The Sept/Oct 2022 issue of Kenyon Review includes fiction by Sena Moon, Matthew Neill Null, and Adam Wilson; poetry by Lillian-Yvonne Bertram, Jenny George, Rochelle Hurt, and Shelley Wong; and nonfiction by Tan Tuck Ming. Plus, readers will enjoy works from the winner and runners-up of the 2022 Patricia Grodd Poetry Prize for Young Writers:
First Prize: Sophie Bernik’s “Come Closer” Runner Up: Madison Xu’s “For My Father Who Lives Alone” Runner Up: Myra Kamal’s “Diptych on Getting from Point A to Point B”
The newest issue of Willawaw Journal is now online for poetry and art lovers to enjoy! This issue features contributors from 22 different states and four different countries, 22 men and 19 women. Twenty-six of the forty-one poets are first-time Willawaw contributors, and an array of talent, emerging to very well-established: Kenneth Anderson, Frank Babcock, Jodi Balas, Louise Cary Barden, Carol Berg, Robert Beveridge, Ace Boggess, Jeff Burt, Natalie Callum, Dale Champlin, Margaret Chula, Richard Dinges, Rachel Fogarty, Matthew Friday, D. Dina Friedman, David A. Goodrum, John Grey, Allen Helmstetter, James Kangas, David Kirby, Tricia Knoll, Linda Laderman, Kurt Luchs, Stacy Boe Miller, Kathryn Moll, John C. Morrison, John Muro, Toti O’Brien, John Palen, Darrell Petska, Vivienne Popperl, Laura Ann Reed, Erica Reid, Lindsay Rockwell, Beate Sigriddaughter, Jeffrey Thompson, Elinor Ann Walker, William F. Welch, Charles Weld, Kevin Winchester. David Memmott is the featured artist, sharing a high-energy and high-chroma palette of work based on photo and ink drawing, which he calls his “Crooked Comix.” He is also a contributing poet.
The nightingale is often considered a songbird well known for its melodies that spur feelings of love and romance in people. It is a bird that symbolizes romanticism, which is something that Barbara Hamby’s “Ode on My Nightingale” captures. Hamby [pictured], like a nightingale, strings together a melody depicting the beauty and terror that nighttime brings—the broken dreams, regrets, the loneliness. But despite these quieter moments, she depicts a sense of wonder. “My nightingale is the conquistador of moonlight.” Reading this opening line, I felt reassured. I realized how life shines in the darkness—in the “derivative of sin,” as Hamby puts it. One passage, in particular, speaks to me: “…and I am your little god, / your drinking water straight from the stream, / for my song is spooling into the night forever / and ever, amen.” It’s a little magical.
The September-October 2022 issue of Hippocampus Magazine offers fresh essays, flash CNF, reviews, interviews, and craft and writing life columns. Contributors include Rick Brown, Sarah M. Clifford, Stephanie Eardley, Aiysha Jahan, Karen Kao, Mark Lucius, Susan Morehouse, Suzanne Orrell, Brooke Randel, Sara Streeter, and Yvanna Vien Tica. Hippocampus speaks with Sabine Hossenfelder, author of Existential Physics: A Scientist’s Guide to Life’s Big Questions, and Linda Murphy Marshall, author of Ivy Lodge: A Memoir of Translation and Discovery. And readers will appreciate Kristen Paulson-Nguyen’s Writing Life column, “How a Lit Mag Can Grow You,” in which she shares how getting involved with the literary community opened doors, as well as Nicole Breit’s Craft column, “Big Writing Dreams? Here’s Why You Need to Enter CNF Contests,” which dishes some solid submissions advice.
Based out of Joshua Tree, California, and edited by r soos, Cholla Needles is a unique celebration of poetry that highlights ten writers each month, offering readers several works by each, divided into individual “chapbooks” within the print publication. In this newest issue, readers can explore the works of Juan Delgado, Bettina T. Barrett, Bray McDonald, Cati Porter, Fernando Fidanza, Kathy French, Michale H. Brownstein, Tobi Alfier, Mark T. Evans, Marlene M. Tartaglione, and Roger G. Singer. (Okay, this month had 11 poets – bonus!) Cover image by Kathy French. Cholla Needles also provides monthly readings and other events in their area. A true literary boon!
The Georgia Review’s Fall 2022 issue is now available, with new writing from Irena Klepfisz, Myronn Hardy, Dujie Tahat, Kevin Moffett, and many more, as well as translated work by Kim Soom, Sónia Hernández, and Wendy Guerra. The art pages feature a portfolio from the exhibition Returns: Cherokee Diaspora and Art with an essay by curator Ashley Holland. Readers can find several works available to read online. In this issue, Editor Gerald Maa annouced the inaugural Georgia Review Prose Prize, which will be judged by Jennine Capó Crucet. Submissions will be accepted from 1 November–15 January. “The best short story and essay will both be published. The overall winner, chosen between the two, will receive a $1,500 honorarium and an expenses-paid trip to read with Crucet at the 2023 Smithsonian Asian American Literature Festival in Washington, D.C. The runner-up will receive a $600 prize.”
I came across two striking poems by Maria Zoccoloa while reading Booth online literary journal. I enjoyed the first poem, “helen of troy makes an entrance,” because it is about the beauty of childbirth and compares it to an egg being broken to reveal a baby. The author talks about how she came into this world, a story waiting to be told and with a name meant to be given to her. The second poem I found to be equally interesting. Titled, “loggerhead excavation, tybee island,” this poem is about a biologist hatching babies into the world. It is another poem exploring the gift of life, and how animals and people are born into this world with the intention of living and being free.
Two Poems by Maria Zoccola. Booth, September 2, 2022.
Reviewer Bio: Hayley Davis is 27 years old and living in Honolulu, Hawaii. Hayley is a student at Windward Community College studying for a liberal arts degree.
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The Shore issue 15 is here to bring in the autumn with crisp new poems by Michael Emmanuel, Jill Crammond, Ali Wood, Amy Wang, Lynne Ellis, Doug Ramspeck, Robert Carr, Nano Taggart, Mary Ford Neal, Jessica Baldanzi, Anne Cheilek, Jeanna Paden, Elizabeth Joy Levinson, Juliana Gray, Madelyn Musick, Ryler Dustin, Michelle Park, McKenzie Teter, Lawrence Di Stefano, Alicia Byrne Keane, Erin Little, Abigail Chang, Ion Corcos, Alec Hershman, Alison Hurwitz, Rachel Walker, Jared Beloff, Sarah Wallis, Brooke Harries, Adam Day, Maria Hiers, Bobby Parrott, Hannah Schoettmer, Lora Robinson, Jesse Fleming, Taylor Cornelius, Jennifer Metsker, Carson Sawyer, Gary Fox, and Annalee Roustio. This issue also features “gasp-worthy” art by Kaelyn Wright! All free to read online, so click on over and check it out today!
Since Bullets into Bells: Poets & Citizens Respond to Gun Violence was published in 2017 (Beacon Press), the effort has continued to share poems, essays, music, videos, fiction, and other work on the BulletsintoBells.com website. The editors are now committed to publishing one new piece about the scourge of gun violence every week going forward, starting with “Black Marker” by Claire Hsu Accomado and “On Facts, the ABCs, and Lands of the Lost” by Jen Schneider. The publication is open to submissions.
Bullets into Bells anthology was a powerful call to end American gun violence from celebrated poets and those most impacted. Focused intensively on the crisis of gun violence in America, the volume brought together works by poets like Billy Collins, Patricia Smith, Natalie Diaz, Ocean Vuong, Danez Smith, Brenda Hillman, Natasha Threthewey, Robert Hass, Naomi Shihab Nye, Juan Felipe Herrera, Mark Doty, Rita Dove, and Yusef Komunyakaa.
Each poem in the collection is followed by a response from a gun violence prevention activist, political figure, survivor, or concerned individual, including Nobel Peace Prize laureate Jody Williams; Senator Christopher Murphy; Moms Demand Action founder Shannon Watts; survivors of the Columbine, Sandy Hook, Charleston Emmanuel AME, and Virginia Tech shootings; and Samaria Rice, mother of Tamir, and Lucy McBath, mother of Jordan Davis.
What the anthology began, the website continues by sharing works that speak directly to the heart, providing a continuously persuasive and moving testament to the urgent need for gun control.
The online literary magazine for non-native English creative writing, Tint Journal Founder and Editor-in-Chief Lisa Schantl introduces the newest issue focusing on the English language and the roles it can play as a mode of expression both literary and political. This eighth issue of Tint Journal was thematically open and drew submissions from a broad range of geographical backgrounds, from South Africa to Germany, from Japan to Cuba, and Ukrain. “Thematically, the issue is just as diverse,” Schantl notes, “and readers will be confronted with big questions like What is home? What does freedom mean? How can peace be found? Mingled with these are texts in the style of magical realism, texts with a focus on semantics and yet other texts that tell of loss, love or nostalgic childhood memories.”
Each text contribution was published with a visual artwork by international artists, curated by Vanesa Erjavec, and a short interview with the author. Many of the texts can also be heard as audio clips, read by the writers themselves.
Authors in Tint Fall ’22: Fiction: Alla Barsukova, Min “Matthew” Choi, M.M. Coelho, Linda Dedkova, Volha Kastsiuk, Daniel Ogba, Sergii Pershyn, Helia S. Rethman. Nonfiction: Aysel K. Basci, Kaori Fujimoto, Viktoriia Grivina, Brinda Gulati, Lázaro Gutiérrez, Fezeka Mkhabela, Bianca-Olivia Nita, Hantian Zhang. Poetry: Pragya Dhiman, Giulia Ottavia Frattini, Natalia Kropp, Chanlee Luu, Constance Mello, Giada Pesce, Akhila Pingali, Sunday T. Saheed, Joris Soeding. Artists in Tint Fall ’22: Xisha Angelova, Julia Barczewska, Lal Buraans, Nathan Cho, Kate Choi, Alison Cimmet, Trevor Coppersmith, Tamir David, Anastasia Dzyba, Tataru Alexandra Emanuela, Vanesa Erjavec, Vanesa Erjavec, Pedro Gomes, Inga Gurgenidze, Lisa Hopf, Jury Judge, Tamzin Merivale, Sofie Pasheva, Arusyak Pivazyan, Ipung Purnomo, Peter Rieser, Ana Rincon, Val Smets, Ilias Tsagas, Rabail.
All texts from this and past issues can be read free of charge at www.tintjournal.com.
The newest issue of The Woven Tale Press is available for free reading online once you register, or you can order a print copy via MagCloud. This newest collection features embroidered paitings, photo transfers, installation art, poetry, prose, and more from Jessie Bloom, Stanislav Bojankov, Gray Brokaw, Maddie Hinrichs, Coralie Huon, Jeanne LaCasse, Sydney Lea, Farah Mohammad, Bruce Murphey, Mike Reis, Barbara Schweitzer, and Gina Troisi. The editors promise an eclectic mix of literary and visual arts with an effort to “grow the online presence of noteworthy writers and artists.” Many contributors have links to their own websites as well as art galleries.
NewPages receives many wonderful literary magazine and alternative magazine titles each month to share with our readers. You can read more about some of these titles by clicking on the “New Mag Issues” tag under “Popular Topics.” Find out more about many of these titles with our Guide to Literary Magazines. If you are a publication looking to be listed here or featured on our blog and social media, please contact us!
Allegro Poetry Magazine, Issue 29 American Poetry Review, September/October 2022 Arc Poetry Magazine, Summer 2022 The Baltimore Review, Summer 2022 The Baltimore Review 2022 Annual Blink-Ink, #49 Bullets into Bells, September 2022 Chestnut Review, Summer 2022 Cholla Needles, 68 Cholla Needles, 69 Communities, Fall 2022 Cutleaf, August 2022 December, Spring/Summer 2022 Fictive Dream, August-September 2022 Gargoyle, 75 [print] Gargoyle, 76 [CD]
The Society of Classical Poets Journal publishes a print annual of poetry, translations, and essays selected from those published on the SCP website between February and January as well as artwork for inclusion in the print copy. Throughout the year, readers can find these works on a rolling basis, making each visit to the website a new reading discovery. Recent works include “Last Place Winner” by Guy Warner; a poem on gun control and other poems by Stephen M. Dickey; “Mid-September Reverie” by Roy E. Peterson; “Athena Emboldens Telemachus: Book 1 of The Odyssey Complete Text,” translated by Mike Solot; “The Salt Spring Island Trolls” by Norma Pain; “Obedience” by Giuseppe Gioachino Belli, Translated by Joseph S. Salemi (with a Long Note); a poem on drug abuse “An American Tragedy” by Phil S. Rogers; “The Beginning of Wisdom” by T.M.A. Day; a poem for those affected by the Mill Fire in Siskiyou County, “In Silence I Sing,” by James A. Tweedie; and “The Adjudication” by Anthony Watts, along with many other poems and essays all free to read online.
Publishing since 1996, The Baltimore Review is an online and print journal of fiction, creative nonfiction, and poetry, as well as visual and video arts. The newest issue continues to deliver a quality experience with works by Heather Bartos, Garrett Candrea, Elizabeth J. Coleman, Hilal Isler, Garret Keizer, Karis Lee, Joshua Jones Lofflin, Rachael Lyon, Abby E. Murray, Christopher Notarnicola, Jonathan Odell, Jennifer Saunders, Jill Witty, Andy Young, and Alison Zheng. And while the online issues offer greater accessibility, The Baltimore Review still likes to offer readers the tactile print experience with their annual compilation of poems, fiction, and creative nonfiction published in their Summer and Fall 2021 and Winter and Spring 2022 issues. Readers can purchase the print copy through Amazon or on the publication’s website.
Humana Obscura is a gorgeous literary/art publication, available to read digitally online for free (via Issuu) or readers can order single print copies. The Fall/Winter 2022 issue features work by 82 new, emerging, and established contributors from around the globe, as far as New Zealand, The Netherlands, Germany, Malaysia, Scotland, Mexico, Greece, and throughout the United States and Canada. Contributors include Amy Aiken, Subhaga Crystal Bacon, Elizabeth Barlow, Sienna Taggart, Gail Peck, Nick Olah, KB Ballentine, Luke Levi, Jasmin Javon, Najib Joe Hakim, Jolie B. Kates, Tiffany Mackay, Darnia Hobson, Jaqui Somen, Matt Rogers, Danielle Petti, Alan Toltzis, Michelle Ortega, Joon Song, Jean Ayotte, Ellen Rowland, Katie Mollon, Katherine Harnisch, Tiffany Tuchek, Joshua St. Clare, Kerstin Voigt, Robert Fanning, Kateri Kosek, Bonnie Matthews Brock, and so many more.
Publishing two issues of Allegro Poetry Magazine a year, Editor Sally Long hasn’t missed a beat since 2014. Each online issue is free to read and features a fine selection of works that are not longer than 40 lines each. Long introduces Issue 29: “When I set the theme of ‘Freedom’ I had in mind an expression of solidarity with the poets and people of Ukraine and others around the world whose freedom is threatened by war and various forms of oppression. I’m pleased that the theme captured the imagination of so many poets. I’m especially delighted to be welcoming poets from Ukraine whose works are featured in this edition. I hope you enjoy reading the variety of interpretations of freedom represented in Issue 29.”
Authors who made this cut this issue include Dee Allen, Rupa Anand, Byron Beynon, Fiona Cartwright, David Chorlton, Craig Dobson, Philip Dunkerley, Tim Dwyer, Paul Fenn, S.C. Flynn, Cole Henry Forster, Jeff Gallagher, Rebecca Gethin, Marcello Giovanelli, Amlanjyoti Goswami, Robin Helweg-Larsen, Eve Jackson, Vyacheslav Konoval, Steve Lang, Mary Mulholland, Eira Needham, Robert Nisbet, Jon Plunkett, Marc Isaac Potter, Mykyta Ryzhykh, Finola Scott, Louise Warren, and Gareth Writer-Davies.
The next submission window is December 1-January 31 for the March 23 edition, which is a general issue with no set theme.
Fictive Dream is an online magazine for well-crafted and compelling short stories “that give an insight into the human condition.” Publishing several features on a rolling basis monthly, it’s a good idea to sign up for their email notifications so you never miss out on what’s new. Recent additions include “House Porn” by Francesca Leader, “Hangar Straight” by Emily Macdonald, “Now We Are Things” by Joanna Theiss, “The Vocabulary Builder of Utopia Gardens” by Roberta Beary, “Divine Intervention” by Mary Carroll Moore, “Vivana’s Aunt” by Gay Degani, as well as stories by Melissa Llanes Brownlee, Chris Haven, DS Levy, Mary Grimm, Sara Dobbie, Michelle Panik, Kerry Hadley-Pryce, and Gary Fincke. Each story is accompanied by an original artwork or photo.
The newest issue of Jewish Fiction .net is the Rosh Hashana issue, which includes 18 stories originally written in Czech, Yiddish, Hebrew, and English – and in honor of the upcoming holidays, this new issue features no less than 5 stories translated from Hebrew. This brings to 525 the number of works published by Jewish Fiction .net, that were either written in English or translated from 18 languages. Readers can find works by Eli Amir, Shira Gorshman, Jakuba Katalpa, Mayan Rogel, Yishai Sarid, Dorit Shiloh, Steve Stern, and many more. All available to read free online.
Deadline: October 1 The annual Permafrost Book Prize is open for submissions. Sponsored by Permafrost, the northernmost literary magazine in the U.S., the prize is awarded in alternate years in poetry, fiction, and nonfiction. In 2022, the prize will be awarded for nonfiction. Judge: Joy Castro. The winner of the contest will receive $1,000 and publication by the University of Alaska Press. Visit our website or view our flyer to learn more.
In conversation with Jonathan Bate about Stephan Fry’s book The Ode Less Travelled: Unlocking the Poet Within and the value of poetic form, Stephan Fry encouraged writers to “Just try out writing in that form. I think people will amaze themselves when they do that.” For writers willing to explore new forms and challenge their development of craft, and for readers who appreciate seeing the variety of poetic expertise that a single form can produce, Gleam: Journal of the Cadralor is your next stop.
Developed in August 2020, the cadralor is a portmanteau of the names of the two co-creators of this poetic form, Christopher Cadra and Lori Howe. The rules of the form are explained on Gleam’s website, but in brief, this is a five-stanza poem with each stanza containing a consistent number of lines, up to ten, and each stanza able to stand alone as a complete poem. It cannot be narrative, though the stanzas should be contextually related. They must be imagist, vivid poems without cliché that are “a feast for the senses.” The fifth stanza acts as the crucible “illuminating the gleaming thread (Thus, the ‘gleam’ in the name.) that runs through the entire poem,” pulling the poem “into a coherence as a kind of love poem,” and answering the compelling question, “for what do you yearn?” The poem does not need to be a traditional love poem, as the editors explain, “Yearning takes many forms,” but it is characteristic that a “successful cadralor end on a note of hope rather than hopelessness.”
Poets ready to tackle the form can expect their work to be well received by seasoned writers who want to engage the community in a supportive way. Editor in Chief Lori Howe is author of two books of poetry, Cloudshade, Poems of the High Plains, and Voices at Twilight, was Executive Editor of Blood, Water, Wind, and Stone: An Anthology of Wyoming Writers, and formerly Editor in Chief of Clerestory: Poems of the Mountain West, and Open Window Review. She holds an MFA in Poetry from University of Wyoming, where she is also Professor. Founding Editor, Christopher Cadra is a poet/writer whose work has appeared in The Cimarron Review and elsewhere. His criticism has appeared in Basalt and a journal he edited, The Literati Quarterly.
Publishing two to three issues per year, Gleam accepts submissions via email, and, as Howe points out, “We offer a great deal of feedback on submissions, and often offer ‘revise and resubmit’ options, which we believe is somewhat rare among poetry journals. We do this because the form is both new and especially challenging to embody. We like to encourage poets to keep working on cadralor until they get there.”
There is a growing list of contributors whose cadralor have arrived to provide readers “the finest examples of this form anywhere in the world,” including Louise Barden, Rachel Barton, Robert Beveridge, Susan Cole, Kate Copeland, Jane Dougherty:, Scott Ferry, Malcolm Glass, Joanna Grisham, Georgia Hertz, Marie Marchand, Bob McAfee, Julia Paul, Charlotte Porter, Nick Reeves, Michelle Rochniak, Anastasia Vassos, Sherre Vernon, Sterling Warner, Ingrid Wilson, and Jonathan Yungkans.
In starting this new form as well as taking it onto a public platform, Howe shares, “My greatest joy is in reading submissions of cadralor from all over the world and discovering that this form is being taught in MFA poetry workshops around the country.”
As Cadra and Howe state, Gleam is THE flagship journal for the new poetic form, the cadralor, and the plan is for it to continue to hold that well-deserved place in our literary community.
With its 46th and newest issue, Wordrunner eChapbooks‘ Summer 2022, The Satisfaction of Longing by Victoria Melekian, the number of fiction collections published in their free, online or epub format is 24. Add to this 5 memoirs, 5 poetry collections, and 12 anthologies, and visitors will find plenty to keep their reading needs satisfied, indeed!
Melekian’s stories are considered “emotionally rich and ethically complicated. . . suffused in longing and loss.” The collection of seven stories opens with the chance encounter of a woman and man who had once endured unbearable tragedy. A fatherless woman with an imprisoned husband has a mysterious benefactor. Two sisters conflict over what to do with their father’s ashes. In the final story, a woman and her son flee her estranged husband, who never wanted children.
This collection may be read free online but can also be purchased as an ebook edition ($2.99) from Amazon or Smashwords with authors receiving 50% of all royalties. ALL Wordrunner Authors are paid, and this also supports an indie press!
Later this year, Wordrunner will be publishing their 25th fiction collection, Death in the Cathedral by Malcolm Dixon. Look for it in December.
The theme for the Spring 2023 issue will be announced by December and submissions open January 1 through February 28, 2023. Guidelines may be found here.
From its founding in 1958, december has remained true to its founders’ declaration, “We are humanists…far more concerned with people than dogmatic critical or aesthetic attitudes.” And showing this by publishing cutting-edge fiction, poetry, non-fiction, and art. Now on the cutting edge in print as well as online, december readers will find much to entertain: twice a year print journal, contests, online extras including contributor interviews, “From the Vault,” and “Poetry With Purpose.”
This newest print edition features Poetry by Sean Cho A., P. Hodges Adams, Jennifer Atkinson, Jessica Barksdale, Brenda Beardsley, John Blair, Evana Bodiker, Lisa Cantwell, Christian J. Collier, Sally Lipton Derringer, Daniel Donaghy, Dagne Forrest, Rebecca Foust, Ariel Friedman, Karen Holman, Romana Iorga, Judy Kaber, Susanna Lang, Jim McGarrah, Melissa McKinstry, Karen McPherson, Linda Michel-Cassidy, Michael Montlack, Kristina Moriconi, Barbara Mossberg, Alicia Rebecca Myers, David Oates, Lizzy Peterson, David Anthony Sam, Sarah Sousa, Paula Stacey, Richard Stimac, Anne Dyer Stuart, Shelly Reed Thieman, Alden Wallace, John Sibley Williams, Ariana Yeatts-Lonske; Fiction by Annelise Hatjakes, Michelle C. McAdams, John Paul Scotto, Timothy Wojcik; Nonfiction by Kierstin Bridger, Jennifer Dupree, Erin Langner, Mark Liebenow, Clancy Tripp; Art by David Humphrey; Robert Lowes Haiku Society: An Interview with Ben Gaa; Cover art by Joan Hall.
Produced four times a year by Shanti Arts, Still Point Arts Quarterly is a truly beautiful and engaging art and literary journal. Each issue focuses on a theme and features historical and contemporary art, fiction, non-fiction, and poetry, “Intended for artists, nature lovers, seekers, and enthusiasts of all types.” The publication is free to download from their website, but this is one journal readers will appreciate having in full-color print. When I look at the online version, it is impressive, but when I hold that copy in my hands, it’s truly immersive. Fitting, because the newest issue is themed “Immersed in Books.” Some featured works include Kathryn DeZure “Turning Fifty with Virgina Woolf,” Megan L. Steusloff “The Books I’ve Read,” Zachary Nelson “A Book is the Fastest Way to Travel,” Terry Barr “Greyhound Seats,” Jane Hertestein “Books as Signposts in Our Life,” Rosalie Sanara Petrouske “The Frangrance of Words,” and Wally Swist “Sam Murry, Bookseller,” as well as many others. Featured art and artists include Helen S. Geld, Susan Kapuscinski Gaylord, and numerous book-related archival artworks and photographs. If you have ANY booklovers in your lives (including yourself), you’re going to want to get a copy of this in their hands (or direct them to the Still Point website for the free download).
Based out of the University of Tulsa, Nimrod International Journal Spring/Summer 2022 is appropriately themed, “What Now? The Future We Make.” Edited by Eilis O’Neal, this volume includes works by Amelia L. Williams, Lorna Crozier, Krystyna Dabrowska, Lauren Camp, Cristina J. Baptista, Tim Raymond, Tennessee Hill, Ginny Threefoot, Susan Azar Porterfield, Kailey Tedesco, Hannah Smith, Oksana Maksymchuk, Scott Lowery, Joel Peckham, Jacqueline Guidry, Kim Garcia, David Troupes, Lucyna Prostko, Suzanne Manizza Roszak, Stephanie Niu, Fatima Jafar, Dante Novario, Geoff Anderson, Katherine Fallon, Charles Grosel, Lauren Coggins, Molly Sutton Kiefer, Sarah Wetzel, N.Y. Ling, Crystal Cox, Amy Wang, Jayden A. McClam, Matthew Olive, Cady Favazzo, Lisa Wartenberg, and Erin Evans.
Dust off the CD player, it’s time for Gargoyle‘s audio issue (#76). “Hunted and gathered” by editor Richard Peabody, the line-up features music and spoken word by Amanda Newell, Barbara Ungar, Blair Ewing, Bob Hate/Chet Hix, Bone People, Carmen Calatayud, The Crooked Angels, Dave Essinger, David Taylor Nielsen, Eugenie Bisulco, Gerry LaFemina and the Downstrokes, Henry Crawford, John King, Knuckleberry Finn, M. Scott Douglass, Maryann Hannan, Nancy Mitchell & The Chris English Band, Randi Ward, Sally Toner, Sarah Browning, Stephen Scott Whitaker, and Tim Wendel.
Readers will love to luxuriate in this generously sized 9″x9″ print South Dakota Review (with beautiful cream-colored pages). Volume 56, Number 3 features poetry by Jeffrey Bean, Claudia Buckholts, Holli Carrell, Mary Cisper, Gillian Cummings, Marlon Hacla (translated by Kristine Ong Muslim), Jacob Griffin Hall, Twyla M. Hansen, Callia Liang, Kevin McLellan, Laurie Saurborn, Tyler Smith, Kevin West, John Sibley Williams, Keith Woodruff, and Adrena Zawinski; short fiction by Joseph Biancalana; nonfiction by Sharon Goldberg; an epistolary essay by John Yohe; and a scholarly experimental essay by Jessica Hudson.
underbelly is a unique online publication with the goal “to bring to the surface what we often strive to make invisible: the joyful, arduous, miraculous, by turns tender and brutal process of shepherding a poem from its primal state to its final state.” Since 2018, Co-founders Maya Marshall and Marty McConnell have been inviting writers to share poems and micro-essays – not just in their final form, but also with the veil lifted “to undo the notion that poems always or even usually arrive perfect and whole from the genius mind of the writer.” Each contributor offers the “backstory” of the work along with one or more drafts side-by-side with the final version.
Again, the founders say, the goal is to satisfy the desire to “know how [the poem] came to be. In workshops and classrooms, we analyze the end product, often hazarding guesses about how a poem began or what forms it may have taken along the way.” Being able to see the writing process – or at least portions of it – is a way “to reassure ourselves and others who seek to improve their craft or understanding that the magic of writing and revision is a practical magic — one that can be taught, practiced, and hopefully maybe possibly even someday mastered.”
Publishing stories “of approximately 50 words” in print since 2009, Blink-Ink has persevered through the pandemic – thanks to continued subscriber support – and plans to forge ahead despite the rising costs of print. The publication offers four “seasonal” issues per year, but also provides bonus joy to subscribers by including publications from their sister imprint, The Mambo Academy of Kitty Wang at least twice a year, as well as other “goodies and surprises.” The newest edition of Blink-Ink is themed “Storm” and features works from thirty contributors in a nifty 4.25″x5.5″ package. “Country Roads” is the newest theme, with submissions open until October 15.
Clover + Bee Magazine is – can I just say this? – a GORGEOUS digital publication of fictional prose (in all genres), narrative nonfiction, poetry, and visual art. Clover + Bee Magazine has been publishing at a rate of 3-4 issues per year, with “no set-in-stone schedule as of yet,” according to Editors Alex Campbell and Cara Copeland.
At its inception, Campbell and Copeland say they found themselves at “the perfect intersection of our own creative journeys, our places within our respective online literary and art communities, and our desire to create a platform for emerging and established creators to showcase their work. A literary and visual art magazine just made sense as something that we could do to contribute to the larger creative ecosystem.”
Publishing in an open-access online format since 2019, River Heron Review is true to its namesake in being a sophisticatedly stylish journal. This newest issue features the work of Thomas McGuire, winner of the 2022 River Heron Poetry Prize selected by Deshawn McKinney. Finalists whose works are also included: Sarah Carey, Tresha Faye Haefner, Steve Nolan, and Sal Ragen. Contributors’ works fill out the rest of this installment, including Julie Cooper-Fratrik, Stephanie McConnell, Sylvia Karman, Jennifer Bullis, Grant Clauser, Beth Oast Williams, Michael Young, Eve Rosenbaum, Stephanie Yue Duhem, Suzanne Honda, Grant Chemidlin, Carol Sadtler, Richard Foerster, Amy Beth Sisson, Matt Thomas, Lisa Marie Oliver, Charity Everitt, Andrea McLaughlin, Gloria Monaghan, Devon Balwit, Ken Turner, Daniel Rabuzzi, Cheryl Martone, Ale de Luis, and Frank Paino. General Submissions and The River Heron Editors’ Prize opened on September 1 until November 30. Additional submissions and contest period deadlines can be found on the River Heron Reviewwebsite.
I recently heard from Matthew Johnson, managing editor of Portrait of New England online literary journal, that the publication was coming back from hiatus. Truth be told: we see a lot of magazines go on “hiatus” never to be heard from again, so I took this opportunity to talk with Matthew and his colleagues about what happened and how they bounced back. Portrait of New England publishes poetry, fiction, and creative non-fiction from writers who are residents, former residents, or have connections (e.g., attended college in the region) to New England.
Origin Story and Hiatus
Matthew: “The original team for Portrait of New England was Brett Murphy Hunt, Jon Bishop, and Smrithi Eswar, who are all based in Massachusetts. They published the first issue of the magazine in 2019, of which I was originally a part of, as they accepted two of my poems.”
I am originally from New Rochelle, NY, but spent the majority of my childhood in Stratford, Connecticut, of which I have fond memories. I moved down to North Carolina in high school, and outside of a year stint in upstate New York as a sports journalist and editor after my undergrad, I’ve been based in North Carolina for close to 13 years now. Though I have not lived in New England for many years, I’ve visited Connecticut since moving to North Carolina, and it has always been a special place for me.”
Brett: “Basically, the idea of a literary magazine is something we fully support, but it’s incredibly labor-intensive! The amount of hours spent setting everything up compounded with the reading and vetting of submissions, and I think it was hard to think about the next issue. I personally own two businesses and teach at two universities, so my day-to-day is already task-saturated. Plus, I think we were incredibly proud of the first one, so trying to top that felt impossible! Nevertheless, we kept our website active because we definitely had the idea to continue SOMEDAY.”
Jon: “I second everything Brett said! This was a passion project, but it was one that was becoming a full-time thing, and because of our schedules, we found it hard to think about what was next. We sort of put everything into issue one.”
A project of EastOver Press, Cutleaf publishes a new online issue twice each month and one print annual. Readers can subscribe to receive issue updates with an overview of content, making for a nice way to start the week twice a month. For contributors, Cutleaf welcomes unsolicited poetry, short stories, essays, and other nonfiction from established and emerging writers. The editors read and respond to manuscripts on a rolling basis in an effort to respond to every submission in a timely manner. Some recent contributors include Louise Marburg, Dana Wildsmith, Molly Gaudry, Marjorie Tesser, Shawna Kay Rodenberg, Beth Weinstock, Leslie Doyle, David Ishaya Osu, Leona Sevick, Darius Stewart, Carolynn Mireault, Tatiana Schlote-Bonne, Liam O’Brien, Jim Minick, and Anna Nguyen.
One of my absolute favorite monthly publications, Poetry Magazine never ceases to engage me in the thresholds of change in our literary community. The September 2022 issue, with guest editor Esther Berlin, addresses concerns we have all witnessed and/or been part of transforming. “Dear Reader,” opens: “Honor, celebration, and memory come to mind when I think about the idea of monuments. The process of harnessing collective moments into a physical manifestation, something representational of the essence that surges a person’s core—that’s a monument. All the feels—rage, suffering, release, distrust, comfort, melancholy, ambivalence, ache, compassion, mercy, the urgency to remedy—contribute to constituting and dismantling monuments.” And, addressing both the internal workings at the Poetry Foundation, itself in a process of rebuilding, and those in our surrounding communities, Berlin continues, “This special issue brings attention to the idea of monuments in order to map and reframe contrived or mythical systems of power, to extend narratives through repositioning focal points.” And closes, “In my last issue as guest editor, I invite you to celebrate with me poetry as monuments, as unifying offerings, the revising of history of so many existing monuments, erased and rubbed out, and now redrawn. The unsaid no longer ruminating, no longer a hungry ghost, no longer a missed call.”
Contributors to this issue include Martín Tonalmeyotl, Kierstin Bridger, Lucas Jorgensen, Mansi Dahal, Rena Priest, Janelle Tan, Vance Couperus, Henk Rossouw, Crisosto Apache, Keith S. Wilson, Amber McCrary, Kenzie Allen, Lesley Wheeler, Julia Kolchinsky Dasbach, Krystyna Dąbrowska, Serena Rodriguez, Daniela Ema Aguinsky, Spring Ulmer, Joan Naviyuk Kane, Bes Bajraktarević, Tyler Mitchell, Ajibola Tolase, Christopher Shipman, Joan Wickersham, A. Van Jordan, and Walter Ancarrow.
I always know the newest issue of Gargoyle has arrived when the post office has to send the forklift to drop off this massive tome at my doorstep. Clocking in at nearly 500 pages (see a full list of contributors here), this is an annual that will truly provide a year of great reading – nonfiction, poetry, fiction, and art (Issue 75 cover art by Cynthia Connolly). What readers can expect to find is about as clear as the submission guidelines, “Gargoyle has never had guidelines during its entire history. We don’t believe in them.” Thus – be ready for just about anything, with the underlying principle that it is quality work, “The best work we can obtain. Work we can live with. Work we can read 20 times and still get a kick out of. We’ve never had a theme issue and doubt we ever will. Obviously, we want the best poem or story you will ever write. We’re not fans of the same-old/same-old and tend to publish works that are bent or edgy.” Considering the fact Gargoyle is only open for submissions from July 1 to July 31 – or until they get enough to fill the issue, “whichever comes first,” it’s clear they are well appreciated by writers! Add to this – GaygolyeOnline, which started in May 2022 and has just released its second issue. Readers have plenty to enjoy through every season!
The Fall 2022 issue of Rattle features a Tribute to Translation, with 17 poems spanning two millennia, originally written in a wide variety of languages—from Spanish to Swahili. Featured poets include Frank Báez, Basil of Caesarea, C.P. Cavafy, Nianxi Chen, Tove Ditlevsen, Pietro Federico, Muyaka al-Ghassaniy, Karmelo C. Iribarren, Ting Li, Federico García Lorca, Francesco Petrarca, Alireza Roshan, Endre Ruset, Amira Antoun Salameh, Max Sessner, Dag T. Straumsvåg, Georg Trakl. In the conversation section, editors spoke to Danish translator Michael Favala Goldman about his award-winning work and the incredible life’s journey into it. The open section featured a broad mix of 22 poems by fresh faces and reader-favorites: Darius Atefat-Peckham, Devon Balwit, Bruce Bennett, Richelle Buccilli, e.c. crossman, Cortney Esco, Tony Gloeggler, Chris Huntington, Karan Kapoor, David Kirby, Ron Koertge, Lance Larsen, Jessica Lee, Katy Luxem, January O’Neil, Aaron Poochigian, Cindy Veach, Richard Westheimer, Guinotte Wise. Cover art by Jenny Eickbush.
Based at the University of Michigan – Flint, Qua was founded over 50 years ago. They are currently accepting submissions of fiction, creative nonfiction, poetry, visual arts, and photography from writers and artists living in Michigan for the Fall 2022 issue. No fee to submit. See their ad in the NewPages Classifieds to learn more. Last month to submit!
Started in 2017, Cholla Needles is one of those quiet little lit mags that, to see it sitting on a coffee table could not even begin to speak for all it represents. A non-profit located in Joshua Tree, California, Cholla Needles publishes monthly in print using a unique format. Each issue is comprised of ten “chapbooks” divided by “covers” – an author photo as the front and an art photo as the back. They also publish books by writers featured in the journal who do not yet have a publisher. Cholla Needles publishes poetry, short stories, creative essays, art, and photography by local and visiting writers “who love the desert.” Cholla Needles also partners with local bookstores and community organizations (like the Joshua Tree Folk Center) to host monthly literary events, offers mentoring, workshops, and publishing activities for writers of all ages, and maintains a poetry, prose, and art library. They recently participated in their community’s NEA Big Read for the fourth year by handing out free copies of the journal. They also work with young writers, publishing a local-only journal twice a year. If there was a dream world for a lit mag, being part of a vibrant literary community and helping make it all happen, it would be Cholla Needles.
The September 2022 issue ofThe Lakeis now online featuring works by Satya Bosman, Despy Boutris, Xiaoly Li, Todd Mercer, Bert Molsom, Sarath Reddy, Jacquelyn “Jacsun” Shah, Hilary Sideris, Fiona Sinclair, Catherine Webster. Reviews of Fiona Sinclair’s Second Wind, Hélène Demetriades’ the plumb line, and Rachel Abramowitz’s The Birthday of the Dead are also included. One Poem Reviews is a supercool feature that allows poets to share a poem from a newly published collection. This month Ben Banyard shares “Slow: Learner” from Hi-Viz, and Janet Hatherley shares “Trotline” from What Rita Tells Me.
Online literary magazine Plant-Human Quarterly reads submissions that explore the myriad ways writers manifest their relationship to the botanical world year-round. Past contributors include Ellen Bass, Forrest Gander, Kimiko Hahn, and Arthur Sze. Learn more about their submission guidelines and accepted genres by stopping by their ad in the NewPages Classifieds.
The cover feature of World Literature Today’s September/October 2022 issue assembles more than a dozen writers, artists, photographers, and translators reflecting on the theme Bearing Witness: Confronting Injustice through Art. Additional highlights include creative nonfiction and essays from Argentina, Denmark, Guatemala, and the US; poetry from Venezuela; Chris Arthur’s “What to Read Now” list of his favorite recent essay collections; and visits to Lagos, Nigeria, as well as lower Manhattan’s Yu & Me Books. With more than two dozen book reviews and additional booklists rounding out the lineup, WLT‘s latest issue remains the best passport to travel the world republic of letters.
The Summer 2022 issue of Chestnut Review – “for stubborn artists” – includes an excerpt from the winning entry of their 2021 Prose Chapbook contest: Resistance by Sue Mell. Managing Editor Maria S. Picone interviews both Mell and contest finalist, Siddiqui Chansarkar. Other prose contributors to this issue include Carlos Contreras, Renée Jessica Tan, Yasmin Nadiyah Phillip, Joel Worford, Mattea Heller, and poetry from Stephanie Staab, Lynne Schmidt, Kim Ellingson, Remi Recchia, Michelle Hulan, Yvanna Vien Tica, Gabriela Gonzales, Cate McGowan, Sasha Wade, and art from Patrick van Raalten (cover art: Fluidity), William C. Crawford, Carolyn Guinzio, Moses Ojo, Oormila Vijayakrishnan Prahlad, and Phil Temples. Chestnut Review is free to read online or download as a PDF.
Published online annually in the spring by the Institute for Research on Women (IRW) at Rutgers University in partnership with The Feminist Art Project, Rejoinder is an online journal featuring work at the intersection of scholarship and activism that reflects feminist/queer and social justice perspectives. Rejoinder publishes critical essays, fiction, poetry, and art. While some issue submissions are by invitation only or commissioned, other issues will have open calls around a specific theme or concept. Past issue themes include: Marking Time; Borders, Bodies, Homes; The Stranger Within; Me Too; Storytelling for Social Change; Climate in Crisis.
The spring 2022 issue is themed Trauma and features poetry by Okolo Chinua, artwork with artists statements by Kathy Bruce, Celia Vara, and Gail Winbury, and essays such as “A Pandemic Parent’s Story of Sadness and Loneliness” by Jennifer S. Griffiths, “Being Toward Trauma: Theorizing Post-Violence Sexuality” by Mahaliah A. Little, “Translating Body and Trauma” by Emily Irvin, and “From Buried to Living Archives: Illustration as a Vessel to Access Portals of Sound Memory. A Culture of Hope in the Making — the Cambodian Case.” by Ravy Puth.
Publishing new content every two weeks, Topical Poetry is an online journal readers will want to subscribe to (for free) to stay up to date on the newest posts. As the name suggests, contributors offer works in response to current events and news – what a great resource to bring into any classroom. “Poetry on current events can be transformational, thought-provoking, and everlasting.” Recent works include “Asian Solidarity” by Jenn Martin, “Still Here” by Buff Whitman-Bradley, “In New York We say” by Elizabeth Schmermund, “CLIMATES CHANGE” by Joanne Kennedy Frazer, “Man in Flames” by Matthew Murrey, “UVALDE 2022” by Dale Hensarling, and “Not Completely Safe” by Jacqueline Jules. Topical Poetry is free to read online and accepts submissions based on public news/events, preferably from the previous or current week – which means a fast turnaround time on acceptance.
“You need another literary journal like you need a hole in the head. We’re here for you.” That tagline pretty much sums up the playful attitude you’ll find at Hole in the Head re:View, an online quarterly publishing on “Groundhog Day, May Day, the editor’s birthday in August, and the day after Halloween.” Publishing poetry, art, photography, reviews, and interviews, contributors to the newest issue include Kenneth Rosen, Ginny Speirs (incl. cover art), Jeanne Julian, Laura Schaeffer, Sara Wallace, Christopher Paul Brown, Erika Michael, Jenny Doughty, Ellen Stone, Jeff Mann, Diana K. Malek, Mark DeCarteret & Pat Keck, Elizabeth Iannaci, Robin Young, Larkin Warren, Cheryl Slover-Linett, Chloe’ Firetto-Toomey, Roger Camp, Cecil Morris, Joan Mazza, M.S. Rooney, Charter Weeks, Bob Herz, David P. Miller, Annette Sisson, Larissa Monique Hauck, Brett Warren, Howie Faerstein, Jack Bordnick, Mary Beth Hines, Jim Rioux, Geoffrey Aitken, Michael T. Young, Andrew K. Clark, Casey Clark, Miho Kinnas, Bookend – Sebastian Matthews interview, Sebastian Matthews, and Greg Clary.
The Fantastic Other is a biannual digital literary magazine that specializes in speculative fiction (including flash) and poetry, and science fiction and fantasy, as well as visual art in any medium. Editor in Chief G. E. Butler adds, “We also get excited for magical realism, surrealism, or anything that is altogether strange and ‘out there.’” In addition to the summer and winter issues, The Fantastic Other also publishes occasional articles to their website between issues, such as their Author’s Spotlight segment. Readers can find the latest issues online and download them as PDF documents. All content is free to read. [Cover art by Irina Tall (Novikova)]
The online Months to Years Summer 2022 features the creative works of twenty-five writers, poets, photographers, and artists with a range of voices and perspectives. Bev Mondillo Wright remembers her mother’s Italian baking traditions in “Agrodolce, and Other Memories of the Funeral Pan.” Becca Baisch, in “Twin Hearts,” reflects on her husband’s cancer diagnosis soon after the birth of their first child. In “A Story of a Good Mom,” pediatric ICU nurse Hui-wen Sato opens our perspective to the trauma that ICU nurses witness daily. These are just a sample of the compelling works in this issue.
Other contributors include Elizabeth Berman, Harry E. Northup, Greg Turlock, Grace May, Ingrid Blaufarb Hughes, Amanda Julien, Adnan Adam Onart, Janice Lynch Schuster, Ciera Lloyd, Marie Mischel, Gwynn Wills, Michael Salcman, Dara McGarry, Jen Emmerich, John Grey, Victor Larson, Serena Piccoli, Amy Haddad, Vincent J. Tomeo, Beverly Rose Joyce, Carole Geithner, and Cheryl Comeau-Kirschner. A digital version of the Summer 2022 issue is now available on the Months to Years website. The digital flip book, a downloadable PDF, and a web-based experience of each work are available for free. Glossy magazine hard copies can be purchased via Blurb.
The eighth and newest issue of the annual print Cherry Tree: A National Literary Journal @ Washington College features work by Anthony Aguero, Mya Matteo Alexice, Amy M. Alvarez, Jeffrey Bean, Kathryn Bratt-Pfotenhauer, Erica Lee Braverman, Holly Burdoff, Camille Carter, Adam Clay, Caitlin Cowan, Meg Day, Jose Hernandez Diaz, Denise Duhamel, María Esquinca, Sophie Ezzell, Hazem Fahmy, William Fargason, Aidan Forster, Camille Guthrie, Julie Hanson, Kathryn Hargett-Hsu, Clemonce Heard, Su Hwang, Mark Jacobs, Naomi Kanakia, Justin Lacour, Daniel Lassell, Susan L. Leary, Emily Light, Chrissy Martin, Gloriz Muñoz, Catherine Pierce, Helena Rho, C.T. Salazar, Leona Sevick, Harvey Silverman, Donna Vorreyer, Siamak Vossoughi, D.S. Waldman, Nikki Wallschlaeger, Elaine Wang, Ross White, Jeff Whitney, Eileen Winn, Haolun Xu, Nicholas Yingling, and cover art by Hedieh Javanshir Ilchi. Visit the Cherry Tree website for subscription information and single-copy orders.
Publishing since 1967 and still as cutting edge as ever, the newest issue of Southern Humanities Review includes Nonfiction by George Estreich, Kelly Ann Jacobson; Fiction by Alena Graedon, Lucy Zhang, Tanya Žilinskas, Sanjena Sathian; Poetry by Angelica Maria Barraza, Clayton Adam Clark, Todd Davis, Jessica Dionne, alyssa hanna, Constance Hansen, Sara Henning, Maurya Kerr, Daniel Edward Moore, tano rubio, Maureen Sherbondy, and Grace Q. Song. Cover art by MimiPrint. Several works from each issue are available to read online.
Issue 34:1of The Gettysburg Review features paintings by Carrie Moyer, fiction by Leila Mohr, Holly Beth Pratt, Corey Campbell, Allison Field Bell, and Victoria Campbell; essays by Magin LaSov Gregg, Jenny Catlin, E. G. Cunningham, and Christina Pugh; poetry by Laura Read, Michael Pearce, Linda Pastan, Katharine Jager, Danny Duffy, Anne-Marie Thompson, Hannah Craig, David Kutz-Marks, Meghan Maguire Dahn, Michael Homolka, Caroline Crew, Jill Gonet, Keith Leonard, Jacob Sunderlin, Wendy Guerra, Dorothy Chan, Michael Lavers, John Poch, Frank Paino, Cindy King, Caleb Braun, Calgary Martin, and William Olsen.
Literary magazine Whitefish Review is accepting entries of fiction, nonfiction, and poetry for its Montana Prize for Humor. This year’s final judge is legendary funnyman and writer Garrison Keillor. Deadline to enter is September 30. The winner in each genre receives $500 and publication. There is an entry fee. View their ad in the NewPages Classifieds to learn more.
