The Gay & Lesbian Review / Worldwide (The G&LR) is a bimonthly magazine of history, culture, and politics targeting an educated readership of LGBT people and their allies, publishing essays in a wide range of disciplines as well as reviews of books, movies, and plays. The newest issue celebrates “50 years ago, a mental illness was abolished,” with essays “The Kerouac Century” by Hilary Holladay, “The Curious Case of Gordon Merrick” by Andrew Holleran, “Thom Gunn, A Poet on the Move” by Alfred Corn, “Rise and Fall of the Medical Model” by Vernon Rosario, “”The Vote That ‘Cured’ Millions” by Barbara Gittings, “Inside the APA’s Decision to Delist” by Lawrence Hartmann, and “How Psychiatrists Came Around” by Jack Dresher. The publication also includes a slew of reviews as well as poetry, opinions, correspondence, and cultural calendar info. Visit their site to read limited content as well as for subscription information.
Created by and for LGBTQ+ writers and readers, Foglifter Journal aims to continue the San Francisco Bay Area’s tradition of groundbreaking queer and trans writing, with an emphasis on publishing those multi-marginalized (BIPOC, youth, elders, and people with disabilities). Publishing biannually in print with features published online on a rolling basis, the newest issue (7.2) features works by George Abraham, David Aloi, Andy Bandyopadhyay, Keally Cieslik, Lydia Elias, Elliott Gish, Ira Goga, Rigoberto González, Chinedu Gospel, Edward Gunawan, William Hawkins, Gina Hay, Nora Hikari, Mika Judge, Wenmimareba Klobah Collins, Zoe Adrien Lapa, Angelina Luo, D. Keali’i MacKenzie, Vuyelwa Maluleke, Avra Margariti, Sadie McCarney, Leslie McIntosh, Stephen S. Mills, Mallory Muratore, Chelsie Blair Nunn, Troy Oko, Claire Oleson, Molly M. Pearson, Hernan De La Cruz Ramos, Nnadi Samuel, Danie Shokoohi, Sun Tzu-ping, Alex Vigue, Syd Vinyard, Ashley Wagner, Cassandra Whitaker, Nicholas Wong, and Simone Zapata.
Their website also includes The Queer Syllabus, edited by Wesley O. Cohen and Marisa Siegel. This is a joint project with The Rumpus that allows writers to nominate works for a new canon of queer literature. “When we identify our roots, when we point to the work that shaped us as writers and as people, we demonstrate that our stories are timeless, essential, and important—and so are we.”
In a wide-ranging conversation that headlines the newest issue, World Literature Todaycelebrates Ada Limón being named the 24th Poet Laureate Consultant in Poetry to the Library of Congress. With this latest passport to great reading, the editors are also excited to launch an ambitious new editorial initiative to offer a greater number of shorter pieces to help further diversify the magazine’s coverage and facilitate reader engagement from a wider variety of cultural angles. Through literature, music, film, food, and art, WLT is finding more ways than ever to connect you to the global cultural landscape of the 21st century. This issue features fiction by Dacia Maraini and Alit Karp, poetry by Lea Nagy, Beth Piatote, Persis Karim, and Beau Beausoleil, essays by PL Henderson and Mónica Lavín, creative nonfiction by Lin Yi-Han and Philip Metres, as well as a Symposium on Octavio Paz and an interview with Xochitl Gonzalez, with lots more “mini” content as promised!
Fleas on the Dog is a collective of writers/editors publishing content for “those who are on the avant garde and outside the box,” with the newest issue (12) “dedicated to the Ukrainian saviours and the radical activist freedom loving spirits who have been so unjustly silenced by the monstrous machinery of petty, malevolent governments.” All content can be read for free online, and readers can find over seventy works of fiction, interviews, poetry, plays, and screenplays. The next issue is due in January 2023; no-fee submissions are open.
Fictive Dream is an online magazine for short stories (500-2500 words) that give an insight into the human condition. The publication features stories “with a distinctive voice, clarity of thought, and precision of language. They may be on any subject. They may be challenging, unsettling, uplifting, cryptic but, above all, they must be well-crafted and compelling.” The publication accepts submissions on a rolling basis and publishes one story every Friday and Sunday. Recent contributors include Gary Duncan, D.P. Snyder, Mike Fox, Len Kuntz, Douglas A. Wright, Sandra Arnold, A. J. Ashworth, and Jo-Anne Cappeluti. Fictive Dream also hosts the annual Flash Fiction February, featuring new flash throughout the month. Submissions are open to works 200-850 words until December 31, 2022.
Exposition Review is an independent, multi-genre literary journal that publishes narratives by new, emerging, and established writers in the genres of fiction, flash fiction, nonfiction, poetry, scripts for stage & screen, film, experimental narratives, visual art, and comics. The newest issue (Vol. VII) is themed “Flux” which means to “capture moments of change—gradual and sudden, subtle and profound, intensely personal and immensely public.”
Readers can find Fiction by Laura Freudig, Sara Landers, Mandy Shunnarah, Bernard Steeds, Kylee Webb; Flash Fiction by Carolyn Oliver, Cathy Ulrich, Lucy Zhang; Nonfiction by Jodi Scott Elliott, Charles Jensen, Achiro Patricia Olwoch (DREAMing Out Loud Contributor), Tania Perez Osuna; Poetry by Marianne Chan, jason b crawford, Lynda V. E. Crawford, Stephanie Kaylor, Alejandra Medina (WriteGirl Contributor); Stage & Screen by F. J. Hartland, Uma Incrocci, Alec Silberblatt; Experimental Narratives by Zachary Guerra, Kathryn Stam; Visual Art & Comics by ARTARIANICA (the collaborative effort of Jessy Randall and Briget Heidmous), Dmitry Borshch, Roger Camp, Meg Reynolds, Rebekah Scotland, Lorna Simpson, Film by Nate Hapke, Flora Rees-Arredondo; and an interview with Justin Chang,
Published online four times per year from the Department of English at Trevecca Nazarene University, Cumberland River Review has held a prominent name for itself among our great reading recommendations. Accepting submissions from September – April with a response time of three months, now is the time to read up and decide if this is a good venue for your work! This most recent issue features poetry by Garret Keizer, Austin Segrest, Therese Gleason, Grant Clauser, Anna Girgenti, Jane Qwart, John A. Nieves, Kelsey D. Mahaffey, Elisabeth Murawski, and Jeff Hardin, with artwork (Cloud Shadow) by Chuck Thomas.
Publishing nonfiction prose only, bioStories offers submission guidelines that help writers focus their craft on what the editors are looking for, and express the understanding that “real life is messy,” yet acknowledge: “human nature is idiosyncratic and frequently contradictory, and, quite often, when you look close enough, it is downright graceful.” The publication features a weekly essay on its homepage and prints two issues each year. Recent online contributors include Alisa Vereshchagin, Jane Frances Hacking, Elizabeth Bird, Alden S. Blodget, Joseph O’Day, Mary Ittelson, James Seawel, Liza Wieland, and Rhiannon Koehler.
Established in cooperation with the University of Chicago Center for Psychiatric Rehabilitation in 2000, The Awakenings Review is one of the nation’s leading literary reviews entirely committed to publishing the works of artists, writers, and poets with mental illness. The Awakenings Review looks for submissions from writers and poets who have a distinct relationship to mental illness-either self, family member, or friend. The hard-copy journal publishes original poetry, short stories, dramatic scenes, essays, creative nonfiction, photographs, interviews, excerpts from larger works, and black-and-white cover art.
The Fall 2022 issue features works by Bibhu Padhi, Zac Walsh, Liza Potvin, Pauline Milner, Arya F. Jenkins, Zan Bockes, Eileen Coughlin, Sandy Olson Hill, Louis Girόn, Lloyd Jacobs, Gerard Sarnat, Raymond Abbott, Skye Gill, Eoin Begley, Alan Sugar, Murray Alfredson, Aileen Shaw, Jennifer Cimmerian Urbanek, Benjamin Robinson, Julia Morris Paul, Christine Andersen, Janice O’Mahony, Kate Marshall, Marie Marchand, Elizabeth Kerlikowske, Tricia Himmel, A.L. Gordon, Joshua Gage, George Drew, Joyce Cote, Cierra Corbin, and Mohineet Kaur Boparai in a free, online reading format.
Beginning in 2023, The Awakenings Review will be published twice a year – once in the spring and once in the fall. Submissions are free and open year-round via email as well as USPS.
Enjoying the final long days of sunshine here in the midwest, Spoon River Poetry Review Summer 2022 issue is just out. Each year, SRPR selects an Illinois-featured poet pairing to include as an extended feature of new poetry by one poet from the pair, while the other poet conducts an interview with the poet on their writing, matters of craft, and contemporary poetics. This year, the pairing is poetry by Tara Betts with an interview of the poet by Bryanna Lee. Also in this issue is new poetry by Rodrigo Flores Sánchez translated by Robin Myers, Ryan Clark, Michael Boccardo, Cynthia J. Patton, Emad Bashar translated by Bryar Bajalan and Shook, and many more. The SRPR Review Essay is “Redefining Our Futures: Recent Abolitionist Poetic Practice” by Allison Serraes, who reviews books by DaMaris B. Hill (A Bound Woman Is a Dangerous Thing: The Incarceration of African American Women from Harriet Tubman to Sandra Bland), Mahogany L. Brown (I Remember Death by Its Proximity to What I Love), and Shayla Lawz (speculation, n.). Cover art by Alondra Cervantes.
The newest issue of The Apple Valley Review online literary magazine has been released. Readers can enjoy short fiction by Emmanuel Nwafor, K. A. Polzin, Conor Barnes, and Magda Bartkowska; creative nonfiction by Yuko Iida Frost; and poetry by Eric Braude, Tina Blade, Miriam Levine, Paul Dickey, Devon Brock, Hedy Habra, and Matthew Johnson. Cover artwork by Japanese woodblock printmaker Hasui Kawase. Founded in 2005 by its current editor, Leah Browning, The Apple Valley Review is published in the spring and fall, and submissions are open on a rolling basis with no fee for short stories, flash fiction, personal essays/creative nonfiction, poetry, and prose poetry.
The Fall issue (27.1) of The 2River View online poetry magazine is now available, with new works by Sara Ries Dziekonski, Anon Baisch, Blair Benjamin, Daniel Bourne, Brian Builta, Andrew Cox, Nicelle Davis, Michael Hettich, Sharon Venezio, Patricia Whiting, and Jane Zwart. Published online quarterly, The 2River View accepts submissions on a year-long rolling deadline calendar. The magazine is available to read free online and can also be downloaded as a PDF or in a “Make the Mag” format that can be reproduced for traditional print reading – great for classroom use, teachers! 2River also publishes eChapbooks that can also be read online or downloaded (“Chap the Book”) in a book-layout format. Recent chaps include The Lingering Would by Simon Anton Niño Diego Baena (October 2022) and One Hundred Moving Parts of Love by Lenny Dellarocca (September 2022). There is also a short video of each author reading from their collection. Visit 2River View today and dig in!
I feel as though I know Chestnut Review almost better than any other literary magazine out there because of how much they are constantly doing both in the larger literary community and in creating a community of “stubborn artists” of their own. In addition to their quarterly, online publication and print annual, they are currently planning a January retreat in Mexico (one spot left at the time of this writing) and another in North Wales in June. They also offer affordably-priced (because I’ve seen the gamut) workshops for drop-in writing, NaNo, chapbook editing and publishing, submissions and editorial processes, flash fiction, professional series topics, and more. And right now, they’re holding a raffle (free to enter) to win an exclusive call with editor Maria S. Picone along with their Free Feedback Friday Twitter drawings. So much going on! But let’s not forget the reason for this post – the Fall 2022 issue! It opens with a conversation with Seif-Eldeine Och, Poetry Chapbook Winner, and Mark Blackford, Chapbook Editor, and includes prose, poetry, and art by Mike Yunxuan Li, Noel Cheruto, Eileen Tomarchio, Lana Hall, Rachel Lastra, Maya Hersh, Abduljalal Musa Aliyu, Isibeal Owens, Njoku Nonso, Jessie Zechnowitz Lim, Claire Scott, Guy D’Annolfo, Biswadarshan Mohanty, Joan Kwon Glass, Taylor Yingshi, Denny Marshall, Lindsey Grant, Matina Vossou, and Kelly Sargent.
The newest issue of the online quarterly Radar Poetry is a celebration of the winner and finalists of their annual Coniston Prize, an annual award that recognizes an exceptional group of poems by any poet who identifies as a woman writing in English. This year’s judge was Dorianne Laux, and she selected the following:
Winner: Amy Miller
Finalists: Kenzie Allen, Jessamyn Duckwall, Jenny Grassl, Abi Pollokoff
Radar Poetry 34 features several works from each poet, rounding out the entire issue. Submissions for the next Coniston Prize are open from June 1 – August 1, 2023. The 2022 winner received $1000 and each finalist received $175. In 2022, during the first seven days of contest submissions, Radar Poetry waived fees for BIPOC poets. For more information about the upcoming contest as well as general submissions, visit the Radar Poetry website.
Founder and Editor of Club Plum Literary Journal, Thea Swanson, opens the fall 2022 issue on a somber note, “I wish I could introduce this year’s Literary Horror issue, Volume 3, Issue 4 of Club Plum, with something light, paying homage to breath-stopping make-believe horrors that entertain or instruct, or nodding to wondrous non-horror works, bringing it full circle to this issue. But we are in the midst of real horror that I must speak to instead: Schoolgirls are being murdered for refusing to wear cloth over their heads. There is so much to say here–volumes and millennia to say here–but I will only say a breath’s worth, a hijab’s worth, just one layer of the many heavy truths one piece of material contains, and it is this: the head-covering is a lie. A trick. To make one think a certain way [. . . ] I speak from experience. In a previous life, I wore a head-covering at a church for all the reasons women do this, for all those reasons imposed on us as we are brainwashed, as women are plugged into categories.” Read the full introductory remarks here.
While we do create our own horrors to entertain this time of year, there is a poignancy to many of the pieces within, perhaps reflections of the real-life horrors others cannot escape. Readers are invited to access Club Plum online and delve into works by Paige Swan, Marina Giacosa Esnal, Lalini Shanela Ranaraja, J. M. Bédard, Archangel Belletti, Salena Casha, Jacob Kamp, Noah Cohen-Greenberg, Macy Lu, Wilson Taylor, Julie Bolt, Sarah DiSilvestro, and Irina Tall Novikova.
Publishing in an open access online quarterly format, The Writing Disorder welcomes readers to their Fall 2022 issue featuring fiction by Don Donato, Richard Evanoff, Stephanie Greene, Christina Phillips, Em Platt, Richard Risemberg, Robert Sachs, and Dvora Wolff Rabino, poetry by Gale Acuff, C.L. Bledsoe, billy cancel, DeWitt Clinton, Mark DeCarteret, Megan Denese Mealor, and Stephanie Russell, nonfiction by Stephen Abney, and Greg Sendi, Risa Denenberg’s review of The Land of Stone and River by Claudia Putnam, and the art of R.S. Connett. Submissions of fiction, poetry, nonfiction, art, reviews, interviews comic art, and experimental work are welcome year-round, and the editors add that they would like to see more poetry, long fiction, nonfiction, artwork, and interviews. So – step up writers and contribute to the disorder!
The editors of Waterwheel Review online literary magazine open the October 2022 issue with these words: “We’re exploring beauty and loss in Issue 20. Anne Myles pushes hard in ‘An Origin Story’ on the relationship between truth and beauty; when is truth forever ugly, she asks, in a story about loss. ‘Bloom’ is a master class by Elana Wolff on how to weave beauty from a meditation on the details of ordinary life—’We’re all just passing through here,’ she says, so let’s not grow weary of gazing at trees. The portrait of ‘Sarah’ from Christina Rauh Fishburne is beautiful, too, and a paean to the loss of what might have been. Each of these three pieces makes loveliness from something broken. Beauty as defiance.” The publication along with full archives is free and open access online. Submissions are open year-round with a response time of three months. “No labels” all genres accepted and encouraged by the editors’ comment, “We hope authors will take advantage of our refusal to define what we publish, and send us un-name-able bits and pieces.”
Though the leaves are turning their fall colors, there is still plenty of summer left to enjoy in the latest issue of The Courtship of Winds online literary journal publishing fiction, nonfiction, poetry, art, and drama twice each year. Featured contributors to the newest issue include Duane Anderson, Cynthia Baker, Amita Basu, Ralph Bland, Holly Day, Nickolas Duarte, S.C. Ferguson, Joan Gelfand, Carol Graser, Michael Green, John Grey, Cordelia Hanemann, Paul Ilechko, Rimah Jabr, Mark Jacobs, Alec Calder Johnsson, Tiffany Jolowicz, Judy Klass, Sandra Kolankiewicz, Christopher Kuhl, Stephan Lang, Tracy A. Lightsey, Naomi Ruth Lowinsky, Richard Luftig, R. Nikolas Macioci, Rex McGregor, Güliz Mutlu, Yvette Naden, Stephen Policoff, Paige E. Reecer, John Repp, Daniel Sundahl, Robert Wexelblatt, Anne Whitehouse, and Arnie Yasinski. Submissions are accepted on a rolling basis for each of the two yearly issues.
Always free to all readers with no paywall, the newest issue of Cleaver: Philadelphia’s International Literary Magazine is waiting for you! This issue features Stories by Madeleine Gavaler, Amy Savage, Suphil Lee Park, Andrew Vincenzo Lorenzen, Hannah Garner, Candice Morrow, and Kim Magowan; Poems by John Schneider, Alison Lubar, Lydia Downey, Varun Shetty, and Michelle Bitting; Flash by Josh Krigman, Emma Brankin, Dan Shields, Jeff Friedman, Alison Sanders, and Devon Raymond; Creative Nonfiction by Phil Keeling, Emily Parzybok, and Beth Kephart. Among these contributors are those Cleaver recognizes as “Emerging Artists” who are under 30 and “still in the early stages of their careers.” Cleaver also regularly offers online generative workshops for writers to find community and grow their craft, in both synchronous and asynchronous formats. Visit their website for more information.
A print annual of “international writings for liberation,” Ganga Review, named for the River Ganga that is an expression of Divine Mother, was inspired by a pilgrimage through India in 2004 wherein the editors “traveled from village to village, seeking to alleviate the sorrows that come with poverty, illness, and plain loss of hope.” In simply flipping through the pages, I was struck by a number of works, and this one in particular resonated with my own locus of need. Perhaps it will serve others as well:
SAY IT by N. Mimmick
The Hopi word is sipala, which requires little articulation and no teeth. It is almost a whisper as is the Hindu shantih, the Persian sula, the English peace.
With over 200 pages of fiction, essays, poetry, interviews, translation, and fine art that represents diverse faiths and cultures from around the world, contributors include Emily Adair, Faiz Ahmad, Essam M. Al-Jassim, Paul Bamberger, Sacha Bissonnette, Richard Alan Bunch, Steve Carr, Jeffrey S. Chapman, Holly Day, Joe De Quattro, Tejan Green, Marlon Hacla, Ghaliya Hasan, Claudia Hinz, Lidia Kosk, Danuta E. Kosk-Kosicka, Andrew Lafleche, Linda Lamenza, Edward Lee, Xiaoly Li, Catherine Lieuwen, Diego Luis, Charles J. March III, Megan McGibney, Jack Brendan Miller, N. Minnick, Kristine Ong Muslim, Ayaz Daryl Nielsen, Sarah Odishoo, Scott Pedersen, Christina Petrides, Patrick Pfister, Fabrice Poussin, Richard Risemberg, Andrew Ross, Michael Salcman, Rema Sayers, Mary Shanley, Paul Smith, Don Stoll, Bradley R. Strahan, and Mercury Marvin Sunderland.
Trick or Treat? The Halloween issue of Southwest Review is all literary treats with fiction by Edmudo Paz Soldán (tr. Jenna Tang), Angela Sylvaine, Marina Perezagua (tr. Miriam Tobin), Noelle De La Paz, Cristhiano Aguiar (tr. Zoë Perry), Adrian Van Young, Carolina Rodriguez Mayo, Gabriel Carle (tr. Heather Houde), José Natividad Ic Xec (tr. Nicole Genaille), Makenzy Orcel (tr. Nathan H. Dize), Susan L. Lin, Natalia García Freire (tr. Victor Meadowcroft), Antonio Díaz Oliva (tr. Lisa Dillman), Óscar Molina V. (tr. Julia Sanches), Jesse Bullington, Gabriela Damián Miravete (tr. Robin Myers), Gabino Iglesias, Victoria Buitron (tr. Sarah Blanton), Alexis Dubon, Jac Jemc, and Alex Luceli Jiménez, and poetry by Leira Araüjo (tr. Katherine M. Hedeen and Olivia Lott), Lillian Hochwender, Susan Cronin, and Carlos Cortés (tr. Pili Cuairán).
Publishing quarterly online on the last day of January, March, June, and September, there’s still plenty of time to enjoy the newest Brilliant Flash Fiction, featuring works by CJ Erick, Emma Louise Gill, Karthik G. Nambiar, Abha Iyengar, John Salter, Mary Sloat, Barbara Kurzak, Danny Riordan, Joe Baumann, and Michael Harper. Brilliant Flash Fiction welcomes submissions of stories of1000 words or less and pays $20 per piece accepted.
A “Journal of Progressive Working Class Literature,”Blue Collar Review Editors never shy away from work that addresses some of our society’s most pressing concerns. This newest issue is no exception: “The contributors in this summer issue understand the growing threat of competitive corporate dominance, of fascism and war, especially in this time of climate emergency. Close to 80% of working people support universal healthcare, climate action, voting rights, and women’s reproductive freedom. These priorities are subverted by corporate media and politicians funded by big business interests whose priorities are legislated at the expense of our freedoms, our health, and the future of life on earth. Democracy, unlike fascism, is defined by authentic public participation. Getting there from here is a continuing struggle upon which our rights and existence depend. [. . . ] This issue [of Blue Collar Review] completes twenty-five years of publication. We are grateful to be able to continue doing our part to demonstrate and encourage a mindset of social and class solidarity necessary to our struggle for a livable world and for authentic democracy.” Sample works from the most recent issues can be read online at Blue Collar Review.
As the newly established editor of this long-standing publication, Poetry Magazine, Adrian Matejka welcomes readers with an ethusiastic Editor’s Introduction, expounding on all the ways she had intended to drive the content to “showcase the beautiful confluence of voices in contemporary poetry” and “to offer an idea of what Poetry might look like in the future.” Instead, Matejka admits, she “began this job in a convergence of ignorant and well-meaning ambition,” and she has no reservations in sharing this, as “one of the things you’ll get from me while I’m an editor here is transparency of process and editorial proclivity.” Tempering the ambitions, Matejka assures, “Instead of trying to curate a single issue celebrating the 110th year of Poetry, we are using this historic issue to begin a multi-year, long-form interrogation of the magazine’s complicated archive in hopes of illuminating some of the brilliant poets who weren’t given access in the previous decades. You get to see the beginning of that excavation in this issue as we highlight the gorgeous work of Carolyn Marie Rodgers, author of numerous books, cofounder of Third World Press, long-time Chicago resident, and a vital Black poet whose work never appeared in the pages of Poetry until now.”
Other poets whose works are featured in this issue include Adrian Matejka, Alex Dimitrov, Dāshaun Washington, Martín Espada, Ruth Ellen Kocher, Yusef Komunyakaa, Karyna Mcglynn, Trevor Ketner, Edgar Kunz, Eugene Gloria, Victoria Chang, Myronn Hardy, Winniebell Xinyu Zong, Ladan Osman, and Diane Seuss.
The newest print issue of THEMA features works in response to the premise, “Get it over with!” Contributors include Lynda Fox, Linda Berry, Bill Glose, June Thompson, Ruth Holzer, Lisa Timpf, Margaret Pearce, Melanie Reitzel, R.G. Halstead, Jesse Doiron, Marica Bernstein, Melinda Thomsen, Matthew J. Spireng, Beverly Boyd, Linda McMullen, Dana Stamps, and Ojo Moses. For each THEMA issue, the premise must “be an integral part of the plot, not necessarily the central theme but not merely incidental.” Submissions can include prose, poetry, artwork, and B&W illustrations. Upcoming themes include “So THAT’S why” (deadline 11/1/22) and “Help from a stranger” (deadline 3/1/23). Visit THEMA for more information.
Cozy into fall with the newest issue of New England Review. Whether exploring the mystery of fever and illness, violence in a synagogue, or a father or mother moving into the past tense, the pieces within frequently take on ultimate things through the earthy particular. A special feature, “Mirroring Practice: Poets Respond to Jasper Johns,” includes new poems by Rick Barot, Khadijah Queen, Cole Swensen, and Brian Teare, written in response to a recent Jasper Johns retrospective. Sushil Lee Park translates Korean women poets from previous centuries, and essays explore cities and wilderness past and present, from a police station in Lagos to the streets of Berlin to Graceland in Memphis, Tennessee. Plus new work by a dozen poets and fiction writers. Browse the full table of contents here. Single copies are available as well as subscriptions.
New England Review dedicates this issue to the memory of Marcia Parlow Pomerance, their steadfast, beloved managing editor from 2013 to 2021, who devoted herself to NER with patience, precision, good humor, and abiding compassion.
The newest issue of Rain Taxi Review of Books includes an interview with Ryan Blacketter by Arthur Shattuck O’Keefe and an interview with Hillary Leftwich by Zack Koppl. There are also articles readers can enjoy: “Elements of the Icelandic Saga” by Emil Siekkinen, “The New Life” a comic by Gary Sullivan, and “On Writing in Public and Helping the Public Write” by Eric Elshtain, in addition to dozens of reviews of fiction, nonfiction, poetry, and comics.
Radon [rey-don] noun Chemistry + Journal [jur-nl] noun Literature
[entry] what happens when a group of highly educated people with more than fifty years writing experience and twenty-five years in publishing get tired of not seeing their interests represented so create a journal combining libertarian socialism with science fiction.
Initially launched without a masthead, “afraid of potential blowback against a sci-fi anarchist journal of expression,” Radon Editors now reflect, “nothing except love has come our way, and we are proud to provide a professional venue for authors of all forward-thinking stripes.”
Publishing mid-January, May, and September, Radon Journal focuses on science fiction, anarchism, transhumanism, and dystopian literary arts, though they do also look for professional digital artwork for each issue. Stories are available for free reading and download, and they will also provide any requested digital format to their patrons.
The name Radon comes from the publication’s motto: “Radical Perception.” By taking the first three letters and the last two, the editors “forged a snappier name to rally behind. That the word Radon is also a known radioactive gas is simply a delightful coincidence.”
Eking out the final days of summer, there’s still time to enjoy The Malahat Review‘s newest issue, featuring Novella Prize winner Jenny Ferguson’s “Missing,” along with Poetry by Amy M. Alvarez, Jes Battis, Heather Birrell, Rose Henbest, Meghan Kemp-Gee, Michael Kenyon, Louie Leyson, Lauren Marshall, Jordan Mounteer, Heo Nanseolheon and Lee Okbong (both translated by Suphil Lee Park), K. R. Segriff, and Kenneth Tanemura; Fiction by Martha Nell Cooley; Creative nonfiction by Daniel Allen Cox and Jen Hirt; and Reviews of books by Lee Gowan, Steven Heighton, Tomson Highway, Helen Humphreys, Sarah Mintz, Leah Ranada, and Diane Tucker, as well as three anthologies AfriCANthology: Perspectives of Black Canadian Poets, Me Tomorrow: Indigenous Voices on the Future, and Best Canadian Poetry 2021. Cover art by Jinny Yu.
The Sept/Oct 2022 issue of Kenyon Review includes fiction by Sena Moon, Matthew Neill Null, and Adam Wilson; poetry by Lillian-Yvonne Bertram, Jenny George, Rochelle Hurt, and Shelley Wong; and nonfiction by Tan Tuck Ming. Plus, readers will enjoy works from the winner and runners-up of the 2022 Patricia Grodd Poetry Prize for Young Writers:
First Prize: Sophie Bernik’s “Come Closer” Runner Up: Madison Xu’s “For My Father Who Lives Alone” Runner Up: Myra Kamal’s “Diptych on Getting from Point A to Point B”
The newest issue of Willawaw Journal is now online for poetry and art lovers to enjoy! This issue features contributors from 22 different states and four different countries, 22 men and 19 women. Twenty-six of the forty-one poets are first-time Willawaw contributors, and an array of talent, emerging to very well-established: Kenneth Anderson, Frank Babcock, Jodi Balas, Louise Cary Barden, Carol Berg, Robert Beveridge, Ace Boggess, Jeff Burt, Natalie Callum, Dale Champlin, Margaret Chula, Richard Dinges, Rachel Fogarty, Matthew Friday, D. Dina Friedman, David A. Goodrum, John Grey, Allen Helmstetter, James Kangas, David Kirby, Tricia Knoll, Linda Laderman, Kurt Luchs, Stacy Boe Miller, Kathryn Moll, John C. Morrison, John Muro, Toti O’Brien, John Palen, Darrell Petska, Vivienne Popperl, Laura Ann Reed, Erica Reid, Lindsay Rockwell, Beate Sigriddaughter, Jeffrey Thompson, Elinor Ann Walker, William F. Welch, Charles Weld, Kevin Winchester. David Memmott is the featured artist, sharing a high-energy and high-chroma palette of work based on photo and ink drawing, which he calls his “Crooked Comix.” He is also a contributing poet.
The September-October 2022 issue of Hippocampus Magazine offers fresh essays, flash CNF, reviews, interviews, and craft and writing life columns. Contributors include Rick Brown, Sarah M. Clifford, Stephanie Eardley, Aiysha Jahan, Karen Kao, Mark Lucius, Susan Morehouse, Suzanne Orrell, Brooke Randel, Sara Streeter, and Yvanna Vien Tica. Hippocampus speaks with Sabine Hossenfelder, author of Existential Physics: A Scientist’s Guide to Life’s Big Questions, and Linda Murphy Marshall, author of Ivy Lodge: A Memoir of Translation and Discovery. And readers will appreciate Kristen Paulson-Nguyen’s Writing Life column, “How a Lit Mag Can Grow You,” in which she shares how getting involved with the literary community opened doors, as well as Nicole Breit’s Craft column, “Big Writing Dreams? Here’s Why You Need to Enter CNF Contests,” which dishes some solid submissions advice.
Based out of Joshua Tree, California, and edited by r soos, Cholla Needles is a unique celebration of poetry that highlights ten writers each month, offering readers several works by each, divided into individual “chapbooks” within the print publication. In this newest issue, readers can explore the works of Juan Delgado, Bettina T. Barrett, Bray McDonald, Cati Porter, Fernando Fidanza, Kathy French, Michale H. Brownstein, Tobi Alfier, Mark T. Evans, Marlene M. Tartaglione, and Roger G. Singer. (Okay, this month had 11 poets – bonus!) Cover image by Kathy French. Cholla Needles also provides monthly readings and other events in their area. A true literary boon!
The Georgia Review’s Fall 2022 issue is now available, with new writing from Irena Klepfisz, Myronn Hardy, Dujie Tahat, Kevin Moffett, and many more, as well as translated work by Kim Soom, Sónia Hernández, and Wendy Guerra. The art pages feature a portfolio from the exhibition Returns: Cherokee Diaspora and Art with an essay by curator Ashley Holland. Readers can find several works available to read online. In this issue, Editor Gerald Maa annouced the inaugural Georgia Review Prose Prize, which will be judged by Jennine Capó Crucet. Submissions will be accepted from 1 November–15 January. “The best short story and essay will both be published. The overall winner, chosen between the two, will receive a $1,500 honorarium and an expenses-paid trip to read with Crucet at the 2023 Smithsonian Asian American Literature Festival in Washington, D.C. The runner-up will receive a $600 prize.”
The Shore issue 15 is here to bring in the autumn with crisp new poems by Michael Emmanuel, Jill Crammond, Ali Wood, Amy Wang, Lynne Ellis, Doug Ramspeck, Robert Carr, Nano Taggart, Mary Ford Neal, Jessica Baldanzi, Anne Cheilek, Jeanna Paden, Elizabeth Joy Levinson, Juliana Gray, Madelyn Musick, Ryler Dustin, Michelle Park, McKenzie Teter, Lawrence Di Stefano, Alicia Byrne Keane, Erin Little, Abigail Chang, Ion Corcos, Alec Hershman, Alison Hurwitz, Rachel Walker, Jared Beloff, Sarah Wallis, Brooke Harries, Adam Day, Maria Hiers, Bobby Parrott, Hannah Schoettmer, Lora Robinson, Jesse Fleming, Taylor Cornelius, Jennifer Metsker, Carson Sawyer, Gary Fox, and Annalee Roustio. This issue also features “gasp-worthy” art by Kaelyn Wright! All free to read online, so click on over and check it out today!
Since Bullets into Bells: Poets & Citizens Respond to Gun Violence was published in 2017 (Beacon Press), the effort has continued to share poems, essays, music, videos, fiction, and other work on the BulletsintoBells.com website. The editors are now committed to publishing one new piece about the scourge of gun violence every week going forward, starting with “Black Marker” by Claire Hsu Accomado and “On Facts, the ABCs, and Lands of the Lost” by Jen Schneider. The publication is open to submissions.
Bullets into Bells anthology was a powerful call to end American gun violence from celebrated poets and those most impacted. Focused intensively on the crisis of gun violence in America, the volume brought together works by poets like Billy Collins, Patricia Smith, Natalie Diaz, Ocean Vuong, Danez Smith, Brenda Hillman, Natasha Threthewey, Robert Hass, Naomi Shihab Nye, Juan Felipe Herrera, Mark Doty, Rita Dove, and Yusef Komunyakaa.
Each poem in the collection is followed by a response from a gun violence prevention activist, political figure, survivor, or concerned individual, including Nobel Peace Prize laureate Jody Williams; Senator Christopher Murphy; Moms Demand Action founder Shannon Watts; survivors of the Columbine, Sandy Hook, Charleston Emmanuel AME, and Virginia Tech shootings; and Samaria Rice, mother of Tamir, and Lucy McBath, mother of Jordan Davis.
What the anthology began, the website continues by sharing works that speak directly to the heart, providing a continuously persuasive and moving testament to the urgent need for gun control.
The online literary magazine for non-native English creative writing, Tint Journal Founder and Editor-in-Chief Lisa Schantl introduces the newest issue focusing on the English language and the roles it can play as a mode of expression both literary and political. This eighth issue of Tint Journal was thematically open and drew submissions from a broad range of geographical backgrounds, from South Africa to Germany, from Japan to Cuba, and Ukrain. “Thematically, the issue is just as diverse,” Schantl notes, “and readers will be confronted with big questions like What is home? What does freedom mean? How can peace be found? Mingled with these are texts in the style of magical realism, texts with a focus on semantics and yet other texts that tell of loss, love or nostalgic childhood memories.”
Each text contribution was published with a visual artwork by international artists, curated by Vanesa Erjavec, and a short interview with the author. Many of the texts can also be heard as audio clips, read by the writers themselves.
Authors in Tint Fall ’22: Fiction: Alla Barsukova, Min “Matthew” Choi, M.M. Coelho, Linda Dedkova, Volha Kastsiuk, Daniel Ogba, Sergii Pershyn, Helia S. Rethman. Nonfiction: Aysel K. Basci, Kaori Fujimoto, Viktoriia Grivina, Brinda Gulati, Lázaro Gutiérrez, Fezeka Mkhabela, Bianca-Olivia Nita, Hantian Zhang. Poetry: Pragya Dhiman, Giulia Ottavia Frattini, Natalia Kropp, Chanlee Luu, Constance Mello, Giada Pesce, Akhila Pingali, Sunday T. Saheed, Joris Soeding. Artists in Tint Fall ’22: Xisha Angelova, Julia Barczewska, Lal Buraans, Nathan Cho, Kate Choi, Alison Cimmet, Trevor Coppersmith, Tamir David, Anastasia Dzyba, Tataru Alexandra Emanuela, Vanesa Erjavec, Vanesa Erjavec, Pedro Gomes, Inga Gurgenidze, Lisa Hopf, Jury Judge, Tamzin Merivale, Sofie Pasheva, Arusyak Pivazyan, Ipung Purnomo, Peter Rieser, Ana Rincon, Val Smets, Ilias Tsagas, Rabail.
All texts from this and past issues can be read free of charge at www.tintjournal.com.
The newest issue of The Woven Tale Press is available for free reading online once you register, or you can order a print copy via MagCloud. This newest collection features embroidered paitings, photo transfers, installation art, poetry, prose, and more from Jessie Bloom, Stanislav Bojankov, Gray Brokaw, Maddie Hinrichs, Coralie Huon, Jeanne LaCasse, Sydney Lea, Farah Mohammad, Bruce Murphey, Mike Reis, Barbara Schweitzer, and Gina Troisi. The editors promise an eclectic mix of literary and visual arts with an effort to “grow the online presence of noteworthy writers and artists.” Many contributors have links to their own websites as well as art galleries.
The Society of Classical Poets Journal publishes a print annual of poetry, translations, and essays selected from those published on the SCP website between February and January as well as artwork for inclusion in the print copy. Throughout the year, readers can find these works on a rolling basis, making each visit to the website a new reading discovery. Recent works include “Last Place Winner” by Guy Warner; a poem on gun control and other poems by Stephen M. Dickey; “Mid-September Reverie” by Roy E. Peterson; “Athena Emboldens Telemachus: Book 1 of The Odyssey Complete Text,” translated by Mike Solot; “The Salt Spring Island Trolls” by Norma Pain; “Obedience” by Giuseppe Gioachino Belli, Translated by Joseph S. Salemi (with a Long Note); a poem on drug abuse “An American Tragedy” by Phil S. Rogers; “The Beginning of Wisdom” by T.M.A. Day; a poem for those affected by the Mill Fire in Siskiyou County, “In Silence I Sing,” by James A. Tweedie; and “The Adjudication” by Anthony Watts, along with many other poems and essays all free to read online.
Publishing since 1996, The Baltimore Review is an online and print journal of fiction, creative nonfiction, and poetry, as well as visual and video arts. The newest issue continues to deliver a quality experience with works by Heather Bartos, Garrett Candrea, Elizabeth J. Coleman, Hilal Isler, Garret Keizer, Karis Lee, Joshua Jones Lofflin, Rachael Lyon, Abby E. Murray, Christopher Notarnicola, Jonathan Odell, Jennifer Saunders, Jill Witty, Andy Young, and Alison Zheng. And while the online issues offer greater accessibility, The Baltimore Review still likes to offer readers the tactile print experience with their annual compilation of poems, fiction, and creative nonfiction published in their Summer and Fall 2021 and Winter and Spring 2022 issues. Readers can purchase the print copy through Amazon or on the publication’s website.
Humana Obscura is a gorgeous literary/art publication, available to read digitally online for free (via Issuu) or readers can order single print copies. The Fall/Winter 2022 issue features work by 82 new, emerging, and established contributors from around the globe, as far as New Zealand, The Netherlands, Germany, Malaysia, Scotland, Mexico, Greece, and throughout the United States and Canada. Contributors include Amy Aiken, Subhaga Crystal Bacon, Elizabeth Barlow, Sienna Taggart, Gail Peck, Nick Olah, KB Ballentine, Luke Levi, Jasmin Javon, Najib Joe Hakim, Jolie B. Kates, Tiffany Mackay, Darnia Hobson, Jaqui Somen, Matt Rogers, Danielle Petti, Alan Toltzis, Michelle Ortega, Joon Song, Jean Ayotte, Ellen Rowland, Katie Mollon, Katherine Harnisch, Tiffany Tuchek, Joshua St. Clare, Kerstin Voigt, Robert Fanning, Kateri Kosek, Bonnie Matthews Brock, and so many more.
Publishing two issues of Allegro Poetry Magazine a year, Editor Sally Long hasn’t missed a beat since 2014. Each online issue is free to read and features a fine selection of works that are not longer than 40 lines each. Long introduces Issue 29: “When I set the theme of ‘Freedom’ I had in mind an expression of solidarity with the poets and people of Ukraine and others around the world whose freedom is threatened by war and various forms of oppression. I’m pleased that the theme captured the imagination of so many poets. I’m especially delighted to be welcoming poets from Ukraine whose works are featured in this edition. I hope you enjoy reading the variety of interpretations of freedom represented in Issue 29.”
Authors who made this cut this issue include Dee Allen, Rupa Anand, Byron Beynon, Fiona Cartwright, David Chorlton, Craig Dobson, Philip Dunkerley, Tim Dwyer, Paul Fenn, S.C. Flynn, Cole Henry Forster, Jeff Gallagher, Rebecca Gethin, Marcello Giovanelli, Amlanjyoti Goswami, Robin Helweg-Larsen, Eve Jackson, Vyacheslav Konoval, Steve Lang, Mary Mulholland, Eira Needham, Robert Nisbet, Jon Plunkett, Marc Isaac Potter, Mykyta Ryzhykh, Finola Scott, Louise Warren, and Gareth Writer-Davies.
The next submission window is December 1-January 31 for the March 23 edition, which is a general issue with no set theme.
Fictive Dream is an online magazine for well-crafted and compelling short stories “that give an insight into the human condition.” Publishing several features on a rolling basis monthly, it’s a good idea to sign up for their email notifications so you never miss out on what’s new. Recent additions include “House Porn” by Francesca Leader, “Hangar Straight” by Emily Macdonald, “Now We Are Things” by Joanna Theiss, “The Vocabulary Builder of Utopia Gardens” by Roberta Beary, “Divine Intervention” by Mary Carroll Moore, “Vivana’s Aunt” by Gay Degani, as well as stories by Melissa Llanes Brownlee, Chris Haven, DS Levy, Mary Grimm, Sara Dobbie, Michelle Panik, Kerry Hadley-Pryce, and Gary Fincke. Each story is accompanied by an original artwork or photo.
The newest issue of Jewish Fiction .net is the Rosh Hashana issue, which includes 18 stories originally written in Czech, Yiddish, Hebrew, and English – and in honor of the upcoming holidays, this new issue features no less than 5 stories translated from Hebrew. This brings to 525 the number of works published by Jewish Fiction .net, that were either written in English or translated from 18 languages. Readers can find works by Eli Amir, Shira Gorshman, Jakuba Katalpa, Mayan Rogel, Yishai Sarid, Dorit Shiloh, Steve Stern, and many more. All available to read free online.
With its 46th and newest issue, Wordrunner eChapbooks‘ Summer 2022, The Satisfaction of Longing by Victoria Melekian, the number of fiction collections published in their free, online or epub format is 24. Add to this 5 memoirs, 5 poetry collections, and 12 anthologies, and visitors will find plenty to keep their reading needs satisfied, indeed!
Melekian’s stories are considered “emotionally rich and ethically complicated. . . suffused in longing and loss.” The collection of seven stories opens with the chance encounter of a woman and man who had once endured unbearable tragedy. A fatherless woman with an imprisoned husband has a mysterious benefactor. Two sisters conflict over what to do with their father’s ashes. In the final story, a woman and her son flee her estranged husband, who never wanted children.
This collection may be read free online but can also be purchased as an ebook edition ($2.99) from Amazon or Smashwords with authors receiving 50% of all royalties. ALL Wordrunner Authors are paid, and this also supports an indie press!
Later this year, Wordrunner will be publishing their 25th fiction collection, Death in the Cathedral by Malcolm Dixon. Look for it in December.
The theme for the Spring 2023 issue will be announced by December and submissions open January 1 through February 28, 2023. Guidelines may be found here.
From its founding in 1958, december has remained true to its founders’ declaration, “We are humanists…far more concerned with people than dogmatic critical or aesthetic attitudes.” And showing this by publishing cutting-edge fiction, poetry, non-fiction, and art. Now on the cutting edge in print as well as online, december readers will find much to entertain: twice a year print journal, contests, online extras including contributor interviews, “From the Vault,” and “Poetry With Purpose.”
This newest print edition features Poetry by Sean Cho A., P. Hodges Adams, Jennifer Atkinson, Jessica Barksdale, Brenda Beardsley, John Blair, Evana Bodiker, Lisa Cantwell, Christian J. Collier, Sally Lipton Derringer, Daniel Donaghy, Dagne Forrest, Rebecca Foust, Ariel Friedman, Karen Holman, Romana Iorga, Judy Kaber, Susanna Lang, Jim McGarrah, Melissa McKinstry, Karen McPherson, Linda Michel-Cassidy, Michael Montlack, Kristina Moriconi, Barbara Mossberg, Alicia Rebecca Myers, David Oates, Lizzy Peterson, David Anthony Sam, Sarah Sousa, Paula Stacey, Richard Stimac, Anne Dyer Stuart, Shelly Reed Thieman, Alden Wallace, John Sibley Williams, Ariana Yeatts-Lonske; Fiction by Annelise Hatjakes, Michelle C. McAdams, John Paul Scotto, Timothy Wojcik; Nonfiction by Kierstin Bridger, Jennifer Dupree, Erin Langner, Mark Liebenow, Clancy Tripp; Art by David Humphrey; Robert Lowes Haiku Society: An Interview with Ben Gaa; Cover art by Joan Hall.
Produced four times a year by Shanti Arts, Still Point Arts Quarterly is a truly beautiful and engaging art and literary journal. Each issue focuses on a theme and features historical and contemporary art, fiction, non-fiction, and poetry, “Intended for artists, nature lovers, seekers, and enthusiasts of all types.” The publication is free to download from their website, but this is one journal readers will appreciate having in full-color print. When I look at the online version, it is impressive, but when I hold that copy in my hands, it’s truly immersive. Fitting, because the newest issue is themed “Immersed in Books.” Some featured works include Kathryn DeZure “Turning Fifty with Virgina Woolf,” Megan L. Steusloff “The Books I’ve Read,” Zachary Nelson “A Book is the Fastest Way to Travel,” Terry Barr “Greyhound Seats,” Jane Hertestein “Books as Signposts in Our Life,” Rosalie Sanara Petrouske “The Frangrance of Words,” and Wally Swist “Sam Murry, Bookseller,” as well as many others. Featured art and artists include Helen S. Geld, Susan Kapuscinski Gaylord, and numerous book-related archival artworks and photographs. If you have ANY booklovers in your lives (including yourself), you’re going to want to get a copy of this in their hands (or direct them to the Still Point website for the free download).
Based out of the University of Tulsa, Nimrod International Journal Spring/Summer 2022 is appropriately themed, “What Now? The Future We Make.” Edited by Eilis O’Neal, this volume includes works by Amelia L. Williams, Lorna Crozier, Krystyna Dabrowska, Lauren Camp, Cristina J. Baptista, Tim Raymond, Tennessee Hill, Ginny Threefoot, Susan Azar Porterfield, Kailey Tedesco, Hannah Smith, Oksana Maksymchuk, Scott Lowery, Joel Peckham, Jacqueline Guidry, Kim Garcia, David Troupes, Lucyna Prostko, Suzanne Manizza Roszak, Stephanie Niu, Fatima Jafar, Dante Novario, Geoff Anderson, Katherine Fallon, Charles Grosel, Lauren Coggins, Molly Sutton Kiefer, Sarah Wetzel, N.Y. Ling, Crystal Cox, Amy Wang, Jayden A. McClam, Matthew Olive, Cady Favazzo, Lisa Wartenberg, and Erin Evans.
Dust off the CD player, it’s time for Gargoyle‘s audio issue (#76). “Hunted and gathered” by editor Richard Peabody, the line-up features music and spoken word by Amanda Newell, Barbara Ungar, Blair Ewing, Bob Hate/Chet Hix, Bone People, Carmen Calatayud, The Crooked Angels, Dave Essinger, David Taylor Nielsen, Eugenie Bisulco, Gerry LaFemina and the Downstrokes, Henry Crawford, John King, Knuckleberry Finn, M. Scott Douglass, Maryann Hannan, Nancy Mitchell & The Chris English Band, Randi Ward, Sally Toner, Sarah Browning, Stephen Scott Whitaker, and Tim Wendel.
Readers will love to luxuriate in this generously sized 9″x9″ print South Dakota Review (with beautiful cream-colored pages). Volume 56, Number 3 features poetry by Jeffrey Bean, Claudia Buckholts, Holli Carrell, Mary Cisper, Gillian Cummings, Marlon Hacla (translated by Kristine Ong Muslim), Jacob Griffin Hall, Twyla M. Hansen, Callia Liang, Kevin McLellan, Laurie Saurborn, Tyler Smith, Kevin West, John Sibley Williams, Keith Woodruff, and Adrena Zawinski; short fiction by Joseph Biancalana; nonfiction by Sharon Goldberg; an epistolary essay by John Yohe; and a scholarly experimental essay by Jessica Hudson.
