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PoArtMo Anthology: 2020 Artists

We could all use a little positivity and Auroras & Blossoms agrees. This is why the literary magazine has established PoArtMo which stands for “Positive Art Month and Positive Art Moves.”

In the month of June, the PoArtMo creators urged writers and artists to “celebrate positive art for 30 days.” A collection of this positivity is to be memorialized in the PoArtMo Anthology. The anthology will feature drawings, paintings, photography, fiction, nonfiction, poetry, and six-word stories by the writers and artists who participated in the challenge. The magazine has announced the featured artists readers can expect to see in the anthology.

Congrats to the selected writers, and thank you for spreading your positive outlook!

Congrats on 10 Years to Jewish Fiction .net

Congratulations to Jewish Fiction .net for ten years of publication!

From their website: “Since our first issue came out on Rosh Hashana 2010, we have published over 430 works of fiction never before published in English, which were originally written in sixteen languages.”

You can see this writing at their website, starting with their newly released tenth anniversary issue. The new issue offers 18 pieces of fiction originally written in Spanish, Yiddish, Hebrew, and English, including “The Old Days” by David Regenspan in honor of Rosh Hashana.

September 2020 eLitPak :: LitNuts: Crazy About Books

LitNuts eLitPak flier
click image to open PDF

Coming September 21, the LitNuts eNewsletter promotes books from independent presses. A special offer is now available for authors! Subscribe to the newsletter (it’s free!) and indicate that you are an author. We’ll send you discount codes for free and discounted advertising that can be used during our launch, now through January 2021.

View full September eLitPak here.

A Studio Transformation

What’s more satisfying than a drastic before and after comparison? The Woven Tale Press blog has a great one to check out as part of theirInside the Studio” series, which “offers a behind-the-scenes peek into the work environments of WTP artists, as well as insight into their creative process within these resonate spaces.”

Artist Joe Hedges spent a month remodeling a neglected shed into a creative space for him to work and teach during the pandemic. The blog post includes before and after pictures, as well as some of Hedges’ process. Looking at the final product, it’s hard to believe the cozy space once started as a cluttered shed.

Take a moment to check it out and gain some inspiration for renovations of your own, or see what other artists have going on inside their own studios.

2020 Grodd Poetry Prize for Young Writers Winners

The sixteenth annual Grodd Poetry Prize for Young Writers winners are featured in the September/October 2020 issue of the Kenyon Review.

Winner
“Cutglass” by Manasi Garg

Runners-up
“(B)lack” by Eric Gottlieb
“Meat” by Annie Cao

Molly McCully Brown introduces the section with some words about the three placing entries, giving readers a preview of what to expect in the next several pages of the issue. Grab a copy to check them out.

 

New Lit on the Block :: Cathartic Youth Literary Magazine

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“Breaking the Silence” has been the long-time effort of The National Alliance on Mental Health, and now a new outlet sharing this mission is Cathartic Youth Literary Magazine, an online publication featuring contributions from youth 12-22 years old, and particularly works covering mental health conditions and the teenage experience.

Founder and Editor-in-Chief Anna Kiesewetter [pictured] shares the publication’s genesis, “The word ‘cathartic’ has always perfectly encapsulated what writing is to me. I realized that some of the most powerful writing I’ve read and created was used for catharsis – to deal with emotions, to make sense of life, to put trauma into words. I’m a firm believer in the power of vulnerability, and I’ve realized that writing has helped me with a lot of my own mental health struggles. Writing has made me more mindful of what goes on within my head and provides me with an outlet that I can’t really get anywhere else; I thus hoped it might provide similar benefits for other young people. Mental health is also a subject that has been almost taboo to discuss in the past, and even now it still carries quite a bit of stigma. Especially during this pandemic, which seems to be exacerbating existing conditions. Youth mental health is such a prevalent and important issue, yet one that isn’t often talked about. I felt like this magazine could serve a threefold purpose: to open up discussion about mental health, to encourage mindfulness and writing for catharsis, and to provide a platform for young writers as a sort of steppingstone to larger publications.”

Continue reading “New Lit on the Block :: Cathartic Youth Literary Magazine”

New Lit on the Block :: The Milking Cat

What happens when you repeatedly tell a teen they can’t do something? Of course, they will find a way to do it, which, in the case of Editor-in-Chief Benji Elkins, resulted in The Milking Cat, an online publication of comedy in all forms, from written works to movies to comics and more.

The name itself has a comedic referent, as Benji explains, “’The Milking Cat’ is a reference to the 2000 film Meet The Parents where Ben Stiller’s character lies about milking a cat on a farm that has no cows.” Benji found the scene especially humorous and decided to name the website as a testament to it. “Also,” he adds, “it rolls off the tongue once you get used to it.”

Behind the name, the mission of The Milking Cat is to provide an outlet for aspiring teen comedians, but the initial motivation stemmed from an experience Editor-in-Chief Benji Elkins faced. “It goes something like this: In ninth grade, there was a stairwell that consistently had pencils stuck in its ceiling. When I returned to school in the tenth grade, the pencils were completely gone! All that remained was the scarred terrain of pencils that once were. As a result, I wrote a comedic piece featuring the pencils’ removal entitled ‘COLLECTIVE STUDENT BODY ART PIECE DESTROYED BY SCHOOL.’ However, when the school newspaper refused to publish it, I asked that they create a humor column. When they refused that, I asked his school’s activities director if I could start a humor paper. When they refused that as well, I decided I would simply have to do it myself.”

Putting together a humor publication editorial staff is a delicate balance between skill sets. Benji Elkins [pictured] says he has always enjoyed both writing and making jokes at the dinner table. “I’ve been involved in other (and much more serious) teen literary magazines through the submission of my own work,” Benji quips, “and therefore like to believe I ‘know the industry.’ But I’ve also been an active member in my school’s literary magazine. Currently, I’m the co-Editor-in-Chief. Otherwise, I’m simply a fan of writing and comedy and a huge fan of trying to put the two together.”

Alongside his efforts is friend and colleague Dan Soslowsky, who, “after coming down from the high of winning his third-grade art contest,  needed something to keep his cartooning skills sharp.” As Dan tells it, “I originally turned down my offer to be the Senior Editor and Head of Illustration and Design for The Milking Cat, but ultimately gave in after receiving a box of chocolates, flowers, and a 2018 Mercedes-AMG® GT C Coupe on my doorstep with a note signed ‘With love, Benji.’” In addition to his role with The Milking Cat, Dan is the Head Editor of the Humor Section in his school’s newspaper as well and is involved in numerous other art-related extracurriculars.

The final editorial staffer is Noah Stern, who “has been an avid fan of comedy since his parents let him watch their DVD box set of the Family Guy Star Wars parody episodes.” Noah is the head of the satire section at his school paper as well.

Additionally, “in case anyone was wondering,” Benji included, “all of the Editors’ favorite apparatus on the Bop-It machine is Twist-It.”

The learning curve for running their own publication was steep, as Noah shares the greatest hurdle they have faced was “bringing The Milking Cat to the level it is at today. Originally, The Milking Cat submissions were open to anyone of any age, but in retrospect, we cast the net too wide. We would rarely get submissions or viewers and as a result, the main people submitting were mostly us three editors. We pushed ourselves to write something every week, and it was increasingly stressful. However, when COVID-19 hit, we decided to kick it up a notch and grow our team – specifically around teens like us. We rebranded as a ‘by teens, for teens’ comedy website and began receiving many staff applications and comedy submissions. As a result, the greatest joy we’ve all experienced probably comes out of our greatest hurdle; the thing we love most about the site is giving teens around the world the opportunity to not only to read comedy, but also to provide them the opportunity to create it themselves as well.”

Readers of the publication, which posts new content every Monday evening, can expect to find content related to sports, politics, riffs on classic literature – “all sorts of readers can find a comedic piece that fits their specific interests,” Noah assures. “We triple-dog-dare you to pick any piece at random, and no matter which you stumble upon, you will find something thoughtful, well-written, and (hopefully) funny.”

In addition to the editors’ contributions, recent content includes:

Julianna Reidell – Hamlex Commercial: A commercial screenplay for the new prescription drug inspired by Shakespeare’s Hamlet
Asher Hancock – I Tried 5 Dark Web Dating Sites and was Pleasantly Surprised: A lonely romantic reviews various shady dating sites such as SatanMate.com and WeHaveCandy.com.
Sascha Nastasi-Feinburg – Pad+ Casting Calls: A mock casting call asking for actors to fill roles in the next big WattPad novel adaptations, including “I Fell in Love with a Cannibal because I Thought He Was a Vampire.”

And a sampling of humor by title alone:

Man Plays Air Guitar With All The Wrong Notes
The Life of an Undercover Dental Student
High School Student Shocked To See Chemistry Teacher Peeing In Middle Urinal

Teenaged contributors who are not a part of The Milking Cat Staff are welcome to submit works. Submissions are collectively reviewed by the Editors on its publication status. If accepted, the work is uploaded verbatim to the site. Pieces written by staff members are reviewed by Staff Curators who make edits and suggestions that the author can accept or reject before publication.

Looking to the future, Benji says, “Our plans for this summer include The Milking Cat Comedy Competition, where teens around the world can submit humorous pieces of any kind for the chance to win special prizes from 4 Ivy League Humor Magazine and the satirical site The Hard Times, such as up to $350, merch from the various humor magazines, workshop sessions, and much more! We also hope to establish ourselves more among teens as a regular place to read comedy from their peers. As for long term plans for the publication, we will keep doing it as long as it keeps bringing us joy (and it is).”

Here’s to a lifetime of joy for The Milking Cat!

The Malahat Review Novella Prize – 2020 Winner

The Malahat Review hosts a Novella Prize biennially. The 2020 winner opens the Summer 2020 issue. Judges Samantha Jade Macpherson and Naben Ruthnum selected “Yentas” by Rebecca Păpucaru.

Of “Yentas,” the judges said: “‘Yentas’ is a nostalgia-free portrait of girlhood lived among the Jewish communities of 1980s Montreal. The novella’s evocation of the cruelties and kindnesses of teenage friendship, territorialism, and enmity is built in prose as funny as it is precise. Rebecca Păpucaru’s treatment of culture, ethnicity, and religion as complex structures informing protagonist Karen’s family and social life achieves impressive depth and nuance. Through Karen’s eyes we are totally immersed in a rich and bubbling teenaged world. Visceral and enchanting, a truly fantastic read!”

At The Malahat Review‘s website, readers can check out an interview with the winning author.

The Adroit Journal – Adroit Prize Winners

There is plenty for readers to check out in Issue 34 of The Adroit Journal, including the results of the Adroit Prizes.

Poetry Winner
“On Their Birthday, Suge Knight & My Daddy Discuss Forgiveness” by Tariq Thompson

Poetry Runner-Up
“Cha” by Stephanie Chang

Prose Winner
“Valley of Saints” by Yasmeen Khan

Prose Runner-Up
“A Dominicana’s Guide to Surviving a PWI” by Coral Bello-Martinez

In addition to these winners, you can also find a selection of high school and college students who placed as finalists.

Sponsor Spotlight :: Reunion: The Dallas Review

Reunion: The Dallas Review website screenshotOriginally titled SojournReunion: The Dallas Review is a literary magazine which has been publishing exceptional short fiction, drama, visual art, poetry, translation work, nonfiction, and interviews for over twenty years. Their mission is to cultivate the arts community in Dallas, Texas and promote the work of talented writers and artists both locally and around the world.

Reunion is published by The School of Arts & Humanities, home of the creative writing program of the University of Texas at Dallas. They publish an annual print volume as well as featuring a new piece of work monthly on their website. You can view past interviews with writers on their website as well.

Stop by their listing on NewPages to learn more.

Sponsor Spotlight :: Grand Little Things Seeks to Promote Formal Poetry

Grand Little Things logoFledgling online literary magazine Grand Little Things is a journal that embraces versification, lyricism, and formal poetry. Founded in 2020, they feature new poems on a rolling basis. They have recently published work by Dawn Corrigan, Chris Bullard, Brian Yapko, Liana Kapelke-Dale, Peggy Landsman, Ken Gosse, Dan Campion, and P.J. Martin.

They like all formal poems from the sestina to the couplet to sonnets to villanelles and seek to feature new, established, and emerging poets. They also publish blank or free verse poems that utilize traditional poetic techniques.

They believe “language is small. It’s just markings that we’ve assigned meaning to. However, that meaning fills the entirety of our universe.”

Swing by their listing on NewPages to learn more and don’t forget they are open to submissions.

Baltimore Review Summer 2020 Contest Winners

Have you visited the latest issue of Baltimore Review yet? In the Summer 2020 issue, readers can find the latest contest winners.

Flash Fiction
“Telephone” by Cara Lynn Albert

Flash Creative Nonfiction
“Kept Miniature in Size” by Ellie Roscher

Prose Poetry
“Absence Archive” by Anita Olivia Koester

Check out the full new issue, or spend some time just taking in the contest winners. Either way is a great way to spend some of your Sunday.

Sponsor Spotlight :: Radar Poetry

Radar Poetry is an online literary magazine devoted to publishing poems from both established and emerging writers. The journal was founded in 2013 by Rachel Marie Patterson and Dara-Lyn Shrager. Each issue features pairings of poetry and visual art, selected by the editors and contributors. They seek to feature visual art that interprets, reimagines, or responds to the poem with which it appears.

Issues are published quarterly and the founders and editors also host workshops and retreats.

Each year, Radar Poetry hosts the Coniston Prize. This award is open to female-identifying poets writing in English. The prize is currently accepting submissions through September 1. This year’s judge is Ada Limón. The winning poet receives $1,500 and publication. $10 reading fee.

Issue 27, published in July, features poetry and art by Lauren Camp, Walker Evans, Jen Jabaily-Blackburn, Dante DiStefano, Honour Mack, Martha McCollough, Jack Delano, and more.

Stop by their listing on NewPages to learn more.

Sponsor Spotlight :: Rockvale Review: Bold & Vulnerable Poetry

Rockvale Review screenshotRockvale Review was founded in 2017 as an online journal devoted to “bold and vulnerable poetry.” They publish work from new, emerging, and established writers and feature image-driven poems that are hard-edged and finely crafted. They do offer optional print editions of their issues which are released in May and November of each year.

They have a unique feature where every poem accepted for publication is paired with a piece of art created by a Featured Artist. A Featured Musician will also craft music to respond to several of the poems in each issue. In doing so, Rockvale Review produces a journal that speaks beyond words, moving into the visual and auditory layers of the human spirit.

Their sixth issue was published in May 2020 and features work by Travis Stephens, Ivo Drury, Kate Deimling, Shannon Wolf, M.G. Hofmann, Wendy Drexler, and more. Stop by their listing at NewPages to learn more.

Eastern Michigan University Alumni wins the Sawtooth Prize

Eastern Michigan University Graduate Program in Creative Writing websiteThe creative writing program at Eastern Michigan University is distinguished as one of the only interdisciplinary programs for creative writing in the country. They provide a rich space for exploring relationships between poetry and poetics, experimental prose, cultural translation, community service, pedagogy and contemporary arts. Their goal is to nourish the development of rigorous and imaginatively engaged writing.

Rosie Stockton, who graduated from their MA program in 2017 is currently pursuing their PhD at the University of California, Los Angeles. Rosie has become the recent winner of the Sawtooth Prize. Their book Permanent Volta will be published soon by Nightboat Books.

Christina-Marie Sears, current blog writer/admin staffer for EMU’s online journal BathHouse sat down with Stockton to discuss their work, current practice, and time at Eastern Michigan University.

One of my daily rituals is- I get up and I journal. It’s not narrative. Journaling for me is a stream-of -consciousness and image-focused practice. I have a really active dream life and I just wake up and write before I even look at my phone, but of course on some days that doesn’t always work.

Check out the full interview here.

Sponsor Spotlight :: The Society of Classical Poets Journal

The Society of Classical Poets Journal Vol. VIII cover

The Society of Classical Poets, a non-profit organization formed in 2012, publishes an annual literary magazine called The Society of Classical Poets Journal. They are dedicated to the continuation of Beauty, Goodness, Truth, and excellent poetry. They believe good, new poetry cherishes and builds on the perennial techniques like meter and rhyme as such poetry carries a message and is infused with the profound insights and character of the poet.

The latest issue of the journal contains more than 300 pages of work by James A. Tweedie, Adam Sedia, Joe Tessitore, Leo Zoutewelle, Theresa Rodriguez, Peter Hartley, C.B. Anderson, Randal A. Burd, Jr., T.M. Moore, Martin Rizley, David Watt, Joseph Charles MacKenzie, Gleb Zavlanov, Michael Curtis, Joseph S. Salemi, Martin Hill Ortiz, Sally Cook, Daniel Galef, Susan Jarvis Bryant, Ron L. Hodges, and many more.

They also post essays and poems online as well has hosting poetry contests and offering a forum for writers to workshop their poems. They are open to submissions year-round. Stop by their listing on NewPages to learn more.

The Florida Review 2019 Editors’ Awards Winners & Finalists

The latest issue of The Florida Review includes the writers who placed in the 2019 Editors’ Awards. There are plenty to sink your teeth into.

Nonfiction
“Skin the Bunny” by Kirk Wilson
“To Trace the Sky” by Cherie Nelson

Poetry
“Father-Son & Holy” by Aurielle Marie
“Bridal Suite” by Joanne Dominique Dwyer
“Culture Shock” & “The Cycle” by Lani Yu

Fiction
“In Loco Parentis” by Eleanor Bluestein
“Americana” by Jennifer Buentello
“All the Guessing Gets Us” by George Looney

Chapbook
“Bedweather” by Angelo R. Lacuesta & Roy Allen Martinez
from “My father is housed inside a whale” by My Tran

There’s even more to check out within this issue, so be sure to grab a copy for yourself.

Sponsor Spotlight :: Tint Journal Focuses on Writing by Non-Native English Speakers

Tint Journal Spring 2020 IssueOnline literary magazine Tint Journal was founded in 2018 during the LARB/USC Publishing Workshop. Their mission is to encourage emerging and established ESL authors to stand behind their non-native backgrounds. The publish fiction, nonfiction, and poetry by non-native English writers biannually.  They also accept interviews and reviews by contributors of any linguistic background.

By choosing English as their means of communication, these writers provide their English reading audience with an immediate take on their values, ideas, and beliefs. They bridge borders and blend cultures without the third party of the translator and offer the purest and deepest understanding of their fiction and nonfiction worlds.

Their Spring 2020 issue features essays, poetry, and fiction by Catherine C. Con, Annick Duignan, Ifeoluwa Ayandele, Eneida P. Alcalde, Sejal Ghia, Rhea Malik, E. Izabelle Cassandra Alexander, Mario Marčinko, Hibah Shabkhez, and Caroline Smadja.

Stop by their listing on NewPages to learn more about them.

Sponsor Spotlight :: Better Than Starbucks, Not Your Ordinary Poetry Magazine

Better Than Starbucks July/August 2020 IssueBetter Than Starbucks is an online literary magazine publishing multiple genres of poetry including free verse, formal poetry, haiku, experimental poetry, poetry for children, African and international poetry, and poetry translations. Every issue features a poetry interview with a featured section of poems. While the main focus of the journal is poetry, they do also publish fiction, flash fiction, micro fiction, and creative nonfiction.

They publish six issues a year and you can find over 30 of their past and recent issues available to read in their online archives. Their current edition features an interview with A. M. Juster by Alfred Nichol. Learn more about them at their listing on NewPages.

2020 Dogwood Literary Award Winners

The Spring 2020 issue of Dogwood features the 2020 Dogwood Literary Award Winners in fiction, nonfiction, and poetry.

Nonfiction
“The Ritual of Smoking” by Rhonda Zimlich

Poetry
“Dear You” by Fay Dillof

Fiction
“Arbor Day” by Rebecca Timson

This year’s contest judges were Daisy Hernández (nonfiction), Ellen Doré Watson (poetry), and Ladee Hubbard (fiction). Visit Dogwood’s website for a celebration of each of the winners with words from the judges and bios for the winning writers.

Sponsor Spotlight :: Auroras & Blossoms Focuses on Positivity, Art, & Inspiration

Auroras & Blossoms 2020 NaPoWriMo Anthology coverAuroras & Blossoms is an electronic literary magazine launched in 2019 by co-founders Cendrine Marrouat and David Ellis. It is dedicated to promoting positive, uplifting, and inspirational poetry, poetry-graphy, short stories, 6-word stories, paintings, drawings, and photography. They feature poetry from adults as well as young writers ages 13-16. As they are a family-friend platform, no swear words, dirty words, politics, or erotica is allowed.

They also publish digital anthologies. Their first is the NaPoWriMo Anthology which contains poetry written throughout National Poetry Writing Month in April 2020 and features work by Donna Allard, Chandni Asnani, Maria L. Berg, Jamie Brian, Jimena Cerda, Jaewon Chang, Ravichandra Chittampalli, Sandra Christensen, Mimi DiFrancesca, Fiona D’Silva, Kate Duff, Judy Dykstra-Brown, Amanda M. Eifert, Stacie Eirich, David Ellis, Michael Erickson, Deveree Extein, Jack M. Freedman, Alicia Grimshaw, Jenny Hayut, Patrick Jennings, Liam Kennedy, Ting Lam, Rose Loving, Cendrine Marrouat, Michele Mekel, Ally Nellmapius, William Reynolds, Madhumita Sarangi, Anna Schoenbach, Julie A. Sellers, Jonathan Shipley, Dorian J. Sinnott, Krupali Trivedi, Angela van Son, Michele Vecchitto, Penny Wilkes, and Gemma Wiseman. Their next anthology will be PoArtMo which stands for Positive Art Month and Positive Art Moves.

Stop by their listing at NewPages to learn more.

Sponsor Spotlight :: Snapdragon: A Journal of Art & Healing

Snapdragon Summer 2020 Issue

Snapdragon: A Journal of Art & Healing is an electronic literary magazine publishing new issues quarterly. The journal was founded in 2015 by Jacinta V. White. They publish provocative poetry, creative nonfiction, and photography with a healing bent from across the globe. Their goal is to extend the conversation on art and healing believing that art is a catalyst for wellbeing.

They are a subscription-based journal offering one-time purchases or annual subscriptions. Each issue focuses on a certain theme. 2020 themes include vibrant · vision, dread · desire, empty · enough, and silence · sound. They accept 100 free submissions a month. Once they hit that, it is $5 to submit.

Snapdragon Journal is a part of The Word Project which offers online workshops, downloadable guides, coaching opportunities and more. Swing by their listing at NewPages to learn more.

Sponsor Spotlight :: Months To Years

Months to Years Summer 2019 IssueFounded in 2017 by Renata and Tim Louwers, Months To Years is an online literary magazine exploring mortality and terminal illness. Both editors experienced the loss of their first spouses due to bladder cancer and early onset Alzheimer’s, inspiring them to co-found this journal. They wanted to create a literary space where those experiencing grief can reflect on their experiences through literature and art. The name of the journal is a phrase often used with terminally ill patients as the doctor’s best estimate of expected life span.

Months To Years publishes nonfiction, poetry, photography, and art that explores grief, death, and dying on a quarterly basis. They are now back after a brief hiatus and accepting submissions on a continuous basis whether you are a terminally ill person, a doctor, someone who suffered a loss, a caregiver, or someone simply contemplating mortality.

Stop by their listing at NewPages to learn more about this journal.

Ira Sukrungruang on Listening

This past week, Sundress Publications and A Novel Idea bookstore sponsored Secluded: A Virtual Writing Conference with three days of online talks, readings, and even happy hours. I was able to attend Ira Sukrungruang’s keynote “Writing as Survival,” in which he spoke about the role of writing during times of chaos, uncertainty, and despair. Both a teacher and a father, his insightful honesty provided a sense of grounding. Ira named authors he encourages his students to read, including Ta-Nehisi Coates, Roxanne Gay, and Claudia Rankin, commenting:

Not to say these books will give you an answer, but to me, these books inform me, it insulates me in a community of people who want to talk instead of who to say something – who is refusing to listen. One of the things that I always preach nowadays to my students is that I’d rather you listen to the world at this point before you even open your mouth. But when you open your mouth, and I encourage them to, I encourage you to write, to speak out, to protest peacefully, to go out there and say what’s on your mind, what’s ailing your heart. But I think you also have to listen to what the world is trying to tell you.

The conference was free and recorded for replay here.

MAYDAY Magazine Open Editorial Positions

After more than ten years of publishing literary fiction, poetry, nonfiction, and works in translation for an international readership, MAYDAY Magazine is relaunching with a new format and expanded editorial vision.

To help shape the online magazine’s new identity, MAYDAY is expanding and diversifying its editorial staff to include new backgrounds, experiences, perspectives, and points of view. Editors at MAYDAY Magazine work remotely and can live anywhere there’s an internet connection.

We invite applications to be submitted by July 31, 2020 for the following editorial positions:

  • Two fiction editors
  • One poetry editor
  • Two nonfiction editors
  • One culture editor
  • One visual art editor

Please visit our complete Call for Applications to learn more.

Sponsor Spotlight: Club Plum Literary Journal

Club Plum logoClub Plum Literary Journal is a new quarterly online literary magazine founded in 2019. They have released three issues to date with a focus on flash fiction, prose poetry, and art from both emerging and established writers. Their aim is to act as a “temporary entrance into a literary world of empathy, art, and sound. A place to take and to give.”

They keep their site clean and free of ads and distracting elements so the reader’s experience is focused on the absorbing tales and imagery unravelling in voices either understated or lyrical, but always powerful. “This is a safe place. Our hearts have been pummeled; our minds have been toyed with. We see clearly now. This is a place for thinkers and doers. A place to turn our pain into wondrous works of art.”

Check out their basic submission information and full publisher’s description at their listing on NewPages.

New Lit on the Block: The Weight Journal

The weight of this sad time we must obey,
Speak what we feel, not what we ought to say.

― William Shakespeare, King Lear

Editor in Chief of The Weight Journal Matthew E. Henry shared, “At the beginning of my state’s COVID-19 Stay at Home order, it was widely circulated on social media that Shakespeare likely composed some of his greatest works in the midst of the Black Death. This was being shared as an encouragement for writers to continue producing work in the midst of the pandemic. The Weight took its name, in part, from the ending of Lear. But it is a general call for teens to take up writing as a tool to lay down the various things ‘weighing’ on their lives.”

The Weight Journal, publishing online poetry, slam poetry, flash fiction, fiction, creative nonfiction, and hybrid works by writers ages 9-12 grade, “endeavors to showcase the best in teen literature, including works that are not deemed school appropriate.” Matthew adds: “whatever that means.”

“We want work that is honest and says something profound about the human experience as can only be captured by this age group,” he explains. “We want to provide a common, public space, for those who have dared to undertake the challenge of objectifying their experience and imagination in writing.”

Matthew E. Henry knows this challenging experience, having been nominated twice for Pushcart and a Best of the Net for his poetry. He has been publishing poetry and fiction since 2003, and his first collection, Teaching While Black was published by Main Street Rag in February. Joining Matthew are six editors, current or former high school English/creative writing teachers, each with at least one MFA or MA. They are all writers themselves with a varied background of interests and publications.

Given this level of expertise and experience, writers who submit to The Weight Journal can expect their writing will undergo a rigorous process. “All submissions receive a first pass from the editor in chief,” Matthew explains, “to see if they are a potential fit for the general vibe of The Weight. After this, submissions are sent to the content editors, who pass their acceptance (sometimes with suggested changes), recommendation for resubmission, or rejection back to the editor. The editor then makes the final decision. Submitters are welcome (and encouraged!) to send in revised pieces or new ones in the future. Sometimes we’ve been able to provide one-on-one support through the revision process. We’re teachers and can’t help ourselves.”

The caliber of reading content available for the public is a standard Matthew defines clearly: “We aren’t publishing writers who are ‘good for their age.’ We’re publishing ‘good writing,’ period. So readers will find honesty and maturity from a diverse set of voices and experiences. Some works may be triggering for readers. Others will fill them with joy. All of them will make readers think, and rethink, and come back for more.”

Recent content published in The Weight includes “a conversation between what is alive, and what only pretends to be” hybrid by Anne Fu; “Broken Sanctuary” poetry by Sarah Street; “The Stages of Falling in Love with Her” poetry by Charlotte Edwards; “The Met” creative nonfiction by Alexandra Carpenter; and “Colors” creative nonfiction by Emma Kilbride.

Creating a new publication comes with joys and frustrations. Matthew focuses on what has worked well for The Weight: “Thus far, the greatest joy has been encouraging some amazing young writers. In some cases, we’ve been able to send the first acceptance letter to someone with a bright career ahead of them. We have already published pieces that I am jealous of and hope this will continue long into the future.”

In terms of the future for The Weight, “I want to see how this naturally evolves,” Henry muses. “The old man in me is thinking about a print publication or at least a ‘best of’ anthology in the future. But who knows? At this stage I am content to help usher these young authors into the literary scene.”

The Weight accepts submissions on a rolling basis, with a goal to publish new work every other Friday depending on the number of submissions. Matthew adds, “In light of our current realities, while submissions are still open for all students and on all topics, we are interested in works that are focused on matters of racial identity, especially from students of color. These works do not have to be centered on our current racial tensions, but they very well can be.”

While at times it absolutely feels like the weight of the world is upon us, how wonderful to have such a supportive and encouraging venue for young writers and readers of all ages to come together and share in the experience.

Mayday Makeover

Mayday Magazine‘s website has a had a makeover! The new set-up has different genres in the header so readers can choose their favorites there, and the homepage displays new, featured work. The newly designed site looks modern and is easy to navigate. Who doesn’t like to experience some change once in awhile? Check it out for yourself and sign up for the magazines newsletter while you’re there for even more updates from Mayday.

2019 Carve Prose & Poetry Contest Winners

Carve annually hosts the Prose & Poetry Contest for submissions in fiction, nonfiction, and poetry. There is one winner in each genre category, each awarded a $1000 prize.

Readers can find the winners of the 2019 contest in the Spring 2020 issue.

Fiction
“A Simple Case” by Nancy Lundmerer

Nonfiction
“From the Book on Pit Firing Pottery” by Sarah Sousa

Poetry
“Cleft” by Jason M. Glover

The judges for this past year’s contest were Lydia Kiesling in fiction, Analicia Sotelo in nonfiction, and Benjamin Busch in poetry. Submissions for this year’s contest will reopen at the beginning of October.

2019 Able Muse Write Prize Winners

Able Muse‘s annual Write Prize awards $500 for the best submitted poem, $500 for the best submitted flash fiction, and publication in the print journal. The Winter 2019 issue of Able Muse features the winners of the 2019 contest.

Poetry Winner
“Waiting for the Angel” by David MacRae Landon

Poetry Finalists
“Dear Sonnet” by Amy Bagan
“Paradox” by Beth Paulson
“Postcard, Vermont” by Miriam O’Neal

Fiction Winner
“To the Bottleneck Fiction” by Erin Russell

Stay tuned for the winners of the 2020 contest, which closed this past March.

Inaugural Nina Riggs Poetry Award Winner

author head shotRhett Iseman Trull, Editor of Cave Wall poetry magazine has announced the first winner for The Nina Riggs Poetry Award.

“We were thrilled with the many nominations that came in from individuals, presses, and journals,” Rhett commented. “The 10 finalists that went to the guest judge were powerful poems, all worthy of the award, poems everyone should read.”

Guest Judge Maria Hummel chose Rachel Eliza Griffiths’ poem “Good Mother,” which first appeared in Tin House, as this year’s inaugural winner. Griffiths’ poem can be read here.

The Nina Riggs Poetry Award is a crowd-funded award, with the winner receiving at least $500. “Thanks to the generous donations of so many supporters,” Rhett shared, “we were able to award Rachel Eliza $1,000.”

Honorable Mention went to Melissa Crowe for “Dear Terror, Dear Splendor.”

Finalists

Traci Brimhall, “Oh, Wonder”
Tiana Clark, “A Louder Thing”
Carrie Fountain, “Will You?”
Keetje Kuipers, “Still Life with Small Objects of Perfect Choking Size”
Megan Peak, “What I Don’t Tell My Mother about Ohio”
Thomas Reiter, “Companions”
Anna Ross, “One Time”
Molly Spencer, “A Wooing, Outright, of My Beloved Ones”

Rhett added, “We hope many people will nominate poems for the next round. Any poems received before Nov. 1 will be considered for the 2021 award. We are looking for the finest poems on family, relationships, or domestic life published in the last three years. No self-nominations.”

For more information, visit: http://www.cavewallpress.com/ninaaward.html

2020 Jeff Marks Memorial Poetry Prize Winner and Finalists

The latest issue of december includes the 2020 Jeff Marks Memorial Poetry Prize winner and finalists.

First Place
“River” by Kimani Rose

Honorable Mention
“The Mirrored Room” by Carolyn Foster Segal

Finalists
“The Chosen” by Partridge Boswell
“An Invitation to an Eclipse Party” by
“Going to Church” by Gibson Fay-LeBlanc
“Ars Poetica With Clickbait” by Rebecca Foust
“Pink Peonies” by Valentina Gnup
“On Midwest Marriage” by Gina Keplinger
“My Daughter Makes Pan Dulces” by Abby E. Murray
“Origin of a Disaster” by Purnama
“House Bill #118” by Molly Bess Rector
“Rupture” by Raisa Tolchinsky

You can view a selection of these at the magazine’s website, or grab yourself a copy to check out all the placing poems.

2020 Lamar York Prize Winners

Pick up the Spring 2020 issue of The Chattahoochee Review for the winners of the Lamar York Prizes.

Fiction
“With Mercy to the Stars” by Lisa Nikolidakis

Nonfiction
“Catharsis, Diagnosis” by Rachel Toliver

The nonfiction winner was selected by judge Alice Bolin, who says the essay, “begins as straightforward memoir and blooms into something stranger and more wonderful: a treatise on the obsessive-compulsive act of storytelling, analysis of classic graphic novel, a meditation on how comics tell stories, and on how our lives, with their nonsensical, sometimes brutal vignettes resemble comics.”

Fiction judge Anthony Varallo writes that he was “drawn in from the first page, happy to be in the company of a young narrator who is just starting to glimpse the limitations of the adulthood that awaits her, as confining as the cage that houses her father’s prized bear.”

Be sure to check out these pieces for yourself in The Chattahoochee Review.

Best American Essays 2020 Sponsor Spotlights

Best American Essays 2020Congratulations to two of NewPages sponsored magazines for having selections included in the Best American Essays 2020 due out on November 3, 2020. This year’s anthology was curated by guest editor André Aciman and series editor Robert Atwan.

“My Pink Lake and Other Digressions” by Alison Townsend was originally published in an issue of Cimarron Review. Jerald Walker’s “Breathe” was featured in New England Review 40.3.

Sync Audio YA for Summer

Once again, Sync Audiobooks is offering a free summer audiobook program for teens (13+) – and perhaps some adults too! SYNC 2020 is utilizing Sora, a student reading app available for free download from OverDrive. Each week Sync shares two YA titles that can be downloaded with no expiration. After the week, the titles are no longer available to download, but previous titles with descriptions remain available on the site.

It’s already Week 5 of the program, but there are seven more weeks remaining. Previous titles include Monday’s Not Coming by Tiffany D. Jackson, The 57 Bus by Dashka Slater, Secret Soldiers by Paul B. Janeczko, Picture Us in the Light by Kelly Loy Gilbert, Faust by Johann Wolfgang von Goethe (stupendously performed!), Stalking Jack the Ripper by Kerri Maniscalco, Sisters Matsumoto by Philip Kan Gotanda, and Disappeared by Francisco X. Stork.

All you have to do to access the titles is register your email address. I’ve done so for the past two years and never receive any related junk mail or other solicitations, so this is an great program for teens and adults alike!

Resources for Young Writers

Among the many wonderful resources NewPages offers to readers and writers is our Young Writers Guide to Publications, which features publications by and for young readers, and our Young Writers Guide to Contests, which includes carefully vetted legitimate contests. These are open-access ad-free guides that I personally curate out of my commitment to supporting young readers and writers as well as parents and teachers.

Despite the pandemic which surrounds us, great efforts are still going on to create opportunities and provide motivation and encouragement for young writers. I recently heard from Sophia Hanson, who is one of three founders of the National Youth Foundation. This Pennsylvania-based non-profit seeks to improve literacy and educate youth on topics related to social justice. Each year, they run two book competitions: Student Book Scholars – which involves players from the NFL, NBA, and MLB; and Amazing Women’s Edition – a national writing contest focused on gender equality. Past competition winners have been honored at the Smithsonian Museum as well as having their images included in a statue honoring the late Marian Spencer, who was the subject of the winning book.

I am so heartened to know that this kind of outreach to young writers persists through these difficult times. When I asked Sophia how this has impacted their work, she responded, “The global pandemic has more parents at home than ever. We have also seen a major increase in emails from parents about our contests and programs. We even had NBA and NFL players contact us to host a Bounce Back art contest to help kids process the pandemic. On the flip side of that, we had two writing workshop series planned in Philadelphia with two amazing women, and those are on hold.”

Still, like so many efforts, the National Youth Foundation will find ways to continue to engage young writers. Now more than ever, online resources like ours are here to help. If you have young people in your life or know of others who do, please tell them about NewPages Guides for young readers and writers!

David Chorlton Interviewed in The Bitter Oleander

The Spring 2020 Issue of The Bitter Oleander includes a special feature. Editor Paul B. Roth interviews poet David Chorlton. Readers can also find a selection from Chorlton’s Speech Scroll. Below, check out an excerpt from the interview and visit The Bitter Oleander website to get a taste of Speech Scroll.

PBR: In your Speech Scroll, a sampling of which follows this interview, you’ve put the urban and the desert world together so expertly over some 158 poems. Did this particular project start off with that in mind or was it just your current ongoing consciousness of where you were in that environment and who you are that brought it forth?

DC: . . . While there are the times I sit down to commit words to paper, the actual writing of poetry is never turned off. Without placing a title or thinking of a poem’s shape, I had an ongoing path to follow and that helped me shift a little in the way I see images come together. Thinking about the political happenings of our tumultuous time might become too consuming, and for some people it is. Others seem to remain oblivious to anything that goes on in that realm. Writing poetry, being the most natural form of communication for me, has been a good place in which to scatter comments and observations that, I hope, provoke more thought than argument. Life encompasses a wide range of pleasures and frustrations, comfort for the fortunate and responsibility toward those who are not, and so with the help of various bird and animal species, plus a view of the sunrise from our front door when I’m up early to see it I take, as I mentioned earlier, what is given, and transform it the best way I can.

August Poetry Postcard Festival

Considering all the cancelled or postponed or modified conferences and workshops, it’s comforting to know the August Poetry Postcard Festival is up and running this year just as it has been for the past twelve years!

The concept is simple: You sign up and your name is added to a group along with 31 others. Once the group is “full,” you each get the list with names and addresses of participants in your group. The week before August, you start writing and sending you postcards (so that the first one arrives around the first of August). You write one postcard per day and send it to the person listed after your name in the group. The next day, you write another poem and send it to the next person – and so on until you go through the list. One for each day.

The idea is spontaneous writing without editing, censoring, or revision. You can use the postcard as your prompt or not. Some people choose a theme to write on for the month. The postcards vary from store bought to homemade, contemporary to vintage. It’s really wide open to your creativity, imagination, and passion. Then, throughout the month of August, you will receive poems in the mail from the others in your group.

This year – the one change in the event has been year-round registration – so you can register now. Some participants have already started sending cards instead of waiting until August – in response to the pandemic – since we could all use a bit more poetry and a bit more connection in our daily lives. A few ambitious writers have already completed their 31 cards and have signed up for another group! The organizers welcome repeat participation.

This is a safe and fun way to connect, motivate your writing, and enjoy the wonderful gifts that others will send your way. Sign up today!

 

Sponsor Spotlight: Mom Egg Review

Mom Egg Review - Spring 2020

Mom Egg Review is an annual print journal focused on motherhood. Their issues featured varied voices at all career phases.

This year’s issue is on the theme of “Home,” an apt focus for all of us currently staying at home and practicing social distancing. It’s a nice reminder that we’re not alone. Like many other journals at the moment, the editors have put together a virtual reading for readers. “Voices from HOME” links to contributors inviting everyone into their homes as they explore the theme.

Sponsor Spotlight: RHINO

RHINO publishes some of the best and most innovative poetry, short shorts, and translations in their annual issues. For their 2020 issue, the editors have organized an ongoing virtual reading event for the month of May. You still have some time to join in the fun, and you can learn more about these virtual readings here.

To learn more about the annual journal, visit their sponsored listing at NewPages.

Modern Espionage in Ancient Rome

Guest Post by Bill Cushing

Pulitzer Prize winner John Hersey is probably best known for his books dealing with China, where his father served as a missionary, but in The Conspiracy, he takes readers back to the first century AD and Nero’s imperial and mainly insanity-tinged reign.

Like the works of Robert Graves or Leon Uris, Hersey uses a historical backdrop to present a political thriller of the first order. Employing two main characters—Tigellinus, co-consul of the Praetorian guard, and Paenus, tribune of the Roman secret police, along with a series of memos, assorted notes, intercepted letters, and interrogation transcripts—the two members of Nero’s intelligence community try chasing leads concerning a potential assassination attempt against their emperor.

The primary suspects involved in this plan?

The philosopher Seneca and a cadre of poets, artists that Nero had earlier supported and entertained, are surveilled, bringing up images from the Oscar-winning film The Lives of Others.

However, as the layers of the plot open, it begins to reveal Nero’s descent into madness.

Soon, the reader begins to wonder if this is an actual investigation or a means to create a paper trail pointing to others in order to establish scapegoats while the members of Nero’s own security people become the real perpetrators.

One interesting aspect of this book is that it was released in 1972, when news and revelations of the Watergate incident dominated worldwide media and occupied American minds. Hersey’s story produced numerous parallels between the subterfuge and hidden messages of the novel with the events of those days. If readers want to make those connections or draw any parallels with current events is their choice, of course, but the fact that it’s possible only verifies what a relevant story Hersey concocted in any age when he conceived and delivered The Conspiracy.


The Conspiracy by John Hersey. 1972.

Reviewer bio: Bill Cushing writes and facilitates a writing group for 9 Bridges. His poetry collection, A Former Life, was released last year by Finishing Line Press.

AGNI Offers Something Special

AGNI is currently offering something really special for readers: the Virtual Launch of AGNI 91.

Here, the editors present videos from their contributors from all over the world and invite readers (or viewers!) to join the audience. All the pieces from the new Spring 2020 issue are available online, most of which have an accompanying video of the writer reading their work.

This is great not only for people who might not be able to spare extra cash to get their own copy (though if you can, please do consider it), but it’s also great for those of us who are having a hard time sitting down and concentrating on reading while we’re social distancing, and those who currently miss attending readings in person.

You can also learn more about the editors who have put this fantastic project together at the AGNI website.

I for one can’t wait to hit “play” and start hearing quality reading in my own home.

Sponsor Spotlight: Cutthroat

Have you visited Cutthroat lately? They publish an online edition and an annual print anthology with high-quality poetry and prose with an edge.

They offer three awards every years: the Joy Harjo Poetry Award, the Rick DeMarinis Short Story Award, and the Barry Lopez Nonfiction Award which open for submissions in August.

Readers can look forward to Issue 25 which will drop sometime this month. You can learn more about Cutthroat and their past contributors at their listing on our website.

2020 Cherry Tree Young Writers’ Conference Moves Online

This year the Cherry Tree Young Writers’ Conference will be held online. With this change, the conference will still involve the same great faculty, craft discussions, readings, and literary camaraderie that the face-to-face conference promised.

The dates stay the same: July 15-18 with a similar schedule, and the price to participate has been discounted. Scholarships are still available.

Learn more about this year’s conference at The Rose O’Neill Literary House page on the Washington College website.

Only Nature Reveals Our True Colors

Guest Post by Helen Zapata

“. . . all natural objects make a kindred impression, when the mind is open to their influence.”Nature, Ralph Waldo Emerson.

This is a powerful essay filled with complicated sentences that I had to read over and over again to make sense (and make some justice) to the real meaning behind Emerson’s Nature.

Emerson was in love with nature and for him, we need to truly look at it, observe it, respect it, and acknowledge that nature and humans are the same. Although at times this seemed a little too philosophical for me, I still felt related to this beautifully portrayed subject.

Through every stage that divides this book, Emerson describes nature as the only mirror in which humans should trust, the same one that represents our behavior, personal relationships, and the way we communicate with each other.

There is a chapter regarding language and its links to nature that reminds me of an Intro to Linguistics class, but with a little less theory and a lot more of spirituality. “Language” sums this essay perfectly and makes you really think about the way the earth gives us everything we need to exist, even in the early stages of our lives.

I guess by the time he wrote this essay, grammatical structure and syntax were different than they are now and that definitely adds another layer of complexity. But I also think that the way he built the relationship between men and nature couldn’t be phrased in any other manner.


Nature by Ralph Waldo Emerson. Penguin Books, September 1995.

Reviewer bio: I’m Helen Zapata, a freelance copywriter and editor specialized in independent digital publications.

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Mayur Kalbag’s Mythical Voyage

Adventures of Poorna by Mayur KalbagGuest Post by Durdana Parveen

Adventures of Poorna, the debut work of Mayur Kalbag, is a mythical voyage of the protagonist Rudra who wakes up in a strange land and meets a monk there. Upon his guidance, he sets out on a long quest, gains a lot of mystical skills, discovers his past life, meets his guru and friends, and finally finds the purpose of his rebirth.

The plots and characters were so beautifully described that they could get struck in the reader’s mind forever. The concept of shivering was distinctly redefined in many instances. I personally liked the way author personified leaves and thorns in the story: “leaf would bite if not asked permission to pluck it” and “the thorns oozed ink when touched the leaf.” The colored water and the vapors that monk offers Rudra to quench his thirst and satiate his hunger were fascinating.

In addition to the detailed description of the plots and characters the author also mentions many rituals: havan pooja, third eye opening, appearance of Lord Shiva, and many other spiritual and mystical events.

The title is apt to the story and the author’s intentions and scope of the book are well-depicted. Although the story is little lengthy, I like the book as a whole and I’d recommend it for all the readers.


Adventures of Poorna by Mayur Kalbag. Penman Books, March 2020.

Reviewer bio: I’m Durdana Parveen Mohammad from India. I am currently pursuing my MBBS and writes poems, quotes, and reviews as a hobby at my own instagram page: @ifathwrites.

Sponsor Spotlight: Fiction Southeast

Fiction Southeast is all about flash fiction. The online journal shares new fiction on a rolling basis, easily accessible on electronic devices.

A feature I’m especially fond of recently is their Flash Audio Series. I’ve had no attention span for reading while sheltering in place, but these audio versions of flash fiction do the work for you and are great to play in the background while making dinner, relaxing in the tub, gardening out in the yard—a welcome voice to accompany whatever you’re up to.