NewPages Blog

Guest Post by M. A. Dubbs.

As I’ve turned more to e-books and my Kindle through this COVID-19 winter, I have fallen in love with some beautiful indie poetry. 207th Bone is one of these books and showcases translated prose from China. Written by Zhou Li, a Chinese doctor and caretaker of one hundred tortoises, it explores themes of slice of life China, sensuality, depression, and the stress of practicing medicine.

The book starts with an introduction from Xi Nan who discusses the difficult translation process from Chinese to English. Next is an interview from Li as he explores his worldview of nihilism and how this has influenced his writing. The poems are untitled and separated by time periods of Li’s life. The tone shifts from bleak and visceral (“Go down the throat / Into my stomach / Don’t know which season is growing / In my body”) to political (“’China Dream’ is written / Under the billboard / A beggar is sleeping on the ground / I dare not toss a coin to him / I’m afraid the sound / would interrupt / His dream”).

207th Bone is a great read for anyone looking for modern Chinese poetry which is largely underrepresented in current literature.

207th Bone by Zhou Li. Simi Press, August 2020.

Reviewer bio: M. A. Dubbs is an award winning LBTQ Mexican-American poet from Indiana.

Buy this book from our affiliate Bookshop.org.

Guest Post by Padmaja Reddy.

The Language We Were Never Taught to Speak debut poetry collection by Grace Lau, is an intensive attempt in discovering concealed elements of immigrant inheritances, queer yearnings, and multi-generational mysteries.

These poems valiantly exhibit the lonely corners and abandoned experiences of great pain. Readers explore the visible and invisible identities of immigrant life in poems like “Ginseng, winter melon, lotus root,” “My grandmother’s wallpaper,” “My grief is winter,” “Family Vacation,” “Going Home.”

Influences of church, technology, western culture, and ancestral customs among second-generation lives are revealed artfully in her poetry. A granddaughter wonders about her grandmother’s age as she believes the latter stole a few years to work early to feed her family in “The Lies That Bend.” “She said loneliness is better; than sin” summarizes how the Asian parents feel about unconventional/queer lives.

The emotional intensity of Lau’s work is shown in these compelling lines:

“She swung a sword as a man,
Wept as woman
Sang as both”

“How do you find yourself
When you don’t know your motherland”

“He has been mourning
The future
For the last twenty years”

“Loss that lives in a new-silence snow.”

I loved reading this very remarkable poetry collection.

The Language We Were Never Taught to Speak by Grace Lau. Guernica Editions, May 2021.

Reviewer bio: Padmaja Reddy, originally from India, lives in Connecticut. She received an MA in English Literature from SK University. Former journalist and she published poetry and book reviews in various publications like Yale Review of Books, NewPages.

Buy this book from our affiliate Bookshop.org.

Guest Post by Chloe Yelena Miller.

Ocean Currents by Hannah Rousselot offers the reader the narrator’s strength as she directly faces emotional and physical pain and struggles with mental illness. Rousselot does what a good teacher should do, as she writes in the poem “Guidance,” “Or, I should say, I do not teach them- / I provide the tools they need to live within themselves.” Rousselot gives the reader the tools to face and learn from such hard emotions.

The collection opens with the poem “Vacation” which immediately introduces suicide. The poem begins, “What if you could kill yourself, / but like, only for a day?” When I read the opening line, I paused. Could I handle reading this, I wondered? The conversational tone and turn in the poem with, “but like,” offered me a path into the poem and the collection.

Ocean Currents is rooted in the body. The narrator describes hurting herself, but also actively grounding herself. She writes in “Immersed,” “When I rise out of the pond, water drips down / my skin and sinks into the ground. The Earth is soft // between my toes. Standing there, wet and grounded, I can feel the rotation of my planet.” When the narrator’s hurt and relief are boldly and physically described, the reader knows she can trust the poems.

This is a book that instructs: face your truth while tending your needs to survive. In “Sleepwalking”, Rousselot writes, “It {Life} needs a reminder to wake up.” Ocean Currents grounds and wakes up the reader to know herself and others.

In “Leather Gloves” Rousselot writes, “& how can you be adult with so much / child inside of you?” But she has the superpower described in the same poem, “In college, I tell my friend about my / ‘world’ hurts and she tells me / that I have a superpower.”

Ocean Currents by Hannah Rousselot. Finishing Line Press, June 2021

Reviewer bio: Chloe Yelena Miller is a writer and teacher living in Washington, D.C.