Find the latest news from literary and alternative magazines including new issues, editorial openings, and much more.
We’re beyond excited to bring you new work from Alicia Ostriker, Diane Seuss, Aimee Nezhukumatathil, Jos Charles, Yalie Kamara, David Naimon, and Jordan Jace. We’re also extremely excited to feature poetry by Asa Drake, Thomas Dooley, Mary Biddinger, Kevin Prufer, Maya C. Popa, Jordan Keller-Martinez, and more, prose by Emily Yang and Andreas Trolf, and art by Caroline Zhang, Taylor Wang, Ariel Kim, and others. Read more at The Adroit Journal website.
This issue of The Malahat Review features the 2020 Novella-Prize-winning “Yentas” by Rebecca Păpucaru, Daniel Allen Cox’s “The Glow of Electrum,” Mike Alexander’s “An Afternoon Gentleman,” Matthew Hollett’s “I’m Sorry, I Have to Ask You to Leave,” Ronna Bloom’s “Legend of Saint Ursula,” Alamgir Hashmi’s “Anywhere, 2019,” and Kate Felix’s “Beneath the Pond.” Also in this issue: Sarah Tolmie, Xaiver Campbell, Sarah Venart, Theressa Slind, Chris Banks, Daniel Sarah Karasik, Sarah Lord, Ron Riekki, Paul Vermeersch, and Alisha Dukelow. Plus, a selection of book reviews, and cover art by Sharona Franklin: “Mycoplasma.”
The July/August edition of Hippocampus Magazine is still live! Featuring creative nonfiction by Lisa K. Buchanan, Max King Cap, Amy Cowger, Erica Plouffe Lazure, and others. See more contributors at the Mag Stand.
In the newest issue of Carve, find short stories by Caleb Tankersley, Danielle Batalion Ola, Ronald Kovach, and Kirsten Clodfelter, as well as interviews with the authors. New poetry by Jane Zwart, Abbie Kiefer, Collin Callahan, and James Ducat, and new nonfiction by Feroz Rather and Kabi Hartman. In “Decline/Accept,” is “Clean Kills” by Greg November. Read more at the Carve website.
Magazine Review by Katy Haas
At a time when I felt incredibly alone, Ira Sukrungruang kept me company with his collection of essays, Buddha’s Dog: & Other Meditations. I stayed up all night reading it, telling myself I’d just read one more essay and then sleep and before I knew it, the book was finished and dawn was right around the corner. So now when I again feel those nagging feelings of loneliness, I was excited to see he had a new nonfiction piece in the Spring 2020 issue of Crazyhorse to help fill in the spaces around me: “Eulogy for My Father.”
This eulogy is written in short, one-sentence paragraphs that rapidly fall down the sixteen pages they occupy. “Let me start again,” he repeatedly states and follows another thread as he sorts the complicated thoughts and feelings surrounding the relationship he had with his father, his father’s absence, and the ways in which these feelings now echo over his relationship with his son.
The piece is honest and tender, bringing tears to my eyes by the time I reached the end and his final “restart.” It was nice seeing Sukrungruang once again show off his mastery of the nonfiction form. Even sitting with his grief, it was also nice to feel close to something for the moment.
In this issue of upstreet, Vivian Dorsel interviews David Jauss. Fiction by Joseph Bathanti, Lee Martin, Midge Raymond, and more; nonfiction by Mason Cashman, Barbara Haas, Jericho Parms, and others; and poetry by Jennifer Barber, Vincent Bell, Patricia Clark, and more.
Issue 3 of Hole in the Head Review is out. New work from Betsy Sholl, Charles Simic, Alison Harville, Amalia Galdona Broche, Patrick Cole, Dawn Potter, Linda Aldrich, Janet Powers, Peter Bruno, Jaina Cipriano, Alice B. Fogel, Greg Clary, Richard Heckler, and many others. Michael Hettich interviews Denise Duhamel. In commentary: Baron Wormser.
The Spring 2020 issue is here and it features the winner of the Crazyshorts! Short-Short Fiction Competition (“Spinning Stories” by Bailey Cunningham) alongside outstanding stories, essays, and poems by Rebecca Morgan Frank, Afabwaje Kurian, Iheoma Nwachukwu, W. Scott Olsen, Ira Sukrungruang, Amy M. Alvarez, and more. Read more at the Crazyhorse website.
In the Winter 2020 issue of Cimarron Review: poetry by Allison Hutchcraft, Jennifer Funk, Toshiaki Komura, Amy Bilodeau, Monica Joy Fara, Darren C. Demaree, Laura Read, Isabelle Barricklow, Amber Arnold, Meriwether Clarke, Amie Irwin, Ben Swimm, Sophia Parnok, Brooke Sahni, Will Cordeiro, and Patrick Yoergler; fiction by Nancy Welch, Dan Pope, and Michael Deagler; and nonfiction by R Dean Johnson and Jon Volkmer.
Magazine Review by Katy Haas
In the early days of lockdown, I had friends comment to me that they felt almost a sense of relief. Despite the tragedies reported in the news and the uncertainty of the new world we found ourselves in, they felt like they were able to breathe for the first time—to spend days resting or creating or getting personal work done or fully focusing on their families, none of which they were able to accomplish during the busyness of everyday life.
In the Spring/Summer 2020 issue of Salamander, Anne Kilfoyle’s story “Double-Yolked” reminded me of those conversations and feelings. As narrator Keera and her husband Jesse prepare for an emergency evacuation following an unnamed global threat, she reflects:
The last three days have been good days, some of the best. We have been holding our breath but also our problems got smaller. [ . . . ] Our biggest fear wasn’t mass annihilation, it was that we’d have to go back to how things were, back to our jobs and our lives [ . . . ].
Despite their lack of preparation, she feels okay with what’s coming to them, feels capable knowing they have each other, now somehow stronger together, as they move forward.
The short piece is relatable and timely: empty store shelves, last minute orders from Amazon in an attempt to ease the new worries, the uncertainty that surrounds them, and that strange relief of being released from normal life. It can be difficult to read disaster-themed writing while living through a similar situation, but Kilfoyle manages to cover the topic in a way that’s casual and comforting without adding to the current, similar stresses.
Visit this month’s Plume featured selection: “From Lewisburg to Syracuse: An interview with Bruce Smith by Chard deNiord.” Sydney Lea, in nonfiction, writes “Inviting the Reader: Narrative Values, Lyric Poems” and Donovan McAbee reviews Kontemporary Amerikan Poetry by John Murillo.
The August issue of The Lake features Rey Armenteros, Robert G. Cowser, Rhienna Renèe Guedry, Stella Hayes, Karen McAferty Morris, Anthony Owen, Fiona Sinclair, Shelby Stephenson, Hannah Stone, Grant Tarbard. Reviews of Oz Hardwick’s The Lithium Codex, Jeffrey McDaniel’s Holiday in the Islands of Grief, and J.R. Solonche’s The Time of Your Life.
The latest issue of Colorado Review features fiction by Jessica Treadway; nonfiction by Jennifer Genest; and poetry by Saretta Morgan, M.A. Cowgill, and Matthew Gellman. See other contributors at the Colorado Review website.
Chinese Literature Today Volume 9 Number 1 features short science fiction by Liu Cixin, Isaac (Shuntang) Hsu, and Dung Kai-cheung; an exploration of Xu Zechen’s urban fiction; a novella by Li Jing; and a look at diverse works by Sinologist Michael Berry.
The Summer 2020 issue of Baltimore Review features work by Chera Hammons, Anita Olivia Koester, John Haggerty, Seth Grindstaff, Katy Mullins, Cara Lynn Albert, Dennis Cummings, Marlene Olin, Kathleen Melin, Kate Gale, Jehanne Dubrow, and more.
Magazine Review by Katy Haas
From Issue 38 of Bellevue Literary Review, Kathi Hansen’s “We the Mothers” (honorable mention in the 2020 BLR Prize) imagines the mothers of boys who have been accused of sexual assault. They meet together in book-club-like fashion, able to speak freely with one another when no one else understands.
Hansen writes of them in a collective. They speak of their sons as one being as they look back to their childhoods, their teenage years, and the ways their boys were raised in their homes. Only when one woman begins to question her son’s innocence does the story diverge, separating her from the rest of the group, finally naming her apart from the others. I found this to be a cool, well done device for this piece, and a unique point of view to have on these now familiar stories.
Despite focusing on this side of the story, Hansen does a good job of avoiding too much sentimentality. The mothers tell their collective story without demanding understanding or sympathy from the reader. After all, as they point out, only those in their group can truly understand.
New in July on Terrain.org, find poety by Kim Parko, Anna B. Sutton, Dean Rader, and Andrea Cohen; nonfiction by Meg Mills-Novoa, Jason BreMiller, Samantha Scibelli, and Lucy Bryan; and fiction by Susan M. Gaines. Plus, Matthew Cooperman reviews Joshua McKinney’s Small Sillion.
In this issue find nonfiction by Charlotte Taylor Fryar and A. Molotkov; fiction by Kim Bradley, Judith Dancoff, Janis Hubschman, Jeff McLaughlin, and Ann Russell; and poetry by Joseph Bathanti, James Ciano, Bryce Lillmars, Esther Lin, Derek Mong, Christina Olson, Lee Peterson, L. Renée, Kristin Robertson, Mara Adamitz Scrupe, Wesley Sexton, and Annie Wodford. Find more info at the Southern Humanities Review website.
The latest issue of Radar Poetry features new poetry by Patrick Deeley, Dante DiStefano, Sarah Dravec, Maggie Graber, Strummer Hoffston, and more. Artwork by Michael Boehnker, Danielle Kerese, Honour Mack, Karyna McGlynn, and others.
Issue 38 of the Bellevue Literary Review (BLR) came together just as NYC and Bellevue Hospital were in the throes of the Covid-19 pandemic. Some of the BLR staff were alternating N95 masks with red pens, balancing patient-care with literary work. But the issue made it to the presses and is packed with good reads. It features the winners of the 2020 BLR Literary Prizes. The poems, essays, and stories in this issue travel from China to Texas to Tehran, from small town to big city, from World War I-era to the present. Stay tuned for Issue 39, coming in the fall, whose theme is “Reading the Body.” Read more at the Bellevue Literary Review website.
Magazine Review by Katy Haas
Emily Steinberg takes a walk “In the Woods” with her dog, Gus, in her visual narrative found in the Midsummer 2020 issue of Cleaver. During her walk, she focuses on Gus and her surroundings, reflecting on the way the real world and its real problems seem far away. In the woods, “All human makings disappear . . .” and there is only the sounds of the wind in the trees and the creek and Gus’s paws around her. This moment doesn’t last forever, though. She has to cross the threshold back into the real world where everything “comes sweeping back. Crowding my brain. Not letting me breathe.” But for a moment there is peace.
This short visual narrative gives readers a moment of peace as well as we soak in the quiet moment of respite along with Steinberg. Each panel features only Gus, a fluffy scribble of a dog padding through the woods, a dog always good comfort when it’s needed. The piece works as a good reminder to take a moment to find calm and quiet in the midst of the tragedies and turmoil swirling around us. By taking these moments, we’re able to recharge as we head back into the real world to face everything once more.
Magazine Review by Katy Haas
Say, “I see dead people,” to just about anyone, and they’ll likely be able to name the movie it came from. But unlike Haley Joel Osment’s character in The Sixth Sense, attempting to help the dead find peace, Jasmine, the narrator in Catherine Stansfield’s “I See Dead People and Other Gags” uses the concept to help herself.
Jasmine tells people she can speak to their dead loved ones, and uses social media to glean information that she later uses in her sessions. Having lost her own mother at a young age and never really speaking about it again gives her a detachment from death and the sentimental feelings surrounding it, so she profits off other people’s pain and grief. However, at the end of the story, she’s hit with a surprise that may make her change her mind about her career path.
I would’ve enjoyed reading more about Jasmine and her work, getting to know more about her clients and her grandmother who casts a shadow over her mother’s death. Stansfield’s writing style is matter of fact and straight forward, fitting for Jasmine’s no-nonsense character. But what we are given is a fun read, a peak behind the medium’s curtain.
Magazine Review by Katy Haas
March and the beginning of lockdowns in the United States somehow seems like it was years ago and just days ago. Time continues to slip by in strange ways. Emma Moran touches upon this in her nonfiction piece “What I Will Say” found in the Summer 2020 issue of Sky Island Journal: “Times had changed. The quality of time had changed. Hours extended and compressed. Two hours talking to your sister passed in ten minutes. Ten minutes extended into days, as you listened to the clock counting out the seconds you couldn’t sleep through.”
In this piece, she reflects on her dad’s instruction to “Remember this. One day your grandchildren will ask what it was like, living through this. Remember it all, so you can tell them.” In the following four paragraphs she explains the way life changed during the first few months of the pandemic, and she does so poetically and eloquently: “People built fortresses out of plans. I will write those letters, I will train the dog, I will learn to speak French, I will learn to knit, I will learn, I will learn. We would try to learn.”
Time continues to pass and the push to return to the normal life we used to know is insistent, but Moran remembers and gives a reminder of what we did for others and how we “learned; how we changed” during those first few weeks and months, writing with a thoughtful and sympathetic voice.
Sky Island Journal’s stunning 13th issue features poetry, flash fiction, and creative nonfiction from contributors around the globe. Accomplished, well-established authors are published—side by side—with fresh, emerging voices. Readers are provided with a powerful, focused literary experience that transports them: one that challenges them intellectually and moves them emotionally. Always free to access, and always free from advertising, discover what over 70,000 readers in 145 countries already know; the finest new writing is here, at your fingertips.
The Summer 2020 issue of Salamander features poetry by Rajiv Mohabir, Emily O’Neill, Rose McLarney, Sebastián Hasani Páramo, and many more; translations by Martha Collins, Nguyen Ba Chung, and Sergey Gerasimov; fiction by Anne Kilfoyle, Matthew Wamser, Olivia Wolfgang-Smith, and Joanna Pearson; creative nonfiction by Kathryn Nuernberger; artwork by Emily Forbes; and reviews by Joseph Holt, Mike Good, Katie Sticca, and Brandel France de Bravo.
Evan D. Williams’ Escape Risk on the cover of The MacGuffin’s Volume 36.2 charts a vivid route out via literature of whatever quarantine situation you may find yourself trapped in. Journey to a new home and a new job in Mark Halpern’s “Would You Like Fries with That?” or head out on a cinematic cross-country trek with grandma in Jordan J.A. Hill’s “Marching Towards Golgotha.” Matthew Olzmann—guest judge of this year’s Poet Hunt contest—is highlighted in a short feature that begins on p. 101, while Erin Schalk’s gouache, ink, and wax form a vibrant mid-volume oasis.
The latest issue of bioStories introduces readers to the survivors of wars and the survivors of accidents, transports them to homeless shelters and hospitals, onto urban campuses and within rural farmhouses, and invites them to live briefly alongside occupants of cramped Brooklyn apartments and Southwest desert trailer parks. Work by Steven Beckwith, J. Malcolm Garcia, Jay Bush, Gary Fincke, and more.
Magazine Review by Katy Haas
Who didn’t have an embarrassing crush growing up? For thirteen-year-old Chava in “I Love You, Dr. Rudnitsky” by Avigayl Sharp, her new crush is her titular dentist.
Chava, deep in the throes of the brutality of puberty, falls in love with her dentist one day. Her newfound crush with its accompanying fantasies serves as a respite from her real life: being Jewish and bullied at her Catholic school, a disconnect with her distant mother, and disgust at her own body—her weight, her body hair, her budding sexuality.
Sharp gives Chava a voice that’s somehow both humorous and tragic, bringing me back to those awkward days of adolescence and the torturous process of puberty. She’s upfront and honest, telling us truths she doesn’t admit to others, while simultaneously wrapping us up in one lie after the other. By the end of the story, it feels like we’re reading her Dr. Rudnitsky fanfiction she’s posting on some secret blog. One can’t help feeling sympathy for Chava, for wanting to sit her down and give her a hug and some advice, and we can thank Sharp for creating such a cringe-worthy yet completely loveable character.
Magazine Review by Katy Haas
There’s a fine selection of short fiction in the Spring/Summer 2020 issue of Concho River Review. Among them is the five-page “Tacos Callejeros” by Kenneth Hinegardner.
In this story, Steven observes a mother and her two children at a restaurant. The children misbehave as he eats and watches their behavior, and he ends up taking a liking to their mother, Melanie. Between these observations are passages about watching a dog fight on a past trip to Tijuana. As we read, it becomes clear Steven is not a caring and concerned individual, but is closer to a dog, its teeth around another dog’s throat.
Hinegardner writes with a slow build to the end, writing with precision and subtlety. The final character in this story, Ruben, acts the reader’s place, recognizing this part of Steven that is slowly revealed across the pages in this chilling, short piece.
The 50th Anniversary Issue of Seneca Review, ON ANXIETY, is guest edited by Joe Wenderoth. Featuring poems and essays by Mary Ruefle, Graham Foust, Jamil Jan Kochai, Kitty Liang, Immanuel Mifsud, Amie Zimmerman, Lake Angela, Judy Bertelsen, Laura Brun, Eric Burger, Mike Carlson, Curtis D’Costa, and more. Cover art and design by Abigail Frederick.
This month’s Plume Featured Selection: “Caliche Sand and Clay: Five Albuquerque Poets” with work by and interviews with Jenn Givhan, Felecia Caton Garcia, Michelle Otero, Rebecca Aronson, and Hilda Raz. In Essays & Comment: “It’s Called the Renaissance, You Know, or The Soul Sibling Report” by David Kirby. Fred Marchant reviews Ledger by Jane Hirschfield.
This issue is dedicated to Dr. Terry Dalrymple, the founding editor of CRR. It includes fiction by Peter Barlow, Michael Fitzgerald, and others; nonfiction by Michael Cohen, Lucie Barron Eggleston, and more; and poetry by Barbara Astor, Roy Bentley, Jonathan Bracker, Matthew Brennan, Holly Day, Alexis Ivy, Ken Meisel, Alita Pirkopf, Maureen Sherbondy, Travis Stephens, Marc Swan, Loretta Diane Walker, Francine Witte, and more. Read more at the Concho River Review website.
This issue of Cleaver Magazine features art by Madeline Rile Smith, a visual narrative by Emily Steinberg, and an essay on the art of Jan Powell by Melanie Carden. Also in this issue: short stories by Reilly Joret, Elaine Crauder, Melissa Brook, and Marion Peters Denard; flash by Susan Tacent, Brenna Womer, Michelle Ephraim, Leonard Kress, and others; and poetry by Roy Bentley, Stella Hayes, and more.
Magazine Review by Katy Haas
I love when a poem has visual components, so I was happy to see a couple pieces by Ryan Mihaly in the Summer 2020 issue of The Massachusetts Review with visual accompaniment.
“[B]” and “[A♯/B♭]” are paired with clarinet fingering charts. In “[B],” the speaker looks back at “a catalogue of embarrassments,” which are broken down and pointed out on the chart as “Wrong name,” “Loss of language,” and “Failed elegance.” “[A♯/B♭]” explores language and communication, finishing, “Music is not a language because it cannot be translated into anything. It can only be described. A♯, then, is the word ‘handiwork’ mispronounced ‘hand-eye-work.’” The chart above shows a corresponding “Hand,” “Eye,” and “Work.”
While both poems would work just fine without the visual aspect, their presence is still welcome and enhances each piece, the text almost working as a footnote to guide the reader through the charts.
Magazine Review by Katy Haas
I may be an atheist, but that didn’t stop me from enjoying Liz Bruno’s poem in the latest issue of The Cape Rock. “Jesus, The Original Disney Princess” compares the religious figure to the familiar cartoon girls of our youth. I found the comparison to be lighthearted and sweet, the connections between Jesus and the girls clear. They’re all “Westernized beauty queen[s],” with “endless magic.” They teach “girls and boys to dream big and look pretty” and are friends with animals, are critics of the bourgeois, and rise above their humble beginnings.
A new and different take on the familiar religious figure, Bruno creates an endearing poem with an eye-catching title.
In this issue, find featured fiction by Alexandra Kulik & Julian Senn-Raemont and Nia Imara; essays by Allison Grimaldi Donahue and Miljenko Jergović; and poetry by Diamond Forde, Chelsea B. Desautels, Ryan Mihaly, and Thomas Tranströmer. Read more at The Massachusetts Review website.
The July issue is now online featuring Ken Autry, William Bonfiglio, David Callin, Kitty Coles, Eileen Walsh Duncan, Maren O. Mitchell, Ronald Moran, and more. Reviews of Claire Walker’s Collision and Oisín Breen’s Flowers All Sorts in Blossom, Figs, Berries and Fruits Forgotten. Also features a tribute to Eavan Boland. .
The July/Aug issue of the Kenyon Review offers fiction chosen by guest editor Angie Cruz. Featured authors include Samia Ahmed, Yalitza Ferreras, Katherinna Mar, Cleyvis Natera, and Namrata Poddar. In her introduction, Cruz writes “When I reread the stories featured in this issue, I find solace in them. They serve as evidence or reminders that as a collective, as members of the global community, everything we are feeling and experiencing now is both temporary and ongoing.” The new issue also includes work by Dan Beachy-Quick, Stephanie Burt, Floyd Collins, Nicola Dixon, Rodney Jones, Stanley Plumly, Grace Schulman, and Arthur Sze.
The spring issue includes our 2019 Editors’ Awards winners Kirk Wilson, Aurielle Marie, and Eleanor Bluestein. With additional work by Billy Collins, Angelo R. Lacuesta and Roy Allen Martinez, Jennifer Popa, Yasmeen Alkishawi, Gabriel Thibodeau, and others.
The summer New England Review issue extends deep into the past, with translations from ancient Greek, historical fiction featuring Alfred Nobel, and an essay/collage about Virginia Woolf and Elizabeth Bowen. It imagines the future with speculative fiction and crosses the Atlantic to bring together fifteen contemporary poets from the UK. Fiction by Hugh Coyle, Rachel Hall, Laura Schmitt, and more; poetry by Emma Bolden, Jehanne Dubrow, David Keplinger, Esther Lin, Joannie Stangeland, and others; and nonfiction by Indran Amirthanayagam, Zoë Dutka, and more.
Featured in our latest issue is the 2020 In-House Contest winning story “Trash Man” by Jessica Holbert alongside another story, “The Taxidermist,” by Seth Tucker. The poetry in this issue explores the emotional and physical connections to different geographies and technologies, from abandoned lighthouses and frost-covered pastures to half-truth news coverage and Harry Potter. Wrapping up the issue are visual arts and comics by Coz Frimpong, Geoffrey Detrani, Yi-hui Huang, Aimee Cozza, and Jason Hart. Read more at the Driftwood Press website.
The nonfiction in this issue asks difficult questions regarding the nature of power, self-concept, and family story; the stories explore the construction of self against one’s own misperceptions; and the poems callus toward our own inferiorities refracted by multi-layered experiences of loss and death. Read more at the Dogwood website.
The latest issue of The Cape Rock features new poetry by Caroline Mann, Mark Christhilt, Rachel Tramonte, Carol Levin, Diana Becket, Olivia Vittitow, Nathan Graziano, Elian JRF Wiseblatt, Mukund Gnanadesikan, Daisy Bassen, Christine Donat, Barry Peters, Michael Estabrook, Holly Day, Dick Bentley, Liz Bruno, Sandra Sylvia Nelson, Phillip Sterling, Tobi Alfier, Martina Reisz Newberry, Donna Emerson, James K. Zimmerman, Chase Dimock, David M. Taylor, Seward Ward, Judith Cody, Sharon Kennedy-Nolle, Arlene Naganawa, and Simon Perchik.
New on their website: flash by Darcy Casey, Laura Bailey, Anthony Keers, Rimma Kranet, Kate Lunn-Pigula, Yongsoo Park, David Bassano, Dona McCormack, Christian McCulloch, and Cyan James. Find out more at the Brilliant Flash Fiction website.
Magazine Review by Katy Haas
In the Summer 2020 issue of The Georgia Review, Bishakh Som finds a creative way to process feelings of longing and isolation in “Shelter in Place.” This graphic poem spans days in May, the images taking readers into a futuristic, sci-fi setting. Calendar dates guide the piece along, moving us from one day to the next as the speaker writes of what and who she misses in this strange state of life. At the end of the piece, we’re met with that now familiar feeling of time becoming unreal and immeasurable as the calendar page reads “May 32.”
While we all process our feelings about sheltering in place, living in a time of a global pandemic, and missing the physical connection with people we were once allotted, I appreciated this different and creative take. The change in setting and the beautiful language make “Shelter in Place” a stand-out among other pieces of writing that are responding to current life in COVID-19.
Magazine Review by Katy Haas
The latest issue of the Missouri Review features the winners of the Jeffrey E. Smith Editors’ Prize. The nonfiction winner, “The Trailer” by Jennifer Anderson is a powerful piece on self-reflection.
In “The Trailer,” a trailer appears on land Anderson owns. For awhile, it stays empty, and then one day a man and woman appear inside. Anderson then works on getting the inhabitants removed, and the trailer towed from the property.
In doing this, though, she ends up looking inside herself and examining her response to the two people that have begun squatting on her property. As a teen, she drank, did drugs, and engaged in risky behavior and she realizes she easily could have ended up just like the woman she evicts from her property. Later, when one of the women she delivers food to on her Meals on Wheels route must move out from her care facility and is essentially homeless, Anderson is filled with compassion and the desire to help, a response that is much different than her response to the woman in the trailer. After the woman leaves the trailer and the trailer is hauled away, Anderson continues to see her around town, each time having to face her past actions and feeling shame.
The piece is introspective and honest, a good reminder to examine our own actions. Anderson’s writing is compelling and hard to look away from, well-deserving of its placement as the nonfiction Editors’ Prize winner.
Sleet Magazine‘s slim Summer Edition has arrived! We promise you will not be disappointed; the pieces have heart and guts. Proud to showcase work by poets B. Baumgart, L. Castle, M. Dillon, J. Palen, O. Umukoro; Fiction by E. Ferrell, P. Sterling, SF Wright, K. Skiles Law; and CNF by A. Schur and W. Thornton.
The “Elemental Force” issue of Missouri Review is out. Inside: The 2019 Jeffrey E. Smith Editors’ Prize winners, and Stephanie Carpenter on Little Women and Louisa May Alcott. Featuring John Balaban, Nathan Greenberg, Daniel Hornsby, Melissa Studdard, Diana Xin, Javier Zamora, and many more.
The latest issue of The Iowa Review is out. In this issue: birthday cake, auctioneering school, the 2018 Hawaii false missile alert, a male masseuse in Kanagawa Prefecture, a love performance, the winner of the 2019 David Hamilton Prize for Iowa Review Alumni, and tributes to Connie Brothers.
The Georgia Review‘s latest issue features new writing from Garrett Hongo, Aimee Nezhukumatathil, Laura van den Berg, A. E. Stallings, and many other exciting voices! Original translations of poetic works by Hisham Bustani and Shuzo Takiguchi. Illustrated features on the theme “Shelter in Place,” by Lindsey Bailey, Kaytea Petro, and Bishakh Som. Cover art and portfolio by Doron Langberg. This issue is not to be missed—read selected online features today!
