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At the NewPages Blog readers and writers can catch up with their favorite literary and alternative magazines, independent and university presses, creative writing programs, and writing and literary events. Find new books, new issue announcements, contest winners, and so much more!

October 2021 eLitPak :: 31st Annual Jeffrey E. Smith Editors’ Prize: Deadline Extended

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Deadline: October 18, 2021
Missouri Review’s Jeffrey E. Smith Editors’ Prize has extended its deadline to October 18. Winners in fiction, poetry, and nonfiction receive $5,000 and publication. All entrants receive a 1-year digital subscription and a free copy of the digital anthology Private Lives. All-access entrants receive an additional decade of TMR digital issues, complete with audio recordings. All entries considered for publication.

View the full October 2021 eLitPak Newsletter.

October 2021 eLitPak :: 18th Annual Palm Beach Poetry Festival

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Virtual festival takes place January 10-15, 2022. Focus on your work with America’s most engaging and award-winning poets. Workshops with Kim Addonizio, Laure-Anne Bosselaar, Chard deNiord, Mark Doty, Yona Harvey, John Murillo, Matthew Olzmann, and Diane Seuss. Apply to attend a workshop by November 15. Special Craft Talk by Kwame Dawes, Special Guest Poet Yusef Komunyakaa. Poet-at-Large, Aimee Nezhukumatathil. Find out more at our website.

View the full October 2021 eLitPak Newsletter.

October 2021 eLitPak :: Sandy Crimmins National Prize for Poetry

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The Sandy Crimmins National Prize for Poetry features a first place prize of $1,000 and three Runners Up prizes of $250 each. We especially encourage poets from underrepresented groups and backgrounds to send their work. Find more information at our website.

View the full October 2021 eLitPak Newsletter.

October 2021 eLitPak :: Tartt First Fiction Award

Screenshot of Livingston Press September, October, November, December 2021 flier for the NewPages eLitPakThis year’s co-winners were Judy Juanita of Oakland, CA. and Schuyler Dickson of Houlka, MS. Their respective books will come out in June. The deadline for the new contest is December 31. Please see our website for details. And see our forthcoming books, also. Credit cards accepted.

View the full October 2021 eLitPak Newsletter.

October 2021 eLitPak :: MFA in Creative Writing at UNCG

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Find Your Story Here

UNC Greensboro’s MFA is a two-year residency program offering fully funded assistantships with stipends. Students work closely with faculty in one-on-one tutorials and develop their craft in a lifelong community of writers. UNCG offers courses in poetry, fiction, publishing, and creative nonfiction, plus opportunities in college teaching and editorial work for The Greensboro Review. More at our website. Application deadline: January 1.

View the full October 2021 eLitPak Newsletter.

“Blowback” by Mimi Drop

Guest Post by Bonnie Meekums.

As a flash fiction writer myself, I love to read other writers’ work, usually while making myself a cup of tea or waiting for an appointment to start. That’s one of the beauties of flash. You can devour a complete word-cake, and feel ready for more.

Mimi Drop’s offering “Blowback,” at 755 words, isn’t as short as some of the micros I read (and write), but even the title pulls its weight. It was only after reading the story a couple of times that I understood the significance. Dealing as it does with the difficult topic of PTSD, it has resonances with the word ‘flashback,’ examples of which are given in the story as the protagonist struggles to disassociate normal, everyday actions from his traumatic memory. But there is another, more sinister meaning to this word, which has to do with the precise nature of that traumatic memory.

I’m not in the business of giving spoilers, so you will just have to read it to discover that other meaning. Suffice it to say there is a juicy twist towards the end of the story.


Blowback” by Mimi Drop. Flash FIction Magazine, September 2021.

Reviewer bio: Bonnie writes novels (A Kind of Family, Between the Lines), flash fiction/memoir (Dear Damsels, Reflex, Open Page, Moss Puppy, Dribble Drabble), and the odd poem. www.bonniemeekums.weebly.com

Event :: 2021 Red Clay Writers Virtual Conference

Registration Deadline: November 12, 2021
Event Dates: November 13–14, 2021
Location: Virtual
Join us on November 13th and 14th for the Red Clay Writers Virtual Conference! The online two-day conference features writing workshops and craft talks for poets, fiction writers, creative nonfiction writers, screenwriters, children’s book authors, and young adult novelists. Some of this year’s faculty include Jose Hernandez Diaz, Laekan Zea Kemp, Megan Harlan, and Jakob Guanzon. The keynote will be given by Anna Qu, author of Made in China: A Memoir of Love and Labor. Conference registration is $80 ($50 for students) now through November 12th. Please visit the website for more information.

Call :: Atmosphere Press Seeks Book Manuscripts from Diverse Voices

atmosphere press logoDeadline: Rolling
Atmosphere Press currently seeks book manuscripts from diverse voices. There’s no submission fee, and if your manuscript is selected, we’ll be the publisher you’ve always wanted: attentive, organized, on schedule, and professional. We use a model in which the author funds the publication of the book, but retains 100% rights, royalties, and artistic autonomy. This year Atmosphere authors have received featured reviews with Publishers Weekly, Kirkus, and Booklist, and have even appeared on a giant billboard in Times Square. Submit your book manuscript at atmospherepress.com.

Extremes of Pleasure and Passion

Guest Post by Vikash Goyal.

George Milles is the mind of the 21st century teen. He is beautiful. He is a boy with no ambitions—unless you count wanting to live in Disneyland as one. He doesn’t know the pathways of his life and is consequently lost midway. He is passive and has a dormant attitude. His beauty is unparalleled and draws boys to him like flies to turds. But with so much attention in his life, it is still lifeless.

Cooper’s semi-autobiographical five book series is inspired by the writings of de Sade, which is quite evident while reading. Closer is the first in the series, perfectly introducing the protagonist George. The book, at times, reads like a pirated version of de Sade’s The 120 Days Of Sodom although nowhere near the majesty of it.

The teens who form the center of the book are disturbed, confused, and fake. They move around like a body without a belly button. Their only solace is in drugs and sex. They know no human bonds and let their death bound lives pass them by embroiled in perpetual flimsy relationships.

The writing is in teen lingo, but reads well enough. The book doesn’t hold on to a proper plot and is written in more of a documentary style. There is a dissection of the mind of the coming-of-age youth, spelling out the conditioning of priority-devoid teens. The book is refreshing in its matter of fact portrayal of homosexuality without the unnecessary drawing of the microscope over their sexuality or struggle.

George, the protagonist, is the thread in the book that binds the different unique characters, who at some point, share a liaison with him. Not one character in the book is sure and positive about his life, including a couple of characters in their forties. The book tries to encapsulate the extremes of pleasure and passion through episodes of gross torture and sexual acts, and, in a couple of cases, even death.

The book can seem to move in circles now and then, ending up becoming a few pages too many. For those that like to experiment.


Closer by Dennis Cooper. Grove, 1990.

Reviewer bio: Vikash Goyal is a writer of prose and poetry, best known for his blog “Kashivology” on WordPress, that chronicles the defining moments in the life of its protagonist, Kashiv, through a series of surrealistic, existential and philosophical prosaic poetry. He also reviews books on Instagram @Kashivology.

Buy this book from our affiliate Bookshop.org.

Three Able Muse Authors Book Launch Reading Event on October 24

Able Muse October 24, 2021 Reading bannerAble Muse Press will be hosting a virtual launch, Q&A, and reading event for three of its authors on Sunday, October 24, 2021 from 3-4PM EST. Host will be Emily Leithauser, winner of the 2015 Able Muse Book Award.

Will Cordeiro will be reading from Trap Street: Poems. Cordeiro was the winner of the 2019 Able Muse Book Award. J.C. Todd, runner-up of the 2019 Able Muse Book Award, will be reading from Beyond Repair: Poems.

David Berman’s collection Progressions of the Mind: Poems has been published posthumously. Special mini host Paulette Demers will be reading from his work with Bruce Bennett and Rhina P. Espaillat.

Registration is free and required to attend. Register now so you don’t miss out and don’t forget to grab your copies of these titles.

Ruminate – Fall 2021

The writers and artists whose work makes up Ruminate issue 60 probe the imagery and metaphor of being at sea. Whether it is being at sea in the waiting to find out if a beloved will survive, as in Devon Miller-Duggan’s poem, “Perhaps a Prayer for Surviving the Night. Or as in Peggy Shumaker’s “Gifts We Cannot Keep.” See what else you can find in this issue at the Ruminate website.

Cutleaf – Issue 1 Volume 18

In this issue, Daniel Leach delivers two poems from the South Carolina low country beginning with “the year after your father dies.” Lauren Green tells the story of a couple’s reconciliation trip after the husband’s affair is discovered in “My Life.” And noted essayist Chris Arthur reveals the joy and sometimes dark thoughts that are inspired by his page-a-day art calendar in “Picturing the Day.” Find out about this issue’s images Cutleaf website.

The Bitter Oleander – Fall 2021

Our Autumn 2021 features the poetry of Alice Pettway who is interviewed at length about her poetry and her travels by our editor. Also included in this issue are short fiction pieces by Sergey Gerasimov, Nathan Greene, Amanda Jayne, Bruce Lawder, and Alexis Levitin. In addition there are translations from the poetry of Martín Camps, Lêdo Ivo, Luís Miguel Nava, Enriqueta Ochoa, Daniela Nazareth Romero, and Maria Wine. See what else is in this issue at The Bitter Oleander website.

Contest :: Carve Magazine 2021 Prose & Poetry Contest

Screenshot of CARVE's flier for their 2021 Prose & Poetry Contest
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Deadline: November 15, 2021
Carve Magazine‘s Prose & Poetry Contest is open October 1 – November 15. Accepting submissions from all over the world, but work must be in English. Max 10,000 words for fiction and nonfiction; 2,000 words for poetry. Prizes: $1,000 each for fiction, nonfiction, and poetry. All 3 winners published in Spring 2022. Entry fee $17 online only. Guest judges are Lydia Conklin for fiction; Julietta Singh for nonfiction; and Jihyun Yun for poetry. www.carvezine.com/prose-poetry-contest/

Themed Mag Issues

I enjoy a themed lit mag issue, and if you do too, here are some suggestions to pick up.

Rattle‘s issues always have a special section, and the Fall 2021 issue includes a Tribute to Indian Poets. Poets included are Tishani Doshi (who is also interviewed in the issue), Kinshuk Gupta, Zilka Joseph, Pankaj Khemka, Sophia Naz, and others.

The Summer 2021 issue of Nimrod International Journal brings us work that focuses on “Endings and Beginnings.” The editors promise “work that presents familiar beginnings and endings in new and compelling ways as well as work that illuminates smaller, unique kinds of endings and beginnings.” Angela Sucich, Sarah Carleton, Katie Culligan, and Bethany Shultz Hurst are a few who take on this task.

Every issue of THEMA is a themed issue. This time around for the Summer 2021 issue, writers and artists responded to the prompt “The Tiny Red Suitcase,” including Lynda Fox, Laura Ruth Loomis, James Penha, and Laura Blatt.

Rain Taxi’s Twin Cities Book Festival Virtual Events

Rain Taxi‘s Twin Cities Book Festival continues to offer virtual events. Events coming up include: “Speaking Up” with Veera Hiranandani, Ronald Smith, and Susan & Lexi Haas; Achy Obejas and Phillip B. Williams in conversation with Gary Dop; Kate DiCamillo and Sophie Blackall in conversation with Ann Patchett; and more.

Find out more about these free events and register at the Twin Cities Book Festival website.

‘Peculiar Heritage’

Guest Post by Chloe Yelena Miller.

DeMisty D. Bellinger’s Peculiar Heritage opens with the title poem. She invites us—at times challenges us—to look with that first line of the title poem, “if you look at her eyes.” The collective heritage of poems moves through slavery, different regions of the US, the African diaspora in Paris, as well as more contemporary violence in America.

The collection is divided into four parts, including a break in part three with protest poems. This almost aside of protest poems, as Part III continues again with a page break, draws attention to the fact that many, if not all of these poems, are already protest poems. Continue reading “‘Peculiar Heritage’”

Call :: Chestnut Review Invites Submissions for Spring 2022

Deadline: December 31, 2021
Chestnut Review
 (“for stubborn artists”) invites submissions year round of poetry, fiction, nonfiction, art, and photography. We offer free submissions for poetry (3 poems), flash fiction (<1000 words), and art/photography (20 images); $5 submissions for fiction/nonfiction (<5k words), or 4-6 poems. Published artists receive $120. Notification in <30 days or submission fee refunded. We appreciate stories in every genre we publish. All issues free online which illustrates what we have liked, but we are always ready to be surprised by the new! Currently reading for our Spring 2022 issue due out in April. chestnutreview.com

Experiencing One’s Self

Guest Post by Diana De Jesus.

Nietzsche once remarked, “In the end, one experiences only one’s self.”

The novel Hating Olivia: A Love Story by Mark SaFranko truly emphasizes this notion through the eyes of our main protagonist Max Zajack, a struggling artist and wannabe writer who lives in a rundown apartment in New Jersey. To support himself, Zajack takes on a low-paying job loading trucks for a living and playing gigs in nightclubs and bars. During one of his gigs, he meets Olivia Aphrodite, a literature student who changes his life in more ways than one. Continue reading “Experiencing One’s Self”

The Writing Disorder – Fall 2021

The Fall 2021 issue of The Writing Disorder features fiction by Tori Bissonette, Ethan Klein, Sarah Terez Rosenblum, Marcia Bradley, Justin Meckes, Carolyn Weisbecker, Paul Garson, and Austin McLellan; poetry by Milton P. Ehrlich, Travis Stephens, Maria Marrocchino, Jordyn Taylor, Mikayla Schutte, and Kim Zach; and nonfiction by Jamie Good, Ruth Heilgeist, Graeme Hunter, and JoAnne E. Lehman. Plus art by Amy Earls and an interview with Pauline Butcher Bird. More info at The Writing Disorder website.

World Literature Today – Fall 2021

Translation takes the spotlight in WLT’s autumn issue, which—for the first time in its ninety-five-year history—is entirely devoted to the craft that makes world literature possible: every poem, story, essay, interview, and Notebook/Outpost contribution has been translated into English, and the entirety of the book review section is likewise dedicated to translated books. Check out what else you can find in this issue at the World Literature Today website.

Call :: Oyster River Pages Special Issue

Oyster River Pages Special Issue 3 bannerDeadline: November 15, 2021
We think about it. We live in it. A world that both explores and hides the sensuality and sexuality hidden within us and what’s around us. We all have our stories, experiences, and thoughts on what it means to teeter the lines of sexuality in ourselves. Now through November 15, ORP’s special issue is seeking to accept poetry, fiction, and visual art that centers your experiences in love and life. Although we are looking to accept work from many creatives, we are looking to center the work of individuals who identify as BIPOC, LGBTQ+, and disabled people.

Leaping Clear – Fall 2021

Leaping Clear - logo

We’re delighted to welcome you to the fifth-year anniversary edition of Leaping Clear! We invite you to enjoy the many manifestations of visual art, music, and writing. Music by Roseminna Watson; photography/video by Carla Brennan, Izumi Tanaka, Zangmo Alexander, and more; and poetry by Alison Luterman, Jane Hirshfield, Jody Gladding, Susan Harvey, and others; essays by Mary Lane Potter and Stephen Batchelor. Visit the Leaping Clear website to see what else is in this issue.

Cleaver Magazine – No. 35

The Fall 2021 issue of Cleaver features creative nonfiction by E. A. Farrow and Tricia Park; fiction by Sarah Schiff, Frankie McMillan, Peter Amos, and more; a visual narrative by Emily Steinberg; flash by Suman Mallick, Alex Juffer, Sarah Freligh, Kelly Gray, Gay Degani, Chelsey Clammer, and others; and poetry by Sara Mae, John Cullen, Danny Cooper, Melody Wilson, Tingyu Liu, and Tom Laichas. See what else you can find in this issue at the Mag Stand.

The Baltimore Review 2021 Print Collection

The 2021 print collection of the poems, stories, and creative nonfiction published in The Baltimore Review‘s online issues is here. Work by Cara Lynn Albert, Francesca Bell, A. J. Bermudez, Gregory Byrd, Charlie Clark, Emily Rose Cole, M. M. De Voe, Jehanne Dubrow, Emily James, Joshua Jones, Meg Kearney, Cindy King, Tara Lynn Masih, Ed Meek, Susan Messer, and more. See more contributors at the Mag Stand.

About Place Journal – October 2021

Do we define the earth or does the earth define us? Robin Wall Kimmerer says that “The land knows us, even if we are lost.” In a time of extreme climate change, extreme consumption and mass migrations, we cannot continue to tell ourselves the same stories about the land. We need to tell ourselves a different story (or remember ones long lost) – one that honors and heals both the earth and ourselves. Gary Nabhan, ethnobiologist, calls this idea Restoryation. These new stories “can become a compass for us” in a time when everyone feels adrift and uncertain. More info at the About Place Journal website.

Contest :: Last Month to Enter the 2021 Dillydoun International Fiction Prize

Dillydoun 2021 International Fiction PrizeDeadline: October 31, 2021
The 2021 Dillydoun International Fiction Prize: Enter Now Via Submittable. Deadline: October 31, 2021. Winners announced by November 30, 2021. 8,000 word max, no minimum. All genres welcome. Entry Fee: $25. CASH PRIZES: 1st – $2,000; 2nd – $1,000; 3rd – $500; Honorable Mentions – $50. Winners and honorable mentions will be published in the print anthology, and will receive one free contributor copy. All other entries will be considered for publication in a TDR Issue/TDR Daily. All TDR publications are considered at the end of the year for our Best of the Best print anthology. Writer may refuse offer to publish.

2021 Patricia Grodd Poetry Prize for Young Writers Winners

The winners of the 2021 Patricia Grodd Poetry Prize for Young Writers are in the September/October 2021 issue of Kenyon Review.

Winner
“Golden” by Daniel Zhang

Runners-up
“Dr. Freud’s Magic 8-Ball” by Blair Enright
“Ghost Town, Ohio” by Gaia Rajan

Judge Emily Nason introduces the three pieces, saying, “What I am most impressed by in Zhang, Enright, and Rajan’s poetry is their deep generosity toward their subjects. These are poets with a deep grasp on humanity and empathy.”

Get your own copy of this issue at Kenyon Review’s website.

Confessional Voicemails

Magazine Review by Katy Haas.

I’ve decided I will never be a mother, but when friends tell me the good news of their pregnancies, I feel so incredibly happy and excited for them. Hiding under that happiness, though, is always a small part of me that feels sad to know priorities are changing and our friendship is changing along with them. The speaker in “Charles, Delete This Voicemail” by Nate Duke grapples with this sad acceptance.

The poem is honest. Confessional. The speaker admits to their friend they wish “I could turn you / back from a dad into the boys we swore / we’d stay [ . . . ]” and goes on to compare Charles’s daughter to a bear “grunting [ . . . ] outside the tent” she was conceived in. The comparison isn’t pretty. The confession isn’t a pretty thought. And that’s what makes it feel so real, so relatable to the thoughts we hold back from the people we love so we don’t hurt them with our ugly truths. The title brings everything together—a wish to take protect the loved one from those truths, to take it all back. “Charles, Delete This Voicemail” is an almost painfully honest (yet still fully enjoyable) read.


Charles, Delete This Voicemail” by Nate Duke. Willow Springs, Fall 2021.

CRAFT 2021 Short Fiction Prize Winners Announced

banner for CRAFT 2021 Short Fiction Prize winnersThe results are in! CRAFT has just announced the winner selected by judge Kirstin Valdez Quade for their 2021 Short Fiction Prize. The winners will be published online in October. The next Short Fiction Prize will kick off in Spring 2022.

Winners

First Place—Willa Zhang: “Night Air”
Second Place—Leesa Fenderson: “Ugly”
Third Place—Cyn Nooney: “Just the Thing for a Day Like This”

Finalists

María Isabel Álvarez: “Happiness and Other Found Objects”
Caro Claire Burke: “Gold Rush”
Emily Cataneo: “From the Mouths of Girls, a Leviathan”
Celeste Chen: “your body is a memory in motion”
Gina L. Grandi: “Layabout”
Kathryn Holmstrom: “From Gardens where We Feel Secure”
Robert Maynor: “Always with You”
Anna Mazhirov: “An Absolute”
Amanda McLaughlin: “Cheap Trick”
Neeru Nagarajan: “Suckling”
A.J. Rodriguez: “Lenguaje”
Leigh Claire Schmidli: “Sometimes the Going”

Longlist

Sam Asher: “Worldsick”
Stephanie Early Green: “The Meat They Feed On”
Zilla Jones: “Checkmate”
Michael Knoedler: “All You Have Is Hope”
Annie Liontas: “Revelations”
Melissa Madore: “Home Bird”
Kita Mehaffy: “The Mothers”
Ray Morrison: “Reason to Believe”
Hugh Notman: “Erosion”
Rudy Ruiz: “Mexico Beach”
Kate Ryan: “The Mighty Have Fallen”
Leah Silverman: “The Memory Of”
Bill Smoot: “Black Feathers”
Lisa Thorne: “Fling”
Clancy Tripp: “Gifted & Talented”
Victoria Windrem: “Bookmarks”
Robert Winterode: “aparicio”

Honorable Mentions

Jordi Torres Barroso: “A Little Color in It”
Lucia Bettencourt, with translation by Kim Hastings: “Chocolate Bites”
Leslie Campbell: “Motherlode”
Celeste Chen: “Tuesday, Postmortem”
Edite Cunhã: “The Truth that Is Hidden”
Sarah Gilligan: “Joanie on the Spot”
Sarah Gilmartin: “The Other Woman”
Leena Gundapaneni: “Pheromone Party”
Aleksandra Hill: “Words of Advice at the End of the World”
Will Hodginson: “Pillowtalk”
Aram Kim: “The Professor”
Diana López: “After Star Wars”
Anastasia Lugo Mendez: “Then Time”
Stephanie Mullings: “Eating Mango Whole”
Areej Quraishi: “Like the Chiffon of a Sari”
Flor Salcedo: “See, right here.”
Jasmine Sawers: “Tea with the Queen”
Roberta Silman: “Bed and Breakfast”
Pascha Sotolongo: “The Mustache”
Catherine Uroff: “You Can’t Make Me Go”
Adriana Mora Vargas: “A Pinch of Cinnamon”
Sharon Wahl: “Everything Flirts”

Contest :: November 15 Deadline for Interim’s Test Site Poetry Prize

Interim 2021 Test Site Poetry Prize bannerDeadline: November 15, 2021
We’re looking for manuscripts of at least 48 pages that engage the perilous conditions of life in the 21st century, as they pertain to issues of social justice and the earth. Because we believe the truth is always experimental, we’ll especially appreciate books with innovative approaches. Beginning in 2021 and going forward, Interim will be publishing two books in their Test Site Poetry series—one title publicized as the winner of the Test Site Poetry Series and the other as the Betsy Joiner Flanagan Award in Poetry. Both winners will receive $1,000 and publication by the University of Nevada Press. www.interimpoetics.org/test-site-poetry-series

Rick Campbell – Virtual Reading and Q&A

Join Frostburg Center for Literary Arts for a reading and Q&A with Rick Campbell. Tomorrow night, October 1, at 7:00PM EST, Campbell will open the 15th Annual Western Maryland Independent Literature Festival. You can watch this reading at YouTube, and can set yourself a reminder now so you don’t miss out.

Campbell’s newest book is Provenance (Blue Horse Press.) Other titles include Gunshot, Peacock, Dog (Madville Publishing); The History of Steel (All Nations Press); Dixmont, (Autumn House Press and Black Bay Books); The Traveler’s Companion (Black Bay Books); Setting The World In Order (Texas Tech UP) which won the Walt McDonald Prize; and A Day’s Work (State Street Press).

The reading will take place at this URL.

Ruminate Announces Inaugural Flash Prose Winners

screenshot of The Waking: Ruminate OnlineIf you didn’t know already, print literary magazine Ruminate has an online component known as The Waking. They recently held their first Flash Prose Contest with the winners being published online.

Nathan Long’s “Summer of Joy” won in the fiction category and Kianna Green’s essay “Sitting Quiet” won the nonfiction prize. Both pieces are available for your reading please on The Waking right now.

Congratulations to the winners! And don’t forget that Ruminate‘s VanderMey Nonfiction Prize is officially open to submissions through October 15 (with a 3-day grace period).

Stories of Endurance

Guest Post by Ann Graham.

Eleven short stories mostly first published in well-known literary journals delve into the sinewy reality of our being human animals. The first story explores the emotionally precarious time for female teens. In the second story, “Feast,” Rayna’s miscarriage causes her to experience hallucinations. “I saw the first baby part in a bouquet of marigolds. . . .”

In “Tongues” Zeyah thinks for herself and endures the anger of their pastor and her parents. Gloria is dying of cancer in” The Loss of Heaven,” and Fred doesn’t understand her refusal of more treatments: “He wanted to shake her, grip hard into those bird-boned shoulders until [ . . . ] only a monster would treat a dying person like that.”

In “The Hearts of Enemies” complex mother daughter relationships are derailed with each one’s own private emotions.  In “Outside the Raft” the guilt after a near drowning, “I didn’t know how to apologize for wanting to save my own life.” “Exotics” is the shortest story and, for me, absolutely accusatory of our animalistic capacity for cruelty.

Despite some of the subject matter, the stories are uplifting in that we learn about endurance. Moniz exposes truths about our animal-ness that nobody wants to admit or accept as reality and shows us how we might survive anyway. Dantiel W. Moniz is an author unafraid to poke our corporality and the way it blends with our psyches.


Milk Blood Heat by Dantiel W. Moniz. Grove, February 2021.

Reviewer bio: While trying to remain hopeful that democracy will survive, Ann Graham reads and writes in Texas. Once in a while, she comments about a short story on her blog: www.ann-graham.com.

Buy this book from our affiliate Bookshop.org.

Call :: Storm Cellar Still Seeking Work for Volume 10

abstract cover art of literary magazine Storm CellarDeadline: Rolling
Storm Cellar, a print-and-ebook journal of safety and danger since 2011, is still seeking amazing new work for volume 10! Send emotionally, aesthetically, technically, and linguistically ambitious writing, photos, and art. We’re especially listening for Indigenous, Black, POC, LGBTQIA+, enby, fat, disabled, neuroatypical, poor, border-straddling, and other marginalized voices. Our roots are in the American Midwest. Surprise us! Full guidelines at stormcellar.org/submit and submission portal at stormcellar.submittable.com.

A Lifetime in a Minute

Guest Post by Mimi Drop.

“I hurled paper and paste into space, as a tortured howl climbed from occult depths. I knew what I must do.”

Flash fiction has a way of getting under my skin, like poetry. I read it once, twice, looking for meaning. Just as I reach understanding, it elevates. Oh, there’s another level. I found it. And above? Another.

“After I Do” by Bonnie Meekums appears to sum up a marriage in trouble. Or is it? Marriages are long, complicated tomes punctuated by passages of reflection and climax. We remember how we began. We begin again. The writing, lovely in both conception and execution, gives a lifetime in a minute, which is about how long it takes to read it. Enjoy.


After I Do” by Bonnie Meekums. Reflex Press, May 2020.

Mimi Drop’s fiction and poetry have appeared in Flash Fiction Magazine, Bright Flash Literary Review, and THAT Literary Review, to name a few. Links at http://mimidrop.com/.

Gemini Magazine – August 2021

The new issue of Gemini Magazine featuring the winners of the Poetry Open is out. A sincere thank you to all who entered. James Henry Zukin of Los Angeles took top honors and the $1,000 award for “Gimp Boy and I.” Beatrice Kujichagulia Greene won second prize for “Eyes (circa 1990).” Honorable mentions include work by Ana Wooldridge, Suzanne Chick, David Butler, and Tom Bixby. More info at the Gemini Magazine website.

Tint Journal – No. 6

The 24 new poems, short stories, and essays in Tint Fall ’21 (Issue 6) by writers identifying with 19 different nationalities and speaking 15 different mother tongues are just as diverse in their subject matter: Ranging from belonging, grief, labor and LGBTQ+ to abuse and trauma, they will cue the readers to think about the pressing issues of our time and open new literary landscapes for them to enjoy. Each text is accompanied with an original visual artwork and a brief Q&A with the writer. More info at Tint Journal website.

Still Point Arts Quarterly – Fall 2021

“Living on the Water.” Featured writers this issue include Jennifer Novotney, Tricia Gates Brown, Patricia B. Carley, Susan Emeline Bills, Marc Eichen, Jennifer Fearon, Katherine Hauswirth, Barbara Cole, Anthony Cordasco, Karen Bowers, Felecia Babb, Rachel Racette, Debbie Cutler, and Russel Rowland. See this issue’s featured artists at the Still Point Arts Quarterly website.

The Shore – Fall 2021

You will fall for the autumn issue of The Shore. It features moving and inventive poetry by Paige Sullivan, Julia Watson, Chris Cocca, Dhwanee Goyal, Paige Welsh, Caroline Plasket, Katie McMorris, Vismai Rao, Debarshi Mitra, Tatiana Clark, Abi Pollokoff, Sophia Liu, Mia Bell, Loisa Fenichell, Barbara Daniels, Julia McDaniel, Jennie E Owen, Melissa Strilecki, Corinna Schulenburg, Odukoya Adeniyi, and more. See who else contributed to this issue at The Shore website.

Magazine Stand :: The Gettysburg Review – 33.3

With paintings by Jenny Brillhart, fiction by Jeff Frawley, Matthew Raymond, Kevin Breen, Kay Bontempo, and David Blanton; essays by Anne Kenner, Kathy Flann, and Phillip Hurst; poetry by Rosalie Moffett, Ann Keniston, Evan Blake, Lynn Domina, John McCarthy, D. S. Waldman, Diane Martini, James Harms, John Bargowski, Jill McDonough, Ed Falco, Jeffrey Harrison, Sharon Dolin, Danusha Laméris, Lance Larsen, Richard Lyons, Linda Pastan, Mark Kraushaar, Melissa Kwasny, and Nance Van Winckel. More info at The Gettysburg Review website.

The Boiler – 34

A new issue of The Boiler is out with nonfiction by Virginia L Wood; fiction by Joe Baumann, Margaret Emma Brandl, Mialise Carney, Kathryn Holzman, and Yun Wei; and poetry by Sarah Ghazal Ali, Ruth Baumann, Flower Conroy, Jennifer Funk, Aeon Ginsberg, Bretty Hanley, Allie Hoback, Jenna Le, Fatima Malik, Noathan Spoon, travis tate, James Kelly Quigley, and more. Art by Claire Morales.

More info at The Boiler website.

Carlos Soto-Román in SRPR

Each issue, Spoon River Poetry Review features one SRPR Illinois Poet. The Summer 2021 issue features Carlos Soto-Román. His work, translated by Daniel Borzutzky, spans 16 pages and is followed by an interview conducted by Borzutzky.

The two discuss Soto-Román’s forthcoming book 11, the interview beginning with the question, “How was the book written?” Soto-Román answers:

First, I wouldn’t say the book was written, at least, in the traditional sense. Maybe just a couple of “poems” included in the book were actually written by me. The whole process was more about compiling different fragments, quotes, and excerpts from multiple documents related to the Chilean dictatorship period and combining them within a new context in order to configure an alternate narrative of events, one that is intentionally veiled, which forces the reader to confront the past in a different way, encouraging the exercise of personal and collective memory to therefore complete the gaps.

You can learn more about Carlos Soto-Román and his work in the current issue of SRPR.

Event :: 18th Annual Palm Beach Poetry Festival

Screenshot of Palm Beach Poetry Festival 2022 flier
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Application Deadline: November 15, 2021
Event Dates: January 10-15, 2022
Event Location: Virtual
18th Annual Virtual Palm Beach Poetry Festival, January 10-15, 2022. Focus on your work with America’s most engaging and award-winning poets. Workshops with Kim Addonizio, Laure-Anne Bosselaar, Chard deNiord, Mark Doty, Yona Harvey, John Murillo, Matthew Olzmann, and Diane Seuss. One-On-One Conferences with Lorna Blake, Sally Bliumis Dunn, Nickole Brown, Jessica Jacobs, and Angela Narciso Torres. A special Craft Talk by Kwame Dawes, Special Guest Poet, Yusef Komunyakaa. Poet-at-Large, Aimee Nezhukumatathil. To find out more, visit www.palmbeachpoetryfestival.org. Apply to attend a workshop by November 15.