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At the NewPages Blog readers and writers can catch up with their favorite literary and alternative magazines, independent and university presses, creative writing programs, and writing and literary events. Find new books, new issue announcements, contest winners, and so much more!

Book Review :: Stealing by Margaret Verble

Review by Kevin Brown

The title of Verble’s latest novel has multiple meanings throughout the work, ranging from the stealing up on somebody when they’re unaware to the theft of land that occurred when colonizers landed on North America to the life that the main character feels has been stolen from her.

Kit, a twelve-year-old Native American girl living in the middle part of the 20th century, tells the story of her life, ranging from when she was six, when her mother died of tuberculosis, to her current situation in a boarding school. That span covers a number of ways Indigenous people have continued to suffer from the colonization of their land. Her mother’s death reveals the poor healthcare; her Uncle Joe is an alcoholic, which ultimately leads to his death; his father, even though he served honorably in World War II (several people in town refer to him as a “war hero”), finds himself in a difficult legal situation due to Kit’s relationship with a new neighbor, Bella; the court puts Kit in a boarding school rather than with her family, trusting the state over her true relations.

Readers who are aware of what Native American children suffered at those schools won’t be surprised by what happens to Kit and her peers there. What they might be surprised by, though, is Kit’s resilience. As her relatives consistently remind her, they survived the Trail of Tears, so they can survive anything. Though the dominant white society tries to steal everything Kit values, she holds her true self in her heart, where nobody and nothing is able to take it away from her.


Stealing by Margaret Verble. Mariner Books, 2023.

Reviewer bio: Kevin Brown has published three books of poetry: Liturgical Calendar: Poems (Wipf and Stock); A Lexicon of Lost Words (winner of the Violet Reed Haas Prize for Poetry, Snake Nation Press); and Exit Lines (Plain View Press). He also has a memoir, Another Way: Finding Faith, Then Finding It Again, and a book of scholarship, They Love to Tell the Stories: Five Contemporary Novelists Take on the Gospels. Twitter @kevinbrownwrite

Magazine Stand :: The Missouri Review – Summer 2024

The Missouri Review Summer 2024 is themed, “In the Altogether” and features debut fiction by Sara Beth Greene and Ina Lipkowitz, as well as new fiction from Mark Barlex and Hana Choi, new poems from Chaun Ballard, Amorak Huey, and Tina Schumann, and new essays from Jennifer Anderson, Nancy Jainchill, and Allen M. Price. Also included is an art feature on contemporary dada and an interview with classics scholar and acclaimed translator of The Odyssey and The Iliad, Emily Wilson. Cover art by Thomas Lerooy, Disclosure (2019).

Discover loads more great lit mags with our Guide to Literary Magazines, Big List of Literary Magazines, and Big List of Alternative Magazines. If you are a publication looking to be listed in our monthly roundup or featured on our blog and social media, please contact us.

Book Review :: à genoux by Morgan Christie

Review by Jami Macarty

In the chapbook à genoux, the “soft words” of Morgan Christie’s poems respond to Virginia Chihota’s intimate, folkloric artworks. à genoux, from the French “on one’s knees,” is the focus of both the poet and the artist who consider the various reasons and calls to bend a knee, ranging from protest to prayer.

Which gesture of kneeling has to do with willing supplication and which power dynamics?

how soundly the reason fumbles
from the tellings and retellings

they all took knees before
but only when they were told (“—white lines”)

When we “hear someone yell / get down on your knees” we know we are not being told “to pray.” To “recognize the distinction” between “having to bend” and wanting to “means to understand the sacred.” Ultimately, “longing for what is ours is why we keel.”

As Christie is brought to her knees by the history of subjugation, she bows to the strength of family. When “we think of kneeling / we don’t have to be on our own.”

Indeed, in à genoux, Morgan Christie and Virginia Chihota “kneel together” as “the truths” of their words and colors draw a warm “blended bath / of change.”

Gentle Reader, regardless of what Auden wrote, together Morgan Christie’s poetry and Virginia Chihota’s paintings make something happen. So does Black Sunflowers Poetry Press, who made this stunning, full-color chapbook!


à genoux by Morgan Christie; artwork by Virginia Chihota. Black Sunflowers Poetry Press, April 2023.

Reviewer bio: Jami Macarty is the author of The Long Now Conditions Permit, winner of the 2023 Test Site Poetry Series Prize, forthcoming fall 2024, and The Minuses (Center for Literary Publishing, 2020), winner of the 2020 New Mexico/Arizona Book Award – Poetry Arizona. Jami’s four chapbooks include The Whole Catastrophe, forthcoming summer 2024 from the Vallum Chapbook Series, and Mind of Spring (Vallum, 2017), winner of the 2017 Vallum Chapbook Award. To learn more about Jami’s writing, editing, and teaching practices visit her author website.

Where to Submit Roundup: August 9, 2024

19 Submission Opportunities including calls for submissions, writing contests, and book prizes.

The first full week of August is behind us. The back-to-school panic and flurry will soon be in full swing. Take a moment to sit back, relax, write, edit, and submit! NewPages is here to help with our weekly roundup of submission opportunities.

Paid newsletter subscribers can get early access to the majority of submission opportunities and upcoming events before they go live on our site, so do consider subscribing or upgrading your subscription today. You also receive our monthly eLitPak Newsletter which features even more opportunities and other literary goodness.

Continue reading “Where to Submit Roundup: August 9, 2024”

Add Indie Bookstores to Your Summer Adventures

NewPages Guide to Independent Bookstores in the U.S. and Canada is a frequently updated resource for finding local independent bookstores that offer curated selections, personalized recommendations, and unique atmospheres. Bookstores are also the hub of local communities, sharing their space to host cultural events and social efforts.

For authors and publishers, our list is a goldmine of opportunities for finding sales outlets and reading venues to promote your books. Indie bookstores network their local literary scenes, connecting writers directly with their audience.

NewPages.com currently lists only brick-and-mortar stores (no online-only, pop-up, mobile, comics-only shops, or shops with books as a side business). We offer free enhanced listings in our Guide to Independent Bookstores to help booksellers connect with book lovers.

If we’re missing any stores you know about, drop us a note!

[Thanks to our friends at The Booksmiths Shoppe in Danbury, CT, for the lovely photo! If you’d like to see your bookstore featured here, click the ‘drop us a note’ link above.]

Sponsored :: New Book :: Pulp into Paper

front cover of Pulp into Paper by Lenore Weiss

Pulp into Paper: A Novel, Fiction by Lenore Weiss

Atmosphere Press, April 2024

In the close-knit community of Hentsbury, racism and the local paper mill’s oppressive control over the town collide in a gripping tale set in the 1990s in southern Arkansas along the fictional Mud River.

Rae-Ann, owner of a convenience store and unofficial mayor of Hentsbury, finds her life intertwined with Vernon’s when a budding romance between them hits an unexpected roadblock. Their love story takes an abrupt turn when chemicals from the mill’s runoff claim the life of Rincon, a young black boy battling acute asthma. In a harrowing failed rescue attempt, Vernon, the plant’s Environmental Officer, relives the trauma of holding the dying boy in his arms.

As the community grapples with this tragedy, Vernon stumbles upon a back-door deal between state and local officials who ask him to suppress critical information about the mill’s dangerous hydrogen sulfide emissions. With the rising tensions, Rae-Ann begins to question whether Vernon will stand by his principles.

In the end, it’s Rincon’s determined grandmother, along with Rae-Ann and her older sister, who rallies the town to take action. Their efforts lead to the arrival of an EPA investigatory team, but not without consequences. When the dust settles, Vernon loses his job, but he and Rae-Ann embark on a new chapter in life together.

Magazine Stand :: The MacGuffin – Spring 2024

The MacGuffin Spring 2024 (volume 39) features Barbara Crooker’s selections from POET HUNT 28, including Dawn Dupler’s grand prize–winning “Scars” and honorable mention selections by Johnny Cate and MacGuffin regular Rebecca Foust. There is also a four-poem spread by POET HUNT 29 guest judge Michael Meyerhofer. New prose selected for this issue invites readers to enjoy the unfolding postmodernism of Max Blue’s “Preservation”; the satirical “Taylor Kills a Unicorn” by Laton Carter; and the madcap reporter’s narrative of Nicholas Litchfield’s “Superstars of Today.” This issue features artwork by Metro Detroit painter and designer Linda Pelowski.

Discover loads more great lit mags with our Guide to Literary Magazines, Big List of Literary Magazines, and Big List of Alternative Magazines. If you are a publication looking to be listed in our monthly roundup or featured on our blog and social media, please contact us.

Magazine Stand :: The Tiger Moth Review – Issue 12

The Tiger Moth Review is an eco-conscious journal based in Singapore that publishes art and literature engaging with the themes of nature, culture, the environment, and ecology. The cover image of Issue 12 by Ethan Leong pays homage to interspecies kinships and relational ways of being on earth, themes that contributors continue to discover and explore in each new publication. Some contributors to this issue include Ilika Montani, Lizzie Ferguson, Adam Anders, Anna Molenaar, Devon Neal, Meenakshi Palaniappan, Alka Balain, Jennifer S. Lange, Johnny Kovatch, and others.

Discover loads more great lit mags with our Guide to Literary Magazines, Big List of Literary Magazines, and Big List of Alternative Magazines. If you are a publication looking to be listed in our monthly roundup or featured on our blog and social media, please contact us.

Book Review :: Corridors of Contagion by Victoria Law

Review by Eleanor J. Bader

Longtime prison-abolition activist and writer Victoria Law’s latest book, Corridors of Contagion: How the Pandemic Exposed the Cruelties of Incarceration, tells a maddening story. As a chronicle of bad public policy, it charts the ways public health warnings were ignored by prison administrators who allowed–and likely still allow–overcrowding, a lack of ventilation, and medical neglect to exacerbate the spread of the fast-moving COVID virus. The upshot is that countless severe, and sometimes long-term, illnesses and deaths have occurred.

Law introduces these dire facts by telling the stories of five diverse incarcerated people, all of whom have a lot to say about COVID and medical inequities. Their accounts make the political personal. Moreover, they expose the fallacy of rehabilitation and highlight the near-continual abuse and arbitrary exertion of authority they’ve encountered. But their statements are more than an enumeration of negative experiences, and Law showcases the ways that prisoners have rallied around one another, sharing food, medicine, and other resources to lessen COVID’s impact. It’s a moving show of solidarity.

Corridors of Contagion centers the humanity of those in lock-up and ends with an impassioned plea not only for prison reform but for a completely different system of justice. Indeed, Law calls on lawmakers “to shed the carcasses of racism, poverty, patriarchy and the ills that fuel its addiction to perpetual punishment.”


Corridors of Contagion: How the Pandemic Exposed the Cruelties of Incarceration by Victoria Law. Haymarket Books, September 2024 (pre-order available).

Reviewer bio: Eleanor J. Bader is a Brooklyn, NY-based journalist who writes about books and domestic social issues for Truthout, Rain Taxi, The Progressive, Ms. Magazine, the Los Angeles Review of Books, and The Indypendent.

Book Review :: Open Leaves by Harryette Mullen

Review by Jami Macarty

In this gorgeous Black Sunflowers Poetry Press poet and artist series chapbook, Harryette Mullen’s haiku and essayettes grow in a garden of delights and despairs along with Tiffanie Delune’s lush floral tableaus.

Mullen’s Open Leaves: poems from earth is a study and choice of attention:

Every flower a
reminder of all that we
miss when not looking.

Of course, where there are gardens, there are plants, their watering and growth, hungry grasshoppers, and a “Kneeling gardener.”

Given the rapaciousness encouraged by the business magnates who brought to society PayPal, Tesla, Amazon, etc., in this context gardening is resistance. And, it is the insistence on connection—to family and Earth.

In Mullen’s poems, gardening is connected especially to the strong women in her family: “Somehow, after he’d left, and his father had died, his mother held on to their acres, even during the Great Depression, and beyond.” Great-grandmother, grandmother, and mother taught her: “You won’t starve if you can grow your own food. If you take care of your green patch, it will take care of you.”

Despite “snagged skin, / bruised fruit, hurt feelings,” gardening offers Mullen a sense of being “Firmly planted here” and a place for sustaining inquiry and her life: “When she scoops a handful of black earth, she thinks of living things that keep the soil alive.”

Gentle Reader, read these poems, and your heart blossoms, your soul alive!


Open Leaves: poems from earth by Harryette Mullen; artwork by Tiffanie Delune. Black Sunflowers Poetry Press, March 2023.

Reviewer bio: Jami Macarty is the author of The Long Now Conditions Permit, winner of the 2023 Test Site Poetry Series Prize, forthcoming fall 2024, and The Minuses (Center for Literary Publishing, 2020), winner of the 2020 New Mexico/Arizona Book Award – Poetry Arizona. Jami’s four chapbooks include The Whole Catastrophe, forthcoming summer 2024 from the Vallum Chapbook Series, and Mind of Spring (Vallum, 2017), winner of the 2017 Vallum Chapbook Award. To learn more about Jami’s writing, editing, and teaching practices visit her author website.

Magazine Stand :: Cimarron Review – 219 & 220

Cimarron Review’s double issue (219/220) is out and features poetry by Donald Illich, Kate Peterson, Christopher Ankney, D.S. Butterworth, Mitchell Untch, Cindy Xin, Nancy Eimers, Mac McClaran, Nicholas Samaras, Lesley Wheeler, Mark Belair, Nick Norwood, Liz Robbins, Ted Kooser, Babette Cieskowski, Quinn Carver Johnson & Todd Fuller, Lex Orgera, Elisabeth Murawski, Carrie Shipers, Bruce CohenCloe Watson, Mary Vogt Myers, and many more; fiction by Sue Brennan, Will Ejzak, Raymond Fleischmann, James Sullivan; and nonfiction by Lise Funderburg, Nicholas Stevens, Michael Topp, and Rebecca Edgren.

Discover loads more great lit mags with our Guide to Literary Magazines, Big List of Literary Magazines, and Big List of Alternative Magazines. If you are a publication looking to be listed in our monthly roundup or featured on our blog and social media, please contact us.

Lit Mag Covers :: Picks of the Week – August 5, 2024

Lit Mag Covers: Picks of the Week recognizes cover art and designs for literary magazines, whether in print or online. These are chosen solely at the discretion of the Editor. Enjoy!

Shō Poetry Journal Summer 2024 issue features work, Lucy, by Harim Choi on the cover. Choi had been asked by the editors to provide a creative interpretation of The Star tarot card. Fittingly, the publication also includes a postcard with the image in each issue.

The Louisville Review Winter/Spring 2024 front cover features Trumpets, a painting by Laurie Fader along with a “Cover Artist’s Statement” inside which narrates the creation of the work and “the biological precarity and the gamut of stylistic influences” that inform it.

Publishing flash fiction online, the Ghost Parachute August 2024 cover art by Genevieve Anna Tyrrell is in keeping with its mission to publish works that are “unapologetically bold.”


Discover loads more great lit mags with our Guide to Literary Magazines, Big List of Literary Magazines, and Big List of Alternative Magazines. If you are a publication looking to be listed in our monthly roundup or featured on our blog and social media, please contact us.

Magazine Stand :: Paterson Literary Review – Number 52

Founded in 1979 by Maria Mazziotti Gillan, Paterson Literary Review began as a mimeographed publication and, as a testament to the power of the perseverance of the small press, it has become one of the most well-respected resources for poetry in the country. Number 52 of this annual is a hefty tome of just over 400 pages of fresh poetry, memoir, prose, and essays by Marge Piercy, Martín Espada, Joe Weil, Dante Di Stefano, José Antonio Rodríguez, Jan Beatty, Daniel Donaghy, John Bargowski, Tony Gloeggler, Penny Perry, and others. Also included are winning entries, honorable mentions, and editor’s choice selections of the 2023 Allen Ginsberg Poetry Awards.

Discover loads more great lit mags with our Guide to Literary Magazines, Big List of Literary Magazines, and Big List of Alternative Magazines. If you are a publication looking to be listed in our monthly roundup or featured on our blog and social media, please contact us.

Book Review :: Falcon in the Dive by Leah Angstman

Review by Catherine Hayes

Leah Angstman transports her readers to the perilous and fractured world of French Revolution-era Paris in her new novel Falcon in the Dive, where everyone has secrets and trust was a luxury that few could afford.

The book follows the story of Ani, an intelligent and resourceful teenage orphan struggling to survive on the streets of Paris after her family lost their wealth and status due to the selfishness and greed of the Beaumercy family. Now left with nothing but a burning anger and a desire for revenge, she finds herself being recruited by members of the revolution to infiltrate and spy on members of aristocracy–a mission she simply can’t refuse. What follows this decision is a twisting tale of secrets, betrayal, and a star-crossed love.

Angstman’s second full-length novel is a refreshing take on a historical subject that has been such a popular topic in the media it has become borderline ad nauseam. Angstman’s Paris is a dark and gritty one, a place highlighting the impact which the corruption of power has on those ‘without.’ She attempts to deconstruct the villainy that has so often surrounded the lower class population of Paris, especially in media pieces focusing on the tragedy of Marie Antoinette, and gives a voice to those who have long been forgotten by history.

Angstman does a marvelous job of adding complexity to her characters, showing them in moments of happiness and peace to moments of insecurity, doubt, and moral ambiguity. The lack of fear she exhibits in examining the multifaceted nature of humanity and the will to survive in difficult circumstances makes Angstman’s novel truly authentic in its portrayal of the French Revolution. She has once again proven herself to be a master of historical fiction.


Falcon in the Dive by Leah Angstman. Regal House Publishing, January 2023.

Reviewer bio: Catherine Hayes is a graduate student in English at Bridgewater State University in Massachusetts and resides in the Boston area. Her work has appeared in or is forthcoming in Blood & Thunder: Musings of the Art of Medicine, Atticus Review, NewPages, and an anthology with Wising up Press. She can be found on Twitter @Catheri91642131

Book Review :: The Word for Standing Alone in a Field by J.I. Kleinberg

Review by Jami Macarty

In her chapbook, The Word for Standing Alone in a Field, J.I. Kleinberg invites readers to consider a scarecrow’s agency and makes effective use of pathetic fallacy. After all, what is a scarecrow but an “effigy,” a “straw man,” a stand-in for a human? It would be fairly presumptuous then to assume a scarecrow does not have human emotions.

Kleinberg’s scarecrow is an “only human” “placeholder / / for grief.” “His work / not crows or corn but sorrows.” He is also a good friend and sage to another with whom he is in constant dialogue throughout the poems. This other, “a shadow looking for a body,” is someone the scarecrow “show[s] how to speak” and to whom” he “asks… about bones” and “skin.”

During the reading of the twenty-eight linked poems, an affecting tenderness grows between these two beings “in the church of corn.” One holds the other as “he wept” and they share their “earliest / memory.” This reader accepted the intimacy between them as “inevitable as dawn.”

In the end, I wanted nothing more than to “stand beside the scarecrow / and look where he looks, / / across the feathered gold / and green.”

Despite its title, Dear Reader, J.I. Kleinberg’s The Word for Standing Alone offers us loving company, tender acceptance, and true respite.


The Word for Standing Alone in a Field by J.I. Kleinberg. Bottlecap Press, September 2023.

Reviewer bio: Jami Macarty is the author of The Long Now Conditions Permit, winner of the 2023 Test Site Poetry Series Prize, forthcoming fall 2024, and The Minuses (Center for Literary Publishing, 2020), winner of the 2020 New Mexico/Arizona Book Award – Poetry Arizona. Jami’s four chapbooks include The Whole Catastrophe, forthcoming summer 2024 from the Vallum Chapbook Series, and Mind of Spring (Vallum, 2017), winner of the 2017 Vallum Chapbook Award. To learn more about Jami’s writing, editing, and teaching practices visit her author website.

Where to Submit Roundup: August 2, 2024

19 Submission Opportunities including calls for submissions, writing contests, and book prizes.

Welcome to the first roundup of submission opportunities for August 2024. Here in the Midwest at least it is supposed to be one hot weekend. This is a perfect opportunity to stay indoors and stay cool writing, editing, and submitting. But don’t forget to take a break for a nice cold drink and to step into the out for at least a little while.

Paid newsletter subscribers can get early access to the majority of submission opportunities and upcoming events before they go live on our site, so do consider subscribing or upgrading your subscription today. You also receive our monthly eLitPak Newsletter which features even more opportunities and other literary goodness.

Continue reading “Where to Submit Roundup: August 2, 2024”

Book Review :: Also Here by Brooke Randel

Review by Eleanor J. Bader

When Brooke Randel was in her early 20s, her grandmother, Golda Indig, known as Bubbie, called her and suggested that she write about her life: “What happened in the war…You know, a young girl in the camps.” The request was jarring since Randel’s family had generally sidestepped discussions of the Holocaust, instead fixating on the present, with food, family, and holiday celebrations taking center stage. But Randel was intrigued and began interviewing Bubbie.

Surprisingly, the process was more difficult than she expected, for not only was Bubbie’s story filled with vague and random anecdotes, but it unfolded in fits-and-starts that were complicated by her illiteracy, easy distractibility, and memory gaps. Nonetheless, Also Here: Love, Literacy, and the Legacy of the Holocaust chronicles Bubbie’s traumatic deportation to Auschwitz as a 13-year-old and describes her transfer to Bergen-Belsen before being liberated by American soldiers; her eventual emigration to the US adds a riveting dimension to Bubbie’s tale.

In addition, the book veers into Randel’s own story – with details about her nine-year search for data to support Bubbie’s account – that are well-woven into the memoir. This makes Also Here unusual, as much about writing and research as it is about a love-filled but fraught inter-generational relationship. An emotionally resonant and compelling debut.


Also Here: Love, Literacy, and the Legacy of the Holocaust by Brooke Randel, Tortoise Books, December 2024 (pre-order available).

Reviewer bio: Eleanor J. Bader is a Brooklyn, NY-based journalist who writes about books and domestic social issues for Truthout, Rain Taxi, The Progressive, Ms. Magazine, the Los Angeles Review of Books, and The Indypendent.

Sponsored :: New Book :: Wrongland

cover of Wrongland by Gazmend Kapllani, translated by Peter Bien

Wrongland, Fiction by Gazmend Kapllani

Translated from the Greek by Peter Bien

Laertes Press/Egret Fiction, September 2024

Wrongland balances on an edge of migration and return. It crosses from an Albania recently rid of Hoxha to a Greece riven by tensions that ultimately drive the protagonist on to America. But homecoming is the pivot — one stuck in an unavoidable vying between alternate worlds.  

The reader, a simple stranger, is introduced to Ters, a city configured by remnants from the past, a locale scored by evil — at times, gripped by good.

Gazmend Kapllani is the author of two collections of poetry in Albanian and four published novels (written in Greek and Albanian). His literary work centers on borders, totalitarianism, migration, identity, and how Balkan history has shaped private and public narratives and memories.

Magazine Stand :: The Malahat Review – 227

Cover art by Torkwase Dyson invites readers into the newest issue of The Malahat Review (227), which opens with the 2024 Novella Prize Winner Ryan Cannon’s “A Hunting Story” (readers can find an interview with Ryan Cannon on the magazine’s website). Also featured in this issue is poetry by Isha Camara, Morgan Cross, Daniela Elza with Brian Brett, Nathan Erwin, Wess Mongo Jolley, Diane Louie, Raymond Luczak, Eli Mushumanski, Lauren Peat, Aaron Rabinowitz, Kyeren Regehr, Vivek Sharma, and Saadi Youssef (translated by Khaled Mattawa); fiction by Courtney Baird-Lew and Kaitlin Ruether; creative nonfiction by Kevin MacDonell; and reviews of new publications of poetry, fiction, and nonfiction.

Discover loads more great lit mags with our Guide to Literary Magazines, Big List of Literary Magazines, and Big List of Alternative Magazines. If you are a publication looking to be listed in our monthly roundup or featured on our blog and social media, please contact us.

Book Review :: Who’s Afraid of Gender? by Judith Butler

Review by Kevin Brown

Judith Butler is known primarily as a gender theoretician and philosopher, most famous for her 1990 book Gender Trouble. Her latest book, Who’s Afraid of Gender, presents as more accessible than her previous writings, published by a trade publisher, as opposed to an academic press. Saying that this work is more accessible than her more theoretical work, though, is akin to a weekend tennis player stating that they’re only playing the 100th best tennis player in the world, not somebody in the top 10. That’s not a criticism of the book, just a heads-up for readers.

Butler crafts a nuanced argument against those who claim to oppose “gender,” which encompasses much more than the LGBTQIA+ community to include what some politicians call “woke culture”; thus, Butler explores race, colonialism, and abortion rights, among other ideas. Butler methodically goes after religious groups, especially the Catholic church, who claim that “gender” is an assault on the natural order, but they also break down the arguments of the politicians and the state, as well as the TERFs (“trans-exclusionary radical feminists,” though they prefer the term “gender-critical”).

Ultimately, they point out that all of these groups are threatened by everything they put under the umbrella of “gender,” as they ultimately want to curtail or take away altogether the rights and freedoms of groups with whom they disagree. Butler shows that these groups believe that somebody else’s freedoms will limit theirs. Butler reveals their fear, not just the flaws in their arguments.

Butler ends, though, on a positive note, as they argue for alliances between the groups that get sorted under the “gender” umbrella, pointing out that all these groups value freedom and that freedom for one group will lead to more freedom for others. They try to imagine a different world than the current world, an optimistic conclusion to redefine how readers see others.


Who’s Afraid of Gender? by Judith Butler. Farrar, Straus & Giroux, March 2024.

Reviewer bio: Kevin Brown has published three books of poetry: Liturgical Calendar: Poems (Wipf and Stock); A Lexicon of Lost Words (winner of the Violet Reed Haas Prize for Poetry, Snake Nation Press); and Exit Lines (Plain View Press). He also has a memoir, Another Way: Finding Faith, Then Finding It Again, and a book of scholarship, They Love to Tell the Stories: Five Contemporary Novelists Take on the Gospels. Twitter @kevinbrownwrite

New Lit on the Block :: Bear Paw Arts Journal

Bear Paw Arts Journal is a new open access online journal of flash fiction, micro memoir, poetry, and featured artists publishing one issue each year in the fall. “It’s free to submit, free to read. This is a labor of love, and we’re proud of that,” say the editors.

Bear Paw Arts Journal takes its name from the Bears Paw Mountains in north central Montana. The editors explain, “The range is known locally as ‘The Bear Paws.’ These mountains were originally named by the native Cree and Blackfeet people as ‘The Mountains of the Bear.’ Bear Paw Arts Journal seeks to publish works that, like the Bears Paw Mountains, surprise and delight with each new turn.”

Continue reading “New Lit on the Block :: Bear Paw Arts Journal”

Magazine Stand :: Consequence – Volume 16.1

Inside Consequence Volume 16.1, readers will find a concentration of beautiful and compelling work that wrestles with the consequences of war and geopolitical violence. From “The Philosophy of Escape’’ where the speaker struggles with the guilt of fleeing his war-torn home to “Nora’s Wedding,” which follows a Jewish woman as she unexpectedly finds family and love in Germany, to “Gertie’s Labyrinth” with its children who use make-believe to parse reality, each piece of prose, poetry, and visual art in this issue engages with the entangled consequences of conflict in an artful and memorable way.

Discover loads more great lit mags with our Guide to Literary Magazines, Big List of Literary Magazines, and Big List of Alternative Magazines. If you are a publication looking to be listed in our monthly roundup or featured on our blog and social media, please contact us.

Book Review :: A Sign of Her Own by Sarah Marsh

Review by Kevin Brown

A Sign of Her Own, Sarah Marsh’s debut novel, follows Ellen Lark, a girl who lost her hearing when she was four due to Scarlet Fever. Her mother and paternal grandmother—her father worked away from the family, then died—send her to school, then to work with Alexander Graham Bell, to learn lip-reading and Visible Speech, a phonetic means of pronunciation. Essentially, they want her to be able to pass as a person who is able to hear others.

Ellen fully embraces this approach, though there are hints of dissatisfaction early in the novel, even before she works with Bell. That unhappiness becomes fully developed when she meets Frank, as he grew up in a largely Deaf family—his mother is the exception—and community. She sees the joy of communication they have with one another, not through trying to imitate those who are able to hear, but by fully embracing their culture, especially signing.

Bell’s work on the telephone is in the background throughout the novel, especially the possibility that he stole the idea from Elisha Gray, reinforcing the overall idea of (mis)communication and (missed) connections. Ellen’s lip-reading often leads to misinterpretation, and numerous characters accidentally or willfully misunderstand each other.

Marsh clearly portrays the Deaf community’s internal conflict over signing versus lip-reading/English (heightened by external actors, such as Bell). Ellen has to learn who she is and who she wants to be, which will ultimately help her find the community she needs.


A Sign of Her Own by Sarah Marsh. Park Row Books, February 2024.

Reviewer bio: Kevin Brown has published three books of poetry: Liturgical Calendar: Poems (Wipf and Stock); A Lexicon of Lost Words (winner of the Violet Reed Haas Prize for Poetry, Snake Nation Press); and Exit Lines (Plain View Press). He also has a memoir, Another Way: Finding Faith, Then Finding It Again, and a book of scholarship, They Love to Tell the Stories: Five Contemporary Novelists Take on the Gospels. Twitter @kevinbrownwrite

Magazine Stand :: The Iowa Review – Double Issue 2024

In this double issue of The Iowa Review – Winter 2023/Spring 2024 – readers will be entranced by the Night Witches, aging backward, cardiologists, Freddie Mercury, family secrets, FreakFest, coyotes, VHS tapes, and more with poetry by Janice N. Harrington, John A. Nieves, Robert Wood Lynn, John Hodgen, Claire Denson , Eliza Gilbert, Rae Gouirand, Kate Gaskin, Richard Haney-Jardine León, Matthew Minicucci, Michelle Acker , Amanda Smeltz, Stella Wong; nonfiction by Sai Pradhan, Jennifer S. Cheng, Ryan Van Meter, Shannon Huffman Polson, Rochelle Goldstein Bay; fiction by Lucas Southworth, Tom Howard, Gracie Newman, Geri Modell, Chelsea Tokuno-Lynk, Jennifer Genest, Brynne Jones, Alex Burchfield; and cover art by Carlos Maldonado.

Discover loads more great lit mags with our Guide to Literary Magazines, Big List of Literary Magazines, and Big List of Alternative Magazines. If you are a publication looking to be listed in our monthly roundup or featured on our blog and social media, please contact us.

Editor’s Choice :: Home, Rewritten Anthology

Home, Rewritten: Celebrating Asian American & Pacific Islander Voices
Fleeting Daze Magazine, May 2024

“Created in 1992, AAPI Heritage Month celebrates the immense culture and history fostered in the AAPI community. With the growing population of the AAPI community, AAPI media has been embedded into American society and heavily influenced its culture. However, AAPI artists constantly face stigmatization and microaggression in their work, especially when Asian artists deviate from the traditional ‘Asian ideal.’ This unwelcoming environment diminishes the diverse voices representing the AAPI community, leaving the American population vulnerable to homogeneity and narrow-mindedness. As editors-in-chief stemming from an AAPI background, we felt motivated to use the platform we’ve created to uplift AAPI youth voices undermined in society. We realized that allowing Asian artists to express their heritage genuinely and candidly brings true representation that society is working towards.”

“This project has been a long time in the making,” say Editors-in-Chief Rosie Hong and Caroline Zhang, “and we are so proud to be able to highlight AAPI voices and share with the world how we have redefined our homes and families through our experiences growing up.”


To discover more great books from small, independent, and university presses, visit the NewPages Guide to Publishers as well as our Books Received monthly roundup. Subscribe to our weekly newsletter to stay up to date!

Book Review :: We Loved It All by Lydia Millet

Review by Kevin Brown

Besides being an award-winning writer, Millet has worked at the Center for Biological Diversity for roughly twenty-five years. In We Loved it All: A Memoir of Life, she combines those two areas of expertise to create a poetic, meditative book that explores climate change, storytelling, hope, and despair.

However, Millet is not making an argument here, so much as she is simply sharing her love of nature and animals, celebrating the beauty and wonder of the world, in the hopes that others will see and appreciate the awesome diversity she recognizes. In fact, she doesn’t even seem to offer any practical solutions—though there are a few in the final essay. She believes that, if people love the world the way she and so many others do, they would make the necessary changes in their lives, in their policies, and in their corporate decisions to change the world.

Given Millet’s work as a writer, her approach to language is both beautiful itself and ironic. She writes each essay—there are three, roughly eighty pages or so long—in short sections, ranging from one sentence to a few pages, using fragments to provide a fractured, imagistic tone. She talks about the importance of bearing witness and telling stories to help shape the ways in which we see the world.

She also admits the limitations of language to both explain the scope of the problem and provide solutions, even acknowledging that the world will outlive our words. In the meantime, though, her language calls us, as best as it can, to truly see the world around us and love it all, hoping beyond despair that love will be the beginning of enough.


We Loved It All by Lydia Millet. W.W. Norton, 2024.

Reviewer bio: Kevin Brown has published three books of poetry: Liturgical Calendar: Poems (Wipf and Stock); A Lexicon of Lost Words (winner of the Violet Reed Haas Prize for Poetry, Snake Nation Press); and Exit Lines (Plain View Press). He also has a memoir, Another Way: Finding Faith, Then Finding It Again, and a book of scholarship, They Love to Tell the Stories: Five Contemporary Novelists Take on the Gospels. Twitter @kevinbrownwrite

Where to Submit Roundup: July 26, 2024

37 Submission Opportunities including calls for submissions, writing contests, and book prizes.

Say it isn’t so! Here comes our final submissions roundup for July 2024. Next week kicks off August already. This is a great time to take that vacation you’ve been wanting to and kick back and relax before autumn decides to settle in. Want to spend some of that time writing and submitting? We’ve got your back! Plus, don’t forget that several opportunities end July 31. Don’t miss out.

Paid newsletter subscribers can get early access to the majority of submission opportunities and upcoming events before they go live on our site, so do consider subscribing or upgrading your subscription today. You also receive our monthly eLitPak Newsletter which features even more opportunities and other literary goodness.

Continue reading “Where to Submit Roundup: July 26, 2024”

Magazine Stand :: Red Tree Review – Issue 4

Issue four of the online poetry journal Red Tree Review is now live. As always, readers will find poems that surprise, harrow, and awe, this time featuring work by Cortney Bledsoe, Halee Kirkwood, Mirande Bissell, Scott Davidson, James Croal Jackson, Alex Sarrigeorgiou, Eva Skrande, Alison Heron Hruby, Clara Burghelea, C. B. Stuckey, Matthew Burns, and Jacob Schepers.

Discover loads more great lit mags with our Guide to Literary Magazines, Big List of Literary Magazines, and Big List of Alternative Magazines. If you are a publication looking to be listed in our monthly roundup or featured on our blog and social media, please contact us.

Book Review :: Enter Ghost by Isabella Hammad

Review by Kevin Brown

Enter Ghost, the title of Hammad’s second novel, refers to the stage directions from Shakespeare’s Hamlet, the ghost of which serves as a metaphor throughout the work. Sonia is a British citizen with Palestinian heritage, working in London as an actor. While her career has never elevated to the top ranks, she has consistently had work. She feels a bit stuck, though, partly due to her career, but also partly due to an affair with a married theatre director, so she leaves England, supposedly to visit her sister Haneen, who lives in Haifa.

While there, she meets Marisa, a friend of her sister and a theatre director, who convinces Sonia to play Gertrude in a production of Hamlet. Sonia, as well as the other characters, are haunted by a number of ghosts from their past. There are the personal ghosts—such as Sonia’s affair—the breakdown of Sonia and Haneen’s family, and Sonia’s career.

However, the most significant ghost is the Palestinian past that has led to the current conflict between Israel and the Palestinian Authority. Throughout the novel, Haneen and Sonia refer back to their father’s involvement in anti-Israel activities, and it’s a visit to the West Bank that has led Haneen to live in Israel, as opposed to London, where her father and sister live.

The Israeli government and army are constantly watching the play to see if it contains anti-Israeli ideas, leading to the real possibility that they could shut down the performance. Sonia ultimately learns more about herself, her family, and Palestine, but she also finds true community through the production, as Hammad reminds readers of the power of art, even in the midst of war and suffering.


Enter Ghost by Isabella Hammad. Grove Atlantic, April 2024.

Reviewer bio: Kevin Brown has published three books of poetry: Liturgical Calendar: Poems (Wipf and Stock); A Lexicon of Lost Words (winner of the Violet Reed Haas Prize for Poetry, Snake Nation Press); and Exit Lines (Plain View Press). He also has a memoir, Another Way: Finding Faith, Then Finding It Again, and a book of scholarship, They Love to Tell the Stories: Five Contemporary Novelists Take on the Gospels. Twitter @kevinbrownwrite

New Lit on the Block :: LIBRE

Whenever I hear someone kvetch, “Just how many literary magazines does the world really need?” a publication like LIBRE comes along to respond that there is room for this much-needed resource for the literary community.

LIBRE is a new online journal of prose, poetry, and art with three main goals: to uplift the marginalized voices of the mentally ill and those whose lives are affected by mental health; to celebrate the excruciatingly nuanced boundaries and expressionistic approaches that magical realist literature and artwork bring to our otherwise mundane realities; and to explore the oftentimes overlooked intersection that quietly, but stubbornly blooms between fabulist and health-oriented writing.

Continue reading “New Lit on the Block :: LIBRE”

Magazine Stand :: Colorado Review – Summer 2024

The Summer 2024 Colorado Review takes a unique perspective on the season. “While summer is not the season we generally associate with loss, it does offer pause: time to reflect on what has been taken from us, what we might let go of, what we hope to hold on to, what we may yet reap.” This issue includes short fiction by Erika Krouse, Amanda Rea, Afsheen Farhadi, and Amy Silverberg. Also featured are essays by Elizabeth Kadetsky, Lilly Nguyen, and Jean McDonough.

“So much loss, yes, in this issue,” says editor-in-chief Stephanie G’Schwind of the prose. “Yet there is much to be gained in the exploration of what we no longer have. Of her pain, Nguyen writes: ‘I had become so accustomed to it over the years that its absence was remarkable…. With this came new knowledge.’ And an absence, suggests McDonough, can hold great value: ‘I remember this—the nothingness—and it will not be taken from me.’”

Poetry editor Camille T. Dungy has selected poems by Xochiquetzal Candelaria, Alyse Knorr, Max Seifert, Nasser Alsinan, Caroline O’Connor Thomas, and many others. “These poems vibrate,” writes Dungy. “They are sensitive. They are afraid but still insistent. Alert but also calming. They move from harrowing to hopeful, and they show what it means to live in-between.”

Book Review :: That Librarian: The Fight Against Book Banning in America by Amanda Jones

Review by Eleanor J. Bader

When Amanda Jones, a middle school librarian and head of the Louisiana Association of School Librarians, spoke before the Livingston Parish Library Board in August 2022, she did so as a concerned community member. Her message was clear and direct: Diverse collections must include books that accurately address U.S. history and offer readers multiple ways to understand race, class, gender, sexuality, and sexual identity. The latter category, she said, is especially important for children, adolescents, and teens as they navigate coming of age.

Although Jones was not the only person to express this viewpoint, four days after she testified she found herself on the receiving end of a well-organized hate-and-harassment campaign coordinated by Citizens for a New Louisiana, a newly-formed conservative group that dubbed her a pornographer and menace to children.

That Librarian, part memoir, part impassioned political argument against censorship and book bans, is a deeply felt exposition of the physical and emotional toll these smears exacted and a strategic workbook about ways for communities to fight back. Moreover, it charts Jones’s personal transformation from a 2016 Trump supporter to become a forceful advocate for civil rights, civil liberties, and the right to read. It’s a powerful, angry, and inspiring book.


That Librarian: The Fight Against Book Banning in America by Amanda Jones. Bloomsbury Publishing, August 2024 (pre-order available).

Reviewer bio: Eleanor J. Bader is a Brooklyn, NY-based journalist who writes about books and domestic social issues for Truthout, Rain Taxi, The Progressive, Ms. Magazine, the Los Angeles Review of Books, and The Indypendent.

Magazine Stand :: Blue Collar Review – Spring 2024

The Blue Collar Review: Journal of Progressive Working Class Literature Spring 2024 issue opens with these words from the editor’s note, “This Spring is marked by escalating tensions'” to which much of the work included bear witness. The editors conclude, “change must come from the bottom, from the working, exploited and oppressed – from us. Promoting and presenting examples of the consciousness of class connection necessary for that change remains our primary goal. We continue to struggle against the odds of increasing expenses and censorship pressures to get your words out. Your continuing support and unique writing keep this effort alive and we are grateful.” Sample works are available on the publication’s website.

Discover loads more great lit mags with our Guide to Literary Magazines, Big List of Literary Magazines, and Big List of Alternative Magazines. If you are a publication looking to be listed in our monthly roundup or featured on our blog and social media, please contact us.

Book Review :: Choice by Neel Mukherjee

Review by Kevin Brown

Neel Mukherjee’s most recent novel, Choice, tells a triptych of tales, all tangentially related to one another and all, not surprisingly, centered around the idea of choice. The first story follows Ayush, an editor at a publishing house where the focus has shifted from books and authors to profits. He is also not merely concerned with climate change, but obsessed with it, to the point that it disrupts his relationships with his husband, Luke, and their two children. He consistently repeats, as narrator, that one must change their life, which leads him to an important decision.

The second part follows Emily, a professor at a school that might be the same one Luke works at (or this story could be a story from a collection that Ayush publishes), though that’s left unclear. Emily takes a ride share home one evening, and the driver might have hit something and/or someone, though Emily didn’t see clearly, given that she was both drunk and digging around the floor of the vehicle for her dropped phone. Rather than going to the police, though, she gets to know the driver, Salim, and learns his story and his family’s story, as they immigrated from Eritrea, leading Emily to make a radical life choice.

The final section tells the story of Sabita, a woman living on the border of West Bengal and Bangladesh, and is most likely a response one of Luke’s fellow economics professors gives to Ayush when he asks about her work on poverty. Sabita and her family receive a cow as part of an experiment to see if a change in assets can change one’s level of poverty. Unlike the other respondents in the experiment, the situation does not go well.

Ultimately, Mukherjee’s novel asks the question of how one should live in the twenty-first century, especially around how one can do good in such a complex world. Mukherjee leaves the reader with that question, as he knows there are no easy answers.


Choice by Neel Mukherjee. W.W. Norton, April 2024.

Reviewer bio: Kevin Brown has published three books of poetry: Liturgical Calendar: Poems (Wipf and Stock); A Lexicon of Lost Words (winner of the Violet Reed Haas Prize for Poetry, Snake Nation Press); and Exit Lines (Plain View Press). He also has a memoir, Another Way: Finding Faith, Then Finding It Again, and a book of scholarship, They Love to Tell the Stories: Five Contemporary Novelists Take on the Gospels. Twitter @kevinbrownwrite

Editor’s Choice :: White Poverty

White Poverty: How Exposing Myths About Race and Class Can Reconstruct American Democracy by Reverend Dr. William J. Barber II with Jonathan Wilson-Hartgrove
Liveright / W. W. Norton, June 2024

One of the most pernicious and persistent myths in the United States is the association of Black skin with poverty. Though there are forty million more poor white people than Black people, most Americans, both Republicans and Democrats, continue to think of poverty—along with issues like welfare, unemployment, and food stamps—as solely a Black problem. Why is this so? What are the historical causes? And what are the political consequences that result?

These are among the questions that the Reverend Dr. William J. Barber II, a leading advocate for the rights of the poor and the “closest person we have to Dr. King” (Cornel West), addresses in White Poverty, a groundbreaking work that exposes a legacy of historical myths that continue to define both white and Black people, creating in the process what might seem like an insuperable divide. Analyzing what has changed since the 1930s, when the face of American poverty was white, Barber, along with Jonathan Wilson-Hartgrove, addresses white poverty as a hugely neglected subject that just might provide the key to mitigating racism and bringing together tens of millions of working class and impoverished Americans.


To discover more great books from small, independent, and university presses, visit the NewPages Guide to Publishers as well as our Books Received monthly roundup. Subscribe to our weekly newsletter to stay up to date!

Book Review :: Brotherless Night by V.V. Ganeshananthan

Review by Kevin Brown

Brotherless Night, V.V. Ganeshananthan’s Women’s-Prize-winning novel, clearly portrays the horrors of the Sri Lankan civil war of the 1980s and following. Sashi is a teenager when the book opens, and the book follows her over the next decade or so as the civil war affects every aspect of her life. She has four brothers, all of whom have some relationship to the war; the title of the novel, in fact, refers to the first night she spent without at least one of her brothers present, and it represents the beginning of the war.

Sashi works in a field hospital for the Tamil rebels, mainly due to the request of K., a childhood friend she would have married, if not for the war. Ganeshananthan portrays the horrific actions of the Sri Lankan and Indian government armies, but she also clearly conveys what the Tamil rebels do, not only to those government soldiers, but also to the civilian population and other rebel groups.

No entity is innocent here, and Sashi reflects that complexity. Though she disagrees with the Tamil Tigers’ actions, she works in the field hospital to try to make sure nobody dies for lack of medical care. She also works to expose the immoral actions they have taken. Ganeshananthan draws heavily on research, even basing one of Sashi’s professors on a real professor and activist, but it is the humanizing portrayal of the wide range of characters that gives this novel its power. Her care for her characters reflects the suffering so many endured throughout the years of the war, showing the reader just how much so many have lost, while their care for each other reveals how much humanity remains.


Brotherless Night by V.V. Ganeshananthan. Random House, January 2024.

Reviewer bio: Kevin Brown has published three books of poetry: Liturgical Calendar: Poems (Wipf and Stock); A Lexicon of Lost Words (winner of the Violet Reed Haas Prize for Poetry, Snake Nation Press); and Exit Lines (Plain View Press). He also has a memoir, Another Way: Finding Faith, Then Finding It Again, and a book of scholarship, They Love to Tell the Stories: Five Contemporary Novelists Take on the Gospels. Twitter @kevinbrownwrite

Submit to Sport Literate’s “1970s Contest” before July Ends

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Deadline: July 31, 2024
We won’t be prescriptive beyond the decade in question, except to say that poets and writers should reflect on a subject through a sporting lens. Our guest judges, both SL veterans and contest winners, are also former state Poet Laureates. SL editors read through submissions and send anonymous finalists to Jack Bedell and Sydney Lea, who will pick their favorites. View our flyer for more information and a link to our website.

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The Bluebird Word Online Literary Journal Seeks New Flash Writing!

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Deadline: Year-round
The Bluebird Word
, an online literary journal for poetry, flash nonfiction and fiction, seeks new writing for our upcoming 2024 publishing calendar. We publish new issues each month and are looking for emerging and established writers. We are a non-paying market. Please send your crisp flash and poignant poetry for consideration in a future issue. View our flyer and visit our website for more information.

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Inverted Syntax Poetry Book Contests

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Deadline: August 15
Inverted Syntax will be publishing and debuting between 3-5 full-length poetry books in the fall of 2026. Starting in 2024, we seek to identify up to five exceptional manuscripts for publication. We look for work that risks everything. We favor the hybrid but welcome all writing. If it’s well-crafted, uses language in daring ways, we want it. View guidelines and submission details on our flyer and at our website.

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It’s Time to try On Spec Magazine!

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On Spec (onspec.ca) is an award-winning Canadian journal of short genre fiction and poetry. Since 1989, On Spec has featured original works of science fiction and fantasy from writers around the world, with a mandate to showcase the best in Canadian Literature of the Fantastic. Now’s the time to try an issue, and you may win a subscription! View flyer to learn more.

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Shaping Destiny, Elections Call

Albrecht Durer The Virgin Mary in Prayer

Deadline: August 1, 2024
The election is looming, and all those thoughts and emotions are getting sharper and at time produce fear and depression. Now is the time to have art be your voice and presence. Visit our website for full information and to submit your work.

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Submit to The Greensboro Review’s Literary Awards – $1000 prizes!

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Deadline: August 1, 2024
The Greensboro Review invites submissions for our annual Robert Watson Literary Prizes in Poetry and Fiction. Winners in each genre receive a $1,000 award and publication in the spring issue of the journal. Send us your previously unpublished poems and short stories, now through August 1! To learn more, read past prizewinners, and submit your work, visit our website and view our flyer.

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Unsolicited Press Is Releasing Literary Fiction that Challenges and Inspires You

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Unsolicited Press is set to release enchanting literary fiction this year including THE HEDGEROW by Anne Leigh Parrish, LINES by Sung J. Woo, and DEVIL ON MY TRAIL by Danial DiFranco. See our flyer and learn more at our website.

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Issue 89 of Kaleidoscope Available Now! Accepting Submissions Year-Round

screenshot of Kaleidoscope's call for submissions flyer for the July 2024 eLitpak
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The summer issue of Kaleidoscope takes a closer look at the ebbs and flows of life, and we hope you will find some treasures in the work we’ve selected. Each issue of the magazine explores the experience of disability through the lens of literature and fine art. Submit your best work to us today! Visit our website and see our flyer for more information.

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Magazine Stand :: Kaleidoscope – Summer/Fall 2024

Kaleidoscope magazine publishes work that creatively explores the experience of disability through literature and the fine arts. The Summer/Fall 2024 issue (#89) explores the ebbs and flows of life. Just like shells along a beach, readers will find some treasures in the selected works.

The featured essay, “Portrait with a Seagull,” is the sweet story of a family’s visit to the Jersey Shore and one child’s preoccupation with seagulls. Mom and author, Natalie Haney Tilghman, sees her son interacting with a gull and is a bit envious of the effortless, immediate connection they have. Despite her aversion to the creatures that swoop through the sky snatching snacks and squealing, they end up saving the day in an unexpected way, and she is grateful.

Digital artist Diana de Avila is featured in this issue along with various other established and emerging writers: Emma Baker, Jax Bidmead, Marjorie E. Brody, Emma Burnett, Douglas G. Campbell, Deb DeBates, Alexander Etheridge, Joanne Feenstra, Janet Engle Frase, Ben Gooley, Lori Hahnel, Mattie-Bretton Hughes, Shelly Jones, Suzanne Kamata, Grace Kully, Karen McKenzie, Betsy Miller, PMF, Trystan Popish, Ivy Raff, Tara K. Ross, Sheersty Stanton, M.S., Cynthia Stock and Angela Townsend.

Where to Submit Roundup: July 19, 2024

35 Submission Opportunities including calls for submissions, writing contests, and book prizes.

Sorry for missing out on our weekly submissions roundup last week. A family emergency took place at the end of the week that through everything into a chaotic tailspin. But we are back this week to help you with your submission goals! It’s hard to believe August will be upon us in two short weeks and then Labor Day will be here before you know it.

Paid newsletter subscribers can get early access to the majority of submission opportunities and upcoming events before they go live on our site, so do consider subscribing or upgrading your subscription today. You also receive our monthly eLitPak Newsletter which features even more opportunities and other literary goodness.

Continue reading “Where to Submit Roundup: July 19, 2024”

Magazine Stand :: Still Point Arts Quarterly – Summer 2024

Still Points Arts Quarterly Summer 2024 is themed “The House of My Dreams” and features contemporary works of art, fiction, non-fiction, and poetry. Produced by Shanti Arts, this luxuriously printed journal is intended for artists, nature lovers, seekers, and enthusiast of all types. This issue features works by Judith Sornberger, Patty Somlo, Charlene Logan, Susan Eaton Mendenhall, B. D. Ramsey, James Lowell Hall, Cathy Fiorello, Michael Riedell, Lily Ione MacKenzie, Ann Cwiklinski, Christopher Woods, Ellen Pliskin, Rosalyn Kliot, Chris Hero, Theresa M. Pisani, and many more!

Discover loads more great lit mags with our Guide to Literary Magazines, Big List of Literary Magazines, and Big List of Alternative Magazines. If you are a publication looking to be listed in our monthly roundup or featured on our blog and social media, please contact us.

New Lit on the Block :: Fleeting Daze Magazine

Most of us are likely at an age when we can recall how quickly carefree younger days seem to have slipped through our fingers as we entered irrevocably into adulthood. Fortunately, for today’s youth, there is Fleeting Daze Magazine, a youth-run literary online quarterly publishing all forms of literary arts and writing from contributors ages 13-24. New issues are available every 2-3 months in open access online forms.

Co-founder and Editor-in-Chief Caroline Zhang explains the intentionality behind the name: “When creating the name, we wanted our magazine to highlight the coming-of-age process and the works we published to be unique to a new generation of creators and thinkers. We recognized that as a youth-run magazine, our knowledge and understanding growing up today was an advantage and a perspective that often is not found elsewhere in today’s media. ‘Fleeting Daze’ had a double meaning – first, symbolizing the glowing haze/dreamlike nature of childhood, having fun, believing in the possibilities of the world. On the other hand, ‘Fleeting Daze’ can also be read as ‘Fleeting Days,’ symbolizing how the best moments of our youthful childhoods can go by in the blink of an eye, and how every second must be grasped onto and enjoyed for as long as possible.”

Continue reading “New Lit on the Block :: Fleeting Daze Magazine”

Book Review :: Headshot by Rita Bullwinkel

Review by Kevin Brown

There’s not much plot to Headshot, Rita Bullwinkel’s debut novel—eight girls engage in a boxing tournament in a run-down gym in Reno, Nevada—but that’s not the point. The novel is largely structured around each fight with chapters getting progressively shorter and each focusing more on the lives and psychology of the two girls involved in the fight than on what actually happens in the fight itself.

There is a line from The Matrix: Reloaded, where Seraph, the character whose job it is to guard the oracle, fights Neo. When he explains to Neo that he had to know that Neo wasn’t an enemy, Neo responds, “You could’ve just asked.” Seraph replies, “No. You do not truly know someone until you fight them.” These eight girls seem to understand each other better than anybody in their lives, and they come to an understanding of themselves, because they fight.

None of them go on to box in the remainder of their lives, some of them even forgetting about this time in their lives, but their understanding of themselves remains. Boxing serves as a metaphor for the lineage of women understanding one another in this world, as they move in concert with one another, responding to one another, partners in a dance that will carry them through their lives.


Headshot by Rita Bullwinkel. Viking, March 2024.

Reviewer bio: Kevin Brown has published three books of poetry: Liturgical Calendar: Poems (Wipf and Stock); A Lexicon of Lost Words (winner of the Violet Reed Haas Prize for Poetry, Snake Nation Press); and Exit Lines (Plain View Press). He also has a memoir, Another Way: Finding Faith, Then Finding It Again, and a book of scholarship, They Love to Tell the Stories: Five Contemporary Novelists Take on the Gospels. Twitter @kevinbrownwrite