Home » NewPages Blog » Magazines » Page 11

NewPages Blog :: Magazines

Find the latest news from literary and alternative magazines including new issues, editorial openings, and much more.

Magazine Stand :: Waxing & Waning – Issue 10

Waxing & Waning literary magazine Issue 10 cover image

For Issue 10 of Waxing & Waning, the editors went with their standard call: “We want what’s on the fringe. Whatever is deep and true. The moon represents this idea: what is dark, what is brooding, what is wild, what is crescent and changing. We want to feed the beast in you, the one buried beneath layers of manners and anxiety and internet induced abyss, repetition, and relative sameness. Work submitted to Waxing & Waning should be honest and well-executed. It should scream coherently; it should bring experiences and knowledge out of us that we have not seen before. It should rip out our black hearts and put them in front of our eyes. Bring us the work everyone else is afraid of. Bring us the work you’re afraid of. Bring us the work that gets at the trueness frightening you out of the routine. In a world blanketed in monotony—we seek to search outside of ourselves so we can better love, give love, and sacrifice for whatever art could bring. We hope to wax in truth and wane into poetics—to shelter ourselves from reality. To bathe in the light of the moon.”

Stepping up to meet this call for Issue 10 are contributions of poetry by A.N. DeJesus, Esme DeVault, Benjamin Green, Marian Shapiro, Taunja Thomson, and Andrew Walker; fiction by Robert Cramblitt, Max Firehammer, Joseph Morice, Chris Motto, Elizabeth Quirk, Eugene Radice, Douglas Steward, and Rebecca Wood; creative non-fiction by Mackenzie Broderick, Christie Green, Joan Halperin, Melanie Reitzel, and Anne-Christine Strugnell; art by Katie Allcorn, Karyna Aslanova, Gianna Sozzi, and Alice Teeple; a play by Paul Antokolsky; and Editor’s Note by Lance Ümmenhofer.

Waxing & Waning is published under the April Gloaming Publishing imprint, which includes a special focus on Southern literature as well as novels, memoirs, poetry collections, and anthologies. Print copies of Waxing & Waning and the Waxing & Waning Presents Series can be purchased here: www.aprilgloaming.com/shop

New & Noted Lit & Alt Mags – December 2022

NewPages receives many wonderful literary magazine and alternative magazine titles each month to share with our readers. You can read more about some of these titles by clicking on the “New Mag Issues” under NewPages Blog or Mags. Find out more about many of these titles with our Guide to Literary Magazines and our Big List of Alternative Magazines. If you are a publication looking to be listed here or featured on our blog and social media, please contact us!

About Place, December 2022
Aji Magazine, 17
Atlanta Review, Fall/Winter 2022
The Baltimore Review, Fall 2022
Blink Ink, 50
Bomb, Winter 2023
Boulevard, 110 & 111
Brick, 110
Cave Wall, Number 17
Communities, Winter 2022
Cutleaf, 2.24
december, Fall/Winter 2022

Continue reading “New & Noted Lit & Alt Mags – December 2022”

Magazine Stand :: Southern Humanities Review – 55.3&4

Southern Humanities Review volume 55 numbers 3 and 4 cover image

From the Department of English at Auburn University, this Southern Humanities Review is a double issue and their 2022 Witness Poetry Prize Issue, featuring the winner, “Tulsa Triptych” by Daniel Donaghy as well as poems from finalists as judged by poet Rick Barot. The rest of the issue is filled with nonfiction by Kate Lister Campbell, Gage Saylor, Caroline Sutton, and Justin Jannise; fiction by Talia Lakshmi Kolluri, Rachael Fowler, Max Hipp, John Kim, Greg Tebbano, Neal Hammons, and Stephanie Macias; poetry by Nicole Stockburger, Ashley Kunsa, Tennessee Hill, Desiree Santana, Jubi Arriola-Headley, M. Cynthia Cheung, Jacob Griffin Hall, Julia Kolchinsky Dasbach, emet ezell, Marissa Davis, Cindy Juyoung Ok, Jai Hamid Bashir, Benjamin S. Grossberg, Jamie L. Smith, Helena Mesa, Zoë Fay-Stindt, Julia C. Alter, Aneeqa Wattoo, Adam J. Gellings, B. Tyler Lee, Ajay Sawant, Piedad Bonnett, and Karen McPherson; with cover art by Doris Alexander Thompson.

Magazine Stand :: Waxing & Waning – The Blackout Edition

Waxing & Waning The Blackout Edition literary magazine cover image

Waxing & Waning publishes one print and one online issue per year, along with one special edition contest, the Waxing & Waning Presents Series, that amplifies voices of underrepresented populations.

For the 2022 Blackout Edition, the writers’ prompt was:

“As 2021 draws to a close, George Floyd’s killer behind bars, Breonna Taylor’s still enjoying their time of freedom, and countless other BIPOC people’s deaths still without justice, our humble literary and arts journal is seeking writing and art that exemplifies the BIPOC experience worldwide. In a time of racial unrest, where privileges are being called out and people are being asked to change their behaviors to make the world we live in accountable for its unfairness and injustices, we at Waxing & Waning are looking for creative work that both includes this aspect, but we are also looking for any and all work about the modern BIPOC experience, even outside of race. Give us your poems about sunsets, stories that strike a chord in the human experience, art that screams to be heard. Be deep, true, honest. Here is not where limits lie. We want it all.”

The contributors for The Blackout Edition Prose: Winner Rim Chon, Runner-up Emil Rem, Marian Fredal, Leslie Grover, and Patrice Washington; Poetry: Winner Shamon Williams, Runner-up Glenn Marchand, Biman Roy, and Sabrina Spence; Art: Winner Christina Sayers.

The 2023’s special edition contest will be titled The Pride Edition and will be open to all writers and artists in the LGBTQIA+ population. Submissions for this will open at the beginning of the year.

Waxing & Waning is published under the April Gloaming Publishing imprint, which includes a special focus on Southern literature as well as novels, memoirs, poetry collections, and anthologies. Print copies of Waxing & Waning and the Waxing & Waning Presents Series can be purchased here: www.aprilgloaming.com/shop

Magazine Stand :: December – 33.2

December literary magazine issue 33.2 cover image

“A literary legacy since 1958,” December‘s newest issue (33.2) features the 2022 Curt Johnson Prose Award Winners: “Goodnight, Irene” by Miriam Gallou, Fiction Winner; “Slow Dance” by Garnett Cohen, Fiction Honorable Mention; “On Her Waters Summoning Us Down” by Gisselle Yepes, Nonfiction Winner; “Of Cats and Men” by Anjanette Degado, Nonfiction Honorable Mention. Other contributors to this issue include poetry by Joanne Allred, David Axelrod, Nancy Botkin, Mary Crow, Kim Ports Parsons, Ricardo Pau-Llosa, Dan Rosenberg, John Schneider, Steven Schreiner, Heidi Seaborn, Mark Smith-Soto, Carole Stone, Florence Weinberger, John Sibley Williams, Erin Wilson; fiction by Quinn Adikes, Bruce Kilstein, A.C. Koch, Jenna-Marie Warnecke; nonfiction by Jacob Aiello, Jiadai Lin, Neha Potalia; art by Joy Curtis, Basil Kincaid; illustration by Sherry Shahan; and cover art by JJ Manford.

Magazine Stand :: Wordrunner eChapbooks – Issue 47

Wordrunner eChapbooks issue 47 cover image

Wordrunner eChapbooks‘ 47th issue, Winter 2022 fiction echapbook, is Death in the Cathedral: A Novella in Five Stories by Malcolm Dixon. These five linked stories immerse readers in the turbulent, disturbing and sometimes hilarious misadventures and rivalries of Catholic schoolboys in late 20th century Liverpool—Stephen Mattimore, the boy who tries to play by the rules, his rebellious and scornful classmates who torment their cassocked teachers, the misfit who runs the campus sundries shop. Death, lurking in the title story, whether sudden or anticipated, alters everyone. Outside the confining Cathedral College flows “the inky black waters of the Mersey, opaque to the point of invisibility, like the dark unwritten page of [Stephen’s] future.” This collection may be read free online or you can purchase an ebook edition for only $2.99. Authors receive 50% of all royalties, it’s a way to support a small press, and they make thoughtful gifts during the holiday season!

Magazine Stand :: The Conversationalist – December 2022

The Conversationalist December 2022 online alternative magazine cover image

If you’re in search of some new media outlets, The Conversationalist is a nonprofit feminist media outlet publishing online journalism focused on a global perspective, from the personal to the political. The Conversationalist is a platform for original reporting and commentary from writers with under-amplified perspectives. The publication takes an empathetic approach to increase media literacy and inspire conversation around sensitive challenges in global affairs. Recent articles include “Made in Pakistan” by Anmol Irfan, “Buffalo and Uvalde, Six Months Later” by Raina Lipsitz, “Russia’s New Anti-LGBTQ Legislation is Just More of the Same Authoritarianism” by Chrissy Stroop, “Freedom to Want” by Melissa Chadburn, “Can We Writer Our Way to a New Word?” by Racel Pafe, and numerous others on topics like adult friendship, climate change, books, travel, community, abolition, food, and more. “Feminist stories. Global Perspectives. Zero BS.” Find more great reading at the NewPages Big List of Alternative Magazines.

Magazine Stand :: Jewish Fiction .net – Issue 32

Jewish Fiction .net online literary magazine Issue 32 cover image

The newest issue of Jewish Fiction .net is its Chanukah issue, which includes 12 stories originally written in Yiddish, Hebrew, and English. This brings to almost 550 the number of works published by Jewish Fiction .net, that were either written in English or translated from 18 languages. Readers can find works by Tsilye Dropkin, Wayne Karlin, Hamutal Bar-Yosef, Peter Alterman, Avital Gad-Cykman, and many more. All available to read free online. And some exciting news: Academic Studies Press will be publishing an anthology of fiction from Jewish Fiction .net – 18 stories, each translated into English from a different language! This book will come out this fall, so keep your eyes open for updates.

Magazine Stand :: The Iowa Review – Double Issue 2022

The Iowa Review double issue summer 2022 cover image

The Iowa Review Editor Lynne Nugent introduces contributions to this 2022 double issue as diverse, including “an ode to a drag queen, an account of growing up with a Chinese last name in small-town Minnesota, and a meditation on a cane used as a mobility aid.” Nugent emphasizes The Iowa Review‘s evolution while also acknowledging its inheritance: in their first issue, The Iowa Review featured Donald Justice’s poem “ABC”; this issue features his letters, edited by Jerry Harp. Though that first issue was made up entirely of white, cisgender, heterosexual men (“brilliant men, mind you,” Nugent reminds us: “Donald Justice, William Stafford, Robert Coover, Galway Kinnell”) to her, Justice’s “poem reads like a manifesto for TIR. To launch a literary magazine in 1970 meant asserting against larger cultural forces the value of syllables, words, stanzas. Each of the diverse array of writers in this issue takes up the same cause. A, then B, then C, and building a new world from there.” Works in this issue include fiction by Pallavi Wakharkar , Serkan Görkemli, Rajnesh Chakrapani, Ernesto Barbieri, Kenneth Tanemura, Nikki Ervice, Lindsey Drager; nonfiction by Alison C. Rollins, Lisa Argrette Ahmad, Xujun Eberlein, Christopher Kempf, Michael M. Weinstein, Jonathan Wei, Michaela Django Walsh; poetry by Donald Platt, Sarah Heston, Alisha Dietzman, Samyak Shertok, Derek A. Denckla, Alisha Acquaye, Gunnar Wærness, translated by Gabriel Gudding, Meghan Maguire Dahn; and artwork by b. Robert Moore. Some content is available to read free online.

Magazine Stand :: Topical Poetry – December 2022

Topical Poetry December 2022 cover image

Topical Poetry contributors share poems based on a recent public news/event, preferably from the previous or current week. Editors select the best ones and publish them on the website twice a month, on every other Sunday. “Poetry on current events can be transformational, thought-provoking, and everlasting.” Recent works include “Always” by Dustin Brookshire, “Carrier of Souls” by David Chorlton, “None of This Had to Happen- Channeling Jane Hirschfield” by Lynne Kemen, “A Tale of Black Friday” by Lois Perch Villemaire, “On the Many Shades of Protest (& Prayer)” by Jen Schneider, and “The Pen” by Bänoo Zan. All content is free to read online.

Magazine Stand :: The Woven Tale Press – Vol 10 No 8

The Woven Tale Press Vol 10 No 8 cover image

The Woven Tale Press editors for Vol 10 No 8 promise readers “haunting images, eco-friendly sculpture, unusual mixed media, poetry, fiction and more!” Contributors include Craig Cotter, Stacey Fletcher, Jana Harris, Nell Jungyun, Kenneth Kesner, Roberto Loiederman, Joseph A. Miller, Natalie Oliphant, Craig Palmer, Sara Joyce Robinson, Susan B. Wadsworth. The Woven Tale Press welcomes fiction and creative nonfiction prose writing, poetry, and all mediums in the visual arts, including installation works; galleries are invited to submit the work of artists they represent. For their site, The Woven Tale Press seeks posts by both visual artists and writers, on any aspect of their creative process. Artists can submit their website URL for review consideration. If you are interested in becoming an art correspondent for The Woven Tale Press — to report on your local art scene— WTP would love to hear from you! Visit their website for full details.

Review :: “Porous” by Jessica Moore

Brick summer 2022 literary magazine cover image

Guest Post by Megan Eralie

Published in the summer 2022 issue of Brick, “Porous” by Jessica Moore investigates motherhood and imagines the many types of containers in and around pregnancy, birth, and life. Moore opens by stating, “I have an affinity for the liminal.” This fascination of “spaces between” opens an exploration of moments and feelings “beyond the physical.” Reflecting on motherhood, both years before and after giving birth to twins, Moore muses on the space love contains and the boundaries, containers for love, that also grow with motherhood. A car crash eight years before giving birth results in a head injury which causes Moore to pay closer attention to losses and to memorize a passage from John Berger that sparks an unintended attention towards how the mind “alter[s] and appropriate[s]” our own words—memorized words are, themselves, unable to be contained. The containment of words read and memorized culminates in an observation that words, like fetal cells from a pregnancy, live in the body long after birth. The essay itself is a container of Moore’s words blended with other writers’, a container that goes on to live within the reader, revealing the liminality of language.

“Porous” by Jessica Moore. Brick: A Literary Journal, issue 108, Summer 2022.

Reviewer bio: Megan Eralie (she/her) is a nonfiction writer, poet, and graduate student living in Logan, Utah, who thinks having two cats is a personality trait. You can find her on twitter @smeggggs.

Magazine Stand :: About Place Journal – December 2022

About Place Journal December 2022 cover image

About Place Journal editors invite readers to their December 2022 issue themed “Center of Gravity” with these comments: “Justice is the center of gravity and resistance is how we get there. While the fight for social justice, reproductive rights, and the environment has been an ongoing struggle, the present moment demands an even more urgent response to these grievous times. As James Baldwin reminds us, ‘the role of the artist…is to illuminate that darkness [and] to make the world a more human dwelling place.’ In this light, the Center of Gravity issue explores poetry, prose and visual art that articulate the possibilities of resistance and envision worlds in which justice is a reality.” Contributors include Natiq Jalil, Gerburg Garmann, Michele Reese, Alison Palmer, Helen Stevens Chinitz, Joe Milazzo, Cheryl Byler Keeler, Jeremy Paden, Cristina Correa, Hannah Dierdorff, Lisa Kwong, Mary Newell, Joanne Diaz & Jason Reblando, H. E. Riddleton, Petra Kuppers, Akua Lezli Hope, Ingrid Wendt, Allison Cummings, Carla S. Schick, Joseph Ross, Evelyn Reilly, Julie Runacres, Ariel Resnikoff, Allison Cobb, Mariana Mcdonald, Cassandra Rockwood Ghanem, Gail Folkins, Gerburg Garmann, Jorge Losoya, Bunny McFadden, RBD, Mary Edna Fraser, and Jack Bordnick.

MAYDAY seeks applicants for the volunteer part-time positions of Production Editors and Poetry Editors

We invite applications for Production Editors and Poetry Editors until the positions are filled.

We will begin scheduling interviews on December 16, 2022.

PRODUCTION EDITORS: As an integral part of the managing editor’s office, production editors are responsible for layout and formatting of all content prior to posting at MAYDAY. In addition to an interest in literary publishing, strong applicants might also have experience with digital journalism, publishing, and/or proofing or editing copy. MAYDAY is published on WordPress, so experience with this platform will be helpful, but it’s not prohibitively difficult to learn, either. We provide staff training and ongoing support. Familiarity with the Chicago Manual of Style will also be helpful, though it is also not an immediate requirement.

POETRY EDITORS: In addition to reading submissions and selecting work for publication, poetry editors will be encouraged to solicit work for the magazine and help develop various feature series and ongoing projects in collaboration with other editors on staff. Ideal candidates for the poetry editor positions may or may not have an educational background in writing or literary studies, but should have experience publishing their own work and/or editing the work of others.

Review :: “Tom Is Dead” by Catherine Sinow

Marrow literary magazine logo

Guest Post by Virginia

A succinct nonfiction essay by Catherine Sinow, but one that will sit in the mind long after you’ve finished reading it, “Tom Is Dead” is about tragedy befalling a family and the complications of grief that come from no longer being close to that family. The work, published in Issue 3 of Marrow Magazine, is about rifts between people but also about closeness, and how those two things can co-exist sometimes in strange and painful ways. Sinow utilizes the small space the essay takes up well, and while the word count is low, the content is packed with effective language, like these opening lines, “Once I was friends with two brothers. I had a falling out with both of them. Eight months later, their dad was hit by a car and killed.” The blend of craft and content makes the essay a real brain-worm of a piece, and it’s a slightly morbid, slightly bittersweet, altogether powerful read.

“Tom Is Dead” by Catherine Sinow. Marrow Magazine, Issue 3, 2022.

Reviewer bio: Virginia is an English graduate student at Utah State University. They like talking with cats better than talking with people.

Magazine Stand :: Aji Magazine – Issue 17

Aji Magazine Fall 2022 Issue 17 cover image

Aji Magazine Editor in Chief Erin O’Neill Armendarez writes of Issue 17: “Every poem, story, essay, photograph, or work of graphic art in this issue invites readers to consider alternative experiences and ways of being, coaxes us out of our day-to-day normal into someone else’s world. Pieces in this issue will inspire laughter, pathos, and perhaps deep reflection. In a world where writers, musicians, and artists are being silenced, threatened, imprisoned, even killed, we are so thankful for all of you, for the communities from which you come, for the unique perspectives you share with Aji, a small magazine, to some degree a speck on the stage of contemporary national art and literature.” The online magazine includes partner and director of Continuum Art Studios Shelley Schrieber as the featured artist, an interview with Keith Hamilton Cobb that “delves into critical conversations on racism, action, and difficult truths,” and over 100 pages of writing and artwork from four dozen contributors. All for free online, so head on over and take a look today!

Magazine Stand :: Poetry Magazine – December 2022

Poetry Magazine December 2022 cover image

Poetry Magazine December 2022 includes the special feature “Wholly Seen: The Work of Diana Solís,” which includes Carlos Cumpián’s essay “Encounter Diana Solís,” a portfolio of Chicago poetry community portraits taken by Solís in the 70s-90s, two poems by Solís, and the essay, “Making Light Together” by Robin Reid Drake. Other contributors to the issue’s regular content include Cindy Juyoung Ok, Tacey M. Atsitty, Alan Pelaez Lopez, Peter Mason, Donte Collins, Rebecca Hazelton, Dara Yen Elerath, Dorianne Laux, Marcus Wicker, Diamond Forde, and Charif Shanahan. Poetry Magazine‘s full content can be found on their website along with subscription information for the print copy.

Magazine Stand :: Rivanna Review – Issue 6

Rivanna Review issue 6 December 2022 cover image

Issue 6 of Rivanna Review offers readers an eclectic collection of content “from Virginia and beyond,” with stories by Jerry Gabriel, Christine Schott, Dylan James, and Mitchell Toews; features like “Osoyoos Homecoming” by Sonia Nicholson, “Southwest Petroglyphs” by Edward Boucheron, a tribute to Melody Edwardsen by Ed Meek, an introduction and portfolio of “Venice Watercolors” in full color by Karen Rosasco, a tribute to Isaac Boyd by Carol Cutler, photographs by Raegan Pietrucha, an intriguing series of “Welsh Portraits” by John Thomas (1838-1905), and articles on the Lang Fairy Books and the Little Free Library, book reviews, and the column “News from Hapsburg,” which features “The Bell Ringer,” James Pettigrew. If you appreciate history, literature, arts, and photography – the Rivanna Review has got you covered!

Review :: “The Sum of Which Parts” by Beth Kephart

Beth Kephart head shot

Guest Post by Zoe Dalley

“Our ideas of love were different, too. I wanted, I was desperate, to know you truly, Dad.”

Beth Kephart’s [pictured] short nonfiction piece “The Sum of Which Parts” focuses on a collection of items belonging to her now deceased father to let readers into his world at the end of his life during the COVID-19 lockdowns. From his wallet to a picture of his Wii bowling team, Kephart uses these items to help us understand what it was like for her father, and, in turn, what it must have been like at a time of extreme isolation for much of the older generation without the access or mastery over technology. Kephart then pairs the physical distance of the lockdowns, where she wasn’t able to visit her father without the barrier of technology, with the emotional distance she feels existed between her and her father. Beautifully weaving the two together, “The Sum of Which Parts” effectively tackles the complexity of parent/child relationships, in particular during strange and unforeseen circumstances, such as a global pandemic.

“The Sum of Parts” by Beth Kephart. Upstreet, 2022.

Reviewer bio: Zoe Dalley is a graduate student specializing in literature, composition and culture. They have a particular interest in horror, experimental literature, and anything within the realm of the bizarre.

Magazine Stand :: The Greensboro Review – Fall 2022

The Greensboro Review Fall 2022 issue cover image

The Fall 2022 issue of The Greensboro Review (#112) features the Amon Liner Poetry Prize winner, Dom Witten’s “Broken Showerhead,” and an Editor’s Note by Terry L. Kennedy in which he pays tribute to friends who have passed, as well as new work from ​​Todd Davis, Chris Edmonds, Larry Flynn, Cynthia Gunadi, Matt Hart, AE Hines, A. Van Jordan, Sarah MacKenzie, Louise Marburg, Chris Mattingly, Aidan O’Brien, Skyler Osborne, Suphil Lee Park, Carol M. Quinn, Madison Rahner, Sarah Elaine Smith, Caitlin Rae Taylor, Abby Wolpert, and Dean Young, with a folio of Kelly Cherry’s work. This issue is dedicated to Kelly Cherry (1940-2022), Jeff Towne (1929-2022), and Dean Young (1955-2022).

Magazine Stand :: Still Point Arts Quarterly – Winter 2022

Still Point Arts Quarterly Winter 2022 issue cover image

Still Point Arts Quarterly says this about its publication: “a truly beautiful and engaging art and literary journal.” Having held this quarterly in my hands and viewed it online many times over the years, I can attest that this is no hyperbole. Produced four times a year, each issue focuses on a theme and features historical and contemporary art, fiction, non-fiction, and poetry. “The Quarterly has been praised for its rich content as well as its splendid layout and design. Intended for artists, nature lovers, seekers, and enthusiasts of all types.” Themed Cities: Centers of Culture and Creativity, the newest issue holds good to these promises, with art and writing spanning the globe from San Francisco with “Walking Through Time” by Mitchell Near; Nanjing, China with “An Intersection of Time” by Dwight E. Watson; to Carl Boon’s “My Chicago,” Vivien Zielin’s “The Artistic Delicacies of Paris,” and David McVey’s “Glasgow in Squares” – just to name a few. Featured artists include Lorin Cary, Laruen Curtis, Linda Woolven, Theodosia A. G. Tamborlane, Lori Arbel, JoAnn Telemdschinow, David A. Goodrum, Deborah McGill, Caroline de Mauriac, MJU Edwards, Rosalie Sanara Petrouske, Mark Saba, Lu Lius, Nanci Stoeffler, and Jane Gottlieb. The publication is free to read online and available to purchase in print.

Magazine Stand :: Hole in the Head re:View – Issue 3.4

Hole in the Head re:View online magazine of poetry and art November 2022 issue cover image

Celebrating their third year of publication, Hole in the Head re:View has attracted readers, writers, photographers, and artists from around the globe – 130 different countries, from Albania to Zambia, with nearly 200,000 page views and 30,000 unique visitors/readers. Sounds like a good place to read and be read! And though the day has passed, there’s much to be gleaned from this issue’s special section, “Headlines – Thanksgiving recipes, real & imagined” with works from Fannie Flagg, Christopher Rubio-Goldsmith, Virginia Elizabeth Hayes, Pamela Sumners, Phyllis Schwartz, William Welch, Anne Rankin, Diana Tokaji, Jeanne Julian, Maxine Susman, and Tricia Knoll. The rest of the issue is rounded out with poetry and artwork from over 30 more contributors – all free to read online.

Review :: “Sufjan Stevens and How I Taught Myself to Cry” by Robin Gow

Mina Weeks review of "Sufjan Stevens and How I Taught Myself to Cry" by Robin Gow published in Cream City Review literary magazine cover image

Guest Post by Mina Weeks

Like the famous Milwaukee cream-colored bricks, Cream City Review’s Winter 2021 issue stands out from the crowd with its focus on marginalized works and experiences. In Robin Gow’s “Sufjan Stevens and How I Taught Myself to Cry,” the beauty and heartache of the trans experience dance with the anguish of familial trauma and bittersweet aftertaste of romance gone wrong. The inability to cry—and its ties to testosterone and holding oneself together with mere stitches—explores the helplessness of bottled-up emotions through the lens of singer/songwriter Sufjan Stevens, whose famously morose lyrics wield the power of tightened chests and melancholic sighs. Through this, Gow expertly captures the trans experience and its ties to emotional suppression and release.

“Sufjan Stevens and How I Taught Myself to Cry” by Robin Gow. Cream City Review, Fall/Winter 2021.

Reviewer bio: Mina Weeks (they/she) is a multi-marginalised K-pop stan who tweets, teaches, and writes fanfiction to get them through their existence. Find them on Twitter @minami_noel or on Instagram @meena.noel.

Magazine Stand :: The Baltimore Review – Fall 2022

The Baltimore Review online literary magazine Fall 2022 issue cover image

The editors invite readers to the Fall 2022 online issue of The Baltimore Review by considering our relationships to reading and writing and the universe, “When we read and write, aren’t we trying to bring order to the intellectual and emotional universe, at least our small piece of it? With whatever tools we have. Though the landscape is bound to change. Or maybe we just need to go outside and be in the world.” Perhaps a little of each, a balance, which readers can seek in the Fall 2022 Baltimore Review filled with poetry, fiction, and nonfiction by contributors Matt Barrett, Michael Beard, Brecht De Poortere, Gustavo Pérez Firmat, Jared Hanson, Marcia L. Hurlow, Kael Knight, Lance Larsen, Winshen Liu, Susan Blackwell Ramsey, ZG Tomaszewski, Donna Vorreyer, Lydia Waites, and Lucy Zhang.

Review :: “A Place I Didn’t Try to Die in Los Angeles” by Jenny Catlin

Taylor Franson review of "A Place I didn't Try to Die in Los Angeles" by Jenny Catlin published in The Gettysburg Review headshot image of Catlin

Guest Post by Taylor Franson

Jenny Catlin’s [pictured] essay, “A Place I Didn’t Try to Die in Los Angeles,” touches on themes of shame, women’s lack of power, and personal agency. Throughout the piece are moments of dry humor, contrasted with surprising moments of tenderness. Catlin’s prose is both incredibly poignant and incredibly scathing. Her ability to create stark and bold images, while commenting on societal issues is phenomenal. You cheer for her, as she decides not to die, and moan as she makes other choices detrimental to her life. You cannot help but cry with her as she cries in “the Nut” (the now-closed seedy Nutel Motel), and understand what she means when she writes, “There is a kind of alone that only exists in cities as big as Los Angeles.” The piece is infused with emotion and power. Catlin’s diction carries the essay and sets the tone for the entirety of the piece as they expertly balance harsh realities with the inner turmoil that follows. Many women who have felt powerless and forced into difficult choices will not only relate to Catlin’s essay but may see a direct reflection of themselves here as well.

“A Place I Didn’t Try to Die in Los Angeles” by Jenny Catlin. The Gettysburg Review,

Reviewer bio: Taylor Franson Thiel is a creative writing graduate student at Utah State University. She wrote this review because she had to for a class, but she means every word. She can be found on Twitter @TaylorFranson

Review :: “Shame” by Elizabeth Lindsey Rogers

"Shame" by Elizabeth Lindsey Rogers review by Lauren McKinnon from Cincinnati Review issue 19.1 2022 literary magazine cover image

Guest Post by Lauren McKinnon

Elizabeth Lindsey Rogers explores isolation, class, and gender in her nonfiction essay, “Shame.” Set mostly in Guilford County, North Carolina, Rogers recollects her complicated relationship with her grandparents who live secluded on a gothic farm. Rogers sympathizes with her grandmother’s inability to escape a marriage to a man who acts as a family patriarch and predator. When Rogers graduates high school and attends Oberlin University, she fulfills a dream of higher education her grandma could never afford. Despite the liberal, nerdy, queer community Roger finds on campus, she feels out of place and looked down upon because of her ties to small town Guilford County. Rogers explores how humans value themselves above others based on class and education, both unearned privileges. She uses humor and calculated characterization of her grandmother to show readers how isolating it is to exist on the edges. The essay ends with a haunting image of Roger’s grandma, trapped behind the glass window above her sink, washing the dishes, staring at the view of an eroding barn and fields of clay. The image humanizes isolation as women observe the world around them but are unable to fully participate.

“Shame” by Elizabeth Lindsey Rogers. The Cincinnati Review, 19.1, Spring 2022.

Reviewer bio: Lauren McKinnon is a creative writing master’s student at Utah State University. She teaches English and is the Assistant Graduate Director of Composition. Lauren is currently writing her first book of poetry about the Southern Utah desert, motherhood, and woman’s bodies.

Magazine Stand :: Valley Voices – Fall 2022

Valley Voices print literary magazine fall 2022 issue cover image

The call for the Fall 2022 issue of Valley Voices (v22 n2) was themed, “Where Are You From?” and meant to be a simple question that may not have a simple answer. In his introduction, John Zheng writes, “There are different answers because the question can be geographical, political, racial, and ethnic, it can also mean curiosity, attitude, suspicion, or exclusion.” This issue spotlights Mississippi Delta poet and musician Jack Crocker, and in response to the call, includes over 100 pages of nonfiction, fiction, poetry, and reviews. A full table of contents can be found for each issue on the Valley Voices‘ website. Writers – the next call for submissions ends December 30, 2022, and the theme for their spring issue is “Goodbye.”

Review :: “Deathbed” by Anna B. Moore

Pembroke Magazine number 54 print literary magazine cover image

Guest Post by Sandra Edwards

Anna B. Moore’s “Deathbed” essay in Pembroke Magazine describes the end of her father’s life from her perspective as his primary caretaker. As a narrator, she questions her relationship with her father, but her feelings seem to change as she navigates his dying state. Rather than being a story of redemption or some other giant paradigmatic shift, it is instead one of understanding as she reflects on her father’s character. Interwoven with this narrative is her experience staying in a rented basement apartment while she is away to take care of her father.

Each scene offers details that serve to characterize her father, such as the description of his bedside table in the hospital: “Cluttered with old books, used drinking glasses, folded newspapers, used Kleenexes, his wallet, some coins and pens, a magnifying glass.” She also emphasizes his breathing throughout the piece, almost rhythmically, so that we not only see his physical deterioration into death, but also gain insight into his feelings just as she does. A seemingly simple piece on the surface, Moore captivates the reader and approaches the subject of death in a familiar yet sincere way.

“Deathbed” by Anna B. Moore. Pembroke Magazine, #54, 2022.

Reviewer bio: Sandra Edwards is a college student and aspiring writer currently pursuing her master’s degree.

Magazine Stand :: Cave Wall – #17

Magazine Stand Cave Wall #17 cover image

In the introduction to Cave Wall #17, Editor Rhett Iseman Trull addresses the feeling I’m sure many of us have experienced – repeatedly – given all we witness in the world around us: What good are we doing writing poems? In response, she writes, “I get it. Language feels futile. A poem can’t cure disease or stop a war or bring back the dead. I hear many poets ask it in time of tragedy/atrocity: What good are poems? Well, here. Read this issue. It’s the only way I know who to answer that question.” Helping Trull answer that question in this issue, readers can find poetry by Angelique Zobitz, Dion O’Reilly, Renee Soto, Jeffrey Bean, Benjamin S. Grossberg, Matt Mason, Roxanne Halpine Ward, Abbie Kiefer, Angela Dribben, Devon Miller-Duggan, Erik Jonah, Julie Hanson, Angela Sucich, Dannye Romine Powell, Brady Thomas Kamphenkel, M.L. Brown, Ellen Kombiyil, Ruth Dickey, John Poch, Han Vanderhart, John Krumberger, Brandon Amico, Laure-Anne Bosselaar, Anne McCrary Sullivan, and artwork by Elvia Perrin.

Lit Mag Review :: Reckoning – Issue 6

Reckoning literary art magazine issue number 6 2022 cover image

Guest Post by Jacob Taylor

The sixth issue of Reckoning: Creative Writing on Environmental Justice gathers the words of diverse writers from around the world as they grapple with the future of our planet. This collection of fiction, essays, and poetry tells unflinching stories of Earth’s recent past and speculates on its future in vivid detail. Brothers dive for rare silvery sludge in the submerged streets of Oakland; wildfires tear through dry forests while governors calculate how much the burning lumber is worth (not enough to put out the fires); teens turn into trees (they thought it was just a phase at first), and then mothers do too; another strange chemical leaks into our water supply (GenX); oil rigs rape Mother Earth, and she retaliates without apology; Orocobix battles island-eating machines, and a trash compacter engineered to clean up Earth while humanity evacuates decides to nurture a colony of rats instead. The complex worldbuilding throughout the speculative pieces is particularly engaging and provides a nice contrast to the pieces that evaluate Earth’s present state. Much of the writing draws clear inspiration from recent social movements and the COVID-19 pandemic, making this publication both relevant and relatable.

Reckoning: Creative Writing on Environmental Justice, Issue 6, 2022.

Reviewer bio: Jacob Taylor is a queer writer based in northern Utah, where they are currently completing an MA in creative writing at Utah State University.

Magazine Stand :: Rattle – Winter 2022

Rattle poetry magazine Winter 2022 issue cover image

Rattle #78 is the poetry journal’s annual prize winner issue, featuring the First Prize poem, “Shoes” by L. Renée as well as ten Finalists. The “open section” features a rich mix of eclectic poetry, including reader-favorites Ted Kooser and Kwame Dawes, and a heroic crown of sonnets by Anna M. Evans that attempt to bridge political divides. The conversation section takes a deep dive into the divided brain with psychiatrist and philosopher Iain McGilchrist, who explains the role the two hemispheres, with their completely unique perspectives on the world, play in creativity. The discussion also includes how the modern world has come to be dominated by the left hemisphere’s narrow focus and how poetry is an antidote to “the matter with things.” In addition to the quarterly publication, subscribers also receive a new bonus chapbook from the Rattle Chapbook Series and other stand-alone anthologies, like the annual Rattle Young Poets Anthology. What a lovely gift a subscription to Rattle would make for anyone on your holiday list – that includes you!

Review :: “Plague Novel” by George Estreich

George Estreich author of "Plague Novel" published in Southern Humanities Review v55 n2 2022 headshot image

Guest Post by Zackary Gregory

In the short essay “Plague Novel,” published in Southern Humanities Review, George Estreich [pictured] uses Colson Whitehead’s novel Zone One to make sense of his lived experience through the outbreak of Covid-19.

The essay begins in a small room filled with the “breath and bodies” of people slowly exiting a literary reception. A poet approaches and asks, “You write about science. Should we be worried about this coronavirus thing?” Estreich responds by “disavowing expertise,” but states that from what little he has read, “our behavior mattered.” In “a few weeks the great blur would begin,” people would start hoarding rolls of toilet paper in sparse grocery stores and his “hands would be cracked and raw” from applying hand sanitizer.

Estreich threads in a rich literary analysis of Zone One, drawing parallels and using scenes from the novel to name the mania caused by the pandemic. He describes Americans responding to crises like the characters in the novel, “Zombie-like, they cling to old routines, old stories, as the world falls apart around them.” Estreich claims the novel was “an escape true to the present’s depths,” depths he wouldn’t be able to plumb without Whitehead’s novel.

“Plague Novel” by George Estreich. Southern Humanities Review, v55 n2, 2022.

Reviewer bio: Zackary Gregory (He/him) is an English grad student at Utah State University in Logan, Utah. He likes bikes and books.

Magazine Stand :: Blink-Ink – 50

Blink-Ink print literary magazine issue number 50 cover image

Persisting in print despite the rising costs, Blink-Ink continues to delight readers with its zine-style 4×5 format filled with works of no more than 50 words each. The newest issue is themed “Country Roads” and includes 25 works. Additionally, Blink-Ink offers subscribers a bonus publication along with other “goodies and surprises.” With this issue, readers get the “goody” publication Songbirds of North America that features 8 bird-related works. Visit their website for subscription information – and consider gifting this unique journal to arrive throughout the new year!

Magazine Stand :: Terrain.org – November 2022

Terrain.org logo image

Terrain.org publishes place-based editorials, poetry, essays, fiction, hybrid forms, articles, videos, reviews, interviews, the ARTerrain gallery, the Unsprawl case study, and critically acclaimed series such as Letter to America on a rolling basis. Readers to the most recent posts will find the wild in its many forms: wildlife, wild kin, wildflowers, and the wild mind it takes to reconnect with wild earth. Read poetry by Brian Turner, an interview with Gavin Van Horn, and an excerpt of David Hinton’s new book, plus a Letter to America by Rashna Wadia, a delightfully skunky poem by Sunni Brown Wilkinson, a wild story by Natalli Amato, and learn about wildflowers above the Colorado treeline in “A Life of Science.” All of Terrain.org‘s content is free and accessible to read online. Teachers (and students – tell your teachers!) Terrain.org offers Teach Terrain.org – “Outstanding place-based, ad-free literature and more for high schools, colleges, and communities” with materials ranging from “lyrical poetry to longform journalism and from detailed community case studies to interviews of some of the world’s most important thinkers. Many contributions also include audio and other interactive features such as slideshows, maps, and video.”

Magazine Stand :: Colorado Review – Fall/Winter 2022

Colorado Review print literary magazine fall 2022 issue cover image

The newest issue of Colorado Review features the winner of the Nelligan Prize for Short Fiction, Mike Murray’s “Night Owls.” Final Judge Ramona Ausubel commented, “‘Night Owls’ takes place in the darkness – characters are hiding, sneaking, and seeking. I found myself squinting as I read, trying to see through the murk to decipher which things were pure and which were depraved, which were evidence of love, which destruction.” Joining this winning entry are works by Angela Sue Winsor, Da-Lin, Joy Guo, Alyson Mosquera Dutemple, Geoff Wyss, Carolyn Kuebler, Georgia Cloepfil, Mirri Glasson-Darling, Chris Ketchum, Laura Donnelly, Martha Silano, Molly Sutton Kiefer, Mary Helen Callier, Emily Koehn, Nicole Callihan, Jennifer Peterson, Emily Adams-Aucoin, Virginia Ottley Craighill, Jodie Hollander, Sage Ravenwood, Meghan Sterling, John Sibley Williams, Luisa Muradyan, Ashley Colley, Landa Wo, Jeffrey Bean, Tyler Kline, Natalie Scenters-Zapico, C. Henry Smith, Jessica Hincapie, Mandy Gutmann-Gonzalez, and Andrew Hemmert.

Magazine Stand :: Raleigh Review – Fall 2022

Raleigh Review print literary magazine Fall 2022 issue cover image

Raleigh Review Co-Editor Bryce Emley offers a thoughtful introduction to this newest issue, which begins, “I like to think of telling the truth and being honest as two different things. Telling the truth is a straight line from one point to another, while being honest is a passage more of a toward than a to. . . ” Emley connects this discussion to the Laux/Millar Poetry prize winners included in this issue. Allison Blevins and Joshua Davis both “demonstrate the honest messiness of loss, of grief’s complicated grace.” Joining them in this issue are writers Colin Bailes, Mary Buchinger, Caroline Chavatel, Julia Kolchinsky Dasbach, Gregory Djanikian, J.R. Evans, Grace Ezra, Loisa Fenichell, C. Francis Fisher, Stephanie Kaylor, Peter Laberge, Justin Lacour, Cass Lintz, Owen McLeod, Annie Dyer Stuart, Erica Jenks Henry, Katherine Joshi, Andrea Lewis, Caroline McCoy, John Salter, and Mackenzie Sanders. And “for the first time in 12+ years,” this issue features original illustrations by Nora Kelly made specifically to accompany the written works.

Magazine Stand :: Months to Years – Fall 2022

Months to Years online literary magazine fall 2022 issue cover image

The newest issue of Months to Years features eleven nonfiction writers, nine poets, and five photographers and artists whose works explore mortality and terminal illness. Two of the nonfiction writers in this issue use basic tools of craft to reveal grief from unique angles. In the “Tree of Judas,” by Jenny Flores, the narrator directly addresses her unnamed spouse as “you” throughout. The effect provides readers with simultaneously intimate and objective perspectives. Kathleen Quigley’s use of the imperative tense in “After Your Mother Dies,” takes readers along on the relentlessly practical tasks that must happen in the immediate aftermath of a death, regardless of the fact we may be consumed by grief. Months To Years‘ Design Director and Photo Editor Barbara Labounta found that “The Empty Chair” by Frances Fish juxtaposes the now-forever empty chair with the cultural imperative to just “be happy.” Poetry Editor Joseph Paulson noted that Liz Grisaru’s poem, “Grief Came in Torn Blue Jeans,” offers a novel take on the unanswerable grief question: how long will this last? These are a just few of the works included in this issue, which readers can access fully online for free.

Magazine Stand :: Cutleaf – 2.23

Cutleaf online literary magazine volume 2 number 23 cover image

Publishing new content online twice each month, Cutleaf publishes poetry, short stories, essays and other nonfiction from both new and established writers. Sign up for updates, and an overview of new content will be delivered to your mailbox. Some recent contributors include Hussain Ahmed, Lauren Davis, Ben Weakley, John Lane, Dustin Hoffman, Christopher Linforth, Monic Ductan, Sara Siddiquil Chansarkar, Moriel Rothman-Zecher, Daniel Romo, Lori Brack, Nathan Alling Long, Elise Gregory, William Woolfitt, and George Ella Lyon. All content is free and accessible to read online.

Magazine Stand :: Woven Tale Press – vol. 10 no. 7

Woven Tale Press online literary and art magazine volume 10 issue 7 cover image

The Woven Tale Press promotes itself as “a hub for writing and visual arts, bringing together notable artists and writers seeking to share their work more broadly with communities actively in quest of unique voices and compelling perspectives.” Drawing readers in with Julie Harrison’s rich artwork, this newest issue features work by Mary-Jo Adjetey, Ea Anderson, L. Shapley Bassen, Chao Ding, Ron Eigner, Julie Harrison, Karen Kilcup, Elizabeth Kirkpatrick-Vrenios, Kim McAninch, Pawel Pacholec, and Gregg Maxwell Parker, as well as more of Harrison’s artwork and artist’s statement. All free and accessible to read online in addition to content like Art Central with interviews, exhibits, profiles, reviews and glimpses into artists’ spaces and art links from around the web.

Magazine Stand :: Plume – #135

Plume online poetry magazine issue #135 cover image

The November 2022 issue of Plume is online and waiting for readers to discover new poems by Sandra Moussempès, Olivia Elias, Stewart Moss, Virginia Konchan, Yuliia Vereta, Ron Smith, Michael Torres, Marc Vincenz, John Wall Barger, Henry Israeli, Daisy Fried, Christopher Bakken, and Bruce Bond. “The Poets and Translators Speak” is a section in which contributors share commentary on their work. Readers can also enjoy a feature section “In conversation with the world: Three poems & an interview with Vivek Narayanan, by Leeya Mehta,” and the essay “ROOM AT THE TABLE” by Charles Coe introduced by Chard DeNiord, who writes of Coe, “Both his prose and poetry address incidents of racist turpitude with a largeness of spirit and eloquence that betrays the verbal efficacy of truth-telling, immense particulars, and courageous witness, as evidenced in his essay for Plume this month.”

Magazine Stand :: Space and Culture – November 2022

Space and Culture International Journal of Social Space November 2022 issue cover image

Space and Culture brings together critical interdisciplinary theory and research on social spaces and spatializations, eveyday rhythms and cultural topologies at the interface of urban geography, sociology, cultural studies, studies of time-space, architectural theory, ethnography, media and urban studies, environmental studies. Space and Culture‘s focus is on social spaces, such as retail, laboratory, leisure spaces, suburbia, virtual spaces, diasporic spaces or migrancy, or the home and everyday life. This most recent issue includes articles like “Emigration Chests in Ankara, Turkey,” “Socio-technological Factors and Changing Urban Spaces,” “Homeless People in Public Space and the Politics of (In)visibility,” “A Paradigm Model of Traditional Iranian Neighborhood (Mahalleh),” “Cross-cultural Encounters in Urban Festivals,” and many more in this 200+ page issue.

Magazine Stand :: The MacGuffin – Fall 2022

The MacGuffin literary magazine fall 2022 issue cover image

The newest issue of Schoolcraft College’s The MacGuffin (vol. 38.2) makes good on their staff’s mission to find work that takes risks with and evolves the narrative form. Look to Lisa L. Leibow’s “The Watch,” which utilizes multiple forms of the written word, as well as the magazine’s first-ever comic panel; Derek Updegraff’s “One Day at Work” satirizes message board vernacular; and A.J. Cunder’s “A Recipe for Chicken Parm” entwines the story in, well, a recipe for chicken parm. Augmenting these works are Janée J. Baugher’s ekphrases on two Andrew Wyeth paintings and Len Krisak’s tribute to “Four Characters” of a bygone era in Hollywood. Cover image: Mission Cone Flowers by Maeve Croghan.

New & Noted Lit & Alt Mags – November 2022

NewPages receives many wonderful literary magazine and alternative magazine titles each month to share with our readers. You can read more about some of these titles by clicking on the “New Mag Issues” tag under “Popular Topics.” Find out more about many of these titles with our Guide to Literary Magazines. If you are a publication looking to be listed here or featured on our blog and social media, please contact us!

Agni, 96
American Poetry Review, Nov/Dec 2022
Arc Poetry Magazine, Fall 2022
Carve, Fall 2022
Cholla Needles, 72
The Cincinnati Review, Fall 2022
Colorado Review, Fall/Winter 2022
The Common, Issue 24
Conjunctions, 79
Creative Nonfiction, Fall 2022
Cutleaf, 2.23
Epiphany, Summer 2022
Feminist Studies, v48n2, 2022
Gay & Lesbian Review, Nov/Dec 2022
Geist, 121

Continue reading “New & Noted Lit & Alt Mags – November 2022”

Magazine Stand :: The Missouri Review – Summer 2022

The Missouri Review Summer 2022 issue print literary magazine cover image

Themed “Rescue Me,” the newest issue of The Missouri Review bids a final goodbye to Summer 2002 with new fiction from Caroline Casper, Sam Dunnington, Tim Erwin, Nur Kahn, and Amy Stuber. Essays by Christopher Kempf and Daniel J. Waters. Poetry from Davis McCombs, Kelan Nee, and Rachel Richardson. Also: Curio Cabinet on the marketing of Amelia Earhart, Art Feature on Dodo in Berlin, and a review from Sam Pickering.

Magazine Stand :: Whispering Wind Magazine – #333

Whispering Wind American Indian Past & Present issue #333 cover image

The newest bimonthly print issue of Whispering Wind Magazine: American Indian Past & Present is filled with well-researched and written articles related to history, crafts, and culture as well as information about related national organizations and events. In issue #333, readers can find “Umbilical Amulets: The History and Culture of the Sprite Lake Dakota” by Louis Garcia, “Hairbow Chokers: A Unique Style of Dentalium Choker” by Scott Thompson, “Central Plains Dance Bandolier: An Interesting Variant” by Richard Green, “Crow Hot Dance, 18102” by Allen Chronister, and “Recording the Collection” by Jim Olson. Regular features also include AuctionCorner, Museums & Galleries, BookCorner, Letters, Classified Ads, Curated Ads, and a cartoon by Terry Robinson. Whispering Wind is available in print or digital by subscription. Gift subscriptions are available.

Magazine Stand :: The Lake – November 2022

The Lake online magazine of poetry and reviews logo image

The November issue of The Lake poetry journal is now online featuring works by Bláithín Conneely Allain, Dorothy Baird, Robyn Bolam, L. J. Carber, Mike Cole, Julie Maclean, Lynn Pattison, J. R. Solonche, Sue Spiers, Hannah Stone. The Lake also publishes reviews, and this month’s issue includes commentary on Kathleen Rooney’s Where are the Snows, Oz Hardwick’s Reports Come In, and Jack Little’s Slow Leaving. Readers can also find what The Lake calls One Poem Reviews. These are single poems published from a recent book to help poets get the word out about their work. November poets include Claire Booker, Christina Buckton, Don Narkevic, and Emily Schulten.

Magazine Stand :: ICONOCLAST Celebrates 30 Years

Iconoclast print literary magazine fall 2022 issue cover image

For 30 years, more than 120 issues, ICONOCLAST Magazine has sought out and carefully selected the best new writing and poetry available from among all genres and styles and entertainment levels. Its mission is to provide a serious publishing opportunity for unheralded, unknown but deserving creators, whose work is often overlooked or trampled in the commercial, university, or internet marketplace. Among the writers appearing in ICONOCLAST first or early in their careers are Stephen Graham Jones (multi-genre fiction), Verbena “Ben” Pastor (several Italian bestsellers), Kyle Lung, and Marshall Williams. ICONOCLAST Poets that have won awards include Terrance Hayes, Marge Piercy, Gerald Locklin, Stanley Nelson, A D. Winans, and normal. As an independent, unaffiliated publication, ICONOCLAST has much of value to offer American life and letters. Single copies as well as subscriptions are available.

November 2022 eLitPak :: Undergraduate Students, Submit Your Creative Work to The Tower

Screenshot of The Tower November 2022 Submission Deadline flyer
click image to open PDF

Deadline: November 30, 2022
The Tower magazine is open for submissions from undergraduate students currently enrolled in colleges and universities within the U.S. Send us your poems, short stories, creative nonfiction, and visual art! Our open-ended theme for the 2023 edition is Patchwork, which for us connotes crafting, patience, attention, salvage, repair, diversity, togetherness, endurance—and more! Show us what Patchwork means to you! View flyer and visit website for more information.

Want to get our eLitPak opportunities delivered straight to your inbox? Subscribe today!

Magazine Stand :: Creative Nonfiction – Fall 2022

Creative Nonfiction print literary magazine Fall 2022 issue cover image

Creative Nonfiction #78 is themed “Experiments in Voice” and focuses on unconventional narrators and shifting perspectives. What is voice? How do you find yours? How can you change it, rearrange it, play with it? And then, how can you use it to make change in the world? This issue of Creative Nonfiction celebrates writerly playfulness, exploration, and risk-taking, featuring breathless, epistolary, speculative, second-person, and snarky essays. Plus, an interview with Hysterical memoirist Elissa Bassist, close reads of work by Steve Coughlin, Jaquira Díaz, Margo Jefferson, and R. Eric Thomas, micro-essays, and contributions from Sonya Huber, Beth Kephart, Leath Tonino, and Jill Christman among others.

Magazine Stand :: The Main Street Rag – Fall 2022

Main Street Rag print literary journal fall 2022 issue cover image

Hot off the press, the Fall 2022 issue of The Main Street Rag features an interview with author of Songbirds & Stray Dogs and Editor in Chief of Reckon Review Meagan Lucas on “The Business of Publishing.” The issue also includes Fiction by Michael L. Woodruff, Jennifer Anne Moses, David Bradley, Robert Perchan, David Sapp, Siamak Vossoughi, and Poetry by Richard Band, Anemone Beaulier, Jane Blanchard, Matthew J. Spireng, Ace Boggess, Gary Carter, Holly Day, RC deWinter, Joanne Esser, Andrea Potos, Craig Evenson, Gary Finke, Dennis Herrell, Joseph Hutchison, Lloyd Jacobs, Chuck Joy, Jeanne Julian, Robert Lee Kendrick, R.J. Lambert, Kevin LeMaster, Kerry Loughman, John Macker, Ken Massicotte, Gary Mesick, Deni Naffziger, Leslie Hodge, Andrew Oram, T R Poulson, Marjorie Power, Timothy Robbins, Peter McNamara, Russell Rowland, Peter Serchuk, Richard Weaver, Gabriel Welsch, Steven Winn, Francine Witte, Michael Young, and Richard Levine. TMSR is available in single copy as well as by subscription.