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What Passes Here for Mountains
Poetry by Matt Morton
Carnegie Mellon University Press, February 2022

These poems are a kaleidoscopic journey across locales ranging from the West Texas desert to the bustling streets of Rome, from the social realm of festivity and ritual to the privacy of the imagination. Along the way, the search for meaning and stability within a world in constant flux is enlivened by a surrealist vitality. Cezanne and Shakespeare’s Caliban commingle with indie rock musicians and Humpy-Dumpty. A mystical encounter with an Edward Hopper painting butts heads with the mundanity of waking again to one’s morning routine. Poems of wry self-deprecation are juxtaposed with quiet meditations on memory, grief, and the relationship between the self and the cosmos.

Out Beyond the Land
Poetry by Kimberly Burwick
Carnegie Mellon University Press, February 2022

Out Beyond the Land refracts the subtle moments in nature where what is seen and unseen twists and loops back, gently nudging the speaker to question how knowledge is formed and memorialized. Using the Latin’s “A priori” and “A posteriori” as a starting point, these lyrics work to form a kind of double helix in which the strands of empirical knowledge and intuitive knowledge twist and become one. In the silence that follows, the speaker comes to terms with both her attachment to nature’s permanence and nature’s solid independence from our attachment.

Bassinet
Poetry by Dan Rosenberg
Carnegie Mellon University Press, February 2022

Dan Rosenberg’s third collection moves from loss into parenthood, exploring the roles of husband and father: their limits, their possibilities, and how they intersect with the wider world. Grounded in the familial, these poems wrestle with the political and the ecological, with heritage and hope, reimagining the breadth of home and what it means for one man to raise another to love it.