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NewPages Blog

At the NewPages Blog readers and writers can catch up with their favorite literary and alternative magazines, independent and university presses, creative writing programs, and writing and literary events. Find new books, new issue announcements, contest winners, and so much more!

The MacGuffin – Fall/Winter 2021

Nancy Buffum’s “Girl at Piano” on the cover of vol. 37.3 is a prelude to the trio of musical poetry in the exposition to this issue, composed by poets Frank Jamison, Tobey Hiller, and Vince Gotera. As with any other sonata, the recapitulation comes later—András Schiff through Murray Silverstein’s eyes; guitarists, off-stage (Berlioz anyone?) in Gabriella Graceffo’s “Relics”; extended vocal technique in Eric Rasmussen’s “The Irresistible Gobble”—but not before Lucy Zhang’s multi-part “Trigger” and Lynn Domina’s multi-peninsula “Yooper Love” develop the form a bit. Finally, we reach the coda, this time a scherzo: “The Slapathon,” from J.A. Bernstein.

Read more at The MacGuffin website.

Cutleaf – Vol 2 No 2

In this issue of Cutleaf, Yasmina Din Madden shows us the ABCs of relational ups and downs in “Zero Sum Game.” Tiffany Melanson reflects on color theory in and out of prison in four poems beginning with “Visitation: Tomoka Correctional Institution.” And Mary Zheng navigates the necessary pain of empathy in the emergency room in “Jane.”

Learn about this issue’s images at the Cutleaf website.

January 2022 eLitPak :: CARVE Magazine

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Get 30% off a One-year Subscription

Exclusive for NewPages fans: Get 30% off a one-year print or digital subscription to CARVE. That’s four issues featuring new HONEST FICTION, poetry, essays, interviews, illustrations, and more. Discover a new borderless and diverse community within the pages of CARVE. Use code NEWPAGES22 at checkout—hurry, our next issue ships soon! Visit website.

View full January 2022 eLitPak newsletter.

January 2022 eLitPak :: SIR Press

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2022 Michael Waters Poetry Prize

Deadline: February 1, 2022
A prize of $5,000 and publication by SIR Press is awarded annually for a collection of poetry written in English. All entries are considered for publication. Michael Waters is the final judge. Entrants receive a one-year subscription to Southern Indiana ReviewVisit website.

View full January 2022 eLitPak newsletter.

January 2022 eLitPak :: Elk River Writers Workshop

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Voices. Elevated.

Our workshop embodies the idea that deep, communal experiences with the wild open the door to creativity. Students who are serious about fostering a connection with place will work with some of the most celebrated nature writers in the U.S. For our 2022 workshop, we welcome faculty members Camille Dungy, Sean Hill, J. Drew Lanham, Beth Piatote, and Laura Pritchett. Visit website.

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January 2022 eLitPak :: Kaleidoscope

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Issue 84 of Kaleidoscope Published this Month! Accepting Submissions Year-Round

Resilience is the common thread running through the work selected for this issue, which includes writing by authors in India, Bahrain, Australia and across the United States. A pioneer in its field, Kaleidoscope magazine publishes literature and artwork that creatively explores the experience of disability. Submit your best work to us today! Visit our website for more information.

View full January 2022 eLitPak newsletter.

January 2022 eLitPak :: National Indie Excellence Awards

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Now Open for Entries

Deadline: March 31, 2022
The 16th Annual National Indie Excellence® Awards (NIEA) are open to all English language printed books available for sale, including small presses, mid-size independent publishers, university presses, and self-published authors. NIEA is proud to be a champion of self-publishing and small independent presses going the extra mile to produce books of excellence in every aspect. Visit website.

View full January 2022 eLitPak newsletter.

January 2022 eLitPak :: Consequence

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The Reading Period for Consequence is Now Open

Deadline: April 15, 2022
The reading period for Consequence Volume 14.2 is now open. We are after any and all literary work or visual art that deals with the human consequences and realities of war and/or geopolitical violence, but we are especially after translations, fiction, and nonfiction pieces. BIPOC and people from other underrepresented communities are strongly encouraged to submit. Visit website.

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January 2022 eLitPak :: Your Personal Odyssey Writing Workshop

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A Breakthrough Experience for Writers of Fantasy/Science Fiction/Horror

Have you ever wished you could attend your own private writing workshop that would teach you exactly what you need to know, at the right pace for you, and provide feedback and guidance in extensive one-on-one sessions? That’s Your Personal Odyssey Writing Workshop. It’s an intensive, personalized, one-on-one online workshop experience combining advanced lectures, expert feedback, and deep mentoring. Visit website.

View full January 2022 eLitPak newsletter.

January 2022 eLitPak :: About Place Journal

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Call for Submissions: Navigations – A Place for Peace

Deadline: March 10, 2022
Each issue of About Place Journal, the arts publication of the Black Earth Institute, focuses on a specific theme. From January 1 to March 10, we’ll be accepting submissions for our Spring 2022 issue Navigations: A Place for Peace. Our mission: to have art address the causes of spirit, earth, and society; to protect the earth; and to build a more just and interconnected world. We publish prose, poetry, visual art, photography, video, and music which fit the current theme. Visit website.

View the full January 2022 eLitPak newsletter.

January 2022 eLitPak :: Caesura Poetry Workshop

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20% off Your First Class at Caesura Poetry Workshop

Caesura Poetry Workshop aims to inspire, educate, and energize poets of all backgrounds through affordable Zoom workshops hosted by award-winning poet John Sibley Williams. Workshops include poem analysis, group discussion, writing prompts, poem critiques, and writing time. Come join our growing community! 1-1 personalized workshops, coaching, and manuscript critiques to keep you writing and inspired also available. Visit website.

View the full January 2022 eLitPak newsletter.

January 2022 eLitPak :: The Caribbean Writer

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The Caribbean Writer (TCW)—Where the Caribbean Imagination Embraces the World—is an international, refereed, literary journal with a Caribbean focus, founded in 1986 and published annually by the University of the Virgin Islands. TCW features new and exciting voices from the region, and beyond, that explores the diverse and multi-ethnic culture in poetry, short fiction, personal essays, creative nonfiction, and short plays. Submissions open annually January 10 through December 31. Visit website.

View the full January 2022 eLitPak newsletter.

Weekly Round-up of Calls & Contests :: January 21, 2022

It’s getting colder outside. Time to grab your favorite warm beverage and keep your submissions goals going strong in 2022. Check out the submission opportunities featured on NewPages this week. Don’t forget you can subscribe to our newsletter for a first peek every Monday and also get our monthly eLitPak. In fact, our January eLitPak newsletter was mailed to current subscribers this past Wednesday. Sign up today so you don’t miss out!

Continue reading “Weekly Round-up of Calls & Contests :: January 21, 2022”

A New Novel of a Tempestuous Time

Guest Post by Rick Winston.

David, the protagonist of Dan Chodorkoff’s insightful new novel Sugaring Down, is conflicted. He moved to Vermont in 1969 to be part of an activist political collective, but finds himself drawn to the quiet rhythms of the Vermont seasons. The more radicalized his comrades (and especially his girlfriend Jill) become, the more David finds true fulfillment in putting down roots.

David and friends come to Vermont’s Northeast Kingdom with very little practical knowledge. Through his closest neighbors, the vividly realized Leland and Mary Smith, he gradually acquires the skills to survive. He must use them all when the collective disintegrates and he faces a winter alone.

Leland and Mary do not pass judgment on the newcomers and become a guide to much more than splitting wood and boiling syrup. They advise David and friends on what not to say to hostile individuals in town, how to behave at Town Meeting, and in general how to act so that— eventually—they might be accepted in their community.

Through Leland and Mary, we also learn some Vermont history that predates the counterculture. David has never heard about Barre’s radical history (Mary, the daughter of a granite worker, has Italian roots), or the forced sterilizations of Abenaki people during the eugenics movement, or the bulk tanks that forced Leland and Mary to give up dairy farming.

Chodorkoff is especially evocative as the reader sees each successive season—their glories and their challenges—through David’s city-bred eyes. And it was painful to this veteran of the late 1960s to relive the heated political conversations of the time. The book takes place at a time when some on the “New Left” were turning to violence, and Chodorkoff does not shy away from these upsetting themes.

Chodorkoff uses the maple sugaring process as a central metaphor, hence the title. The sap boils off (and there is furious boiling indeed) and we—and David—are left with the essence. Sugaring Down is a worthy addition to the growing literature about Vermont during this tempestuous time.


Sugaring Down by Dan Chodorkoff. Fomite Press, February 2022.

Reviewer bio: Rick Winston lives in Montpelier, Vermont and is the author of Red Scare in the Green Mountains: Vermont in the McCarthy Era 1946-1960.

NewPages January 2022 eLitPak

The NewPages January 2022 eLitPak newsletter was officially emailed to our newsletter subscribers Wednesday afternoon. If you’re not a subscriber, sign up today! You’ll not only get our monthly eLitPak, but our weekly newsletter with submission opportunities, upcoming events, and more.

This month’s eLitPak features fliers from The Caribbean Writer, Caesura Poetry Workshop, About Place, Your Personal Odyssey Writing Workshop, Consequence, National Indie Excellence® Awards, Kaleidoscope, Elk River Writers Workshop, Blue Mountain Review, SIR Press, and CARVE Magazine. Find calls for submissions, writing and book contests, new issues announcements, and upcoming events.

Continue reading “NewPages January 2022 eLitPak”

‘The Love Songs of W.E.B. DuBois’

Guest Post by Kevin Brown.

In her first novel, Jeffers covers a wide range of history, but focuses on one place called Chicasetta, moving from the Indigenous Creek to African Americans and whites as they move into or are brought into the area. The novel follows two strands of a story that ultimately intersect: one from the Native American viewpoint covering hundreds of years and one following Ailey Garfield from her childhood to graduate school in history in the early 2000s.

There are echoes of African American history and literature, ranging from the obvious references to DuBois—not only the title, but significant ideas in the novel—but also narratives by those who were enslaved (Jacobs and Douglass) and more contemporary writers, such as Alice Walker and Toni Morrison. While drawing on such sources, though, Jeffers makes this story her own by setting it so concretely in one place and following one family’s history.

My one criticism is that the novel covers so much time, even within the contemporary story, minor characters seem to come in to serve a particular role, then exit quickly. That’s especially true when Ailey is in college and graduate school, as those characters seem to represent some idea that needed covering.

However, Jeffers uses the historical sweep to explore questions of America and identity and race, knowing there are no answers, only questions, as Ailey says at the end of the novel: “I know the story will be over soon. That I will wake up with a question. And then another, but the question is what I have wanted. The question is the point. The question is my breath.” Jeffers’s novel shows us the power of questions: Who’s asking them? Who’s avoiding them? What’s left out?


The Love Songs of W.E.B. DuBois by Honorée Fanonne Jeffers. Harper, August 2021.

Reviewer bio: Kevin Brown has published three books of poetry: Liturgical Calendar: Poems (Wipf and Stock); A Lexicon of Lost Words (winner of the Violet Reed Haas Prize for Poetry, Snake Nation Press); and Exit Lines (Plain View Press).  He also has a memoir, Another Way: Finding Faith, Then Finding It Again, and a book of scholarship, They Love to Tell the Stories: Five Contemporary Novelists Take on the Gospels. You can find out more about him and his work on Twitter at @kevinbrownwrite or at http://kevinbrownwrites.weebly.com/.

A Tender New Year’s Resolution

Guest Post by Annie Eacy.

It’s New Year’s Eve as I write this, and I’m isolating in my childhood bedroom after testing positive for Covid-19 after nearly two years of masking, vaccinating, boosting, testing, and more. My whole body aches and all I would like to do is spiral in self pity. Instead, I pick up a green book on my bedside table: Small Things Like These by Claire Keegan.

Small town Ireland in the 1980s. A blue-collar man, reserved and hardworking, is married with five young daughters. He lives a measured and somewhat mundane life, not prone to much contemplation or self-reflection. That is, until one day not long before Christmas, he makes a discovery requiring an act of heroism that has the potential to change many lives and not all for the better.

This is a marvelous, unassuming novel filled with small, tender moments: helping his girls with the spelling in their Santa letters, filling hot water bottles for their beds, watching them sing in their church choir. “Aren’t we the lucky ones?” he says to his wife one night, and she agrees. However, his gratefulness is warped by the misfortune of others. How should they have so much and not share it? Keegan’s novel begs many questions about heroism and altruism, but the most compelling might be that while there can certainly be tenderness in heroism, can there also be heroism in tenderness?

I close the book, no longer wallowing in my self-pity. My mother knocks to offer me tea—her voice soothes, like honey for my sore throat. I hear her soft slippers on the stairs, the tapping of dog paws following, the click of the gas stove. Small, tender things. How much there is to be grateful for when you look or listen for it, and after reading Keegan’s novel, that’s what I’ll do.


Small Things Like These by Claire Keegan. Grove Atlantic, November 2021.

Reviewer bio: Annie Eacy is a writer living in the Finger Lakes. She writes poetry, fiction, and essays, and is currently working on a novel.

Publications for Young Writers

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NewPages maintains two guides where young readers and writers can find print and online literary magazines to read, places to publish their own works, and legitimate contests: Publications for Young Writers and Writing Contests for Young Writers. Both of these are ad-free resources regularly updated with carefully vetted content.

Many of the magazines listed on NewPages Publications for Young Writers include resources to inspire and mentor writing. One such publication is the Young Writers Project that features a full year’s worth of writing and visual art “Challenges.” These are organized by week, with all entries in response to these prompts being considered for various publications, including the monthly digital magazine, The Voice, as well as for the YWP annual anthology.

In addition to this, YWP’s Community Journalism Project runs weekly prompts based on “newsy, issue-based challenges” as well as a special Climate Change Project.

These are wonderful resources for teachers to use in the classroom as well as for anyone mentoring young readers or writers in their lives.

The Massachusetts Review – Winter 2021

This special issue is dedicated to the climate crisis and those being destroyed and changed by it. Work by Shailja Patel, Vanessa Place, Omar El Akkad, Rick Bass, Alex Kuo, CAConrad, Barry Lopez, Laura Dassow Walls, Craig Santos Perez, Salar Abdoh, Brian Turner, Lisa Olstein, Joseph Earl Thomas, Khairani Barokka, Amitav Ghosh, Marta Buchaca, Mercedes Dorame, Rob Nixon, Gina Apostol, and more. See a full list of contributors at The Massachusetts Review website.

Kenyon Review – Jan/Feb 2022

The Jan/Feb 2022 issue of the Kenyon Review features the winners of our 2021 Short Fiction Contest: Ted Mathys, Sam Zafris, Rachel L. Robbins, and Malavika Shetty; stories by Vanessa Chan, Lan Samantha Chang, Drew Johnson, and Joanna Pearson; essays by Melissa Chadburn, Beth Ann Fennelly, and Alice Jones; and poems by Ruth Awad, Cameron Awkward-Rich, Traci Brimhall, Katie Hartsock, Cate Marvin, Maggie Millner, Michael Prior, Natasha Sajé, and Joan Wickersham. Now at the Kenyon Review website.

Kaleidoscope – No. 84

In this issue, we see a common thread of resilience. Humor and an appreciation for the little things are along for the ride. Featured essay by Kavitha Yaga Buggana. Featured art by Sandy Palmer. Fiction by Kelly A. Harmon, Lind McMullen, and Courtney B. Cook; a personal essay by Jackie D. Rust; creative nonfiction by Judy Kronenfeld, Laura Kiesel, Kristin LaFollette, and Tereza Crvenkovic; and a book review by Nanaz Khosrowshahi. Poetry by Alan Balter, Lucia Haase, John Dycus, Linda Fuchs, Diane S. Morelli, Alana Visser, Wren Tuatha, and T.L. Murphy.

Download the new issue PDF at the Kaleidoscope website.

The Georgia Review – Winter 2021

The Georgia Review’s Winter 2021 issue with new writing from Morgan Talty, Victoria Chang, Cheryl Clarke, Ira Sukrungruang, Garrett Hongo, Edward Hirsch, and many more, as well a story by Maya Alexandrovna Kucherskaya translated from the Russian, two iconic speeches from the early years of the OutWrite literary conference, and the winner of this year’s Loraine Williams Poetry Prize.

More info at The Georgia Review website.

Contest :: Driftwood Press Extends Deadline of In-House Contests

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Extended Deadline: January 31, 2022
Submit soon to our In-House Short Fiction & Single Poem Contests! On the short fiction side, we’re proud to announce that we’ve upped the award to $500 for the winning story and $150 for all runners-up! Winners and runners-up also receive publication, an interview, and an illustration that will appear alongside their story. All stories submitted are considered for publication by not one—but two editors, and response times are faster than usual. On the poetry side, all works are also considered for publication, with the runners-up awarded an interview, publication, and $50 per poem. The winner of the In-House Poetry Contest will receive $400, publication, a featured interview, and a commissioned illustration to appear alongside their work.

2021 Far Horizons Award for Short Fiction Winner

Congratulations to Ben Lof, winner of The Malahat Review‘s 2021 Far Horizons Award for Short Fiction. Lof won with his piece “Naked States.”

The story begins:

In January, Frank said to April, No more alcohol. This was not a New Year’s resolution. The vermouth pancakes tasted only of vermouth.

April said, Who the heck is named “Frank” anymore? I mean, what is this, the 1960s?

Frank said, That’s the booze talking, that kind of meanness. You used to be witty.

Oh? said April. I’m still witty, pal. Got buckets and buckets of wit.

So they dropped alcohol.

Lof was also interviewed for this issue, and you can check out the interview on The Malahat Review‘s website.

2021 William Van Dyke Short Story Prize Winners

Congratulations to the winners of the 2021 William Van Dyke Short Story Prize in Issue 60 of Ruminate.

First Place
“The Florist” by Alex Cothren

Second Place
“A Guide to Removal” by Amber Blaeser-Wardzala

Honorable Mention
“Katingo Carried 15,980 Tons and a Gentleman” by George Choundas

Finalists include Nina Gaby, Elizabeth Paley, Lauren Loftis, Skye Anicca, Catherine Miller, Alberto Daniels, and Suphil Lee Park.

Read comments on the winners from Judge Kelli Jo Ford inside the issue as an introduction to the pieces.

Girls Right the World Seeks Submissions

NewPages maintains two guides where young readers and writers can find print and online literary magazines to read, places to publish their own works, and legitimate contests: Publications for Young Writers and Writing Contests for Young Writers. Both of these are ad-free resources regularly updated with carefully vetted content.

Girls Right the World is one of those listed, their mission is to provide an “an international literary journal advocating for young, female-identified writers and artists. This journal values and promotes diversity of culture and expression.” The publication is edited by students at Miss Hall’s School in Massachusetts. Currently, Girls Right the World has extended their deadline for submissions.

Female-identified writers and artists, ages 14–21, are invited to submit poetry, prose, and visual art of any style or theme for consideration for the sixth annual issue by January 31, 2022. For full submission information, visit their site here.

Weekly Round-up of Calls & Contests :: January 14, 2022

January will be half over with in a day. Didn’t the new year just start? How are your submission goals coming in 2022? Let NewPages help out with the round-up of the submission opportunities featured this week. Don’t forget you can get a first peek if you’re a newsletter subscriber. Subscribe today and besides getting our weekly newsletter next Monday, you’ll also receive our monthly eLitPak Newsletter coming out next Wednesday.

Continue reading “Weekly Round-up of Calls & Contests :: January 14, 2022”

Call :: Still Time to Submit Manuscripts in All Genres to Atmosphere Press

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Deadline: Rolling
Atmosphere Press currently seeks book manuscripts from diverse voices. There’s no submission fee, and if your manuscript is selected, we’ll be the publisher you’ve always wanted: attentive, organized, on schedule, and professional. We use a model in which the author funds the publication of the book, but retains 100% rights, royalties, and artistic autonomy. This year Atmosphere authors have received featured reviews with Publishers Weekly, Kirkus, and Booklist, and have even appeared on a giant billboard in Times Square. Submit your book manuscript at atmospherepress.com.

Buckle Your Seatbelts, You’re in for Quite a Ride!

Guest Post by Cindy Dale.

Air France 006, Paris to New York. The seatbelt sign comes on. The captain calmly announces, prepare for a little turbulence.  More than a little it turns out. If you’ve ever been on a flight where you questioned if the plane would successfully land, you know the feeling. I don’t profess to have completely unraveled (or made sense of) all the threads of this book, but I enjoyed the ride.  Part sci-fi, part political thriller, part philosophical treatise, The Anomaly by Hervé Le Tellier was a huge bestseller in France and won the Prix Goncourt.

It took a bit for the puzzle pieces to fall in place for me, but once the catalyst for these disparate stories was revealed the novel picked up speed. Apparently, the same flight with the same crew and the same passengers landed twice—four months apart.  Ultimately, we follow the fates of eleven passengers (and their clones)—from a contract killer to a film editor to the author of a novel called, you guessed it, The Anomaly. There are references to everything from Martin Guerre to Elton John to Nietzsche. Quotes from War and Peace, Romeo and Juliet, and Ecclesiastes. Sandwiched in there is the American government’s ham-fisted response to the mysterious second landing.

I confess to getting a little lost in some of the mathematical and astrophysics tangents, but the reader is drawn into the personal stories of the passengers (and their clones).  What would you say if confronted with an exact doppelgänger of you, right down to the same memories, the same secrets, the same neurosis? Definitely existential, but also humorous and with quite a few quotable lines. You may not be able to board a flight and go on an exotic adventure these days because of Covid, but you can take off on a wild ride from the comfort of home with The Anomaly.


The Anomaly by Hervé Le Tellier. Other Press, November 2021.

Reviewer bio: Cindy Dale has published over twenty short stories in literary journals and anthologies. She lives on a barrier beach off the coast of Long Island.

Contests for Young Writers

Image of a poster for the I Matter poetry contest

NewPages maintains two guides where young readers and writers can find print and online literary magazines to read, places to publish their own works, and legitimate contests: Publications for Young Writers and Writing Contests for Young Writers. Both of these are ad-free resources regularly updated with carefully vetted content.

The Lions Club International Peace Essay Contest is one of those listed, and the 2020-2021 winning essay “Peace Through Service” by 13-year-old Australian Joshua Wood is a beautiful example of the kinds of writing these contests can inspire. He can be seen/heard reading his essay on the site here, and his essay is available to read online or download to print.

If you know young readers and writers in your life, or if you yourself enjoy writing for young readers, check out these guides today!

[Image: National Youth Foundation poster for the “I Matter Poetry Contest.”]

Expect the Unexpected

Guest Post by Julia Wilson.

Elizabeth McCracken is one of my favorite authors, primarily for her graceful blending of mundane realities with imaginative and unusual details, thus painting seemingly humdrum lives sparkling with the unexpected.

Bowlaway is no exception. Ostensibly a story about generations of an extended family living in a small town, McCracken’s odd characters are mixes of humorous, pathetic, lonely, yearning, creative, frail, damaged, liberated, secretive, selfish, and loving. They are mysterious and perplexing, not necessarily likeable but compelling. The book starts with a woman, Bertha Truitt, being found unconscious in a cemetery, without explanation. Thus begins the family saga of the Truitts, who own a bowling alley in the northeastern town of Salford.

But the real story in Bowlaway is the complexities of relationships, primarily marriages. In McCracken’s smooth sentences and use of an omniscient narrator, the reader is witness to weaknesses, loyalty, secrets, misunderstandings, and resignation. The partners in these relationships don’t have much eagerness in looking forward to the future yet have found a reality they can tolerate, containing both joy and heartache. There is tenderness between a woman and her mother-in-law, compassion of a wife in the face of her husband’s alcoholism, a recluse’s love for a mourning mother, and the relief of the few who escape the dreary life in Salford.

McCracken is at her best painting the facets of her characters so they come alive to the reader. They are flawed, self-interested, confused, and searching—as are we all.


Bowlaway by Elizabeth McCracken. Ecco, November 2019.

Reviewer bio: Julia Wilson is an MA in Writing student at Johns Hopkins University

Contest :: Brilliant Flash Fiction’s Welcome 2022 Writing Contest with Pamela Painter

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Deadline: April 15, 2022
No prompt or theme. No Entry Fee. Word limit: 500 words, excluding title. Submit entries via email. Prizes: $200 first prize, $100 second prize, $50 third prize. Shortlisted stories receive $20 and publication. Judge: Pamela Painter. Contest Rules: One entry per author. Send your entry pasted into the body of an email and also as a Word attachment with the story title in the subject line. Double-spaced, 12 pt. Times New Roman. No name on entries. Submit an author bio in a separate attachment. Results announced June 30, 2022. View full guidelines here.

Ruminate – Issue 60

The writers and artists whose work makes up Ruminate Issue 60 probe the imagery and metaphor of being at sea. Included are Devon Miller-Duggan’s poem, “Perhaps a Prayer for Surviving the Night” and Peggy Shumaker’s “Gifts We Cannot Keep.” George Choundas’s engrossing story, “Katingo Carried 15,980 Tons and Gentleman,” transports us to the world of those who live and work on cargo ships. And O-Jeremiah Agbaakin’s poem, “landscape with broken ekphrasis,” muses on the image of the last ship that brought enslaved people to the United States. This issue features the winning story from our 2021 William Van Dyke Short Story Prize.

More info at the Ruminate website.

Plume – Feb 2022

This month’s featured selection: “On Long Poems, Lyric Sequences, and ‘Cop’”; An interview with Connie Voisine by Amanda Newell. Mark Wagenaar reviews Carmine Starnino’s Dirty Words. In nonfiction: “Reading the Qur’an with Rumi” by Amer Latif. This month’s poetry contributors include Ira Sadoff, John Hodgen, Katja Gorečan, Pablo Piñero Stillmann, Bhisham Bherwani, Kelli Russell Agodon, Brendan Constantine, and more. Find this issue at the Plume website.

The Iowa Review – 51/1

In this issue: a shrinking house, winter ticks, COVID, Burning Man, Alexander Pope, crisis, spies, a plane crash, wars, Sandy Koufax, and more. Poetry by Stella Wong, Gilad Jaffe, Camille Guthrie, Maxine Scates, Steffi Drewes, and more; and nonfiction by Carol Guess & Rochelle Hurt, Ellis Scott, Greg Wrenn, Amy V. Blakemore, and Andrea Truppin. Find fiction contributors at The Iowa Review website.

Cutleaf – Issue 2.1

In our first issue of 2022, Ben Kaufman searches for the ghost in the machine as he questions the way language and meaning changes through time in “Unknown Caller.” Pauletta Hansel views various effects of trying to live as the marrow in someone else’s bones in three poems beginning with “So Maybe It’s True.” And George Singleton shares the story of a boy named Renfro who wants only to earn his driver’s license and to reconcile his odd parents in “Here’s a Little Song.”

Learn about this issue’s images at the Cutleaf website.

Contest :: 2022 New American Poetry Prize Extended Deadline February 14

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Extended Deadline: February 14, 2022
Submissions are now open for the 2022 New American Poetry Prize. Extended deadline: February 14, 2022. The winning author will receive a publication contract including $1,500, 25 copies, and promotional support. All forms and styles of poetry are welcome. Final judge this year is Eduardo C. Corral, author of Slow Lightning (2012), winner of the Yale Younger Poets Prize, and Guillotine (2020). Please use Submittable to send your work.

Delectable Poetry by Dorothy Chan

I love Dorothy Chan’s poetry, so I’m always excited to see her name in a lit mag’s table of contents. Two of her poems are included in the Fall/Winter 2021 issue of Colorado Review: “You Might Change Your Mind About Kids” and “Triple Sonnet for Batman Villains and Whatever This Is.”

In “You Might Change Your Mind About Kids,” the speaker is told this titular sentence by a man she has a romantic relationship with. The poem is the mental dissection of his opinion on this topic, an inner rebellion broiling beneath the surface. Who is this man to claim her body, her future, her future child? How is she seen as “the place to reserve / for a baby, the hotel for a womb?” She feels palpable derision toward his assumptions and I love that clarity of the speaker knowing exactly what she wants and does not want. She’s not going to change for this man or any other man and she finishes the poem with, “If I ever love someone, I’ll be baby forever.”

“Triple Sonnet for Batman Villains and Whatever This Is” is such a fun poem that still holds a hefty dose of seriousness in its final stanza. This poem has one thing I always enjoy about Chan’s poetry which is the absolute pleasure of experiencing different foods. These two pieces are just as delectable as “sashimi and Snow / Beauty sake and mango mochi for dessert.”

Let’s Read Together!

Photograph of people attending an OSU writing project event with the name OSU Writing Project label.

From Dr. Sarah J. Donovan: This winter-spring, the OSU Writing Project is offering an online professional development and would like to invite you, even if you are not in Oklahoma, to register for this online experience.

For pre-service, inservice, & veteran teachers who love reading and learning through literature. For educators who want to support students and families by making classroom libraries and curriculum more inclusive-affirming of students’ intersecting identities. This monthly book group (January-June, 2022) is a place to ignite thoughtful conversation about young adult literature informed by Dr. Yolanda Sealy-Ruiz’s (2020) Six Components to Racial Literacy Development.

Your registration fee of $35 is a commitment to attend the conversations and for your PD certificate of 6 hours. You will buy from a store or reserve from your library the selected books. We will meet once a month via Zoom for an hour to discuss the texts, which will include extensions into ideas for sharing literature with students and studying of author’s craft. Respectful, invitational dialogue is expected of all participants.

We are going to read with a lens of what Dr. Yolanda Sealy-Ruiz named racial literacy development, which includes historical awareness of the forces that shape the society we live in along with critical humility or how we can “remain open to understanding the limits of our own worldviews & ideologies” and toward critical love or “a profound ethical commitment to caring.” We want to center love as transformative, recognizing harm but noticing the ways we heal and feel joy through young adult literature. Thus, our focus is on authors’ craft and celebrating beautifully crafted passages in the texts that represent intersecting identities.

Here is the book list. Notice, there are several verse novels listed in April, so you can choose any or all. Again, it will be up to you to acquire these books in the medium you prefer. We hope you will consider your local library and/or a local Black-owned bookstore. All meetings are Sundays, 6:00-7:00pm CT.

Continue reading “Let’s Read Together!”

Weekly Round-up of Calls & Contests :: January 7, 2022

Happy New Year! Here’s hoping that 2022 is filled with great news on the writing and craft advancement front for you all. To help you start out the new year and keep your submissions goals strong, here are submission opportunities featured on NewPages this past week.

Don’t forget that newsletter subscribers get a first peek before everyone else. Subscribe today! Besides our weekly newsletter, subscribers also receive our monthly eLitPak. Our next eLitPak is slated for January 19, so stay tuned!

Continue reading “Weekly Round-up of Calls & Contests :: January 7, 2022”

A Darned Good Book About Vermont Humor

Guest Post by Alec W. Hastings.

Bill Mares and Don Hooper put out a darned good book about Vermont humor. It’s called I Could Hardly Keep from Laughing. Even though I’ve grown up in Vermont—well, almost—I’ve always wondered what that is. Vermont humor, I mean. How would I know it if I met it walking down the street? I read eagerly and kept my eyes open for the answer.

The authors collected Vermont jokes and anecdotes by the truckload. I delighted in Hooper’s cartoon art, the bug-eyed but endearing folk of our Vermont hills. I could hardly keep from smiling at the humor of familiar Vermonters like Silent Cal, Francis Colburn, George Woodard, Al Boright, Fred Tuttle, and Rusty DeWees. Some of the Vermont humorists I met in these pages were new to me, and it tickled me to get acquainted with Robert C. Davis, David K. Smith, or Josie Leavitt.

Did Mares and Hooper entertain me and add to my understanding of Vermont humor? St. Peter on a pogo stick! You bet they did! Did they define Vermont humor like Webster? They’ve lived in Vermont long enough to know better. They did give a few hints to help us put classic Vermont humor up a tree. What did they say in chapter one? “Dry, wry, understated.” And when they unloaded their truck, the humor that tumbled out fizzed with playful wit, but I agree with Danziger. He says in the foreword it’s easier to tell what Vermont humor is than what it is not. In my mind’s eye there is always a hint of mischief in the eye of the Vermont humorist looking back at me. It bespeaks an urge to tease but never to be unkind.

For me, the best Vermont humorists have always put themselves in the same boat with their audience. Theirs is not so much the idea that “the joke is on you,” as it is that “the joke is on all of us.” But what do I know? As the fella said in chapter three, “Not a damn thing.” Vermont humor remains something of a mystery to me. Maybe that’s good. A butterfly pinned to a board is nowhere near as pretty as one fluttering by on the breeze.


I Could Hardly Keep from Laughing by Don Hooper & Bill Mares. Rootstock Publishing, December 2021.

Reviewer bio: Alec W. Hastings is the author of Cap Pistols, Cardboard Sleds & Seven Rusty Nails: A Vermont Boyhood in Happy Valley. He grew up in the hill country of Vermont when Jersey cows still grazed the pastures and men in denim boiled sap in wood-fired evaporators.

Buy this book from our affiliate Bookshop.org.

Try Your Hand at a Glosa with Page & Pappadà

Guest Post by Elda Pappadà.

I discovered P.K. Page about two years ago, and since then this talented, prolific writer has become one of my favorite poets. I was determined to read all her poetry books when I came across: Coal and Roses: Twenty-One Glosas. Glosa (Glose) is a Spanish form of poetry where the author quotes a quatrain from an existing poet and writes four ten-line stanzas with the four lines acting as a refrain in the final line of each stanza. Therefore, the first line from the quatrain would be the final line in the first stanza, and etc.  The last word at the end of the sixth and ninth lines must also rhyme with the last word in the borrowed tenth line.

Coal & Roses was a captivating find. P. K. Page manages to keep the flow continuous and writes with such ease, originality, and skill. It is very interesting to see the final product. A Glosa can keep the same tone as the original quatrain or can take a whole new path and narrative. I tried my own hand at writing a Glosa and found it to be rather liberating with unlimited possibilities. The final product was unlike most poetry I have ever written.


Coal and Roses: Twenty-One Glosas by P. K. Page. The Porcupine’s Quill, 2009.

Reviewer bio: Elda Pappadà has self-published her first poetry book, Freedom – about love, loss, and understanding. Freedom is about finding meaning in the highs and lows of everyday life, to learn and even re-learn what we need to move forward.  It’s about defining life and giving weight to everything we do.

A Realistic Portrayal of Recovery

Guest Post by Lailey Robbins.

Good Enough, written by Jen Petro-Roy, is a piece of fiction that sits comfortably between middle reader and young adult. It is quite a realistic piece of fiction with a profoundly honest and vulnerable look into the life of Riley, who is hospitalized for her struggles with anorexia nervosa. Through the story, we see her heal, stumble, and navigate through a realistically and maturely portrayed journey of recovery.

This work is nothing short of phenomenal. With its accessible language and mature-yet-realistic handling of the sensitive topics that it delves into, it is a must have. Petro-Roy, being a survivor of an eating disorder herself, offers sensitive and helpful insight into the life of recovery and the many struggles that come with it. This, alongside her brilliant character development and the portrayal of relationships within the work, home in on her wonderful style. Not only does the audience watch Riley change, grow, and heal, they are also able to watch her juggle both the friendships that she has made within the facility while simultaneously trying to keep her pre-hospitalization friendships alive.

However, the downfall of this novel lies within its conclusion. The ending is unsatisfying, for lack of better words, as there is no definite answer for what comes next. As the novel draws nearer to Riley’s release from the facility, the book ends, leaving the reader with a sense of confusion as the character that they had been expecting to see make a full recovery is still struggling. Though it is realistic to not know what comes next, especially when in recovery, the ending of this novel seems to disregard its stakes entirely, leaving the reader completely lost.

However, if you are one for open endings, this novel has many redeeming qualities that allow it to be a wonderful read.


Good Enough by Jen Petro-Roy. Feiwel & Friends, February 2019.

Reviewer bio: Lailey Robbins is a creative writing student from Salem College, North Carolina. Currently, she is working on a short story and a novel, with hopes to be published in the future.

Call :: Storm Cellar Seeks Amazing Writing & Art for Spring 2022 Issue

abstract cover art of literary magazine Storm Cellar

Deadline: Rolling
Don’t forget Storm Cellar seeks new and amazing writing and art for its spring issue! We are a journal of safety and danger, in many senses, in print and ebook formats since 2011. Send secrets, codes, adventures, mad experiments, and wild things. Black, Indigenous, POC, LGBTQIA+, disabled, neurodivergent, fat, border-straddling, poor, and other marginalized authors encouraged, bonus points for a Midwest connection. Now paying; limited no-fee submissions available each month. Full guidelines and F.A.Q. at stormcellar.org/submit and submit via Submittable.

The Writing Disorder – Winter 2021/22

Winter is upon us and so is the new issue of The Writing Disorder. Find “Aesthetic Transmissions,” an interview with Robert Hass by George Guida; fiction by Robert Boucheron, Inez Hollander, Justin Reamer, Jeff Underwood, and more; poetry by Holly Day, Ash Ellison, Jonah Meyer, Bruce Parker, Frederick Pollack, and Kate Porter; nonfiction by Joan Frank, Donna Talarico, and Emilio Williams; and art by Nick Bryant.

World Literature Today – Jan 2022

Muscogee writer Cynthia Leitich Smith headlines the January 2022 issue with a reflective essay on “Decolonizing Neverland” in YA lit. Also inside, Fowzia Karimi finds a “small flame” of hope in Afghanistan, while other essays survey Vanuatu women writers, China’s minority fiction, and the new Van Gogh exhibition at the Dalí Museum. Additional highlights include interviews with African writers Masiyaleti Mbewe and Henrietta Rose-Innes, fiction from Iran and Japan, and poetry from Colombia, Ivory Coast, and Siberia. As always, more than twenty book reviews.

More info at World Literature Today website.

Magazine Stand :: Wordrunner eChapbooks – Winter 2021

We are pleased to announce publication of Wordrunner eChapbooks‘ 44th issue, our Winter 2021 fiction echapbook: Arrest, Stories by Lazarus Trubman. A riveting and grimly comic collection, Arrest is the account of a Moldavian-Jewish dissident’s interrogation by the KGB, subsequent imprisonment in a labor camp, and a difficult emigration from the former Soviet Union with his family. The author’s life is the source for this fiction, narrated by a character named Trubman, a survivor scarred by his experience who finds a new home in the USA.

More info at the Wordrunner website.