as serious a topic as it is in our society.
This could also certainly leave room for a sequel or series. There were enough dropped clues and lesser-developed content to make The Mare a solid premier to connect with subsequent storylines, and Indigo is endearing enough to create a following.
The Mare by Seth Christian Martel. graphic mundi, March 2023.
Reviewer bio: Denise Hill is Editor of NewPages.com and reviews books she chooses based on her own personal interests.
The Exhausted Dream by Joshua Edwards Marfa Books, March 2023
Also known as A Monthly Account of the Year Leading Up to the End of the World, by AGONISTES, Prophet and Fulfiller, this is Joshua Edwards’ longish poem in iambic pentameter about Love, Television, Philosophy, Prophecy, and the transience of Worlds. It’s also about the swiftness of iambic time, as the reader’s experience of the book’s nominal subjects is secondary to their experience of time as structured in this way. Sitcoms, French restaurants, favorite museums, incense, Atlas, and Caspar David Friedrich are all grains of sand in this small, though finely shaped hourglass.
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Failures of the Poets by Anthony Robinson Canarium Books, April 2023
After more than 20 years of publishing poems in magazines and chapbook, Anthony Robinson has brought together an incredible collection for his long-awaited first full-length book, Failures of the Poets. Full of beauty, heartbreak, humor, pain, absurdity, sorrow, friendship, and love, as well as bridges, family, lakes, God, feathers, and food, this is a book brimming over with thinking and with things, as Robinson’s intense attention collides with the world. “All winter we waited / For the sun and now he’s here but will / He make it through another year?”
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Taking its name from a line in Rilke’s second Duino Elegy, “For our own heart always exceeds us,” at its core, this is a book about new love and underlying illness. A lyric pursuit of our existence among the natural world, these poems keep in mind that existence is transient. They straddle reality lines, often stepping over into dream spaces or pushing against a linear world. But they are solidly of this world, its ground and various bodies of water, where a boy can become a field and a girl can drown in the rivers of her own body. At once intimate—“I would know you in someone else’s life, someone else’s storm cellar”—and expansive—“We rape the landscape / we can see, start with what covers the light”—Osowski is a poet of language, of notice, and of inquiry. Rilke writes, “Wasn’t love and departure placed so gently on shoulders that it seemed to be made of a different substance than in our world?” Exceeds Us is interested in that substance and the notion that our lives are not singular. These poems exceed the pair at their center, they exceed the one life we’re granted, and they are not bound to the laws of our earth. “Prove how weather is not a god and I’ll believe in you.”
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Fittingly, I read Saving Time by Jenny Odell during my Spring Break and during the shift to Daylight Savings Time. The latter exemplifies Odell’s critique of time as a construct, especially one that portrays time as a series of boxes to fill. She sees such approaches to time as problematic in two ways: 1) they help create the idea that there is an inexorable future coming; 2) they reinforce systems of control. Odell draws from a variety of subjects—apocalyptic language, incarceration, productivity, climate change, and geography, for example—to reveal how those in power use time to reinforce hierarchies, often based on race, ability, or gender, but especially socioeconomics. Odell questions the assumptions embedded in such systems, such as whether one person’s hour is actually equal to another person’s, an idea that seems to be logically true, but that Odell shows to be nothing but another construct. During my Spring Break, Odell might be pleased to see, I’m not using my time productively, at least not as typical Western societies see productivity. Instead, I’m engaging in creativity for its own sake, including writing this review. Her book isn’t self-help or time management, so readers shouldn’t expect tips for living, but they should expect Odell to help them see time—and, thus, the world—differently.
Saving Time by Jenny Odell. Random House, March 2023.
Reviewer bio: Kevin Brown has published three books of poetry: Liturgical Calendar: Poems (Wipf and Stock); A Lexicon of Lost Words (winner of the Violet Reed Haas Prize for Poetry, Snake Nation Press); and Exit Lines (Plain View Press). He also has a memoir, Another Way: Finding Faith, Then Finding It Again, and a book of scholarship, They Love to Tell the Stories: Five Contemporary Novelists Take on the Gospels. Twitter @kevinbrownwrite or kevinbrownwrites.weebly.com/.
The London Revolution 1640–1643: Class Struggles in 17th Century England chronicles England’s history through the revolution in 1641–1642, which toppled the feudal political system, and its aftermath. It explores how the growing capitalist economy fundamentally conflicted with decaying feudal society, causing tensions and dislocations that affected all social classes in the early modern period. In contrast with most other works, this book posits that the fundamental driving force of the revolution was the militant Puritan movement supported by the class of petty-bourgeois artisan craftworkers, instead of the moderate gentry in the House of Commons. This is a peer-reviewed publication.
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General Release from the Beginning of the World by Donna Spruijt-Metz Parlor Press, January 2023
In General Release from the Beginning of the World, Donna Spruijt-Metz attempts to reconcile the death of the father, the lies of the mother, a hidden half-sister, and the love for a daughter – with the impossible desire to banish the past from the present. She examines shifting relationships with the holy, referred to in the book only as ‘YOU.’ She asks: “Do YOU hear / a whisper / in YOUR // constant night / -and then listen?” She breaks her own heart to touch yours.
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Explorers Kristen and Ville Jokinen met and fell in love while scuba diving in Vietnam. Ville then left his native Finland to join Kristen in Oregon and together they embarked on a life-changing two-year cycling adventure covering 18,000 miles from Prudhoe Bay, Alaska, to Ushuaia, Argentina. Despite never having cycled further than around the block, they persevered unrelenting, punishing rain and wind, altitude sickness, dog attacks, bike accidents, and countless flat tires to cycle between the ends of the earth. Kristen and Ville believe that kindness connects us to our shared humanity. They held babies, attended quinceañeras, drank pulque, played soccer, and visited schools. People in Mexico, Central America, and South America invited them into their hearts and homes, allowed them to camp in their fields and farms, and acted as personal tour guides. Kristen and Ville are love on wheels, and who doesn’t need a little more love in their lives?
