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NewPages Blog

At the NewPages Blog readers and writers can catch up with their favorite literary and alternative magazines, independent and university presses, creative writing programs, and writing and literary events. Find new books, new issue announcements, contest winners, and so much more!

Shenandoah – Fall 2020

The Fall 2020 issue of Shenandoah features fiction by Rachel Heng, Nathan Poole, Xhenet Aliu, and more; poetry by Samyak Shertok, Stephanie Rogers, Diane Seuss, Ashley M. Jones, John Kinsella, Jen Schalliol Huang, and others; and nonfiction by Leslie Jernegan, J.D. Ho, Lynette Benton, Mason Andrew Hamberlin, and Sarah Beth Childers.

Months To Years – Fall 2020

The latest issue of Months To Years is out. It includes yet another fantastic roster of talented writers reflecting on grief and loss from diverse perspectives. Work by Zan Bockes, John Q. McDonald, Nancy Morgan, Rosa Angelica Garcia, Co Bauman, Susan Rothstein, Megeen R. Mulholland, Paul Sohar, Stewart Lindh, Bruce Gorden, Michal Mahgerefteh, Karen Storm, Linda Ankrah-Dove, Charlene Stegman Moskal, Marjorie Stamm Rosenfeld, Elizabeth Haukaas, C.T. Holte, Beth Hope-Cushey, Kim Malinowski, Liza Bernstein, Lucy Meynell, and Charlie Morris.

Navigate the Lit Mag Landscape with Creative Nonfiction

You still have time to register to attend Creative Nonfiction‘s December 16 webinar. The webinar will run from 2pm – 3:15pm EST on Wednesday. It is $25 to register, and registration closes 24 hours before the event.

The event aims to help writers:

  • GAIN an understanding of the contemporary literary/literary magazine landscape and why you would want (or not want) to publish in lit mags.
  • LEARN how and where to send your work.
  • CONSIDER the writer-editor relationship and what happens once your work is accepted

Hattie Fletcher, managing editor of Creative Nonfiction, will lead the webinar. Find out more at the lit mag’s website.

The Greensboro Review – Fall 2020

Featuring the Amon Liner Poetry Prize winner, “An Imperfect Figure” by Tegan Daly, plus the first selection in our new flash fiction category, Stephen Hundley’s “Tiger Drill in Butterfly Class.” Issue 108 includes an Editor’s Note from Terry L. Kennedy as well as new fiction and poetry from Bridget Apfeld, Kathleen Balma, Andrew Bode-Lang, Rick Bursky, Christopher Citro, and more. Read more at The Greensboro Review website.

The Georgia Review – Winter 2020

The latest issue of The Georgia Review is out with new work from Terrance Hayes, Arthur Sze, Jenny Boully, Samuel R. Delany, Maud Casey, and many other voices. The issue features the 2020 winner of the Review’s Loraine Williams Poetry Prize, selected by Ilya Kaminsky, as well as three finalists. It also showcases a selection of translated poems by Taiwanese author Sun Tzu-ping, and a long poem by the late Molly Brodak, annotated by her widower, Blake Butler. Moreover, there is an art portfolio of UGA Alumna Meghann Riepenhoff’s work, the artist interviewed by Georgia Review editor Douglas Carlson.

Contest :: Autumn House Press 2021 Rising Writer Contests

Autumn House Press logoDeadline: January 15, 2021
The Autumn House Press Rising Writer Contests for Poetry and Fiction are for writers 36 years old or younger who have yet to publish a full-length book. In addition to publication, the winner also receives $1,000 ($500 advance against royalties and a $500 travel/publicity grant to promote the book), 35 author copies, distribution through the University of Chicago Press, and a post-publication prize package. The judge for the 2021 Rising Writer Prize in Poetry is Matthew Dickman. The judge for the 2021 Rising Writer Prize in Fiction is Maryse Meijer. For more info: www.autumnhouse.org/submissions/.

Creative Nonfiction Holiday Sale Ends Tonight!

Don’t forget that Creative Nonfiction‘s holiday sale officially ends tonight at 11:59 PM EST. They have some amazing deals going on perfect for the creative nonfiction lover in your life.

You can get 50% off a subscription to Creative Nonfiction and single issues for only $2.50. Like their long essay magazine True Story? You can get single issues for just a $1. They also have their books available for $8 and have even created special bundles of their favorite issues. These bundles include Animals, Exploration, Food & Drink, History, Home, Pushcart Nominees, Starting Over, Teaching & Learning, Technology, and Women Write.

Love T-Shirts? They have those available for $5, too.

Want to gift a writer or your self with an online course in nonfiction? Creative Nonfiction is currently offering 11 online classes. You can save $50 off the cost if you enroll by December 21.

A Melodic & Timely Poetry Collection

Guest Post by Chris L. Butler.

2020 was filled with many twists and turns, but one thing that stayed consistent was Reggie Johnson’s commitment to poetry. One of my favorite books I’ve read this year is Cuarentena, Johnson’s ninth poetry collection in five years. Cuarentena is a melodic full-length collection reflecting on Johnson’s experiences of the first six months of the COVID-19 pandemic. This book is broken into several sections, beginning with “Life Before Quarantine,” and culminating with “The New Normal.” Johnson reminds us of how carefree life once was with lines like “Saturday’s used to be the night to unwind,” in “Saturday Shenanigans.”

As the book progresses, the reader gets to engage a section titled “Unrest.” Here, Johnson draws the audience into his interpretation of race relations in America. This section features pieces like “Divided,” Johnson’s viral poem, which was featured on WLWT 5 NBC Cincinnati in June. As a Black American, I personally connected with this book. Johnson lays it all on the table for me with lines like “No matter the time period, I am more than a statistic . . . a stereotype,” featured in the poem “Look at Me.”

Cuarentena hits home for the reader, in a timely collection where Johnson dives into the political. I would recommend this book to anyone, but especially those experiencing the duality of living in the pandemic as an oppressed person.


Cuarentena by Reggie Johnson. Rad Press Publishing, September 2020.

Reviewer bio: Chris L. Butler is an African American and Dutch, Pushcart nominated poet, and essayist. Chris was selected as a 2020 HUES Scholar. He was a participant in the 2020 Palette Poetry BIPOC Chapbook Workshop. His work can be found in The Daily Drunk Mag, Rejection Letters, and others.

Ruminate :: Subscription Drive

If you’ve wanted to check out issues of Ruminate, now is the perfect time to do it. Right now, they’re running their Holiday Drive with the goal of reaching 125 new and renewed subscribers going into the new year. Renew your subscription, gift one to a family member or friend this holiday season, or write a donation in someone’s name as a gift.

You can grab a gift subscription here, where you can also check out their progress. At the time of writing this blog post, they’ve reached about 40% of their goal.

Enjoy high quality, quarterly issues with your own subscription.

Shanti Arts :: Spring Leaves Chapbook Series

I love a good chapbook—something slim and short and perfect for my pandemic-shortened attention span. With this in mind, I was excited to find out Shanti Arts, publisher of literary and art journal Still Point Arts Quarterly, has begun to publish the Spring Leaves Chapbook Series.

The first chapbook in this series was released back in August. The Vermeer Tales by Gail Tyson is “[i]nspired by A. S. Byatt’s The Matisse Stories and Johannes Vermeer’s exquisite paintings of women,” and was written “during a transition from a demanding career to full-time writing in 2017, and finished the last after [Tyson’s] beloved’s brief, terrifying illness and death.”

The chapbook is available now at the Shanti Arts website. There, readers can also have a sneak peek at the contents before purchasing.

Grace Amidst Confusion: a review of ‘Avalon’ by Richard Jones

Guest Post by Michael Hettich.

In this disjunct time, when cynicism and lies swarm the air like gnats, it’s a great solace to find a poet whose work is suffused with what can only be called love, a poet whose vision, though fully engaged with the fractures and griefs of this moment, is imbued with a sense of wonder, humor and compassion for all, including himself. Richard Jones has been writing such poems for many years. His numerous books published by Copper Canyon Press as well as stellar chapbooks from Adastra Press and other small publishers, to say nothing of his translations or of his work editing Poetry East, have distinguished him as one of our most valuable poets. His new book, Avalon, from Green Linden Press, is as strong as anything he has previously written, a work of great tenderness and vision.

Many of the poems in Avalon take the reader on spiritual journeys through realms of confusion and sorrow leading toward a sense that, somehow, amidst our existential bewilderment, the wonder of our very being holds transcendent truths we’ve yet to plumb, truths that might enthrall us were we to embrace them. A citizen of our time, Jones is nevertheless a kind of visionary, a poet who risks vulnerability to achieve the kind of innocence that makes revelation possible. His poems often start in the particulars of his own life to seamlessly move into fable-like narratives in which the ineffable is glimpsed, the unsayable (almost) whispered. And though what’s glimpsed eludes the speaker’s full grasp, nevertheless he knows it’s there, that moment out of time when the truth of each moment is revealed. In short, these poems simultaneously enact and document instances of grace, blessings in the midst of confusion.

Though never “confessional” in the conventional sense of that word, all of Jones’s poems are deeply personal, exploring not regrets and losses but rather yearnings—for the deepest connections to his family, to the world, to himself and, finally, to his God: “a praying mantis / lands on my left forearm, / turns his head, and studies me. / The spiritual way he folds / his long green wings / makes me believe he’s here / on a heavenly mission . . . .” Our blessings, for Jones, are located exactly where our confusions and griefs most pain us as feeling, yearning, tender-hearted humans. Such poetry as this is always nutritious food, but it is particularly so in these ravaged, profoundly confusing times. For those that read them carefully and with an open heart, the poems of Avalon will provide not just aesthetic pleasure but a kind of solace as well.


Avalon by Richard Jones. Green Linden Press, June 2020.

Reviewer bio: Michael Hettich has published a dozen books of poetry, most recently To Start an Orchard, which was published in 2019. A new book, The Mica Mine, is forthcoming. His website is michaelhettich.com.

Creative Writing in the Heart of Brooklyn

Long Island University, Brooklyn MFAThe MFA in Creative Writing at Long Island University is an innovative program centering on world literature, multi-genre education, and publishing. They prepare their students to be “professional writers in the world and visionary literary citizens.”

The LIU Brooklyn MFA is a two-year residency program that also helps prepare its students for careers in creative writing, academia, translation, and publishing. Students have the option of studying poetry, fiction, nonfiction, playwriting, and translation to receive a robust multi-genre education.

Students are able to learn about commercial, independent, and academic publishing during the course of their study while studying directly with professionals at the heart of the publishing industry. Current faculty include Zaina Arafat, Rita Banerjee, and Robin Hemley.

The priority deadline to apply to the program is February 15. Learn more by stopping by their listing on NewPages.

Ponder Human Existence with Margo Taft Stever

Guest Post by J. Guaner.

Margo Taft Stever, founder of the Hudson Valley Writers Center, has published her second poetry collection, Cracked Piano, which invites the reader to ponder human existence issues.

“Idiot’s Guide to Counting,” the opening poem, interprets the sane and insane with rhetorical questions comprising the first two stanzas and the first half of the third stanza: “How do you become one / with the horse, riding and becoming / the act of riding, / and the horse becoming the self / and the other at exactly / the same second, counting strides, / counting muscle movement, / counting fences, hurtling over / them with the horse, counting /the everything / of one?” These questions function as an apostrophe articulated to a grandfather figure in the past, an alter ego, or a contemporary everyman “counting strides, / counting muscle movement, / counting fences . . . ” Yet, there is no solution to everything counted or to the person who counts, as the hyperbole of “idiot” in the title suggests.

The poet also looks deep into the misery, monotony, and aloneness of human life. The person who counts suggests either an alter ego or a contemporary everyman. Sadness stays with everything counted, the existence, or the family tree, as questioned in the third stanza—“How to become one with / the branches of a tree, a grandfather / tree in an apple orchard / that no longer exists?” We count our time, but we are not able to find the meaning of life. In the end, counting becomes meaningless, and the speaker sighs, “counting / everything as no longer / existing, counting / trees as one with the everything / that no longer exists.” Stylistically, even the monotonous voice reveals the plain sameness of life confined to the person himself.

In a sense, this poem sets the tone of Stever’s Cracked Piano, a tone of loss and disconnection.


Cracked Piano by Margo Taft Stever. CavanKerry Press, 2019.

Buy this book from our affiliate Bookshop.org.

 

Call :: Chestnut Review Invites Submissions from Stubborn Artists Year-round

Deadline: Year-round
Chestnut Review (“for stubborn artists”) invites submissions year round of poetry, fiction, nonfiction, art, and photography. We offer free submissions for poetry (3 poems), flash fiction (<1000 words), and art/photography (20 images); $5 submissions for fiction/nonfiction (<5k words), or 4-6 poems. Published artists receive $100 and a copy of the annual anthology of four issues (released each summer). Notification in <30 days or submission fee refunded. We appreciate stories in every genre we publish. All issues free online which illustrates what we have liked, but we are always ready to be surprised by the new! Don’t forget to check out our recent issues at chestnutreview.com.

Driftwood Press :: New Poetry Title & Launch Party

Do you need something good to look forward to? Driftwood Press has you covered.

Their first full-length poetry collection is forthcoming on December 15: Magnolia Canopy Otherworld by Erin Carlyle. The collection has received advance praise: Rebecca Morgan Frank, author of Little Murders Everywhere calls it a “riveting, smart, and unforgettable debut,” and F. Daniel Rzicznek, author of Settlers warns readers: “Be ready for her to interrupt your life with poem after stunning poem in this haunting and arresting debut.” You can preorder your copy now.

To celebrate the release of Magnolia Canopy Otherworld, tune in on December 18 for a free digital launch party held on Zoom. In addition to Erin Carlyle, Wren Hanks, Ben Kline, Helli Fang, Kimberly Povloski, Charles Malone, and Annie Christain will also be reading. Find more information about the launch party at Driftwood Press‘s Facebook.

‘The Body Dialogues’ by Miriam O’Neal

Guest Post by Chloe Yelena Miller.

After months at home during the coronavirus epidemic, I found Miriam O’Neal’s poetry collection The Body Dialogues a respite. Through a focus on the body, personal history, religion, travel, and literature, I could both leave myself and remember who I used to be. The postcard poems, in particular, reminded me of our human capacity to inhabit the past and faraway places regardless of where we are.

As we plug into our devices, we need to connect with others and ourselves. O’Neal feeds the readers with her poems and places us wherever we are. “Field” ends with, “She gives the grownups bread and tea, / the children milk and bread. / This is what it takes to tell the body, / You are here.”

That which is seemingly forgotten is etched into the poet’s experiences and appears in these poems. Sometimes, we forget who we have been. Throughout this three-part collection of poetry, O’Neal’s “I” grows and shifts into an experienced adult. In “The Sister Doesn’t Say,” O’Neal writes, “Only she will know what she can’t remember.”

Writers love their building blocks, words and grammar, and O’Neal is no different. My favorite poem, “Homesick,” has the speaker looking towards Italian grammar. The poem ends with, “and you in the present form; / always in the familiar.” Even when the reader is transported into the past, the past becomes a vivid present.

The writer can train the reader’s eyes on something to see it more clearly in order to see something else. O’Neal writes her own ars poetica within the poem “Felucca,” “Because she cannot photograph the sky / or the darkness hiding her hand, / she’ll photography my boat and say, / See? This is a Felucca.”


The Body Dialogues by Miriam O’Neal. Lily Poetry Review, January 2020.

Reviewer bio: Chloe Yelena Miller is a writer and teacher living in Washington, D.C.

Contests :: The Headlight Review Chapbook Prize

Kennesaw State University logoDeadline: After 80 submissions received
The Headlight Review
’s Annual Chapbook Prize in Prose is open for submissions! Send us your very best literary fiction, 6k-10k words, and you will be considered by our expert panel of judges for a $500 cash prize and publication of your manuscript. Submissions are $20 each, and all finalists will also be considered for publication. Publication in THR’s regular genres (Poetry, Nonfiction, Fiction, Book Reviews, & Interviews) is also year-round, and it is free to submit. Submission Guidelines for The Chapbook Prize, and for our year-round submissions, can be found on our website. We look forward to reading your work!

Rattle – Winter 2020

The Winter 2020 issue of Rattle has arrived with vibrant and beautiful poems like “Psalm of the Heights” by Dana Gioia, “Deitic” by A.E. Stallings, “Graffiti” by Josh Lefkowitz, “A Litany of Lukewarm Sentiments” by Supriya Kaur Dhaliwal, and “Modesty” by Richard Luftig. Additionally, we’re proud to present the finalists of the 2020 Rattle Poetry Prize including “I Admit Myself to the Psych Ward in a Pandemic” by Beck Anson, “Mega-” by Shelly Stewart Cato, and “Farm Sonnet” by Kitty Carpenter. Not to mention, of course, the winning poem, Alison Townsend’s “Pantoum From the Window of the Room Where I write.”

Poetry – December 2020

This issue of Poetry features poetry by Jane Wong, Noor Hindi, Pippa Little, Marcus Wicker, Talvikki Ansel, Darius Simpson, Lance Larsen, Maggie Millner, William Fuller, Alec Finlay, Jon Davis, Jordan Keller-Martinez, Ashley M. Jones, Anna Leahy, Jayy Dodd, A.D. Lauren-Abunassar, Austin Smith, Brayan Salinas, John Lennox, Kemi Alabi, Isabella Borgeson, Philip Gross, Ange Mlinko, Cyrée Jarelle Johnson, Imani Cezanne, Leila Chatti, Luther Hughes, and T.J. Clark.

Plume – December 2020

This month’s Plume featured selection is titled “Dear Stuart,” and is a celebration of the work and life of Stuart Friebert. Contributors to this section include Wayne Miller, Marilyn Johnson, Martha Moody, and more. Our nonfiction section features Bill Tremblay’s thoughts in “THE LAND OF ULRO: Czeslaw Milosz on William Blake.” Chelsea Wagenaar reviews Allison Adair’s The Clearing.

The Malahat Review – Fall 2020

The Autumn 2020 issue features the winner of the 2020 Far Horizons Award for Poetry: A.R. Kung with “Flight.” Also in the issue, find poetry by Karen Lee, Shane Rhodes, Patrick Phoebe Wang, and more; fiction by Shoilee Khan, Francine Cunningham, and John Elizabeth Stintzi; and creative nonfiction by Michelle Poirier Brown, Kathy Mak, and Erin Soros. Plus, a hearty selection of book reviews.

The Writing Disorder Celebrates 10 Years

Congrats to The Writing Disorder for celebrating their 10-year anniversary!

Celebrate along with the quarterly online journal by checking out the Fall 2020 issue which features work by Lourdes Dolores Follins, Adam Anders, Ashley Inguanta, and more. Or become a part of their legacy: the editors are currently accepting work for the Winter & Spring 2020/2021 issues.

We look forward to see what else The Writing Disorder has to offer as it continues into the future.

New Issue & Website for High Desert Journal

High Desert Journal is a voice for the landscape and the people of the interior West. Through literature and visual arts, High Desert Journal has created an evolving conversation that deepens an understanding of the people, places, and issues of the interior West, a region rich in creativity, history and flux, yet often overlooked for its cultural resources.

On November 1, High Desert Journal debuted their 31st issue, along with a completely revised website. Issue 31 features new work from Melissa Kwasny, John Daniel, Chris La Tray, Michael Bishop, Keene Short, Stacey Boe Miller, Aaron A, Abeyta as well as many many more, and includes a photo essay by Brooke Williams.

With this issue High Desert Journal is now a paying market, offering $25/ poem, $50/essay or story, and $150/featured artist. In 2021 they will also be offering two $500 scholarships to low-income and minority writers to assist in attending workshops and writing/artist retreats. More details will be posted on the journal’s website in the new year.

Issue 31 also sees the addition of Corey Oglesby, their new web designer. Oglesby completely revised, revamped, improved, and updated the website. Click here to see the new site. Oglesby is a poet and musician originally from the Washington, D.C., area, currently living in North Idaho. A 2018 graduate of University of Idaho’s MFA program in Creative Writing, his work has most recently appeared in DIAGRAM, Barrow Street, jubilat, Hobart, The Meadow, Puerto del Sol, Blood Orange Review, and Beloit Poetry Journal, where his poem “Ballistics” was named a 2020 semi-finalist for the Adrienne Rich Award for Poetry. He was the Editor-in-Chief of Fugue Literary Journal from 2017 to 2018.

Sponsor Spotlight :: Eastern Michigan University Interdisciplinary MA in Creative Writing

The MA in Creative Writing at Eastern Michigan University is distinguished as one of the only interdisciplinary programs for creative writing in the country. They accept applications year-round with January 10 being the priority deadline for the fall term.

“Locating the writer’s work along the frontiers of social imaginaries and civic possibilities, our program nourishes opportunities to develop a conceptually rigorous and imaginatively engaged writing.” The program also emphasizes the importance of aesthetic risk and social application while also offering writers opportunities to explore multiple arts and mixed genres.

Core faculty for the program are Rob Halpern, Carla Harryman, Christine Hume, and Matt Kirkpatrick. Recent visiting writers include Latasha N. Nevada Diggs, Nathaniel Mackey, Ted Pearson, Joanna Rocco, Daniel Borzutzky, Wayne Kostenbaum, Kevin Killian, Sarah Schulman.

They also have a literary magazine, BathHouse Journal, and a reading series, BathHouse Reading Series.

Stop by their listing at NewPages to learn more about the program.

Help Brilliant Flash Fiction Fund 2021 Anthology

Brilliant Flash FictionBrilliant Flash Fiction wants writing to thrive, and they want to showcase flash fiction at its best. To do that, they need your help.

Visit Kickstarter to pledge even a small amount of money—and earn rewards including stickers, pens, editors’ flash fiction tips, T-shirts, and reviews of your work.

All money goes toward funding the printing process for a 2021 anthology featuring original work solicited from writers around the world. Pledges close December 11.

In 2019, Brilliant Flash Fiction, a 501(c)3 charitable organization, published a high-quality print anthology of flash fiction stories entitled Hunger: The Best of Brilliant Flash Fiction, 2014-2019.

(Note: no one on the editorial board or board of directors receives payment for their services. BFF’s funding comes strictly from donations.)

Contest :: River Styx 2021 Microfiction Contest: $1000 Prize and Publication

River Styx 2021 Microfiction Contest BannerDeadline: December 31, 2020
River Styx offers a prize of $1,000 for a single microfiction story of 500 words or fewer. The top three stories will be published, and all stories will be considered for publication. Your choice of entry fee: $20 to receive a one-year (two issue) subscription or $15 to receive just the issue with the winning stories. Submit up to three stories per entry, maximum 500 words per story. Additional stories may be submitted with additional fees. Submissions may not be previously published either in print or online. Submit via mail or Submittable. Complete guidelines are posted at www.riverstyx.org/submit/microfiction-contest/.

‘The Inland Sea’ Covers A Lot of Territory

Guest Post by Judith Chalmer.

The Inland Sea by Sam Clark is wonderful, full of interesting people left to live out their own mysteries, with rich and beautiful descriptions of the lake and communities on both sides. Evidence of intelligence and emotional complexity is everywhere in the characters Clark has created for his unusually constructed and sophisticated mystery.

An assortment of re-built boats skim across a lake bordered by forest and farm, carrying readers between islands, slamming waves, treacherous rocks, and the unpredictable currents of human capability. Designed with a craftsperson’s care and a philosopher’s depth, The Inland Sea covers a lot of territory.

I finished the book in two sittings, and had to make myself stop in the middle. I can’t wait to recommend it to friends.


The Inland Sea: A Mystery by Sam Clark. Rootstock Publishing, December 2020.

Reviewer bio: Judith Chalmer is the author of two books of poetry, Out of History’s Junk Jar, and most recently, Minnow. She lives and writes in Vermont.

Buy this book from our affiliate Bookshop.org.

Selling Out with Paul Beatty

Guest Post by Jack Graham.

Paul Beatty presents a roguishly sharp addressing of current race relations within the United States within his Booker Prize-winning novel, The Sellout. In his plight to put his home town of Dickens back on the map, our protagonist (whose first name we never discover) explores notions of modern-day slavery under an Obama presidency, the revival of segregation in schools whilst also acknowledging the blatant racism of Hollywood, hiring black actors simply for their sense of ‘blackness’.

Our protagonist guides us through the chapters with a lexicon that can only be appreciated by sociology graduates, documenting in the earliest pages of the narrative as to how he was a guinea pig for his father’s experiments and torture in an attempt to mimic and alter notorious psychological experiments within the parameters of an African-American lifestyle adjacent to the struggles of a black community in small-town California.

Beatty presents his audience with the complete absurdity of segregation and slave-holding. The author is willing to excite and shock his audience as a means to illustrate the everyday strains of a black community, whether that be the ejection of black communities from city maps, the use of racial slurs, or the tremendous difficulties for black children to attend mostly white schools.

I wholeheartedly recommend that people read The Sellout as means to further understand and appreciate the tribulations of a much-subjugated class to acknowledge the role of often ignored small ghetto-like communities in the path of large-scale gentrification.


The Sellout by Paul Beatty. Picador, March 2016.

Reviewer bio: I’m Jack Graham, currently studying my Masters in English Literary Studies at Durham University.

Buy this book from our affiliate Bookshop.org.

Sponsor Spotlight :: Stickman Review

Stickman Review V19 N1 coverStickman Review is an online literary magazine celebrating 19 years of publication. Founded in 2001, the journal is dedicated to providing a platform for great fiction, poetry, essays, and artwork for artists all over the world.

Stickman Review publishes two issues a year and especially encourages submissions that employ diverse forms and points of view. Their latest issue, V19 N1, features poetry by Jo Ann Baldinger, Marc Darnell, Vern Fein, John Grey, Paul Ilechko, DS Maolalai, Dan Overgaard, and Yvette A. Schnoeker-Shorb. Plus, read fiction by Tim Poland.

If you’re a writer, browse through their issue archives to familiarize yourself with what they publish and maybe consider submitting your own work when they re-open on February 1. Stop by their listing on NewPages to learn more about them.

For All Those Whom Have Ever Had To Eat Their Own Or Another’s Grief

Guest Post by John Cullen.

The title for this review comes from the dedication which opens Deirdre Fagan’s collection of short stories, The Grief Eater.  This collection follows up on the author’s excellent poetry collection, Have Love, but turns its attention to beautifully written explorations of characters overcome with and attempting to live with grief.

In the story “The Grief Eater,” a young woman can’t stop reading the local obituaries and attending the funerals of people she does not know, initially believing she is doing it for the good of the grieving families and eventually coming to a larger realization about herself and the nature of life. “Dressing The Part” chronicles the events of a woman attempting to deal with having lost her husband. At various points she wears her wedding dress to work and discovers a strange yet movingly fitting way of spreading her husband’s ashes. In “Rotary Dial,” a grief-stricken man begins calling people at random and asking for his wife.

The characters in these stories struggle with that most human pain of how to move on from grief and possibly find a livable space. These psychological portraits of characters at extreme crossroads will strike a deep chord in anyone who has thought about mortality or confronted loss. This is an excellent first collection of stories.


The Grief Eater by Deirdre Fagan. Adelaide Books, 2020.

Reviewer bio: John Cullen’s poetry has appeared in North Dakota Quarterly, American Journal of Poetry, The MacGuffin, and The Cincinnati Review.

Contest :: Reading Works 2021 Short Short Story Contest

Reading Works 2nd Annual Short Short Story ContestDeadline: January 15, 2021
Take the challenge and write a short short story using 100 words. Topics: ants, bowling, 1940s, water. 7 cash prizes: Best of Contest ($100), Best of Category ($50), Best Youth Story (authors 14 and younger, $50), People’s Choice ($50). Submission fee: $10. Reading Works is a 501(c)(3) community based literacy program that provides free reading, writing and English acquisition tutoring to teens and adults. Proceeds from the contest support literacy programs. To learn more please visit our website.

Two Mothers in Two Worlds

Guest Post by Dawn Newton.

Jessica O’Dwyer’s novel Mother Mother is not only a story featuring two mothers but also a story about two worlds—a middle-class world in the United States where parents can seek an adoption through public or private options and the world of a Guatemalan mother forced to give up a child in the aftermath of a brutal civil war.

O’Dwyer writes about these journeys from many angles, revealing the complexities and emotional nuances of the adoption process for birth mothers and adoptive parents alike. There is despair, strength, and joy in the details. The juxtaposition of the two mothers’ lives, while highlighting the differences in socioeconomic issues and personal freedom in the two worlds, also reveals the emotional intensity involved in the journey each mother faces.

Just as Saroo Brierley’s A Long Way Home focuses on an adopted child’s journey to find a birth mother while portraying impoverished families in India, Mother Mother presents the stages of the adoption process while also revealing the work to be done once the adopted child arrives—helping him settle comfortably into an American society that still struggles with “the other.” In an incident on a playground just after newly adopted Jack’s arrival, a stranger comments on the boy, comfortable in her assumption that because Jack’s skin color is different from his mother’s, he must be adopted. Julie, his new mother, realizes that she won’t always be able to protect her son from external judgment or evaluation. Like most good books, this novel teaches us about worlds we might not know or understand, helping us to expand our empathy for others.

 

(Disclaimer: This book was published by the small press publishing my own work. While I don’t know the author personally, I consulted with her by phone once on a press-related issue.)


Mother Mother by Jessica O’Dwyer. Apprentice House, October 2020.

Reviewer bio: Dawn Newton is the author of Winded: A Memoir in Four Stages. Her novel, The Remnants of Summer, is forthcoming from Apprentice House Press in 2021.

Call :: We Pay Contributors: Driftwood Press Submissions Open

Driftwood Press website screenshotDeadline: Year-round
John Updike once said, “Creativity is merely a plus name for regular activity. Any activity becomes creative when the doer cares about doing it right, or better.” At Driftwood Press, we are actively searching for artists who care about doing it right, or better. We are excited to receive your submissions and will diligently work to bring you the best in full poetry collections, novellas, graphic novels, short fiction, poetry, graphic narrative, photography, art, interviews, and contests. We also offer our submitters a premium option to receive an acceptance or rejection letter within one week of submission; many authors are offered editorships and interviews. To polish your fiction, note our editing services and seminars, too. www.driftwoodpress.net

Join Radar Poetry’s 2-day Virtual January Cleanse Workshop

white crocus on black backgroundOnline literary magazine Radar Poetry will be hosting a two-day virtual intensive workshop, January Cleanse. This will take place via Zoom on January 17 and January 24, 2021 from 2:00 to 4:00 PM.

Seasoned poetry editors Dara-Lyn Shrager and Rachel Marie Patterson will be leading this interactive and dynamic workshop dedicated to guiding writers through a fresh start on their poems. Registration officially opened on November 30. Cost for the workshop is $250—space is limited.

Variety Pack – Issue 3

blue and red colorblocks

Variety Pack Issue 3, our final issue for 2020, is packed full of a variety of writing from poetry, to prose, to essays, and reviews. Short Fiction by Jerica Taylor, Elle Bader-Gregory, and Jeremy Perry; flash prose by Mileva Anastasiadou, Zanaya Hussein, and Megha Nayar; nonfiction by Rhienna Renee Guedry, B.D. Shaw, and Elliott Bradley; and poetry by Theresa Wyatt, Sabrina Blandon, Aadesh, Priyanka Sacheti, Mike Chin, Lilia Marie Ellis, Mike Basinski, and more. Plus three reviews, and art by four artists.

AGNI – No. 92

In Number 92 of AGNI, find an art feature by Sandra Brewster. Essays by Patrick Clement James, Bailey Gaylin Moore & Donald Quist, Nafis Shafizadeh, and My Tran; fiction by Kirstin Allio, Vanessa Cuti, and more; and hybrid work by Nin Andrews, Matt Donovan, and more. Poetry by Bruce Bond, Abby Caplin, Tarik Dobbs, and more.

Contest :: Sagauro Poetry Prize Deadline is December 31

Kallisto Gaia Press logoDeadline: December 31, 2020
The Saguaro Poetry Prize winner is awarded $1,200, twenty author copies, plus publication and promotion by Kallisto Gaia Press for 28–48 pages of contemporary poetry. Ire’ne Lara Silva (Cuicacalli / House of Song, 2019) will judge. Runner up receives $100. Entry fee is $25. All entrants receive a copy of the winning collection! Deadline: December 31, 2020. Sponsored by Duotrope. More info at kallistogaiapress.submittable.com/submit.

NewPages Browser Display Issues

It appears that the NewPages website isn’t displaying correctly on all pages if you are using Microsoft Edge. We have reported this as a bug to Edge to see if they can perhaps fix this issue since it does appear to be normal if you are using saying Google Chrome. If you notice display issues in any other browsers, please don’t hesitate to let us know which browser you are using and which pages are working incorrectly for you by contacting us at [email protected].

Contest :: 15th Annual National Indie Excellence Awards

2021 National Indie Excellence Awards bannerDeadline: March 31, 2021
The National Indie Excellence® Awards (NIEA) are open to all English language printed books available for sale, including small presses, mid-size independent publishers, university presses, and self-published authors. NIEA is proud to be a champion of self-publishing and small independent presses going the extra mile to produce books of excellence in every aspect. All entries for the 15th Annual NIEA contest must be postmarked by March 31, 2021. Categories include poetry, fiction, nonfiction, drama, screenplays, cross-genre, comics, translations, and more. View our website for a full list of categories: www.indieexcellence.com.

The Fourth River: A Journal of Nature & Place

Screenshot of Fourth River WebsitePublished by the MFA program in creative writing at Chatham University, Fourth River is an online and print journal focusing on nature and place-based writing. They publish “works that are richly situated at the confluence of place, space, and identity.”

Fourth River takes its name from a subterranean river beneath Pittsburgh, Pennsylvania, a city at the confluence of three rivers. The unseen fourth river is indispensable to the city’s ecosystem. “The journal grew up from the “idea that between and beneath the visible framework of the human world and built environment, there exist deeper currents of force and meaning supporting the very structure of that world”

They publish one print issue and one online issue a year. Check out the Fall 2020 online issue, “Futures,” and don’t forget to stop by their listing on NewPages to learn more about them.

I-70 Review: Writing from the Middle & Beyond

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Now in its 19th year, the I-70 Review is an annual literary magazine whose title comes from the interstate that runs through thirteen states. They publish short fiction, poetry, and art from new, emerging, and established writers and artists from all over the Americas and overseas.

They seek to offer readers a wide variety of styles, voices, and diversity. They like narrative, but also celebrate the quirky and startling different and hold constant to work that is surprising and fresh. They are currently open to submissions through the end of December 2020.

Every four to five months, they feature the work of a single poet on their website. This includes a brief bio, a picture, and up to five poems (previously published or unpublished). Their current featured poets is Hadara Bar-Nadav.

Stop by their listing on NewPages to learn more and consider subscribing to their journal.

Variety Pack Seeks to Offer Diverse Writing by & for a Diverse Community

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Founded in 2020, Variety Pack is an online journal seeking to offer a “variety” of work in all genres, including literary fiction, historical fiction, science fiction, fantasy, mystery, humor, micro-fiction, flash fiction, form, poetry, prose poetry, haikus, and more.

They publish quarterly issues along with special issues, called mini-packs, editor choice features published in-between their regular issues. Their first Mini-Pack featured short fiction by Timothy Day. Variety Pack also have special issues dedicated to standing in solidarity with marginalized voices in the literary community. The most recent special was Black Voices of Pride guest edited by Dior J. Stephens.

Their last issue of 2020 was just published this month. Give it a read & swing by their listing on NewPages to learn more about them.

A Creepy Read

Guest Post by Katrina Thompson.

From the moment I began reading Jeff Vandermeer’s “Annihilation” I was enthralled and intrigued by the mysterious top secret location dubbed “Area-X” as well as the suspicious yet compelling cast of characters, all of which have no name and are instead known only by their occupations “The Biologist,” “The Psychologist,” “The Anthropologist,” “The Surveyor,” and “The Linguist.”

The protagonist or “biologist” also known as “Ghost Bird” by her former lover throughout the entirety of the novel, is a self-contained loner who has spent most of her life wrapped up in her curiosities with the natural world, her educational pursuits, or her rich and elusive inner life. The narrative itself is from her perspective and is told through the medium of her journal. But despite the less than traditional narrative style, the pacing of this novel is extremely engaging and left me hanging onto every word wondering what would happen next. I found no lulls or filler in the plot or dialogue. There were only white knuckled, page turning chapters and beautiful, awe-inspiring descriptions of the intoxicating terrifying realm of Area-X!

I highly recommend this book to anyone who’s into the sci-fi or fantasy genres or if you’re just looking for a creepy read to finish off the month of November.


Annihilation by Jeff VanderMeer. Farrar, Straus and Giroux, February 2014.

Reviewer bio: Dreamer by day, writer by night. My rich inner life inspires my whimsical writings.

Buy this book from our affiliate Bookshop.org.