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Boulevard – Fall 2020

Boulevard No. 106 contains a fantastic and diverse slate of great writing, including the winning story from the 2019 Short Fiction Contest by Sena Moon; a Boulevard Craft Interview featuring a conversation between J. Ryan Stradal and Beth Dooley; new poetry from Shara McCallum, Eloisa Amezcua, Molly Brodak, Doug Ramspeck, Katherine Smith, Lisa Gluskin Stonestreet, Dara Elerath, and Jeannine Hall Gailey; new fiction from Ron Austin, Matthew Di Paoli, Christine Sneed, and Adam Roux; essays by Christine Spillson, Jodie Varon, Matt Jones, Brandon Parker, and Min Han; and a new symposium about re-examining history. Plus, fantastic, and striking cover art by Xizi Liu!

About Place Journal – Oct 2020

“Works of Resistance, Resilience” is comprised of poetry, fiction, nonfiction and visual art by 83 writers and artists. The issue has five themed sections that explore what it means to live in America at this time of profound reckoning. What does resistance look like? Can resistance contain love, power and empathy? In this age of collective anxiety, the writers and artists from around the world attempt to answer what it means to live and survive during the Covid-19 pandemic and beyond. The Works of Resistance, Resilience will rekindle our desire to learn and thrive and to discover what is needed to change our relationship to the earth and to each other. More info at the About Place Journal website.

World Literature Today – Fall 2020

San Juan, Puerto Rico, takes the spotlight in World Literature Today’s annual city issue with a powerful selection of poetry, stories, and essays by 17 writers. Other highlights in the autumn issue include Fabienne Kanor’s essay on uprooting the fetishes of white supremacy; interviews with Natalie Diaz and Margaret Jull Costa; a stunning poem by Achy Obejas on “the universe at absolute zero”; fiction by Vi Khi Nao and Lidija Dimkovska; and much more. Reviews of new books by Elena Ferrante, Mia Couto, Kapka Kassabova, and dozens more make WLT your go-to guide for the best in international literature

Understorey Magazine – Issue 18

Understorey Magazine Issue 18 is out. Read for examinations on the many ways science and technology affect our everyday lives. Poetry by Moni Brar, Daze Jefferies, Kimberley Orton, Dawn Macdonald, Kayleigh Cline, and I. Sabrina Samreen; fiction by Gail Willis; and nonfiction by Jeanne Kwong, Sima Chowdhury, Stacey McLeod, and Rita Kindl Myers. Plus, interviews with Maryam Heba and Chelsey Purdy.

The Georgia Review – Fall 2020

The Georgia Review’s Fall 2020 issue is out with new work from Kaitlyn Greenidge, Wayne Koestenbaum, Sally Wen Mao, Charles Baxter, Marianne Boruch, Yona Harvey, and many other compelling voices, both emerging and long-established. Special features include a portfolio of artwork from the High Museum of Art’s exhibition Picture the Dream: The Story of the Civil Rights Movement Through Children’s Books and a translation of Vinod Kumar Shukla’s masterful short story “College.”

Cimarron Review – Issue 211

Issue 211 of Cimarron Review features poetry by Bonnie Auslander, Clemonce Heard, Leslie McGrath, Emily Franklin, Chris Haven, Matt Morgan, Laura McKee, Bryce Berkowitz, Elisabeth Murawski, Jan Beatty, Kayla Sargeson, and others; fiction by Andrew Geyer, Molly Anders, and Steven Wingate; and nonfiction by Ephraim Scott Sommers and Caroline Sutton. This issue’s cover art is “River Fog” by Richard Speedy.

The Baltimore Review – 2020

This year’s print collection of The Baltimore Review is now out. It includes poems, stories, and creative nonfiction published in The Baltimore Review‘s Summer 2019 Maryland Writers Special Issue, Fall 2019, Winter 2020, and Spring 2020 online issues. Work by Sandy Longhorn, Tim Griffith, Maggie Andersen, Jennifer Lang, Kathleen Hellen, Kris Faatz, Michael Downs, Grace Cavalieri, Stephen Tuttle, Libby Heily, Emily Stoddard, Diana Xin, Omer Friedlander, Jeannine Hall Gailey, Avra Margariti, Naomi Cohn, and many more.

Valley Voices – Fall 2020

The Fall 2020 issue of Valley Voices features poetry by Paul Mariani, Gary Fincke, Janet McCann, Luci Shaw, Marge Piercy, Ted Kooser, D. S. Martin, Walter Bargen, Virginia Sullivan, Ed Madden, Le Hinton, Joseph Pearce, Jean-Mark Sens, John J. Han, and more; memoirs by Billy Middleton, Frederick W. Bassett, and Carol Coffee Reposa; and articles & interviews by Bruce Boyd Raeburn, Adam Gussow, Joseph Millichap, Janet Greenlees, Dominic Reisig, John J. Han, Gab D. Smith and Thomas H. Sayre, and David Tisdale.

The Shore Poetry – Fall 2020

The autumn issue of The Shore features gorgeous and dynamic poetry by Melissa Crowe, Lisa Ampleman, Susan Rich, Taylor Byas, Joely Byron Fitch, Emma Aylor, Jill Mceldowney, Samuel Adeyemi, Taylor Fedorchak, Susan Moon, Owne McLeod, Oluwadare Popoola, Isaac George Lauristen, Duncan Mwangi, Adam Day, Natalie Young, Dan Wiencek, Andy Keys, Vincent Poturica, Katherine Fallon, and more. The issue also features digital art by Joe Lugara.

Leaping Clear – Fall 2020

Leaping Clear - logo

Take the time to enjoy and be nourished by the art and writing in this new issue of Leaping Clear. There is humor, poignancy, power, ecstasy, calm, and beauty to be found in essays by Elizabeth Fletcher, Liz Woz, Ranjani Rao, and more; fiction by Taffeta Chime; and poetry by Alan Cohen, Carla Sarett, Fran Markover, J. P. White, Linda Parsons, Sandra Fees, Wayne Lee, and more.

Overlooked Beauty

Magazine Review by Katy Haas

Now more than ever it’s important to find the beauty in whatever is around us. As writers, as artists, and as humans struggling through a traumatic period of time, it’s necessary to find bright spots. The Fall 2020 issue of Still Point Arts Quarterly puts this into practice, the theme of the issue being “The Secret Life of Objects.”

Throughout the pages, writers and artists look at what’s around them and capture their beauty. Adrienne Stevenson writes an ode to a “Kitchen Timer,” an appliance one doesn’t have to think much about until it’s gone. Kathleen Miller draws pared-down sketches of telephones, boats, pitchers, eliminating the details to follow Georgia O’Keeffe’s sentiment of “get[ting] at the real meaning of things.” Most of MJ Edwards’s compelling photography focuses on treasures of trash found on the beach, as they wonder about the “untold stories” the objects carry with them.

Art can be found in the everyday items around us, the objects easily overlooked. Don’t forget to look around you and find the beauty and inspiration they can hold.

Service Workers’ Words

Magazine Review by Katy Haas

Since March, we’ve been relying heavily on service workers, those operating the essentials while the rest of the country slows or stops. The second half of the Fall 2020 issue of Rattle features work by poets who have served long periods of time as service workers.

In this section, readers can find Marylisa DeDomenicis’s “Excuse Me” and Jackleen Holton’s “The Hunter,” both of which discuss working in a restaurant. DeDomenicis writes of the prevalent racism in the kitchen where the speaker works, and Holton focuses on the sexism and harassment the women face at the restaurant where her speaker works. In both of these, the other workers advocate for each other when the higher-ups either do nothing or contribute to the problem. The speaker in DeDomenicis’s piece sticks up for the bullied Mexican bus boy, and the waitresses in Holton’s piece work the buddy system together so they’re never alone, lessening the severity of their harassment.

Laurie Uttich’s “To My Student with the Dime-Sized Bruises on the Back of Her Arms Who’s Still on Her Cellphone” stuck out to me most starkly. In this poem, the speaker notices her student’s bruises and implores that she put down her phone, her abusive boyfriend on the other end, so she can trade it for a pen and “Take a piece of the dark and put it on a page.” Sylvia Plath and Virginia Woolf stand by as supporting characters, offering comfort and a room of one’s own. Uttich’s use of language as the poem addresses the student is clever and flows quickly, familiar images flashing through the lines.

While we continue to rely on service workers to keep the world running, make sure to take time to hear their voices and their stories in their own words.

Still Point Arts Quarterly – Fall 2020

The Fall 2020 issue homes in on “The Secret Life of Objects.” Featured artists include Cary Loving, Birgit Gutsche, Aaron M. Brown, Jeffrey Stoner, and more. Featured writers include Dawn Raffel, Judith Sornberger, Emily Uduwana, Kathleen Aponick, William Doreski, Keltie Zubko, Adrienne Stevenson, Susan Currie, and others. Find more info at the Still Point Arts Quarterly website.

Spoon River Poetry Review – Summer 2020

The Summer 2020 Issue of SRPR is out. In this issue, you’ll find cover art by Brittany Schloderback; the SRPR Illinois Poet Feature with new poetry by Simone Muench and Jackie K. White, with an interview of the poets by Carlo Matos and Amy Sayre Batista; and new poetry by Jose-Luis Moctezuma, Paul Martinez-Pompa, Julia Wong Kcomt translated by Jennifer Shyue, Michael Leong, Emily Carr, and more.

New England Review – 41.3

New England Review Volume 41 Number 3 is out. Featured work by May-lee Chai; Jeneva Stone; Laurence de Looze; Alyssa Pelish; John Kinsella; Clifford Howard; and translations of Scholastique Mukasonga, Karla Marrufo, and Nelly Sachs. Fiction by Kenneth Calhoun, Meron Hadero, Kate Petersen, and Kirk Wilson; poetry by Anders Carlson-Wee, Victoria Chang, Justin Danzy, Elisa Gabbert, torrin a. greathouse, Christina Pugh, and more; plus cover art by Heidi P.

Kaleidoscope – No. 81

During periods of unrest and uncertainty, when ominous dark clouds roll in and the sky becomes black, it can be easy to give in to feelings of despair. Kaleidoscope contains stories of adversity but it also offers hope. Featuring the essay “Between Rooms” by N. T. McQueen, the story “Mother Bear” by Melissa Murakami, and the essay “Nacre Upon Nacre” by Jenna Pashley Smith. In addition to these three, this issue contains an array of thought-provoking poetry and other wonderful stories of fiction and nonfiction. Issue 81 brings the promise that storm clouds will dissipate and the sun will shine again.

Jewish Fiction .net – #25

This Rosh Hashana marks exactly ten years since the founding of Jewish Fiction .net! Since our first issue came out on Rosh Hashana 2010, we have published over 430 works of fiction never before published in English, which were originally written in sixteen languages. We are a truly international journal with readers in 140 countries. Our new, 10th-anniversary issue of Jewish Fiction .net is now out and features 18 first-rate works of fiction originally written in Spanish, Yiddish, Hebrew, and English. We hope this special issue brings you pleasure, intellectual delight, entertainment, and comfort during this challenging time.

Brevity – Sept 2020

The essays in this guest-edited special issue of Brevity consider all aspects of illness and disability: what it is, what it means, how our understanding of disability is changing. Our anchor author is novelist and essayist Esmé Weijun Wang, author of The Collected Schizophrenias. Other authors featured include Barbara Lanciers, Meg Le Duc, William Fargason, Ona Gritz, Kelly Weber, Maya Osman-Krinsky, and more. The “Experiences of Disability” issue is guest edited by Keah Brown, Sonya Huber, and Sarah Fawn Montgomery. Artwork by Jill Khoury.

Remembering September 11 with Wisława Szymborska

Guest Post by Autumn Barraclough 

With September 11 close at hand, I’ve found my thoughts turning back to another time in American history in which our country suffered. I found myself reflecting back on September 11 and pictures.

In the poem “Photography from September 11,” Wisława Szymborska captures my thoughts as she describes the figures, forever frozen in history, as they jump from the twin towers. Her solemn respect and care for these souls resonates throughout the poem as she describes their flight, rather than their demise. This poem helps me to remember the tragedy of September 11 without the political connections—just understanding that humans were hurt and that I still have a country to love and care for that is full of people that care for each other in their own way.

Reviewer bio: Autumn Barraclough is a college student studying English. She is a Virginian at heart and loves to delve into the connections between France and Virginia, aspiring to create a written work that expresses that relationship.

450 Pages of Poetry & Prose to Love

Magazine Review by Katy Haas

Issue 48 of Paterson Literary Review is a hefty 450 pages. A reader is guaranteed to find something they admire or connect with in those near-500 pages.

Readers can look forward to Vivian Shipley’s “A Glossary of Literary Terms for My Son,” a poem creatively and seamlessly broken up into nine different literary terms. Mary Ann Mayer writes an ode to “Walt Whitman’s Pants,” a poem that ends up being educational with its historical context. Penny Perry’s “Fig Bars” ends up being extremely relevant as the speaker sits with her husband and daughter as a wildfire burns twenty miles from their house.

And that’s just a small sampling of the poetry. The issue also includes prose and reviews. It’s nearly impossible to walk away from this brick of an issue without finding something to love.

A Portal to Powerful Nonfiction

Magazine Review by Katy Haas

The art of John Belue dons the cover and pages of the Fall 2020 issue of Creative Nonfiction, and I absolutely love it. His work remixes vintage photos, thinly cut strips overlaying another photo to create an almost portal-like image. The art drew me into the “Memoir” issue of Creative Nonfiction and the writing made me stick around even longer.

Megan Doney’s nightmares haunt her after a shooting at the school where she teaches in “The Wolf and the Dog.” While her dreams leave her powerless, she imagines finding power if the situation ever happens again. The piece begins viscerally, a dark view into Doney’s mind after surviving a horrific event.

Mary Beth Ellis gets deeply personal in “Weaponry of the Cold War” as she walks readers through her vaginismus diagnosis. While the subject of her writing is both physically and emotionally painful, Ellis uses humor in unexpected places, her writing cynical and skeptical, light when it matters. As Ellis says, up to 14% of the female population suffers from vaginismus, and there is not much to read about the subject. Ellis adds her voice, her story, giving other people with vaginas something to relate to.

Whether you pick up Creative Nonfiction‘s latest issue because the art caught your eye, or because you crave powerful nonfiction, you will not be let down.

Works to Enjoy & Cherish

Guest Post by Regina Shumway

Salamander is a literary magazine that contains many works of poetry, fiction, and essays from a diverse collection of writers of varying backgrounds and writing styles. Issue 41 of this magazine is particularly spectacular. With themes ranging from the wonder found in the familiar to the indignity of a corpse, the works found in this issue provoke intense consideration for many different subjects and arguments.

Any type of reader is guaranteed to find a wide collection of works they will enjoy and cherish in Issue 41. A great deal of this magazine’s appeal is how each and every work requires the reader to delve deeper, often rereading the same lines over and over again to gain new, more profound meanings with each read through.  If you want to broaden your horizons in the writer’s world, Salamander is a magazine worthy of your time.

Reviewer bio: Regina Shumway is an eager writer, looking to improve her skills and experience. She is currently a student at Brigham Young University in Hawaii.

A Fallen Kingdom

Guest Post by Caleb Willis

“The Kingdom That Failed” is a piece of flash fiction by Japanese author Haruki Murakami, published by The New Yorker. The introduction grabs you with no hesitation, throwing you into a unique setting that prepares you for a grungy fantasy adventure written around a fallen kingdom. This lasts for a grand total of two paragraphs, at which point the story changes gears to a more modern setting, dealing with life and people, not swords and dragons. It is a change in direction that totally threw me off guard, opening me up to the rest of the narration.

The story continues with an in-depth description of this man named “Q,” or more the struggle to explain Q. He is a handsome man, five hundred and seventy times more handsome than our narrator, with a great personality, from a well-to-do home, yet he isn’t quite extraordinary in anything, yet good at everything. Q is a true kingdom, a character without flaws.

Inspired by the quote, “To see a splendid kingdom fade away, is far sadder than seeing a second-rate republic collapse,” this story quickly and briefly shows a glimpse into the future life of Q. It delivers the known-too-well feeling of failed potential. While we are content to see the narrator complacent with where he is at in life, it is striking yet subtle to see the fall of Q. It isn’t a grand fall of a literal kingdom, and it doesn’t have the imagery of crumbling stone bricks and thick black smoke. Instead, we see a defeated man covered in soda, stuck in a thankless career. “The Kingdom That Failed” is a reminder of the somber reality of humanity, one that trumps any attempts of fantasy.

Reviewer bio: Caleb Willis is a college student studying Biochemistry and Applied Mathematics. He likes to read in his fleeting spare time.

Words Change Lives

Guest Post by Haley Marks

Throughout these difficult times, we all attempt to find meaning in our lives. We search for something that reassures us that we will make it through the never-ending struggles we endure. More than that, we seek an escape from these struggles. For many of us, words provide the perfect escape.

Whether the words come through books or TED Talks, they can have such a beautiful impact on our lives. Words change us. Words heal us, if we let them. However, I have found that the most colorful way words can reach us is through poetry. A well-written poem embodies the art of writing. Poetry can hold more emotion with a hundred words than many books do with a hundred pages. Its messy, imperfect words can weave together to create a masterpiece. As humans, we embrace anything as beautifully chaotic as we are; we can find exactly what we need in the relatable words of a disheveled poem.

A favorite place of mine to find some of the best poems is Poetry Foundation, providing poetry with words that touch the hearts of people in all walks of life. It provides poems for children and adults. It includes collections of poems for those struggling in school or those trying to relieve stress. The Poetry Foundation has poems available for anyone. The poems I have found on Poetry Foundation have surely blessed me; I have found words that express my emotions in a way I am incapable of doing on my own. The beautifully written poems included on this website and they’re literary journal Poetry have surely impressed me.

Poetry Foundation, in addition to poems, includes audio and guides for various poems. It successfully provides tools and poetry for anyone looking for words that could change his/her life.

Reviewer bio: Haley Marks is a student at Brigham Young University-Hawaii where she studies creative writing.

Janelle Monáe Plus Irenosen Okojie Times Grace Jones

Guest Post by Marvel Chukwudi Pephel

Should I say shame on me for not knowing about Grace Jones till this “Lockdown Year” when I read a February 3, 2020 article on The Cut where Janelle Monáe’s definition of Afrofuture was put forward by herself as: “It looks like an orgasm and the big bang happening while skydiving as Grace Jones smiles.”? The article was written by no other than the inimitable Roxane Gay. I remember rushing to do my homework on who Grace Jones is, and what her smile looked like.

I wouldn’t tell you that I enjoyed the task, but I wouldn’t also say it wasn’t worth the stress; maybe this was better reflected when Irenosen Okojie won the Caine Prize for African Writing, an award described by many as the African Booker. Her story was titled “Grace Jones” and she was announced the winner of the prize on July 27, 2020, almost six months after I first stumbled on the “original” Grace Jones. Irenosen Okojie’s winning story is about a Grace Jones impersonator who mourns the death of her family in a house fire.

Frankly speaking, the story is hugely experimental and may not appeal to readers of literary fiction. The story itself is as strange as a rainbow in the night sky can be. Here is a writer who isn’t scared to take risks, and for which the judges praised her thus: “risky, dazzling, imaginative and bold.” It is a story steeped in dark experimentation and yet offers a chance for entertainment. It is also worthy of note to know that the Nigerian-British author says the £10,000 award for African writing has given her confidence as a black and female experimental writer. This, to me, is a huge personal win; a win too for African speculative fiction.

Reviewer bio: Marvel Chukwudi Pephel is a prolific Nigerian writer who writes poems, short stories and other things besides.

Tint Journal – Fall 2020

Tint Journal is the literary magazine for English as a Second Language creative writers, established in 2018 and based in Graz, Austria. We publish the finest of non-native English writing, including short stories, essays, and poems. Issue Fall ’20 has been released. Read twenty-five new literary creations by ESL writers from all around the world, now online and for free! Issue Fall ’20 also includes visual art creations by artists from all over the globe, combining the artistic realms of literature and art, as well as audio recordings of the writers reading their work.

A Kind Voice in the Emptiness

Magazine Review by Katy Haas

I like a piece of writing that piques my interest and leads me to do even more reading. Gail Peck’s “The Minister of Loneliness” in the Summer 2020 issue of The Main Street Rag managed to do just that for me.

The poem is introduced with a note: “The U.K. created the position of Minister of Loneliness, two years before COVID-19.” The title “Minister of Loneliness” was enough to interest me on its own, and even more so learning that it’s a real position. Peck’s poem addresses the minister in the days of COVID-19, women calling with their moments of loneliness. “It was bad enough before,” they admit, and now it’s gotten worse, their loneliness filled with uncertainties: “should they let the delivery boy in?”

The poem is touching and relevant. In addition to giving me something further to read about, it also gave me a point of connection as someone who lives alone and spent the early days of my state lockdown feeling incredibly lonely. What more could one ask from a poem about loneliness but a moment of connection and understanding? Peck’s poem itself works as a listening ear, a kind voice in the emptiness.

Eating Candy with Josh Luckenbach

Guest Post by Grace Tuthill

Who doesn’t love candy? We all (at least most of us) have happy memories tied to these sweet treats. So then why did Josh Luckenbach use a tootsie roll wrapper as a catalyst for death? This very common candy beloved by many is the object used to tell a vivid story of love and death between two siblings. In this poem, “Eating the Tootsie Roll,” Luckenbach dances with death as a girl simply eats candy with unknown origins. Her brother prophecies her death, almost as a threat, and the girl then goes home and kills herself. The ending of the poem leads readers to wonder if this suicide because of a controlling and abusive poisoning of her mind or food poisoning. The last line is a hunting echo of a sister listening to her brother and the lasting effects, either good or bad, that siblings can have on each other.

Reviewer bio: Grace Tuthill is a Marine Biologist with a special interest in writing. She has no published work but likes the ocean and photographing sea life.

Rattle – Fall 2020

The Fall 2020 issue of Rattle features a timely tribute to service workers—those working in the lodging, food service, tourism, customer service and other industries in direct service to customers. Though planned long before the pandemic, service workers have been hit particularly hard this year, and we’re happy to be honoring poets who work in those fields. The conversation features Jan Beatty, covering her decades of experience working as a waitress, as well as the topics of adoption and the writing process. Another eclectic open section features twenty-two poems in a range of styles that are sure to make you laugh or cry.

Plume – Sept 2020

This month’s Plume featured selection: “The Chronicler of a Blue Planet: An audio interview with Ranjit Hoskote by Leeya Mehta” with work by the poet. Christopher Buckley pens the essay, “Out of Fresno—Poetry & ‘Career,’” and Susan Blackwell Ramsey reviews Hailey Leithauser’s Saint Worm.

The Louisville Review – Spring 2020

The latest print issue of The Louisville Review features fiction by Holly Tabor, Pamela Gullard, Bridget Mabunga, and Rebecca Thomas; nonfiction by Joseph Myers, Patricia Foster, Jessica Crowley, and Katherine Mitchell; and drama by Allie Fireel, Allen M. Price, Haydee Canovas, John Shafer, and Addae Moon. Poetry by Laura Judge, Joseph G. Anthony, James B. Goode, Shauna M. Morgan, Frank X Walker, and more

Kenyon Review – Sept/Oct 2020

The latest issue of Kenyon Review features a special poetry section, “All of This Is True,” guest-edited by Reginald Dwayne Betts, whose own poetry, a memoir, and essays explore the world of prison and the effects of violence and incarceration on American society. Betts has selected powerful work by fifteen poets including Sean Thomas Dougherty, April Gibson, Randall Horton, Roger Reeves, and others. The new issue also includes the winning poem and two runners-up in the 2020 Patricia Grodd Poetry Prize for Young Writers as well as four new works of fiction by Samuel Jensen, Dina Nayeri, Matthue Roth, and Marianne Shaneen.

Celebrate 75 Years with The Fiddlehead

The Fiddlehead is celebrating 75 years of publication. To celebrate, the literary magazine is hosting a series of free online readings throughout the rest of the year. These readings feature the writers found in the forthcoming anniversary issue. An ASL interpreter will be present to translate events in real time.

You can find dates for readings at The Fiddlehead‘s website, along with a list of the readers you can expect to hear on each date. The next event will be September 30.

Terrain.org – August 2020

Visit Terrain.org for the new work on the site this month. Arne Weingart reviews The Tilt Torn Away from the Seasons by Elizabeth Lindsey Rogers and Melissa L. Sevigny interviews Pam Houston. Fiction by Beth Alvarado; nonfiction by Tamie Parker Song, Scott Russell Sanders, and Paul Riley; and poetry by Seth García, Garrett Hongo, Collier Brown, and more. In currents: Charles Revello, Patricia Schwartz, and others.

Wordrunner eChapbooks – No 40

Wordrunner eChapbooks‘ 40th issue, the Summer 2020 fiction echapbook: The Estrangement Effect: Stories by Rebecca Andem. The five stories in Andem’s collection explore the startling, disconcerting, unsatisfying, and liberating moments in which we understand that the most central relationships in our lives are inhabited by strangers, strangers we are deeply connected to, be they lovers, spouses, parents, siblings or children.

The Main Street Rag – Summer 2020

This issue’s featured interview: “Digging for Gold,” an Interview with Don Kesterson by Terresa Cooper Haskew. Fiction by Ethan Forrest Ross, Michael L. Woodruff, NV Baker, and Rita Ariyoshi. Poetry by Steven Ablon, Mark Burke, Chris Capitanio, Llyn Clague, Shutta Crum, Darren C. Demaree, Craig Evenson, Barbara Greenbaum, Angela Gregory-Dribben, Katrina Hays, Scott T. Hutchison, and more. Also in this issue: a selection of book reviews.