At the NewPages Blog readers and writers can catch up with their favorite literary and alternative magazines, independent and university presses, creative writing programs, and writing and literary events. Find new books, new issue announcements, contest winners, and so much more!
Deadline: July 15, 2021
Able Muse is currently accepting submissions for our forthcoming issue, Winter 2021/2022. Submit poetry, fiction, essays, book reviews, art, and photography. Submission opens yearly January 1 and close July 15. Read our guidelines and submit at www.ablemuse.com/submit/. Don’t forget to check out the work featured on our website for an idea of what we’re looking for.
Founded in 2015 by Michelle Tudor and Peter Barnfather, Wildness is an online literary magazine devoted to publishing poetry, fiction, and narrative nonfiction. They currently publish on a quarterly basis with new issues appearing in February, May, August, and November.
In December of 2019, they released the Wildness Omnibus through their parent company Platypus Press. This print anthology celebrates work published in their first twenty issues from Hanif Abdurraqib, Ruth Awad, S. Erin Batiste, Abigail Chabitnoy, K-Ming Chang, Leila Chatti, Chen Chen, Nina Li Coomes, Kyle Dacuyan, Geffrey Davis, Dalton Day, Shastra Deo, Theophilus Kwek, Peter LaBerge, Tariq Luthun, Irène Mathieu, Anis Mojgani, Mary Mussman, Patricia Patterson, Janel Pineda, Jeremy Radin, David Rompf, Omar Sakr, Raena Shirali, Clint Smith, Maggie Smith, Bethany Swann, An Uong, Marco Yan, and Sylvia Watanabe.
Stop by their listing to learn more.
Booksellers share their experiences selling books a year after George Floyd’s murder led more people to support Black-owned bookstores and purchase more books by Black authors.
PBS News Hour covers this in “Anti-racist reading drove business to Black bookstores. Owners hope that’s not the end of the story.” Find the full article here.
The MFA Program in Creative Writing at Chatham University and literary magazine The Fourth River have announced the creation of the Jeffrey “Boosie” Bolden Series. The first publication will be a special anthology called Black Visions. This anthology was conceived of and will be edited by the MFA Emerging Black Writers in Residence Cedric Rudolph and Caitlyn Hunter along with alums Samantha Edwards and Nicole Lourette.
About this anthology: Are you a black writer, or a writer who is black?
Black artists everywhere are all too familiar with this question and label on their work. Why are Black artists always called upon to write about the Black experience, about Black pain? Where are the discussions about craft, form, and futurisms? This anthology was born out of the need to create more space for Black voices; all Black voices. We want to see how your medium amplifies your voice and who you are as an artist, without the limitations of formality, genre, or subject. We are looking for the musicality, depth, and vibrancy that is Black art.
The anthology is accepting submissions through 11:59 PM on Friday, June 18 with expected publication in fall of this year.
The series is named after Chatham MFA alum and former Fourth River editor Jeffrey “Boosie” Bolden who refused to write prose or poetry restricted by genre and pushed himself to create hybrid flows fusing prose and rap. His mixtape-memoir Wolves was released in November 2020 after his passing in June of 2020.
There is no fee to submit to this anthology and accepted writers will receive a copy of the book and $50 honorarium.
Guest Post by Michael Hettich.
Perhaps the most striking characteristic of Blood Aria, given its poems’ formal dexterity, nuanced tonal shifts, and emotional depths, is that it is Christopher Nelson’s first full-length book of poetry. In its range of subject matter and at times harrowing emotional risk, as well as in the sheer dexterity of its strategies and tones, Blood Aria is a deeply powerful and necessary book, one of the richest first books of poetry I have read in years. This is work that reminds us of the depths of insight and feeling that are unsayable except in the most dexterous, courageous, emotionally capacious poetry; it reminds us as well of an essential human need that finds expression only in the best poetry’s capacity to speak through the blood and guts of being, balanced against the scintillating engagements of the formally-adept mind. Continue reading “Elemental Witness”
Deadline: Year-round
The Blue Mountain Review launched from Athens, Georgia in 2015 with the mantra “We’re all south of somewhere.” As a journal of culture, the BMR strives to represent all life through its stories. Stories are vital to our survival. What we sing saves the soul. Our goal is to preserve and promote lives told well through prose, poetry, music, and the visual arts. We’ve published work from and interviews with Jericho Brown, Kelli Russell Agodon, Robert Pinsky, Rising Appalachia, Turkuaz, Michel Stone, Michael Flohr, Lee Herrick, Chen Chen, Michael Cudlitz, Pat Metheny, Melissa Studdard, Lyrics Born, Terry Kay, and Christopher Moore. bluemountainreview.submittable.com/submit
River Heron Review is an online poetry journal first envisioned in New Hope, Pennsylvania by Robbin Farr and Judith Lagana. They want to serve the literary community through publication, readings, workshops, and to bring the written word to life in as many ways as possible.
RHR publishes two digital issues a year (in February and August) online along with two contest issues and a supplemental issue featuring poems of socio-political nature. Speaking of the contest issue, the River Heron Poetry Prize is currently open to submissions through May 31. The Winner receives $500 and publication. This year’s final judge is Thomas McGuire who won the 2022 prize.
RHR also offers affordable Zoom workshops. Upcoming workshops include the Telling the Story – Poetry Critique with editor Robbin Farr, Poetry Boost – From Title to Publication, Found Forms – Writing Scavenged Poems, In Conversation with Art – Writing an Ekphrastic Response, and others.
Stop by their listing on NewPages to learn more!
*updated February 1, 2023*
Deadline: June 15, 2021
The 2021 Tiferet Writing Contest is open to unpublished poems, stories, and essays through June 15. One prize winner and two honorable mentions will be awarded in each category. The prize winners receive $500 and publication in Tiferet. A $20 fee is required for each entry. You may enter up to six poems, stories of up to 3,000 words, and essays and interviews up to 3,000 words. Our judges for this contest are Christine Valters Paintner (poetry), Laraine Herring (nonfiction), and Murzban F. Schroff (fiction). Learn more at tiferetjournal.com/2021-writing-contest/.
Guest Post by Manasi Patil.
A Consequential Murder is the first book in the series, “Shattered Triangle” by William Messenger. This is an uncommon and unique book with complex characters and plots.
The blurb of Shattered Triangle: A Consequential Murder was enough to hook me right in the book. I was certainly expecting a lot from this read, and am glad to say that I had a fulfilling time, and the end left me speechless. It was very unexpected and made me want to read the whole book again just to understand how and why the plot twisted in such a manner. Continue reading “Shattered Triangle Trilogy”
In this issue of South Dakota Review, poetry by Jan Beatty, Luisa A. Igloria, Matthew Thorburn, Shira Dentz, Sarah Bate, Caroline Goodwin, Christine Stewart-Nuñez, Brenna M. Casey, Kristel Rietesel-Low, Clay Matthews, Sonia Greenfield, and Cate Peebles; and more.
We’re excited to share a new issue of Hippocampus Magazine with you. The May-June 2021 was released last week and is now at the Mag Stand. Inside, you’ll find work by Brian Benson, Rachel Bunting, K.B. Carle, Chapin Cimino, Hailey Rose Hanks, Stuart Horwitz, Gwen L. Martin, Stephanie Parent, Abigail Rose, Paul Rousseau, Kate Sheridan, Claire Sicherman, and SJ Sindu.
This issue features fiction by Jim Barnes, James Robert Campbell, Jonathan Lindberg, Elizabeth Cummins Muñoz, and Clay Reynolds; nonfiction by Robert Kostuck, Shelley Pernot, and Christopher Thornton; and more. Read more at the Concho River Review website.
The Arts & Letters Spring Issue is now available for purchase! This issue features the 2020 Unclassifiable Prize winner. Fiction by Stephanie Gangi, Noley Reid, Simone Martel, and Kent Kosack; flash by Dan Kennedy and Matt Greene, and more.
A firm deadline of June 1, 2021 at midnight EST.
The 2021 Laux/Millar Raleigh Review Poetry Prize deadline is nearing. Dorianne Laux and Joseph Millar are the judges of the finalists. This contest closes to submissions on 01 June 2021 at midnight Eastern Standard Time. Our deadlines are firm at Raleigh Review. Top prize is $500. There is a $15 entry fee to submit, and all entrants will receive a free copy of the fall 2021 prize issue. raleighreview.submittable.com/submit
Magazine Review by Katy Haas.
In Volume 33 of The Briar Cliff Review, readers can find a poem that I think most people can relate to after the past year. “Gargoyles” by Sara Wallace describes the empty of feeling of craving someone else’s touch. While the poem does lean toward the romantic side of touch (“No one’s biting your lips, / no one’s tasting you.), it comes at a time when I’m seeing my friends celebrate the ability to hug their loved ones again after, and ends up feeling more general. After being separated from friends and family during the pandemic, who hasn’t missed the intimacy of touch?
Wallace carries the idea of gargoyles through the poem, first as a smoker standing in a doorway of a bodega, and finally as the game “statues, / how when you were tagged // you had to pretend you were stone,” and could only move again when “someone touched you.” I love this thread she carries through from present to past, keeping with that yearning for physical touch.
“Gargoyles” by Sara Wallace. The Briar Cliff Review, 2021.
Guest Post by Julia Wilson.
The sense of dread the reader experiences starts with the first sentence of Rumaan Alam’s Leave the World Behind.
“Well, the sun was shining. They felt that boded well . . . ” In fact, it does not.
Alam uses a few methods to keep the reader on edge. He intersperses somewhat alarming but sketchy details haphazardly, and doesn’t always return to explain. For instance, the narrator tells the reader one of the characters always has his epi-pen within reach, then moves on, leaving the reader to wonder: Why is it mentioned? How will it fit into the story? This keeps the reader filled with antsy anticipation.
Then there are the layers of possible menace facing the characters. The first is suspicion based on race. But are there larger threats facing them all as a group? Should they unite and put aside their differences? Alam reveals these details throughout the novel in a slow, tantalizing thread.
And finally, and most impactfully, there is Alam’s use of the omniscient narrator. In this novel, the narrator is used as a technique to impart to the reader information that none of the characters know. For instance, the narrator tells us a tick has burrowed into a boy’s skin, unbeknownst to him or anyone else. Later, when he falls ill, the reader is sure they know what has made the boy sick. But is that really the culprit, or is it something else, with the tick serving as a distraction?
Alam pulls the reader along, dropping asides from the narrator, making it clear that something really big and really bad is going to happen. And the reader watches as the characters try to catch up.
Leave the World Behind by Rumaan Alam. HarperCollins Publishers, 2020
Reviewer bio: Julia Wilson is currently pursuing a Masters in Writing at Johns Hopkins University.
Buy this book from our affiliate Bookshop.org.
Looking for something good to read this summer? See what’s new and forthcoming at the May Book Stand, including our six featured titles.
The poems in I Always Carry My Bones by Felicia Zamora tackle the complex ideation of home for marginalized and migrant peoples.
Peter Grandbois’s Last Night I Aged a Hundred Years was selected by Indran Amirthanayagam as the winner of the 2020 Richard Snyder Memorial Publication Prize.
Please Plant This Book Coast to Coast by Susan Kay Anderson gives a voice to Virginia Brautigan Aste who was married to Richard Brautigan for a decade.
Post-Mortem by Heather Altfeld spans ages and species and cultures and pays tribute to the passing glory of this planet.
Tony Trigilio’s Proof Something Happened is a book of poems based on a legendary UFO encounter.
Self, Divided by John Medeiros is a memoir detailing a time in our recent history when the world had to reckon with the emergence of a seemingly undefeatable virus.
You can learn more about each of these New & Noteworthy books at our website. Click here to see how to place your book in our New & Noteworthy section.
Ruminate is currently seeking an editor! Founded in 2006, Ruminate is dedicated to “cultivating authenticity through nourishing conversations while spiritually sustaining life together through action and art.” Besides the award-winning quarterly literary magazine, they also have the online publication The Waking and serve the local and broader community with online and in person events.
They seek an editor who will uphold their mission of supporting their community of artists, seekers, and readers seeking spiritually nourishing conversations as well as one who can expand the range of editorial and contributor voices to “reflect a growing and changing audience” and help them grow beyond their original roots in the Christian community.
Learn more about this opportunity here.
English as a second language literary magazine Tint Journal will be hosting a virtual reading “Tinted Tales: reading across cultures” on Saturday, May 22 at 7PM (CEST). This international, multicultural, and cross-genre event will be broadcast live from many parts of the world via Tint Journal’s YouTube Channel.
The event will be moderated by Lisa Schantl (Editor-in-Chief) and Matthew Monroy (prose editor). Tint authors Catia Dawood, Satvik Gupta, Marlene Lahmer, Héctor Muiños, Chourouq Nasri, and Iva Ticic will be taking the virtual stage along with spoken word artist Seher Hashmi who successfully applied to an open slot.
The event will be musically accompanied by Soulparlez, a female-only a cappella ensemble.
Check out the trailer & set your reminders so you don’t miss out on this virtual reading!
This month’s Plume featured selection is “Five Contemporary Love Songs edited by Leeya Mehta,” with work by five contemporary Indian poets: Tishani Doshi, Rajiv Mohabir, Jerry Pinto, Arundhathi Subramaniam, and Jeet Thayil. Chelsea Wagenaar reviews Music for the Dead and Resurrected by Valzhyna Mort. In nonfiction: “The Mind’s Meander: Indirection, Ambiguity, and Association in Poetry” by Rachel Hadas.
Welcome to our second pandemic issue of Hiram Poetry Review. The poems here have one thing in common—we liked them immediately. Work by David Adams, Anthony Aguero, Fred Arroyo, Zulfa Arshad, Enne Baker, Grace Bauer, Demetrius Buckley, Jim Daniels, Edmund Dempsey, Norah Esty, Jess Falkenhagen, Antony Fangary, and more.
A special portfolio of work from Morocco, featuring stories translated from Arabic, and art from the Hindiyeh Museum of Art. Essays on family in India and nature in England, new fiction from Celeste Mohammed and Emma Sloley, and poetry by Peter Filkins, Denise Duhamel, Aleksandar Hemon, and Jose Hernandez Diaz.
In this issue of Cimarron Review: poetry by Ken Autrey, Martha Silano, Sandra McPherson, Daniel Bourne, Erin McIntosh, George Bilgere, Annie Christian, Rebecca Cross, Chloe Hanson, Austen Leah Rose, Millie Tullis, Avra Wing, Amy Bagan, and more; fiction by Jason K. Friedman, Laura Dzubay, David Philip Mullins, and Ashley Clarke; and nonfiction by Brenna Womer, Andrew Johnson, and Lindsay Shen.
Deadline: June 15, 2021
Since 2008, the Killer Nashville Silver Falchion Award competition has recognized the best stories from the previous year. Our judges consist of professional writers, book reviewers, librarians, publicists, and other industry professionals. As this competition was created to help beginning and emerging authors reach new audiences, the focus is on quality, not popularity. There is a $250 cash prize for the best overall work and physical awards are given to the winners of each category. Finalists & semi-finalists will receive written feedback on their work from our judges. Deadline is June 15, 2021. Learn more at killernashville.com/awards/silver-falchion-award/.
Our new issue, ANMLY #32, features a special folio Neighbor Species and Shared Futures curated by Kristine Ong Muslim. Featuring work in various genres from Tilde Acuña, Richard Calayeg Cornelio, Reil Benedict Obinque, Regine Cabato, Pedantic Pedestrians, Melvin Clemente Magsanoc, and more. See what else you can expect to find in this issue at the Anomaly website.
Deadline: August 16, 2021
Founded in 2020, Nobody’s Home: Modern Southern Folklore is a work-in-progress online anthology of creative nonfiction works about the prevailing beliefs, myths, and narratives that have driven Southern culture over the last fifty years, in the late 20th and early 21st centuries. The anthology is collecting personal essays, memoirs, short articles, opinion pieces, and contemplative works about the ideas, experiences, and assumptions that have shaped life below the old Mason-Dixon Line since 1970. www.modernsouthernfolklore.com
Deadline: June 15, 2021
Swan Scythe Press’ 2021 poetry chapbook contest is accepting submissions from March 1 to June 15 (postmark deadline). $18 entry fee. Winner receives $200 and 25 perfect-bound chapbooks. The 2020 winner is Lana Issam Ghannam for Evolution of Stone. For full submission guidelines, visit www.swanscythepress.com and swanscythepress.submittable.com/submit.
Have you heard the news? The Creative Nonfiction Foundation, home of literary magazine Creative Nonfiction, has a newly designed website! This is the first redesign in ten years. Now on the site, almost everything from the journal’s 27-year archive is now available to subscribers. If you’re not already a subscriber, you can sign up now to ensure you’ll receive the 76th issue which will explain how the genre of creative nonfiction was established, how it’s changed over the years, and where it may go next.
Take some time this weekend to familiarize yourself with the new website!
Our annual national short fiction contest features a first place $2,500 cash award; a second place cash prize of $750; and a third place cash prize of $500. The winners’ stories will be published in the Fall issue of Philadelphia Stories. We accept unpublished works of fiction up to 8,000 words. The deadline to submit is June 15, 2021.
View the full NewPages May 2021 eLitPak Newsletter. Don’t forget to subscribe today to get it delivered to your inbox every month along with weekly updates on calls, contests, lit mag news, book news, and more.
Gival Press has the following contests for authors and poets which carry a cash prize and for which a reading fee is required: Oscar Wilde Award (deadline June 27); Short Story Award (deadline August 8); Poetry Award (deadline December 15). Visit our website for full details.
View the full NewPages May 2021 eLitPak Newsletter. Don’t forget to subscribe today to get it delivered to your inbox every month along with weekly updates on calls, contests, lit mag news, book news, and more.
Weber—The Contemporary West invites submissions in the genres of personal narrative, critical commentary, fiction, creative nonfiction, and poetry that offer insight into the environment and culture of the contemporary western United States and beyond. We look for good writing that engages human nature, ecology and the environment.
View the full NewPages May 2021 eLitPak Newsletter. Don’t forget to subscribe today to get it delivered to your inbox every month along with weekly updates on calls, contests, lit mag news, book news, and more.
Deadline: June 15, 2021
Lynx House Press seeks submissions of full-length poetry manuscripts for the annual Blue Lynx Prize for Poetry. The winner will receive $2,000 and publication. Entries must be at least 48 pages in length. The fee for submitting is $28, and includes a copy of a book from our catalog. Previous judges include James Tate, Yusef Komunyakaa, Dorianne Laux, Dara Wier, Melissa Kwasny, and Robert Wrigley.
View the full NewPages May 2021 eLitPak Newsletter. Don’t forget to subscribe today to get it delivered to your inbox every month along with weekly updates on calls, contests, lit mag news, book news, and more.
Deadline: June 30, 2021
Winning Writers will award a grand prize of $5,000 in its seventh annual North Street Book Prize competition, and $13,750 in all. The top eight winners will enjoy additional benefits from our co-sponsors BookBaby and Carolyn Howard-Johnson. Submit self-published books in one of seven categories. All self-publishing platforms are welcome. $65 entry fee. Learn more at our website.
View the full NewPages May 2021 eLitPak Newsletter. Don’t forget to subscribe today to get it delivered to your inbox every month along with weekly updates on calls, contests, lit mag news, book news, and more.
Pursue graduate study during an intensive six-week summer session. Programs are available in: Children’s Book Writing & Illustrating; Children’s Literature (MA or MFA); Playwriting (MFA); Screenwriting & Film Studies (MA); Screenwriting (MFA). This summer courses will be offered virtually from June 21 – July 30. For more information, visit our website or call (540) 362-6575.
View the full NewPages May 2021 eLitPak Newsletter. Don’t forget to subscribe today to get it delivered to your inbox every month along with weekly updates on calls, contests, lit mag news, book news, and more.
Exclusive for NewPages fans: Get 15% off your first class at WritingWorkshops.com. Our classes are inclusive and intentionally small, offered on a rolling basis throughout the year, and taught by award-winning authors, agents, and editors. Use code NEWPAGES at checkout—but hurry, our upcoming classes are almost full! Discount expires 5/31/2021. Visit our website.
View the full NewPages May 2021 eLitPak Newsletter. Don’t forget to subscribe today to get it delivered to your inbox every month along with weekly updates on calls, contests, lit mag news, book news, and more.
Check out new titles due out this summer from James Braziel, Mark Budman, Daren Dean, William Gay, and Terence Gallagher. We will have open reading once more in mid-August. Fiction only.
Carve offers critiques for prose on a per-word and for poetry on a per-page basis. Get a candid assessment of what’s working, what isn’t, and push your writing one step closer to publication. We also offer in-depth editorial services via Limpede Ink.
View the full NewPages May 2021 eLitPak Newsletter. Don’t forget to subscribe today to get it delivered to your inbox every month along with weekly updates on calls, contests, lit mag news, book news, and more.
Join your fellow writers at the virtual 5th Annual Taos, New Mexico, Writers Conference on Zoom taking place Friday, July 23 through Sunday, July 25. Panel presentation on “Writing about Race, Class, Culture & Gender” plus over 20 workshops in all genres. Faculty include: Frank X Walker, CMarie Fuhrman, Levi Romero, Ari Honarvar, Stephanie Han, Jeremy Paden, Margaret Garcia and many more. Go to our website, call 575-758-0081, or email us.
View the full NewPages May 2021 eLitPak Newsletter. Don’t forget to subscribe today to get it delivered to your inbox every month along with weekly updates on calls, contests, lit mag news, book news, and more.
Deadline: Rolling
NOMADartx is an emerging global creative network dedicated to sharing and amplifying creative potential across genres. Our NOMADartx Review curates fresh voices that address creativity and creative process via visual art, fiction, poetry, creative nonfiction, interviews, critiques, and reviews. Our “Industry Specials” column also provides a place for contemporary creatives to share wisdom about building success in any field of creative practice, and we especially seek work from artists and writers of traditionally underrepresented backgrounds. More information can be found here: nomadartx.submittable.com/submit.
Guest Post by Diana De Jesus.
“I doubt sometimes whether
a quiet & unagitated life
would have suited me – yet I
sometimes long for it.” — Byron
This statement by Byron quoted in the text illustrates what life can be like for someone with mental illness. An Unquiet Mind is a memoir by Kay Redfield Jamison, a Professor of Psychiatry, in which she candidly discusses her struggles with living with bipolar disorder (formally known as manic depression) from a variety of perspectives rather than just one lens.
Jamison references her journey from her adolescent to college years in which her manic depression illness slowly makes an appearance, altering her moods and performance unbeknownst to her at the time. However, as time progresses, so does the state of her illness. Jamison provides in vivid detail the many highs and lows she experiences because of her mental illness, and many incidences occur as a result; for example, extreme spending sprees, mood changes, violent episodes, engaging in uncharacteristic behavior towards her colleagues, and lastly a suicide attempt.
Soon after, she begins to see a psychiatrist at the age of 27, thus, eventually, learning her manic depression is hereditary since her father was dealing with the same affliction when she was a young adult. Moreover, her therapy sessions did not go without problems of course, as she confesses her reluctance to take medication more specifically Lithium. In reality, she learns the hard way eventually realizing medication is a necessity rather than a hinderance; thereby, making peace with herself and her mental illness as she embraces her disease.
Through her writing, Jamison displays much resilience, and courage in spite of her illness. Her honesty and efforts in making sure people with depression and other psychiatric disorders do not feel ashamed nor stigmatized is quite commendable. In my view, she is a warrior and not a victim of her own mind. I recommend An Unquiet Mind to anyone; whereby, hopefully changing any preconceived notions regarding those who struggle with mental health issues.
An Unquiet Mind: A Memoir of Moods and Madness by Kay Redfield Jamison. Vintage, January 1997.
Reviewer bio: Diana De Jesus is an adjunct professor from Queens, NY, she is a fan of books, 80’s music to rock out too and old television shows. Additionally, she has a blog she is still very slowly and surely updating.
Buy this book from our affiliate Bookshop.org.
Deadline: June 15, 2021
Autumn House Full-Length Prizes (Poetry, Fiction, and Nonfiction): Winners of each prize receive publication of their full-length manuscripts. Each winner also receives $2,500 ($1,000 honorarium and a $1,500 travel/publicity grant to promote the book). The submission period closes June 15 (Eastern Time). To submit online, please visit our online submission manager. The judges for the 2021 full-length prizes are Eileen Myles (poetry), Deesha Philyaw (fiction), and Steve Almond (nonfiction).
Deadline: May 31, 2021
Oyster River Pages is a literary and artistic collective seeking fiction, creative nonfiction, poetry, and visual arts that stretch creative and social boundaries. We believe in the power of art to connect people to their own and others’ humanity, something we see as especially important during these tumultuous times. Because of this, we seek to feature artists whose voices have been historically decentered or marginalized. Please see www.oysterriverpages.com for submission details.
Book Review by Katy Haas.
The characters in The Ways We Get By by Joe Dornich are doing their best, even if the things they’re doing aren’t necessarily good. Each one is struggling in their own way, many of them placed in interesting jobs like a professional cuddler working to care for his grandfather with dementia, a knock-off Aquaman struggling to connect with his father, an actor in a Bible-themed park, a man with a terminal illness manufacturing organs for fake dead bodies, and the list goes on.
These characters are far from perfect. They mess up, they have big egos, they abandon and hurt the people around them. But they’re utterly human with each of their flaws, and they all have heart. They seek companionship, aim to please their loved ones, and want to make friends and find love. The settings and situations they find themselves in aren’t quite ordinary, but they still feel real thanks to the raw humanness of the characters. Even characters one might normally deem unlikable still have a sympathetic light shown on them.
Dornich has created an enjoyable read that gives the reminder that plenty of us are out here trying our best as we do whatever we need to get by.
The Ways We Get By by Joe Dornich. Black Lawrence Press, January 2021.
Buy this book from our affiliate Bookshop.org.
Registration Deadline: May 31, 2021
Event Dates: June 14 – July 2, 2021
Event Location: Virtual
Love writing but need professional guidance to help you develop your voice? Apply to the 2021 Daphne Online Mentorship Program! We will be selecting 5-7 dedicated students to work with caring, accomplished professional writers on a one-on-one basis. Recent Daphne mentees have been accepted to Harvard, Princeton, Yale, Stanford, Columbia, and top creative writing programs, e.g., Iowa!
Session I: June 14 – July 2. Currently seeking online MENTORS! Please send resume to [email protected].
Students/program applicants, applications NOW OPEN. DEADLINE IS MAY 31, 2021. Any question, feel free to email us at [email protected].
The Spring 2021 issue features Postscript to a Postscript: an interview with Bill Glose, Winner of the 2020 Main Street Rag Poetry Book Award, interviewed by M. Scott Douglass. Fiction by Abe Aamidor, Allison Daniel, Tony Hozeny, Michele Lovell, Bob Moskowitz, Robert Stone and poetry by Bill Glose, Joan Bauer, Frederick W. Bassett, Joan Bernard, Burt Beckmann, Ace Boggess, Marion Starling Boyer, and more.
Featuring the Robert Watson Literary Prize-winning story, Casey Guerin’s “What Consumes You,” and the Prize-winning poem, Chelsea Harlan’s “Some Sunlight.” Issue 109 also includes an Editor’s Note by Terry L. Kennedy and new work from Rachel Abramowitz, Allyn Bernkopf, and more. Read more at The Greensboro Review website.
The May/June 2021 issue of the Kenyon Review is now available. This issue features stories by María José Candela, Gina Chung, Maureen Langloss, and Katherine Sharpe; and essays by Sophie Beck, Jonathan Gleason, and Amit Majmudar.
The Spring 2021 issue features short stories by and interviews with Sydney Rende, Sam White, Kimm Brockett Stammen, and Caroline Kim. New poetry by Michael Quinn, Ruth Baumann, Will Thomas, and Mureall Hebert and nonfiction by Jory Pomeranz and Christie Tate. Prose & Poetry Contest winners: Mona’a Malik, Ryan Little, and Alisha Acquaye. Read more at the Carve website.
In this issue of The Briar Cliff Review, find poetry by John Blair, Simon Perchik, Twyla M. Hansen, Julie L. Moore, Tony Tracy, Dante Di Stefano, Sarah Fawn Montgomery, Ann Hudson, Michael Hill, Jimmie Cumbie, Alyse Knorr, and more.
Deadline: Year-round
Chestnut Review (“for stubborn artists”) invites submissions year round of poetry, fiction, nonfiction, art, and photography. We offer free submissions for poetry (3 poems), flash fiction (<1000 words), and art/photography (20 images); $5 submissions for fiction/nonfiction (<5k words), or 4-6 poems. Published artists receive $100 and a copy of the annual anthology of four issues (released each summer). Notification in <30 days or submission fee refunded. We appreciate stories in every genre we publish. All issues free online which illustrates what we have liked, but we are always ready to be surprised by the new! Currently reading for our Autumn 2021 issue to be published in October. chestnutreview.com
