NewPages Blog

We enter our 75^th year true to our mission, with three newer voices in fiction – Olufunke Grace Bankole, Ryan Clary, and Stephanie Powell Watts, who have no books yet but surely will – and one voice established and admired – a poet, essayist, and storyteller – Paul Zimmer…The same variety occurs among the poets and essayists – each generation of literary writer offering hope that we need not stay in the realm of ideology or ideas, but can move to something deeper, more human, more fun. Continue reading “New Letters – 2008/2009”

This all fiction issue of SMR is jam-packed with quality prose. From traditional storytelling to more experimental fiction, this issue covers the gamut. I was also pleased to see among the contributors a first time publication for a writer. Continue reading “Santa Monica Review – Fall 2008”

Tyranny. Power. Virulence. Virile. Vigorous. Vivid. I finally found my way from the authority to mastery. The New York Tyrant is, if nothing, both powerful (read strong language, strong images, strong opinions) and masterful (read self-assured, forceful, and determined). It’s also virile in a more conventional sense (predominately male contributors) and in a literary sense (muscular, aggressive). Continue reading “New York Tyrant – Number 2”

Could there be a better moment for a re-examination of the very notion of “America?” With a translation from the French of noted French art historian, essayist, and poet Yves Bonnefoy’s story, “America” (translated by Hoyt Rogers), essays on white poverty in the south (Wayne Flight), and on modernism and democratic pluralism, with a focus on John Dewey (Allen Dunn), and fiction that considers American family life (Brigitte McCray), I am tempted to say that the editors of this issue of Southern Humanities Review (SHR) predicted, months ago, our need to explore what is at the essence of American identity during the current time of turmoil and transition. Continue reading “Southern Humanities Review – Fall 2008”

My favorite part of North Dakota Quarterly is the “sea changes” – poetic little narratives about books that changed the reader’s (now the writer’s) life (way of thinking). This issue is swimming in fine poems, stories, and essays, nonetheless, I am most taken with these musings about “books that matter” and appreciate the chance to engage with something that is part personal essay, part “lit crit” of a sort, part book review, and part something new, a kind of “moment in time” memoir, for as the editors explain in their note, “the impact of a book depends not only on how it is read but when” (emphasis theirs). Fred Arroyo discusses V.S. Naipul. Robert Lacy explores his relationship with Joyce. Richard C. Kane considers Bruce Chatwin. Engaging, too, in the same way is Patrick Madden’s “Divers Weights and Divers Measures,” an essay of observations and musings about encounters with people in Montevideo, bookended by a consideration of the work of the prolific, insightful, and influential Uruguayan writer Eduardo Galeano. Continue reading “North Dakota Quarterly – Winter 2008”

In these painfully unsettled times, or perhaps I should say even more painfully unsettled than usual, I am grateful for the few things I can rely on. Out my west Bronx window, the sun still rises in the east, as far as I can tell. My boss will say “TGIF” with childish glee every Friday afternoon as if he had just invented the expression. The first sip of hot coffee in the morning will cheer me in a way that is unreasonably optimistic. And Prairie Schooner will satisfy and even comfort me with its steadfastness. Continue reading “Prairie Schooner – Winter 2008”

The form par excellence for online journals, flash fiction is quickly establishing itself as a form to be reckoned with. Quick Fiction has become the premier venue for flash fiction as well as one of the few outlets that devotes itself entirely to fiction under 500 words. Since the stories are so short, it’s hard to put down – unlike longer journals where one needs to come up for air every once in a while. Continue reading “QuickFiction – Fall 2008”

Editor Sven Birkerts begins this issue of AGNI with “The Inadvertent Eye,” an interesting essay about Robert Frank, an essential American photographer. Those who carefully consider decades-old photographs will see much more than a simple collection of long-dead people in a long-gone landscape. To prove that Frank is a “master of moody vacancy more than of the crowded frame,” Birkerts does a strikingly close reading of a powerful photograph. Continue reading “AGNI – Number 68”

Poems, stories, and non-fiction in Alimentum tend to fall into one of two categories: work in which food (or food-related “stuff”) is the main character and work in which food metaphors and images are used to flavor other topics. Both approaches are used successfully in this issue of the journal. Continue reading “Alimentum – Winter 2009”

This issue of Basalt, an Eastern Oregon University issued poetry and short prose journal, contains the work of seventeen writers and one visual artist: Timothy C. Ely, whose book The Observatory demands close scrutiny and makes the viewer look at the heavens differently. Many of the poems should also be studied, especially the ones mentioned herein. Continue reading “Basalt – 2008”

At the risk of sounding a bit dramatic, I have to say I was enthralled by the beauty contained within Ascent, the seasonal literary journal out of Concordia College. Filled with highly-memorable essays, poems and short stories, this issue found a place inside my tote bag for over a week as I found myself rereading it several times. Continue reading “Ascent – Spring 2008”

When you first hold the poetry journal Bateau in your hands, it reminds you of a well-crafted chapbook with some abstract art of a flat bottomed boat (the journal’s namesake), or if you are not in the know, like some strange design project from a school of design student with a wash of blue coming out in the form of the boat’s canopy. The poems here tell a human narrative that is instantly recognizable no matter the form or the foreign or alien way in which a topic is often tackled. Continue reading “Bateau – 2008”

The Washington Post once accused this journal of “carrying literary elitism to new, and annoying, heights,” and TGR proudly uses this quote in their advertising. Under the expert guidance of editor Peter Stitt, they have been consistently presenting high level fiction, nonfiction, poetry, criticism, and art for many years. I have always been particularly attracted to the poetry, which ranges from the lyrical and evocative to the audacious. Continue reading “The Gettysburg Review – Winter 2008”

Cave Wall is a poetry journal inundated with the idea that all of us are traveling between borders as well as the metamorphosis such trips often engender. It is the transformative that exists in the perils and joys of every day existence that line the often narrative structures of each poem. The dark woodcuts by Dennis Winston add to this evocative rendering of the every day, whether it is in his piece “Winter Haze” or the melancholy and subdued image of the boy in “Innocence.” Continue reading “Cave Wall – Summer/Fall 2008”

GLOSSOLALIA is devoted to the rare breed in the literary world known as flash fiction, pieces that are most often 500 words or less. With its abstract tic-tac-toe cover and its theme for this issue, “Tongues on Fire,” one gets the sense that the miniscule fraction of experiences that these narratives expose us to, as well as the time that passes us each day, are meant to be digested as rapidly as life seems to happen. Continue reading “GLOSSOLALIA – Fall 2008”

I had never before read an issue of Freshwater, a journal produced yearly by the Asnuntuck Community College in Enfield, CT. In her “Editor’s Note,” Edwina Trentham is full of thanks, particularly to student editors who seem to be responsible for much of the journal’s production (as opposed to some lit mags who only allow students to be involved in the very early stages of selection, or just production grunt work). This note also revealed the dedication of the Freshwater team; many men and women clearly spent a great deal of time on this issue and I find this exceedingly refreshing. What’s better than a group of editors that care deeply about the selection and production process? Continue reading “Freshwater – 2008”

By accident, or by design, I’m not sure which, this issue of George Washington University’s student-led magazine is ripe with food imagery. The award-winning student fiction (called “Senior Contest”) sets the tone with Jessica Deputato’s “Flour and Water,” a story about food, family, and flesh (tattoos) – the undiluted bonds between them. A poem by Andrew Payton, “The Kraft Macaroni and Cheese Blues,” continues the food theme, albeit tongue in cheek, or should I say fork in powdered yellow cheese substitute. Amy Katzel’s poem, “I am Peeling You,” moves the reader from the endless possibilities in the title (eggs? apples? potatoes?) to a more graphic, no less food-oriented exploration (“off my eggshell wall”) and lament (“We did this to each other, / my voice, yours, / Minutes and years, mornings // all the slices of burnt toast, gallons of milk, / books started and finished”). Janelle Holden remembers a different kind of breakfast, one that evokes the flavors of a trip to “San Ignacio, Belize”: Continue reading “The G.W. Review – Spring 2008”

In a note from the editor, Elizabeth Quinn says that her “inspiration for High Desert Journal was to create a platform for artists and authors living in and inspired by a place that is often times overlooked for its cultural resources.” This journal accomplishes her intent: it shows that art takes place and that artists live outside major metropolises. Continue reading “High Desert Journal – Fall 2008”