Sky Island Journal’s stunning 24th issue (Spring 2023) features poetry, flash fiction, and creative nonfiction from contributors around the globe. Accomplished, well-established authors are published—side by side—with fresh, emerging voices. Readers are provided with a powerful, focused literary experience that transports them: one that challenges them intellectually and moves them emotionally. Always free to access, and always free from advertising, discover what over 125,000 readers in 145 countries and over 700 contributors already know; the finest new writing can be found where the desert meets the mountains.
NewPages receives many wonderful literary magazine and alternative magazine titles each month to share with our readers. You can read more about some of these titles by clicking on the “New Mag Issues” under NewPages Blog or Mags. Find out more about many of these titles with our Guide to Literary Magazines and our Big List of Literary Magazines and Big List of Alternative Magazines. If you are a publication looking to be listed here or featured on our blog and social media, please contact us. You can also subscribe to our weekly newsletter to stay the most up-to-date on all things literary!
805, 9.1 Apple Valley Review, Spring 2023 Bellevue Literary Review, 44 Birmingham Poetry Review, Spring 2023 Blue Collar Review, Winter 2022-23 Brink, Spring 2023 Cleaver, 41 Club Plum, 4.2 Cutleaf, 3.5 3.6 3.7 The First Line, Spring 2023 Free Inquiry, April/May 2023 The Greensboro Review, Spring 2023
With 16 bonus pages, the May 2023 issue of World Literature Today ponders “The Future of the Book,” featuring a marquee interview with Azar Nafisi and contributions by 15 other writers on the subject of books and book culture. Additional highlights include an interview with Marilyn Luper Hildreth, the daughter of civil rights legend Clara Luper; Nawal Nasrallah’s recipe for Iraqi turnip and Swiss chard chowder; and a Filipino dagli by Stefani J. Alvarez. The book review section rounds up the best new books from around the world, and additional interviews, poetry, short fiction and creative nonfiction, culture essays, a postcard from the former Yugoslavia, and an outpost from Berlin make the May issue your perfect summer reading companion.
The Spring/Summer 2023 issue of Humana Obscura is here and features work by 77 new, emerging, and established contributors from around the globe. Contributors include Sarah Verardo, C.X. Turner, Natalya Khorover, Vian Borchert, Phil Lemley, Luke Levi, Hugh Hughes, petro c. k., Shelly Reed Thieman, Tom Farr, Nick Olah, William Ross, Rebecca Williams, Ali Saperstein, Gaylord Brewer, John Vukmirovich, Michael Romano, Christopher Buckley, Kelly Schulze, Kristin Davis, Mary Christine Delea, Annie Holdren, Heather Kern, Adele Webster, Mel Adams, Ewa Matyja, and more. Humana Obscura is an independent literary magazine that seeks to publish nature-focused poetry, prose, and art by new, emerging, and established writers and artists from around the world. Connect with them on Facebook, Instagram @humanaobscura, and Twitter @humanaobscura.
Hailing from the UK, say hello to Ergi Press! Publishing zines and anthologies twice a year, they promote themselves as “a down-to-earth DIY press publishing art, poetry and prose from LGBTQIA+ creators from all over.” With a rolling submissions window, reading periods and publications go with the flow, and deadline details for each issue are communicated via their website and social media outlets. Once ready to share, Ergi Press publications are available in both digital and print formats, with zines accessible via BigCartel and anthologies via Amazon.
Editor Imogen says, “Our love for different genres knows no bounds. We accept unpublished work from LGBTQ+ identifying creators on any theme, subject, or topic – this means innovative contributions from poetry to prose and everything in between. Art, photography, and visual poetry, we do it all!”
The Winter 2022-23 issue of Blue Collar Review: Journal of Progressive Working Class Literature opens with the editorial comments, “This winter has seen our working class and our earth under continuous attack. The crimes of commerce and the insane barbarity of war cannot be disconnected.” The poems featured within its pages speak to “the bleak realities of life for our laboring, and post-laboring class” and close with “a post-pandemic wake-up call for many of us who have been stunned into depressed isolation by the pandemic, by the growing threat of impending nuclear annihilation, and by an unfolding climate catastrophe.” The Blue Collar Review website features poems from the issue by Ed Block, Dan Sicoli, TK O’Rourke, Stewart Acuff, Livio Farallo, Joel Savishinski, Roibeárd, and Bill Ayres. Cover art: Uvalde by Roberto Marquez.
The spring 2023 issue of Apple Valley Review online journal of contemporary literature features short fiction by Marianna Vitale (translated from the Italian by Laura Venita Green), Nico Montoya, Anita Harag (translated from the Hungarian by Marietta Morry and Walter Burgess), Sohana Manzoor, and Kristian Radford; a lyric essay by Amy Ash; poetry in prose by Yves Bonnefoy (translated from the French by Hoyt Rogers); and poetry by Ashish Kumar Singh, Susan Johnson, Laura Goldin, George HS Singer, and Liza Moore. Cover image by Tunisian photographer Houcine Ncib.
The Spring 2023 issue of West Trade Review is their annual print edition and features fiction by Emily Hall, Nick Gregorio, and Maria Alvarez; poetry by Robert Wood Lynn, Rogan Kelly, Kimberly Ann Priest, Anthony DiPietro, Bree Bailey, Max Parker, and Megan Merchant; CNF by Haley Notter, Lily Levin, and Katherine Grasso; visual art by Nika Novich; interviews with Emily Hall, Robert Wood Lynn, and Nika Novich. West Trade Review‘s mission is to perpetuate the work of artists both well-known and yet-to-be-known, reflecting diversity in style, content, and perspective throughout prose, poetry, photography, and other artwork.
In celebration of National Poetry Month April 2023, Terrain.org offers readers poetry with a summer flavor by Pattiann Rogers and Judy Halebsky, a video poem by Forrest Gander, Alison Hawthorne Deming’s interview with poet David Baker, a review of poet Erin Coughlin Hollowell’s Corvus and Crater, plus nonfiction by Sharon Kirsch and fiction by Marilyn Abildskov. Terrain.org also has an upcoming reading featuring poets Pattiann Rogers, Andrew C. Gottlieb, and Kamella Cruz in honor of National Poetry Month and Earth Day. Poetry editor Derek Sheffield hosts. Visit their website for more information.
Volume 4, Issue 2 of Club Plum online literary and art journal carries the weight of knowing the ones we love are often out of reach. Sometimes they are our mothers, right beside us, their mental illness having stolen them away. Sometimes they are our fathers, very old and wheelchair-bound, war-demon wrestling blocking us from what could have been. In this issue, characters and family, friends, and ghosts reside in shelters and nursing homes, in laundromats and restaurants, in TVs, trees, and memories, and in all these places, there is longing. Contributors include Anna Laura Falvey, Foster Trecost, Rhiannon Chavez, Jesse Curran, Narisma, Mary Wood, Jeff Bender, Kate LaDew, King Tina, Em Townsend, Sam Moe, Jeff Bender, Elizabeth Horton, Michael Moreth, and Carolyn Schlam.
The latest issue of Bellevue Literary Review (Issue 44) features the winners of the annual 2023 BLR Literary Prizes. This year’s winners are Lara Palmqvist (fiction, selected by judge Toni Jensen), Caroline Harper New (poetry, selected by Phillip B. Williams), and Jehanne Dubrow (nonfiction, selected by Rana Awdish). Honorable mentions are Karen K. Ford, Karan Kapoor, and Sabah Parsa. The issue also features many other talented writers, including fiction by Sara Nović, Dan Pope, Joon Ae Haworth-Kaufka, and Tyriek White; nonfiction by Acamea Deadwiler, Rachel Mann, and D. Liebhart; and poetry by Martha Silano, Ellen June Wright, Rage Hezekiah, and Megan Merchant. The issue’s bright, colorful cover is by artist Alexander Gorlizki. Get your copy (or start a subscription!) by visiting the BLR website.
805 online literary magazine welcomes readers to their first issue of 2023 (9.1), just in time for spring to unfurl itself in front of our eyes, much like the gorgeous flowers on our cover art by Annalee Parker. Inside this petal-graced issue you’ll find art, prose, and poetry by seasoned writers as well as several debut creators we are excited to celebrate. Anthony Alegrete’s debut poem, “家族 (Kazoku),” beautifully shows how our cultural heritage acts as a creative force guiding us forward. “Our Guide to Girlhood, for the Curious Boys,” Alyson McVan’s debut nonfiction essay, cheekily summarizes the impossible double standards girls are taught. Sierra Tufts’ debut flash fiction, “I Won’t Say It’s Okay,” touchingly describes the last moments with a loved one, and Kirby Michael Wright’s debut art “Dog Art” closes out this issue with a colorful burst of canine love.
Superpresent’s submission theme for the Spring 2023 Issue was Speculation and Spectacle. Contributors were up for the challenge of speculating, in all its splendors. Thinkers and artists have understood the value of speculation. “When I express my opinions it is so as to reveal the measure of my sight not the measure of the thing,” says Montaigne. Sometimes we need to consider and sometimes we need to know. “Questions for Titian,” by Duncan Forbes, like several other entries, revels in the questions. Sometimes the speculation is darker. What happens when a family member … disappears? Robert Lunday’s “Disequilibria: Meditations on Missingness” provides one person’s clues. What thoughts are in a man’s head who has lived decades on the street? Miao Jiaxin answers with selections from his ongoing monumental series Albert Bushwick. The ‘Spectacle’ reduces reality to an endless supply of commodifiable fragments, while encouraging us to focus on appearances. In this issue, works like “Perception: A Curse,” by Lindsey-Ann Chilcott, offers a reminder of Debord’s idea that “[t]he reigning economic system is a vicious circle of isolation.” Similarly, Daniel Bauer’s photographs of brutalist architecture, with their undulating curves and dramatic light, may reveal “the nightmare of imprisoned modern society…” Visit Superpresent‘s website to download a free PDF of the issue as well as order a print copy.
Flowers are blooming and so is the Spring 2023 issue of The Writing Disorder, budding new fiction, poetry, nonfiction, and art for all to enjoy! This newest online issue includes FICTION: “A Letter from the Batcave” by Charles Joseph Albert, “The Best Detective There Was” by Leila Alliu, “A Cat in a Box for Mom” by Joe Cappello, “The Best We Can” by William Cass, “Selling Out the Nation” by Stephanie Daich, “The Sad Princess” by Cara Diaconoff, “Dream On” by CL Glanzing, and “The Scarecrow Cross” by Erik Priedkalns; POETRY by Lorelei Bacht, John Cullen, Shae Krispinsky, James McKee, Sloan Porter, and David Sapp; and NONFICTION: “Zone Valves” by Graeme Hunter, “Father’s Day” by Kate E. Lore, and “What the F*ck is Going on?” by Arlene Rosales; and the art of Courtney Parsons.
This is for the Pullman Porters who organized when people said they couldn’t. And carried the Pittsburgh Courier and the Chicago Defender to the Black Americans in the South so they would know they were not alone. This is for the Pullman Porters who helped Thurgood Marshall go south and come back north to fight the fight that resulted in Brown v. Board of Education because even though Kansas is west and even though Topeka is the birth- place of Gwendolyn Brooks, who wrote the powerful “The Chicago Defender Sends a Man to Little Rock,” it was the Pullman Porters who whispered to the traveling men both the Blues Men and the “Race” Men so that they both would know what was going on. . . [Read the rest at Poetry Magazine.]
The April 2023 issue of The Lake online poetry magazine is now live and features work by Angela Arnold, John Bartlett, Clive Donovan, Tim Dwyer, Tom Kelly, Phil Kirby, Mercedes Lawry, Elizabeth McMunn-Tetangco, Charles Rammelkamp, and Shane Schick. Charles Rammelkamp reviews Deborah Landau’s Skeletons, and Dorothy Wall reviews Stewart Florsheim’s Amusing the Angels. “One Poem Reviews,” in which one poem is featured from a poet’s newly published collection, this month spotlights Angela Arnold, John Bartlett, and Karen Poppy.
The newest issue of Jewish Fiction .net just came out – a brilliant, 7-language issue, where, for the first time, more than half the stories in it are translations. In Issue 33, you’ll find 12 terrific stories originally written in Danish, Polish, Russian, Yiddish, Hebrew, English, and – for the first time – Albanian! This brings to 20 the number of languages from which Jewish Fiction .net has published translations. The Albanian story, along with the Polish one in this issue, will appear in the anthology of stories from Jewish Fiction .net that is coming out this fall, entitled 18: Jewish Stories Translated from 18 Languages. This exciting book is only months away! Issue 33 also includes an Agnon story that has never before been published in English, and, in honor of the upcoming holiday, a Passover story. All this is available to read for free and online!
Copihue Poetry is a new, open-access online journal of poetry and poetry in translation published twice each year in the winter and summer. “One of our main goals,” Poetry and Translation Editor David M. Brunson says, “is to be accessible to poets and translators at all stages of their careers. In our first issue, we published some very established names alongside those who had their first publication in our pages.”
This is in keeping with the publication’s mission statement, “We seek to publish exciting new work that moves beyond the imaginary borders of language, state, and culture. As a multilingual journal, we present poetry written in English, poetry written in Spanish, and poetry translated into English alongside the original language. It is our goal to highlight a mixture of poets and translators, both emerging and established. We are especially interested in writers who have been underrecognized or previously unrecognized in English translation, as well as writers of identities historically marginalized by the literary world.”
“While the poetry we publish doesn’t have to be explicitly international in its focus,” Brunson says, “we are interested in work that examines place, language, and culture, especially work that exists in between structures both real and imaginary.”
This bright, new Spring 2023 issue (56.1) of Southern Humanities Review features nonfiction by W.P. Osborn and Marian Ryan; fiction by Coda Canepa, Elizabeth Gonzalez James, Mehdi M. Kashani, and Helena Olufsen; poetry by Sharon Ackerman, Hussain Ahmed, Celia Bland, Tara Shea Burke, Brittany Cavallaro, Lawrence Di Stefano, Timothy Donnelly, Kristina Erny, Jade Hidle, Haesong Kwon, Alafia Nicole Sessions, and Maria Zoccola. Cover art is a video still from “Inorganic Plains,” 2021 by Auburn University professor Sara Gevurtz. Some content can be read online and individual copies, as well as subscriptions, are available on the Southern Humanities Review website.
The newest print edition of New England Review (44.1) is on its way to subscribers with prose by Shaan Sachdev, Rebecca van Laer, Herb Harris, Gurmeet Singh, and Suzanne Jackson & Nathaniel Nesmith, and poetry by C. Dale Young, Megan J. Arlett, and El Williams III, translations from Italian, German, Spanish, and Hungarian, artwork by Suzanne Jackson, and much more. To get your own delivered to your door, visit the NER website for subscription information.
With this Spring 2023 issue, The First Line begins its twenty-fifth year (!) with stories from Keith Casto, Dana Hufe, Philip Umbrino, Sayward MacInnis, Morag Allan Campbell, Heather McCoubrey, Ralph Hornbeck, and Christie Cochrell, all starting with the same first line: I am the second Mrs. Roberts. The spring issue also includes an essay from Sandy Kelman about the first line of Marc Hamer’s Seed to Dust: Life, Nature, and a Country Garden.
Short Reads is a brand-new publication that launches today! Four former Creation Nonfiction employees have banded together to create a free weekly publication delivered every Wednesday morning to subscriber mailboxes. The editors believe in “building a community of writers and readers who believe in the power of true stories to share ideas and experiences, foster empathy, and help make sense of what can happen in a life.” Short Reads will feature original and reprinted flash nonfiction, and while currently not open for submissions (stay tuned!), early contributors include Jaswinder Bolina, Brian Broome, Beth Ann Fennelly, Beth Kephart, Patrick Madden, Deesha Philyaw, and others. Visit their website to sign up today!
The Sunlight Press is a nonprofit, digital literary magazine that publishes new works on Mondays, Wednesdays, and the occasional Friday.
Work featured during the month of March 2023 includes essays by Caleb Coy and Brett Ann Stanciu; poetry by Denise Alden and Murray Silverstein; fiction by Emma Burnett and Rebecca Field; and photography by Wadzanai Nhongo.
The Sunlight Press will be accepting submissions to their 4th annual no-fee Flash Fiction Contest from April 3 through May 1.
The Shore Issue 17 ushers in the spring with fresh poetry blooming into the world by Jennie E Owen, Pamilerin Jacob, Milica Mijatović, Nike Onwu, Frank Graziano, Samantha DeFlitch, Divyasri Krishnan, Michael Quattrone, Kelly R Samuels, Farai Chaka, Melissa Strilecki, KG Newman, Susannah Lawrence, Melanie McCabe, Ellen Zhang, Crystal Cox, Maggie L Wang, Ben Groner III, Ryleigh Wann, Savannah Cooper, Prosper C Ìféányí, Jill Khoury, Lily Greenberg, Luke Johnson, Jane Newkirk, Jessica Goodfellow, Nicholas Ritter, Jen Karetnick, Christopher Blackman, Laura Grace Weldon, Lindsay Clark, Alex Gurtis, Jill Kitchen, Taylor J Johnson, Letitia Jiju, Meg Kelleher, William G Gillespie, Kai Pretto, Karen Elizabeth Sharpe, John Barr, Arvinder Kaur Johri, Alston Tyer and Vincent Frontero. The issue is also awash with art by Ruby Miller & Kimberly Turner.
The Thalweg. The name comes from the geological term for “the deepest part of a canyon, the primary navigable channel of a waterway, a boundary between two formations where the current is the strongest.” The editors of this annual publication of prose, short essays, poetry, stories, and visual art felt that this term “was a beautiful metaphor for the work we hope to publish, hoping that The Thalweg can be a space to share strange and beautiful things, as a way of contemplating our normative ideas of nature.”
The Thalweg’s masthead speaks to experiences in both literature and nature. Founding Editor and Communications Director Seneca Kristjonsdottir works as a guide on the Salmon and Snake rivers in Idaho and in Arizona’s Grand Canyon. She has lived in a variety of landscapes including Colorado, Idaho, and California, and studied ecology and bee husbandry at Goddard College.
The Spring 2023 issue of The Kenyon Review includes a folio of literature in translation guest edited by award-winning translators Jennifer Croft, Anton Hur, and Jeremy Tiang. The issue also includes poetry by Kwame Dawes, Timothy Donnelly, K. Iver, and Danusha Lameris; fiction by Sam J. Miller, Michael Tod Powers, J. T. Sutlive, and Lindsay Turner; nonfiction by A. J. Bermudez; and the winner of the 2022 Short Fiction Contest, judged by Karen Russell. The cover art is by Pamela Phatsimo Sunstrum.
NewPages receives many wonderful literary magazine and alternative magazine titles each month to share with our readers. You can read more about some of these titles by clicking on the “New Mag Issues” under NewPages Blog or Mags. Find out more about many of these titles with our Guide to Literary Magazines and our Big List of Literary Magazines and Big List of Alternative Magazines. If you are a publication looking to be listed here or featured on our blog and social media, please contact us. You can also subscribe to our weekly newsletter to stay the most up-to-date on all things literary!
American Poetry Review, March/April 2023 Arkansas Review, December 2022 The Baltimore Review, Winter 2023 Bennington Review, 11 Blink-Ink, 51 Bomb, Spring 2023 Booth, 18 Catamaran, Spring 2023 Chinese Literature and Thought Today, 53.3-4 Colorado Review, Spring 2023 Communities, Spring 2023 Copper Nickel, Spring 2023 Cutleaf, 3.4 & 3.5 ecotone, Fall/Winter 2022 EVENT, 51.3 Feminist Studies, 48.3 Gay & Lesbian Review, March/April 2023 Georgia Review, Spring 2023 The Gettysburg Review, 34.2
The online literary magazine Tint Journal Spring 2023 includes 25 new stories and poems by authors from 23 different countries who choose to write in English as their non-native, or second language. Tint Journal‘s issues are not themed, yet – reflecting the state of the current world – most texts in this particular issue deal with relationships, to place, history, teachers, students, relatives, neighbors and with the relationship to oneself. Tint also just relaunched their entire website. Now, visitors can find an interactive worldmap on the landing page, showing the geographical backgrounds of almost 200 authors that the magazine has assembled to date.
Authors in Tint Spring ’23: Eniola Abdulroqeeb Arówólò, Isabella Cruz Pantoja, Italo Ferrante, Jee Ann Marie E. Guibone, Douglas Jern, Yael Kastel, Caroline Kuba, Daniel Loebl, Gershom Gerneth Mabaquiao, Ethel Maqeda, Jael Montellano, George Nevgodovskyy, Adriana Oniță, Mandira Pattnaik, Karolina Pawlik, Ranjiet, Neha Rayamajhi, Philipp Scheiber, Oindri Sengupta, Leyla Shukurova, Bianca Skrinyar, Leah Soeiro Nentis, Wambui Waldhauser, J.M. Wong, Huina Zheng.
Each text contribution was published with a visual artwork by international artists (curated by Vanesa Erjavec) and a short interview with the author. Many of the texts can also be heard as audio clips, read by the writers themselves.
Artists in Tint Spring ’23: Angelica Atzin Garcia, Suresh Babu, Lena Baloch, Leslie Benigni, Jack Bordnick, Michaela Caskova, Nathan Cho, Kate Choi, Suzette Dushi, Vanesa Erjavec, Gianluca Fascetto, Karen Fitzgerald, Diamante Lavendar, Serge Lecomte, Anton Mandych, Adriano Marinazzo, Megan Markham, Alexiane Montpetit, Adriana Oniță, Linnea Ryshke, Virgil Suárez, Claire Townsend, Rebecca Unz.
EVENT’s latest Notes on Writing Issue, 51.3, features notes by Aimee Wall, Sydney Hegele, and Brandi Bird, along with nearly 70 pages of poetry by 23 poets, fiction by Ben Lof, and M.C. Schmidt, and reviews by Sadie Graham, gillian harding-russell, and Michael Lake. Cover art Hello Yellow! by Catherine Babault, 2022.
Readers and writers will be delighted to discover Arboreal Literary Magazine, a quarterly of poetry, short fiction, creative nonfiction, and visual art available for purchase in print or free online. For the purchase of the print, or “Dead Tree” edition, the publication is donating a portion of the proceeds to One Tree Planted, a nonprofit that promises to plant one new tree for every dollar raised.
The name, from the Latin arboreus, the editors explain, “initially didn’t have any deeper meaning beyond the lyrical beauty of the word and its relevance to our names (Crabtree and Woods). Yet, after long discussion, we realized it is the perfect title for a publication committed to long-term artistic growth and a ‘big picture’ mission to help our readers, our contributors, and ourselves ‘see the forest for the trees.’”
The newest issue of Room(46.1) is themed “Around the Table: Asian Voices.” Editor Michelle Ha introduces the volume, “When we first sent out the call for this issue, we invited Asians from all different backgrounds, ethnicities, and communities to come sit around the table with us and share their stories. The name ‘Around the Table’ came from the realisation that for a lot of Asian cultures many moments, activities, and memories are done and made around the table. In this sense, I wanted this issue to feel similar to that. The dream for 46.1 has always been about supporting and uplifting the voices of Asian writers and artists, as well as to curate this issue as a platform to showcase the vastness that is the Asian collective. As the issue progressed, it became more than that. ‘Around the Table’ became a home to these incredibly wonderful, joyful, and vulnerable pieces that share individual experiences for the collective.”
The cover art, Protect Asian Lives by Paige Jung, “was created in response to the eight lives – six of them belonging to Aisan women – that were unjustly taken on March 16, 2021, during the Atlanta spa shootings. Five portraits, of different ages and backgrounds, are depicted to put faces to the Asian diaspora and call attention to our safety that is being threatened due to racism, fetishization, and discrimination. The piece offer an ironic justaposition of joyful, bright colors with fierce and burdened expressions. It is a cry for justice and for solidarity.”
Minimalist Wisdom is the theme of the spring 2023 issue of Still Point Arts Quarterly, featuring art and photography, fiction and non-fiction, and poetry. Widely praised for its rich and valuable content and splendid presentation. Intended for artists, writers, nature lovers, seekers, and enthusiasts of all types.
CUTTHROAT, A JOURNAL OF THE ARTS announces a 357-page anthology of poetry and prose devoted to the climate crisis featuring work by Rita Dove, Joy Harjo, J. Drew Lanham, Linda Hogan, Luis Alberto Urrea, Patricia Jabbeh Wesley, Patricia Spears Jones, Lidia Yuknavich, Cynthia Hogue, Jesse Tsinijinnie Maloney, Alice Zheng, Richard Jackson and more. Purchase at our website. Profits donated to Endangered Species Preservation.
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The March 2023 issue of Poetry features “How It Continues to Astonish: The Poetry of Ann Lauterbach” with an introduction by Richard Deming, as well as works by Kinsale Drake, Nam Le, Dorothea Lasky, Yahya Hassan, Jenny George, Laura Villareal, Jay Deshpande, Ari Wolff, Cathleen Calbert, Rodolfo Avelar, KB Brookins, Yuki Tanaka, and Yahya Hassan translated by Jordan Barger along with notes on the translation. The “Not Too Hard to Master” series of poets writing on forms and sharing a prompt features Terrance Hayes in this second installment.
Young Writers and Artists 2023 from Cholla Needles is the eighth edition in this series. The editors write, “We deeply thank the students for taking their time to create and share the wonderful work you’ll find within these pages. And, of course, all of this would be meaningless without you, the reader. We are blessed to continue a great relationship with the Mojave Desert Land Trust to have these special youth issues appear twice a year. Mary Cook-Rhyne leads the educational arm of MDLT and has created curriculum and classroom units available to teachers of all grade levels that explain the uniqueness of the Mojave Desert with age-appropriate activities.”
The Spring 2023 issue of Rattle (#79) features a Tribute to Irish Poets. From Yeats to Boland and Heaney, Ireland has a long tradition of producing great poets. Rattle editors take an opportunity with this issue to look at what’s going on there now. The theme includes seventeen poems by Irish poets and their always-interesting contributor notes, and a conversation with Frank Dullaghan, a poet who has lived an interesting life in both Ireland and abroad. The open section features twenty-one poets exploring their perspectives on life. Cover art by Joseph Lynch.
Publishing quarterly online, the San Francisco Youth Anthology offers middle-school, high-school, and college-aged writers and readers of any age a platform for all genres of creative writing. Based in San Francisco, the publication only accepts submissions from San Francisco and the surrounding areas, but they are open to readers from around the globe.
As Editor Ava Rosoff explains, “SFYA began with the desire to start a magazine and initiative for young writers to help them showcase their work in an anthology, captured in the ‘Youth Anthology’ part of the name.” She and her editor peers saw SFYA as “a way to foster a community of youth writers in the San Francisco Bay Area and encourage young writers to share their work with the greater community.”
The Main Street Rag Winter 2023 features an interview with Jim Lundy involving the history of the Poetry Society of South Carolina. Also in this issue, readers can enjoy poetry by L. Ward Abel, Melissa Apperson, Susan Ayers, Carol Barrett, Maria Berardi, Mike Bove, Terri Drake, Sam Capps, Ricks Carson, Robert Cooperman, Steve Cushman, Barbara Daniels, Abigail Dembo, Patrick Dungan, Michael Flanagan, Tony Gloeggler, Earl Carlton Huband, Judith Janoo, Becky Nicole James, Mike James, Garret Keizer, Casey Killingsworth, Jennifer LeBlanc, Justin Lacour, Richard Levine, Mary Makofske, Ronald J. Pelias, Erik Rosen, Janet M. Rives, Bret Roth, Claire Scott, William Snyder, Jr., Shaheen Dil, Tom Whalen, James Washington, Jr., Frederick Wilbur; fiction by Chris Daly, Brett Dixon, Peter Fraser, Paul Juhasz, Eugene Radice, Beate Sigriddaughter, Karen Sleeth; images by Rebeccah Williams Connelly, Karen Pelosi, Michael Woodruff, Lynn Black, Jill L. Rausch; and a slew of book reviews.
The newest issue of Chinese Literature and Thought Today (vol. 53, no. 3–4, 2022) examines Chinese literature and culture in the time of contagion, and offers part two of a special section “Re-Aestheticizing Labor.” The featured scholar is Deng Xiaomang, an important philosopher and public intellectual. Moving to a mostly digital format, this full issue is available to read through Taylor & Francis Online. More developments are in the works for this already outstanding publication of intellectual literary culture – stay tuned!
The March 2023 issue of The Lake online poetry magazine is now available for reading and features works by Jean Atkin, Jimmy R. Coleman, Sandra Hosking, Beth McDonough, Bruce McRea, Jeff Mock, Leah Mueller, Wren Tuatha, and Susan Waters.
In Issue 3.4 of Cutleaf online, Craig Holt barely survives, and may have learned his lesson, in “Drinking the Ocean: Notes on Travel and Drowning.” A young man negotiates family expectations and his relationship with a widow in Maya Kanwal’s “A Shade for the Window.” And Carolyn Oliver says “In another life, I am…” in four poems that expand on the possibilities of what we all are or might be, beginning with the poem “Deep Learning.” This issue features stills from John Frankenheimer’s film “Seconds” (1966).
The newest issue of Cholla Needles (74) features inspiring artwork by Nancy Brizendine and life-affirming words by Dorianne Laux, Joseph Millar, Domonique, Zary Fakete, Miriam Sagan, Roger G. Singer, Ruth Ann Dandrea, Kent Wilson, Jeffrey Alfier, Peter Nash, and Jonathan Ferrini.
Publishing twice year, Action, Spectacle is a new open-access online magazine of just about everything you could want: fiction, nonfiction, poetry, plays, graphic literature, comics, interviews, reviews, and still and video art. A spectacle of options indeed, but actually, the publication draws its name from Marxist theorist, Guy Debord’s well-known book, The Society of the Spectacle, in which he suggests, “All that once was directly lived has become mere representation.” However, ‘mere’ is not the word that comes to mind when viewing contributions to Action, Spectacle.
The publication was begun by Adam Day, as he says, for “the sheer joy of getting to see what’s out there, getting to feature new voices, getting to feature work we love.” Joining him behind the scenes are Prose Editors Kate Tough, novelist and story writer, and Sarah Rose Cadorette, Creative Writing MFA and a Travel and Social Advocacy BA, both from Emerson College. “We also have several guest editors per issue,” Day adds, “Usually up to ten.”
Day himself brings some credentials as author of Left-Handed Wolf (LSU Press), and Model of a City in Civil War (Sarabande Books), and the recipient of a Poetry Society of America Chapbook Fellowship for Badger, Apocrypha, and of a PEN America Literary Award.
For writers looking to submit works, Day explains that “all general submissions are read by the editors. We do not have screeners. There is also work published from creators solicited by our guest editors. We do not provide feedback, and our response time is usually a month.”
A well-run publication with experienced writers and editors on the team, Day comments that “it’s been super rewarding starting and publishing Action, Spectacle. Thankfully we have yet to run into any major challenges in keeping the publication going, other than some glitches with our old website.”
For readers, Action, Spetacle has much to offer. Day says, “The magazine exists at the intersection of the socio-political, the cultural, and the arts. We put a spectrum of voices online, seeking both debut and established writers and thinkers creating intriguing and original work, whether relatively conventional or extremely experimental, and we don’t shy away from the idea of a text that might be ‘difficult.’ We employ the broadest possible aesthetic when considering submissions, including translations and hybrid and collaborative work.”
Some recent contributors include Anne Carson, Douglas Kearney, Ron Padgett, Shelley Wong, Rodrigo Toscano, Denise Duhamel, Lidija Dimkovska, and Anna Badkhen.
The future for Action, Spectacle includes “building readership and continuing to publish fresh and exciting work,” as well as an annual chapbook contest judged by Dara Wier. A good look forward for both readers and writers.
In addition to featuring winners of the 2022 Perkoff Prize, The Missouri Review Winter 2022 is themed “The Body” and includes new fiction from Dina Guidubaldi, Shala Erlich, Malerie Willens, Peter Grimes, and Robynne Graffam; new poetry from Bridget O’Bernstein, Anna V. Q. Ross, and Jeff Whitney; and new essays from Faith Shearin, Adam Boggon, and Joshua Doležal. Also included are features on dressing Greta Garbo and the influence of anime on contemporary art, and an omnibus review of contemporary memoirs about coming to terms with illness and affliction.
Issue 34.2 of The Gettysburg Review features paintings by Tidawhitney Lek, fiction by Kate Jayroe, Marina Petrova, Rachel Klein, and Caitlin Boston Ingham; essays by James Whorton Jr., Samuel Ligon, Nicole Graev Lipson, and Catherine Niu; poetry by Will Brewbaker, Pablo Piñero Stillmann, James Davis, Sara Borjas, Jill McDonough, Tina Barr, Susan Rich, Jill Osier, Margaret Gibson, Colin Cheney, Philip Schultz, J. P. Grasser, Jim Daniels, Mihaela Moscaliuc, Brianna Noll, Fleda Brown, Joy Manesiotis, Mary Leauna Christensen, Anushka Shah, Laura Read, and Albert Goldbarth.
Under the Madness Magazine began in the summer of 2021, the pandemic looming large, among so much other chaos, but imagine being a teenager during this time, trying to make sense of it all. Created by and for young writers 13-19 years old under the guidance of Alexandria Peary, New Hampshire Poet Laureate, Under the Madness Magazine got its name from the staff who felt it spoke to the confusing whirlwind teenagers face—political polarization, global warming, and inequity. “The whole phrase that came to mind,” Peary says, “was ‘under the madness lies literature,’ but it was too long for a magazine name. It was refined to retain the spirit of the name: how writing and creative expression help teens stay grounded when the adult-made sky seems to be spinning.”
NewPages receives many wonderful literary magazine and alternative magazine titles each month to share with our readers. You can read more about some of these titles by clicking on the “New Mag Issues” under NewPages Blog or Mags. Find out more about many of these titles with our Guide to Literary Magazines and our Big List of Literary Magazines and Big List of Alternative Magazines. If you are a publication looking to be listed here or featured on our blog and social media, please contact us. You can also subscribe to our weekly newsletter to stay the most up-to-date on all things literary!
Alaska Quarterly Review, Winter/Spring 2023 All My Relations, Volume 3 Barrow Street, Winter 2022-23 Big Muddy, 22/23 Black Warrior Review, Fall/Winter 2022 Carve, Winter 2023 Cream City Review, Fall/Winter 2022 Cutleaf, 3.3 Dreamers Magazine, Issue 13
After a brief hiatus, the Terrain.org podcast curated by Miranda Perrone, Soundscapes, is back. Their seventh new episode is “Wildness: Life, or Death?” This 36-minute podcast features Janisse Ray reading her essay “I Have Seen the Warrior: Crossing the Okefenokee,” in which she shares her three-day experience “crossing the largest swamp east of the Mississippi.” This is enhanced by a conversation between Janisse and Miranda. The episode opens with a poem by Robert Morgan, “Portal,” and ends with a poem by Kim Parko, “Our Woman.” Terrain.org also offers a full transcript of the program with time cues.
“The Russophone Literature of Resistance” headlines the March 2023 issue of World Literature Today. The eight writers included in the cover feature all oppose the Russian Federation’s current regime, whether from inside the country or beyond its borders. Additional writers highlighted inside include Alexandra Lytton Regalado (El Salvador), Siphiwe Ndlovu (Zimbabwe), and Bridget Pitt (South Africa), along with essays on “The New Cadre of Latin American Women Writers,” a postcard tour of unique bookstores along the US–Mexico border, and three dispatches from literary Istanbul. Be sure to check out the latest must-read titles in WLT’s book review section, three recommended Indigenous horror novels, and much more!
Since its inception in 1963, South Dakota Review has maintained a tradition of supporting work by contemporary writers writing from or about the American West. The newest issue, South Dakota Review 57.2, continues this tradition, featuring poetry by Mercedes Lawry, Jane Zwart, Jessica Goodfellow, Josh Mahler, Elizabeth Tracey, Emma Aylor, Jey Ley, Carol Everett Adams, Brooke Harries, Michelle Otero, Dianna Vega, Nathan Whiting, E.B. Schnepp, and Jonathan Louis Duckworth; short stories by Elizabeth Tracey, Emily García, Vinh Hoang, and Jarrett Kaufman; as well as essays by Sihle Ntuli, Dannielle Shorr, and Joe Sacksteder.
