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At the NewPages Blog readers and writers can catch up with their favorite literary and alternative magazines, independent and university presses, creative writing programs, and writing and literary events. Find new books, new issue announcements, contest winners, and so much more!

Safety Pin Review Poetry Contest

A unique concept to start, Safety Pin Review pushes the boundaries further with its first ever contest. To begin, understand that SPR is a biweekly that ‘publishes’ works of 30 words or less by hand painting them on a cloth patch and having them worn by a poetry operative (a collective network of authors, punks, thieves, and anarchists) everywhere they go for one week.

For their contest, they will accept poems of up to 75 characters. SPR writes: “The winning piece will be painted onto a patch, which will then be distributed to 4-5 operatives around the country/world, who will wear it simultaneously for a week. The patch will be designed in a form very different from all of our past issues. I can assure you: it won’t be anything like we’ve done before. In addition, the work will be published digitally as an issue of the Safety Pin Review, with accompanying action photos and commentary by the operatives. Finally, later on down the line, it will be made into a t-shirt, which will be given free to the winning author and be available to all for purchase.”

For more information, see the SPR website, and if you’re concerned about the submission fee, rest assured, “There is no entry fee, because that’s not punk at all.”

Sunday Poem

American Life in Poetry: Column 454
BY TED KOOSER, U.S. POET LAUREATE

I once wrote a not-so-very-good poem called “Picking Up After the Dead,” about the putting-in-order we feel compelled to do when a family member has passed on. In this poem Sherod Santos, who lives in Chicago, writes what I wished I could have written.

Out of the World There Passed a Soul

The day of my mother’s funeral I spend clearing out
her overgrown flower beds, down on my knees
in the leaf rot, nut shells, tiny grains of sandlot sand
spilling from the runoff gullies. The hot work was to see
not feel what had to be done, not to go on asking,
not to wonder anymore. Full from scraps I’d found
at the back of the refrigerator, her mongrel dog
lay curled on a stone and watched me work.
It was Sunday. The telephone rang, then stopped,
then rang again. By the end of the day, I’d done
what I could. I swept the walk, put away the tools,
switched on the indoor safety lamps, and then
(it hardly matters what I think I felt) I closed
the gate on a house where no one lived anymore.

American Life in Poetry is made possible by The Poetry Foundation (www.poetryfoundation.org), publisher of Poetry magazine. It is also supported by the Department of English at the University of Nebraska-Lincoln. Poem copyright ©2012 by Sherod Santos, whose most recent book of poems is The Intricated Soul: New and Selected Poems, W. W. Norton & Co., 2010. Poem reprinted from The Kenyon Review, Vol. XXXIV, no. 4, by permission of Sherod Santos and the publisher. Introduction copyright © 2013 by The Poetry Foundation. The introduction’s author, Ted Kooser, served as United States Poet Laureate Consultant in Poetry to the Library of Congress from 2004-2006. We do not accept unsolicited manuscripts.

Lit Mag Covers :: Picks of the Week

This cover of Gulf Coast is part of a collection by Mary Reid Kelley called The Syphilis of Sisyphus. Jenni Sorkin writes in the introduction to the pieces, “Shot by collaborator Patrick Kelley in high-definition video in a stark palette of black and white, there is a mournful quality to the hand-drawn stage sets and highly stylized actors. Reid Kelley herself takes on the role of Sisyphus, yet all the characters are only recognizable as archetypes, hidden by bulging golf balls for eyes.”

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A storm-trooper clone doing ballet. I’m sorry, but what is there not to love about this? The cover art for The Literary Review is titled “Corps de Clone” by Rebecca Ashley. “The work in this exhibit brings my worlds of dance, parenting, and photography into one sphere where, like a dancer on stage, belief is often suspended and being in the moment is all,” she writes.

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The latest cover of Graze, a literary magazine centered around food,  features different items of food hanging out in a library. An ice cream sandwich lays in the middle of the floor reading a book. And on the back, there is also a melting popsicle, a book-reading piece of pizza, and other assorted foods. The art is by Kyle Fewell.

Call for Book and Lit Mag Reviewers

NewPages is looking to take on a few more reviewers for our book reviews and literary magazine reviews pages. If interested, please follow this link to review the guidelines.

Those interested in reviewing books should contact Book Review Editor Holly Zemsta at hollyzemsta[at]newpageswork[dot]com.

Those interested in reviewing literary magazines should contact Literary Magazine Review Editor Kirsten McIlvenna at kirstenmcilvenna[at]newpageswork[dot]com.

Book Covers :: Picks of the Week :: December 5, 2013

This week’s selections include poetry, Mexican fiction, and the memoir of a lost Holocaust childhood.

Out of Their Minds, fiction by Luis Humberto Crosthwaite, Cinco Puntos Press

“Hey, what’s up, come a little closer, I have something to tell you,” God said to Cornelio. The deal was simple: God would be the silent partner in the norteño band that Cornelio had started with his best friend Ramon. Cornelio would sing and play the bajo sexto, Ramon the accordion, and God would write the songs. Cornelio agreed; he would sell his soul to God.

Success and disaster followed. The band went from playing bars in Tijuana to playing the biggest stadiums in Mexico. Women started fan clubs and motorcycle gangs dedicated to their heroes, Ramon and Cornelio. It seemed to Cornelio and Ramon that they had everything, but fame was a cruel mistress.

“Of course, what good is a novel about music without music?” Cinco Puntos notes. They have created a Spotify playlist of music from the novel; the playlist can be accessed at the book’s page on the Cinco Puntos site. Turn up the volume while you read.

Looking for Strangers: The True Story of My Hidden Wartime Childhood, nonfiction by Dori Katz, University of Chicago Press

Dori Katz is a Jewish Holocaust survivor who thought that her lost memories of her childhood years in Belgium were irrecoverable. But after a chance viewing of a documentary about hidden children in German-occupied Belgium, she realized that she might, in fact, be able to unearth those years. Looking for Strangers is the deeply honest record of her attempt to do so, a detective story that unfolds through one of the most horrifying periods in history in an attempt to understand one’s place within it. A story at once about self-discovery, the transformation of memory, a fraught mother-daughter relationship, and the oppression of millions, Looking for Strangers is a book of both historical insight and imaginative grasp. In it, the past becomes alive, immediate, and of the most urgent importance.

Obedience, poetry by Chris Vitiello, Ahsahta Press

Obedience features dual-sided printing: begin with either cover (pictured above) and flip the book over and continue reading after you finish one side…or at any point, actually, as Ahsahta notes that the book can be read “forwards, backwards, and laterally.” From its dedication (“for the word ‘THIS’”) to its cascading sentences that demand “Explain yourself to this dot • ” or observe “The first word was a command,” Chris Vitiello’s unique book creates a reading experience of poetry that borders on the compulsive. “The title of this book should be the entirety of the text of this book over again,” the author suggests before urging the reader: “Go on.”

(And for those who are curious after seeing the book’s covers–the ISBN and bar code are on the spine.)

There are no poem titles or page numbers; this can be found about seven pages in, starting with the pink cover:

A tree performs a function: to itself grow
Tear out this page and cut a paper snowflake from it
Don’t read the rest of this book; cut the remaining pages into snowflakes
A photograph of a tree is
That someone created the concept of closure is disappointing

[flip the book over and read the following next to that passage]

That someone created the concept of closure is embarrassing
This line says that it is a photograph of a tree
Mulch this page and germinate a tree with it
Don’t read the rest of this book; mulch the remaining pages
The living really only replicate themselves

Check out more great reads in our latest batch of book reviews, posted last Monday.

Ahadada Books Relocated

Ahadada Books website is no longer available, but publisher/editor/writer Jesse Glass assures us that “e-books, web-texts, and editions of Ekleksographia are safe and sound at Archive-it.org thanks to the great folks at the University of Maryland Digital Collections. Please access our content accordingly: Ahadada Books@ Archive-it.org You may call up all our e-books, including The Witness, and all copies of Eklekso using the search function on the Ahadada page. Please continue to order Ahadada Books via SPD. Amazon and Barnes & Noble also continue to offer our books.”

Roland Prevost :: Why and How of Poetry

On Writing #15, a regular column on the Ottawa Poetry Newsletter, features Roland Prevost who looks at the Why and How of his poetry writing. In response to “How do I write poetry?” he begins: “I’ve always had this Picture-Mind, or Pixmind as I call it, as far back as I can remember. It provides me with an ability to call up free-flowing pictures, like snippets of movies, if I just get out of the way. I often say it’s like there’s a constant stream of images out there on the horizon. That I can choose to watch or not.” Read the rest here.

Glimmer Train September Fiction Open Winners :: 2013

Glimmer Train has just chosen the winning stories for their September Fiction Open competition. This competition is held twice a year. Stories generally range from 2000-6000 words, though up to 20,000 is fine. The next Fiction Open will take place in June. Glimmer Train’s monthly submission calendar may be viewed here.

First place: Mark Hitz, of Austin, TX, wins $2500 for “Shadehill.” His story will be published in Issue 92 of Glimmer Train Stories. This will be his first published writing. [Pictured. Photo credit: Ryan Reasor.]

Second place: Elizabeth Kadetsky, of New York, NY, wins $1000 for “What We Saw.” Her story will also be published in an upcoming issue of Glimmer Train Stories.

Third place: Brenda Peynado, of Tallahassee, FL, wins $600 for “We Work in Miraculous Cages.”

A PDF of the Top 25 winners can be found here.

Next Deadline: Short Story Award for New Writers: November 30
This competition is held quarterly and is open to all writers whose fiction has not appeared in a print publication with a circulation over 5000. No theme restrictions. Most submissions to this category run 1500-5000 words, but can go up to 12,000. First place prize is $1500. Second/third: $500/$300. Click here for complete guidelines.

Writing Wanted: For/From Typhoon Haiyan

From the Editors of Broadsided Press: “Typhoon Haiyan has been in the news. We have read and watched and want to offer what we can, in poetry and art, in response. When such world events grip us, we put forth a ‘Resposnes’ feature from Broadsided Press. At Broadsided Press, we believe art and literature are as necessary as the news to understanding the world. They demonstrate the vitality of our interconnectedness. Three Broadsided artists, Maura Cunninghamm, Ira Joel Haber, and Cheryl Gross have shared images for you to respond to in words. DEADLINE for writing is December 15, 2013. We will select the final collaborations and publish them in late December. Visit www.broadsidedpress.org to get the full guidelines and images.”

New Lit on the Block :: Parallel Ink

Parallel Ink is a new publication with the mission to “publish insightful writing, by students for students around the world.” It is a place where young writers, aged 12 to 18, can receive feedback on their work, get the opportunity to meet other talented artists and authors, and experience the publishing world. Printed online twice a year, Parallel Ink features poetry, narratives, essays, experimental writing, fanfiction (if in good taste), paintings, drawings, digital art, “and anything else you can take a picture of and put online.”

“We’re both math and language geeks,” writes Managing Editor Jamie Uy. “Parallel Ink abbreviated happens to be PI (Pi, or π)! [It] has a nice ring to it, and the name plays on the idea that different stories, like parallel lines, can co-exist and grow in similar ways. Writing is universal.”

Editors Jiyoon Jeong (Senior Editor, Art & Korean Translation) and Puinoon Na Nakorn (Senior Editor, Technology & Thai Translation) join Uy to publish issues that Uy describes as being “roughly 20 pages of columns about issues teens face today, thought-provoking and humorous essays, historical/realistic/fantasy poems (some rhyming, some free verse), Korean & Thai translations, and stories about the past/future/present, with illustrations here and there.”

The first issue features poetry by B.L.P (pseudonym), Gene Vichitanan, LuLu Labbe, Chloe Duval, and Elaine Park; narratives by Vincent Tantra, Helen Chang, and Elaine Park; and essays by Swish Dish (pseudonym), Emma Breber, Elle Schenk, and Darin Sumetanon.

Submissions are accepted year-round through an online form. They will continue to consider pieces fro the July 2014 issue until June 10. All artwork can be sent to [email protected]

Uy also wishes to mention that they welcome guest editors, columnists, translators, and artists. If interested, contact them at the above email address. Uy says, “All of our senior editors live in different countries and we love working with people around the world.”

2013 Gulf Coast Prizes

The newest issue of Gulf Coast features the top winners for the 2013 contests in fiction, nonfiction, and poetry. In addition to publication, they received $1,500. Honorable mentions received $250. Here is the complete list of winners:

2013 GULF COAST PRIZE IN FICTION
Judged by Maggie Shipstead

WINNER:
Alexander Lumans, “Power and Light”

HONORABLE MENTION:
Syed Ali Haider, “I’ll Take It Neat”
Ravsten Cottle, “The Young Mormon’s Guide to Not Having Sex in the 1980s”

2013 GULF COAST PRIZE IN NONFICTION
Judged by Darin Strauss

WINNER:
JR Fenn, “Where We Went and What We Did There”

HONORABLE MENTION:
Daisy Pitkin, “Scattering Theory”
Alessandra Nolan, “Guilt Letters”

2013 GULF COAST PRIZE IN POETRY
Judged by Stanley Plumly

WINNER:
M.K. Foster, “Fugue for the Sky Burial of Your Father”

HONORABLE MENTION:
Scott Challener, “Maine”
Melissa Barrett, “If I Were the Moon, I Know Where I Would Fall Down”

Russell Atkins

As an undergraduate, I majored in history and archaeology. I suppose part of the attraction to these degrees was an enthusiasm for the undiscovered and all things old. In Russell Atkins: On the Life & Work of an American Master, part of Pleiades Press’s Unsung Masters Series, I was introduced to a new poet and was reminded of that thrill of finding something undiscovered and underappreciated—an artifact or an idea that time had passed by. In this amazing assemblage of poetry and essays, Editors Kevin Prufer and Michael Dumanis work to acquaint readers with an American poet whose life and work are largely unrecognized. Continue reading “Russell Atkins”

There’s a Box in the Garage You Can Beat with a Stick

Michael Teig’s second poetry collection, There’s a Box in the Garage You Can Beat with a Stick, is a romping book, full of syntactic (and synaptic) leaps. Organized in three parts, two of which begin with meditations on the possibilities of boxes, these poems hint at a diverse poetic lineage, possibly including James Tate, the New York School poets, and Sombrero Fallout-era Richard Brautigan. Teig finds occasion for poetry in chickens and waltzes and monkeys and hats, and the speaker addresses readers in a casual, friendly mode. The diction of the poems ranges from officious to fanciful, sometimes in the same intake of breath, which is at times both confusing and exhilarating. Continue reading “There’s a Box in the Garage You Can Beat with a Stick”

Cunt Norton

The first piece of writing I ever read by Dodie Bellamy was an essay in an issue of City Lights Review concerning her on-again, off-again fucked-up hotel room romance with the poet John Wieners. Sex, drugs, and his rather poetically peripatetic mental state were the main highlights. After some reflection, after hearing Bellamy read and speak in public and becoming more familiar with her work, I came to the realization that this essay was in fact more or less a fictional story, a literary homage. Continue reading “Cunt Norton”

Hollywood and Hitler

In a period in which propaganda has largely reduced the artistic and entertainment validity of the screen in many other countries, it is pleasant to report that American motion pictures continue to be free from any but the highest possible entertainment purpose . . . Propaganda disguised as entertainment has no place on the American screen. Continue reading “Hollywood and Hitler”

The Pastor’s Wife Considers Pinball

In Nola Garrett’s second collection, The Pastor’s Wife Considers Pinball, the speaker considers many things in addition to the classic game she imagines in the ten-part title poem. That long poem, organized into ten “games,” covers a lot of ground on its own: from the clear evocation of place early on in “Game 1” when Garrett writes “Here in the Rust Belt // our schools are all rules, our sons play air / guitar, // wait for the army recruiter”; to personal stories of grandfathers, friends, and neighbors; to contemplations of tragedy (“When an airplane crashes, / no one blames the sky” in “Game 2”) and God (described in “Game 5” as a “deist clockmaker”). Pinball, throughout the long poem, serves as both subject of the poem and metaphor for life: Continue reading “The Pastor’s Wife Considers Pinball”

Birth Marks

A poet of the working-class and city streets, Jim Daniels’s fourteenth poetry collection travels from Detroit to Ohio to Pittsburgh, from one post-industrial city to another, across jobs and generations. Daniels focuses on the urban landscape and its effects on its inhabitants as they struggle to establish community on streets hissing with distrust and random violence. Continue reading “Birth Marks”

The Story of a New Name

The Story of a New Name by Elena Ferrante is the second volume of a trilogy. It is a novel of a complex friendship between two women, Lenú and Lila, that goes forward with intellectual intimacy, competition, loyalty, anger, and excruciating love. In the first book of this series, My Brilliant Friend, Lenú, in her sixties, learns that Lila has disappeared. She recreates their girlhood sharing fairytale dreams to escape a post-war Neapolitan neighborhood bleeding from fatalism and old betrayals. Lila, risk-taker and quick study, and Lenú the striver carry on friendly competition in school. Lenú is allowed to continue her education while Lila is compelled to work with her shoemaker father. Lenú begins rigorous secondary studies. Lila pulls herself into middle-class comfort at sixteen by marrying an ambitious grocer. The second book picks up at this point. Continue reading “The Story of a New Name”

Cloud vs. Cloud

Language let loose: in Cloud vs. Cloud, Ethan Paquin gives us the poet as a fleeting point. His universe is one of words—not a social universe, not the natural world. We are in the quickness of thought, of seeing at the level of language. The author is talking to himself, bending language to a penetrating look at the surface, a surface that bounces him back. All is surface, including his own experience: “What is known, nothing . . . nothing can be articulated.” Continue reading “Cloud vs. Cloud”

The Cranberry Island Series

The Maximus Poems of Charles Olson continue to inspire, by way of example, many off-shoot projects by poets who came after. Olson’s intimately grand gesture was scooping the local, immediate concerns of Gloucester, Massachusetts onto the historical and mythic world stage, while devoutly insisting the context remain personal. This gave both the permission and encouragement for numerous similar endeavors by poets seeking to weave broad, historical scope into autobiographical material. The most successful of these projects are ones similar to Donald Wellman’s Cranberry Island Series, where the poet steers clear of overly emulating Olson’s work (in terms of the “projective” form it takes across the page) and person. Wellman creates a work shaped according to its own needs assuming a form wholly its own. Continue reading “The Cranberry Island Series”

Soul in Space

Soul in Space by Noelle Kocot challenges its readers. Within the first few poems, I recognized Kocot wasn’t going to provide footholds to guide me through her words of whimsy, which hint and glimpse at an uncharted world. I fought for meaning and felt lost in space; I surrendered to the experience, and suddenly Kocot’s vividity sang from the pages. Continue reading “Soul in Space”

Giving Thanks: “Call for Submission” by Daniel Bosch

For your holiday reading pleasure, a poem that was gifted to NewPages by writer Daniel Bosch. He shared it with us as a thank you for the work we do here, and I was so impressed and intrigued by it, I asked his permission to publish it here. He agreed and also responded to my request to provide some background on his writing and this piece in particular; his commentary follows the poem. For the kindness and generosity of the many readers and writers who appreciate our work, NewPages gives our thanks!

Call for Submission
by Daniel Bosch

This issue embraces the world of beasts
Through new fiction, poetry, and creative
Nonfiction about the nonhuman creatures
With whom we share the world. The works we publish
Fit various overlapping styles, including
Absurdist, uncanny, fabulist, cross-genre,
Experimental, bizarro, modern fairy tale,
Post-colonial, post-gender, and activist
Writing, new weird, surreal, fantastic, etc.
We want your formally inventive fiction.
Stretch the limits of words and thoughts. We look for
Savvy, sharp, well-polished literature
That captures life in a post-natural world.
The combined terms magic realism +
Slipstream illustrate the range of our stories
Along a spectrum between modern reality
And the imagined. Contact us with interview
Suggestions and other creative goodness.
Send us your spiny, your sharp, your relentless;
We want work coursing with energy and
Able to thrive in the harshest of places,
All while maintaining a vulnerable,
Succulent interior. We are looking for
Elegantly written fiction and poetry
Where the heart of the story lies within
Words shared in conversations between lovers,
Friends, strangers or even enemies.
The guidelines provide submission word lengths
And how to submit by email, but not
How to rotate your head 360 degrees
Or carrot recipes (not yet anyway).
Avoid overt or preachy messages.
Make us swoon. Look, we’ve got eclectic tastes here.
Don’t be afraid to submit works that defy
Form or genre. Show us what it means to exist
In an ecosystem, a biosphere.
The theme of the issue you can interpret
In any way. Review our guidelines where
You can also find details on our anagram
Contest. Submissions may be about artists,
Art genres, the idea of art, the making
Of art, being an artist, creativity,
Inspiration, etc. We cannot
Pay you, but if it makes you feel better,
We’re not getting paid, either. Inspire us.
Our only real requirement: Make our
Souls ache. Give us hope. And we want it now.

“Call for Submission” is a cento. The term comes from the Latin cento, “a cloak made of patches.” The Latin is derived from the Greek κέντρων. In the Greek literary world, centos were mainly composed by verses taken from Homer. In contemporary practice, these patched together poems follow the classical model in that they are usually assembled from poems the cento-maker believes are good, and that his audience might recognize.

“Call for Submission,” is made of language I culled from NewPages’ Calls For Submission section on May 8, 2013. I am very grateful for the good service NewPages provides to writers who seek to publish their work; the site makes a difficult task much easier. Yet my writing is so animated by a desire to play—and the work it takes to get poems published is painful “work” by comparison—that I know that when I composed “Call for Submission,” I was to let my impulse to play overtake a much weaker impulse to perform

I take seriously the work I produce when I play. In my cento, I mix “high” forms with “low” content to emphasize irony that inheres in the language of Calls For Submission; for an artist, there is some irony even in any response to the command, “submit.” I made very few alterations to the patches I’ve used, because I wanted my cento to be an accurate record of how writers speak to themselves in a professional organ such as NewPages. This mirror accuracy, I hope, supports how “Call for Submission” functions as satire: too much of the language of Calls For Submission is trite, puffed up, and (I think unintentionally) silly. And part of the point of the poem is its own over-stuffed too-muchness.

Yet I have tried very hard to make audible and legible in “Call for Submission” how that very same language may be pure-hearted in its aspiration to excellence and its enthusiasm for the art and craft of writing. Ancient Greek cento-makers knew that their audience would recall bits of Homer they had culled; I hope that the NewPages writer/reader of my poem will recognize the simultaneity of its twin strands of language—the ridiculous and the sincere. It is to such simultaneity we submit whenever we do the work it takes to send writing to a magazine or press. It is to such simultaneity we submit whenever we take play with language seriously.

Daniel Bosch’s poems, essays, translations, and book reviews appear in many magazines and journals that use NewPages’ Calls For Submission.

Nimrod Literary Awards 2013

Nimrod‘s latest issue features the winners from their Literary Awards for 2013, under the issue theme “Hunger & Thirst.” Winners were selected from among 560 poetry manuscripts and 406 short stories.

The Pablo Neruda Prize in Poetry

FIRST PRIZE: Sarah Crossland, “Safranschou” and other poems

SECOND PRIZE: Lynn Shoemaker, “In My Native Home” and other poems

HONORABLE MENTIONS:

Don Judson, “Chemo” and other poems
Daniel Lusk, “Weights and Measures” and other poems
Julie Taylor, “Hungry Lake” and other poems

The Katherine Anne Porter Prize in Fiction

FIRST PRIZE: Kristina Gorcheva-Newberry, “Boys on the Moskva River”

SECOND PRIZE: Jacob Appel, “Paracosmos”

HONORABLE MENTIONS:

Roberta Haas George, “A Small Fortune”
John Haggerty, “The Last Detail”
Alison Moore, “Safe House”

See a list of finalists and semi-finalists here.

Poetry Kanto Goes Digital

Poetry Kanto‘s 2013 issue has just been released, but it won’t look like what you’re used to. They have just gone exclusively online from a print publication. All of the contents from the print editions from 2005-2012 also appear on the website for your reading pleasure.

Book Covers :: Picks of the Week :: November 21, 2013

After a brief hiatus, we’re back with more interesting book covers:

Bite Down Little Whisper, poetry by Don Domanski, Brick Books

 

 From “Ars Magica”:

Quietude is called returning to life Lao Tze says
even on a Tuesday afternoon in Nova Scotia
even with the hood ornaments of chocolate irises
gleaming outward from their arterial darkness
with the unborn standing high up in the trees
                                  like cemetery angels
one finger pointing to heaven    the other to earth

Because I Am the Shore I Want to Be the Sea, poetry by Renee Ashley, Subito Press

 
 

from the book’s title poem:

But you too know this: the wanting to be what you cannot—except by extension—and the bearing of those secrets so immeasurable not even an ocean can conceal them And in the ocean’s failure the mountain shows its hard side its watershed steep with its varied waves of not-sea its gravities and declivities its runnels its hummings and echoes vaulting against the inner ear a passel of unruly birds against a pearled tympan . . .

The Everyday Parade/Alone With Turntable, Old Records, poetry chapbook by Justin Hamm, Crisis Chronicles Press

After reading Justin Hamm’s The Everyday Parade, flip the chapbook over and take in its B side, Alone With Turntable, Old Records. (The image above shows the front and back covers.)

From “The Everyday Parade”:

She helps him swap out
the fuel pump
for one from the junkyard
delivered by goateed uncle
on motorbike,
and all afternoon they sit uptown,
a pair of grease-covered gearheads
in the white sunshine,
watching the long slow procession
of the Everyday Parade.

 
 

We’ll be back with more book covers after Thanksgiving…happy holidays!

NOON Returns Online

Editor Philip Rowland welcomes writers and readers back “to the online continuation of NOON: journal of the short poem. Published in hand-sewn, limited editions between 2004 and 2009, the journal aimed to put some of the most interesting English-language haiku in conversation with other innovative short poetry. Each issue was designed to be read as a sequence of poems, with one per page and the authors’ names given only in an index.” Returning from its hiatus, Rowland writes, “The new series will appear online, two or three times a year, with the journal’s style of presentation being retained as far as possible. A selection of poems from the online issues will be published in printed book form every other year.” Submission are currently being accepted, and we here at NewPages certainly look forward to the return of NOON!

Editorial Changes at The Southern Review

A note in the latest issue of The Southern Review says that Cara Blue Adams announced her leave from the magazine this summer to pursue writing and teaching. “We wish her well in those and all other regards,” the editors write. They also note that she had selected the prose for issues through summer 2014 and should be recognized as having done such. “For this Louisiana-style lagniappe from a Vermont native, then, and for many other things, we thank her even as we bid her farewell.”

Making a Short Story Collection

In her essay, “It Is All Ours to Make,” Laura van den Berg writes about the short story collection. She begins: “In my early days of writing stories, I somehow came to operate under the following assumption: whenever you amassed 200 pages worth of fiction, your work would undergo a miraculous transformation into a book.” And when she is disappointed by the results, she notes, “A big part of my problem was that I was attempting to write a collection without having read very many collections.”

Now, having successfully published two short story collections (and read many, many more), van den Berg comments, “One of the greatest joys of story collections is the way each one can operate entirely on its own terms. . . The stories are micro-worlds but are contained by an overarching fictional universe, the parts inseparable from the whole.”

Read her full essay and others in the most recent issue of Glimmer Train Bulletin (#82), a free publication of craft essays from authors published in Glimmer Train Stories.

Cartography with a Twist

The Antioch Review‘s latest issue boasts a special theme, “Cartography with a Twist.” In an editor’s note, Robert S. Fogarty writes, “Our authors have shown great industry also and even greater imagination in depicting their varied worlds, as they perceive them through others and in travel to places as diverse as India, Dublin, Ireland, Richmond, Virginia, the interior of a therapist’s office (Boston), a college town (Iowa City), or the White House (that is D.C.). involving a planned liaison that ran afoul of a national crisis. There are some great tales here, some memorable characters, and a deep appreciation for the varieties of human experience that are to be found just around the corner or continents away.”

The issue includes work by Ken Bode, Thomas J. Cottle, Bruce Fleming, Patricia Foster, Molly Haskell, James Marcus, Maureen McCoy, Peter Blickle, Kirk Nesset, Keven Ducey, Brandon Krieg, Joseph Harrison, and many more.

The Richard Brautigan Collection from Poet Joanne Kyger

Offered by Granary Books, The Richard Brautigan Collection features “an extraordinary archive of original artwork, inscribed books, rare ephemera and magazines, photographs, typescripts and more” from long-time friend and writer Joanne Kyger. Available on the website is an introduction, selected highlights from the collection with brief notes, and a collection listing. This alone is worth the visit for Brautigan fans. Those interested in the collection can contact Granary Books for more information and a price.

Fellowship for Jewish Scholars and Writers

The Posen Foundation is pleased to announce the Posen Society of Fellows’ second year; an international cohort of emerging scholars whose work deals with Jewish subject matter. Each of the six winning fellows will receive $40,000 over two years, and the opportunity to attend an annual gathering led by prestigious scholars and writers.

The Posen Foundation is now soliciting applications for the 2014-2016 class of Fellows. They welcome applications from doctoral students writing their dissertations on subjects related to modern Jewish history and culture. All applicants should have completed their exams before April 1, 2014 and have an approved dissertation or have already begun writing it and have a remainder of two years.

Deadline: January 15, 2014

Far Horizons Award for Short Fiction

The most recent issue of The Malahat Review includes the winner of the Far Horizons Award for Short Fiction, Kerry-Lee Powell for “Palace of the Brine.” The award “celebrates the achievement of emerging writers who have yet to publish their fiction in book form.” It was chosen by Alissa York from among 295 submissions. Congrats to Powell. You can read an interview with Powell about her winning piece on Malahat‘s website.

Lit Mag Covers :: Picks of the Week

This isn’t so much about the cover as it is about the whole design of the book. Being modeled by our two copies above (on my cluttered desk), Garbanzo‘s design includes a dust jacket (you’ll find it’s been stamped on the inside), fold out pages, a ribbon bookmark, and a unique binding. This particular issue goes along with the Halloween feel of fall with die-cut bats (one of which fell out and quickly attached itself to the backside of the cat that likes to roll around on the floor). I appreciate that while it is simple, it makes a unique experience for the reader and has an almost handmade feel (especially since each issue is numbered on the inside jacket).

Cover art for this issue of Boulevard is an acrylic on canvas by Rafal Olbinski called “Permission from Silence,” 2009. This one is a definite favorite of our managing editor: “I just still love that cover,” she keeps saying.

Job: Assistant Professor Transnational Literatures

Assistant Professor of English in Transnational Literatures, Literary Theory and Culture

The Department of Humanities at Michigan Technological University invites applications for an Assistant Professor of English.

Requirements: Ph.D. or equivalent in English by time of appointment; record of teaching excellence; evidence of research and/or scholarly potential. Candidate should have expertise in pre-1800 or Early Modern British literature. Candidates should also be prepared to teach early modern drama, early modern poetry and prose, literary theory and survey on British literature and major authors. Methodological interests may include literary history, cultural studies, materialist approaches (corporeal, economic and technological), and comparative literature. Special interests in global or transnational cultures and approaches to English literature are especially welcome.

The department’s graduate and undergraduate programs afford faculty unique opportunities to teach and engage in research that both shapes and benefits from a rich multi-disciplinary environment. The department offers doctoral and master degrees in the interdisciplinary Rhetoric and Technical Communication program and undergraduate major degrees in English, including English with a concentration in Secondary Education; Liberal Arts; Communication, Culture, and Media; and Scientific and Technical Communication. The usual tenure-track teaching load is 2 courses (6 hrs.) per semester.

Please see our website: http://www.mtu.edu/humanities

Please send a letter of application, curriculum vitae, and three confidential letters of recommendation to:

Dr. Kette Thomas
Chair, English Search Committee
Department of Humanities
Michigan Technological University
1400 Townsend Drive Houghton, MI 49931-1295

Finalists will be asked to send statements of research and teaching interests (single page each), evidence of teaching effectiveness, and a 20-page writing sample. Appointment begins August 2014. Review of applications begins on November 15, 2013, and will continue until the position is filled.

Michigan Technological University is an Equal Opportunity Educational Institution/Equal Opportunity Employer.

Michigan Tech is an internationally renowned doctoral research university, with a diverse community of 7,000 undergraduate and graduate students and cross-disciplinary faculty. Located on Lake Superior in Houghton, MI, its community offers year-round recreational and cultural opportunities.

Michigan Tech is an ADVANCE institution, one of a limited number of universities in receipt of NSF funds in support of our commitment to increase diversity and the participation and advancement of women in STEM.

Michigan Tech acknowledges the importance of supporting dual career partners in attracting and retaining a quality workforce. Michigan Tech is committed to offering career exploration advice and assistance whenever feasible and appropriate at the University and in the local community. See www.dual.mtu.edu for additional information.

Kallie Falandays Poetry

Thumbing through the recent issue of burntdistrict, I came across a collection of four “she said, “he said,” poems by Kallie Falandays. I liked them so much I just had to share a snippet:

She said,
                Conversations from Dovetail

When I woke up it smelled like rain. I held you
like a doorway, in between my beating claws.
I want to hold you like a window, I said.
Like a chair. I want to see your openings. See my metal
beams, my metal rods, see my growling claws?

Sixfold – Fall 2013

Reviewing Sixfold is an entirely different game due to the way submissions are selected. Instead of being voted on by a judge or editors of the magazine, submissions are voted on by other writers that submit, working their way up the ranks until the top 3 are selected for prizes and others are selected for inclusion into the issue. Continue reading “Sixfold – Fall 2013”

Fogged Clarity – September/October 2013

Executive Editor Ben Evans writes that he hopes readers will find, in Fogged Clarity, “something resonant here, something stirring and poignant . . .” The sole fiction piece, Benjamin Roesch’s “If You’re Listening to This,” resonates with me. It is a heartfelt look into Luke’s lifelong struggle to remember his father and feel his father’s love for him. Now married to Jasper, Luke donates his sperm to his ex-wife, who is also gay and wants to have a baby in France with her wife. What seemed at first a brainless act, becoming a biological father turns out to be a bigger deal for Luke than he would have guessed. Eager to tell his new daughter that he loves her and will always be there in the way his own father couldn’t, Luke runs into conflict when her mothers tell him that they don’t plan to tell their daughter who the donor is. It’s definitely a standout piece, right from the very beginning, which is definitely an attention getter: “Luke found himself in a small room with no windows. There was porn of all persuasions. There were tissues and baby wipes. There was Jergens almond scented lotion.” Continue reading “Fogged Clarity – September/October 2013”

Green Mountains Review – 2013

This edition of Green Mountains Review draws us to its content as soon as we see the cover. The artwork is a compelling collage done by the featured and multi-talented artist, Lou Beach. As with Beach’s work, this issue is a collage of multiple works by or about the same authors, but what you notice is the collective quality of them all, that as a whole provides more than just surface entertainment. Continue reading “Green Mountains Review – 2013”

Indiana Review – Summer 2013

Indiana Review is not a nicey-nicey publication. A fair amount of the content, while high quality, exhibits an “edgy” quality, as in it won’t-put-one-to-sleep, or make one sigh. It won’t give warm-fuzzies, or make one feel like cuddling up in a big chair with hot chocolate. What it will do is remind one of the hazards of existence and the unsettling realities of life in a vivid and entertaining manner. Continue reading “Indiana Review – Summer 2013”

The MacGuffin – Spring/Summer 2013

The MacGuffin, published by Schoolcraft College, is a treasure-trove of fiction, nonfiction, and poetry, especially short fiction. The style is fairly traditional, which makes it easy to read and digest, but never dull. There is so much good prose that it is worth reading for that alone. It does not separate fiction from nonfiction, and I find it difficult to identify for certain mostly which is which—once on the page, what is the difference between fiction and nonfiction? Is there such a thing as nonfiction when it is words on a page? Which is stranger, or harder to believe, or comes across as more meaningful, or contrived? Continue reading “The MacGuffin – Spring/Summer 2013”

Main Street Rag – Summer 2013

The Main Street Rag is published quarterly out of Charlotte, North Carolina. This issue opens with an interview with photographer Bryce Lankard, whose photos grace the cover and are included within the pages of text. The interview is a contemplative discussion of art and its purposes from Lankard’s point of view. His photos after Hurricane Katrina serve two purposes, “one to address the public debate and a second to address the loss.” He goes on to say that he “wanted to show New Orleans as flawed yet beautiful” and “remind people of the city’s cultural uniqueness and how rich it had been in providing the fabric of America—so the rest of the country would not abandon New Orleans.” His NOLA photographs accomplish these objectives. His 9/11 photographs reveal where the photographer was when the planes hit the towers and show life moving at an accustomed pace even in those moments. Lynda C. Ward’s interview illustrates Lankard’s passion and approach to the world. Continue reading “Main Street Rag – Summer 2013”

The Masters Review – October 2013

It could be said that The Masters Review presents the same value proposition as do The Best New American Voices, The New Yorker’s “20 under 40” fiction showcase, and Poets & Writers listings of leading new poets. That value proposition is the culling of new talent from diverse sources, a way of framing a structure of gifted writers today under the strong light microscope of editorial review. Continue reading “The Masters Review – October 2013”

Neon Magazine – 2013

Neon hails from the UK where Editor Krishan Coupland accepts works from around the globe. Neon favors literary and slipstream short-form writing: “We err towards the dark, and like to experiment with language and form” with “a particular taste for the apocalyptic.” Dark and apocalyptic has never been my style, so it makes me wonder how I found such comfort in much of what I read here. Continue reading “Neon Magazine – 2013”