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At the NewPages Blog readers and writers can catch up with their favorite literary and alternative magazines, independent and university presses, creative writing programs, and writing and literary events. Find new books, new issue announcements, contest winners, and so much more!

Call :: Mizmor Poetry Anthology – Spirituality

Deadline: August 15, 2020

“Spirituality is a broad concept with room for many perspectives. In general, it includes a sense of connection to something bigger than ourselves, and it typically involves a search for meaning in life. As such, it is a universal human experience—something that touches us all…”

No reading fee. Contributors will receive one free copy mailed to U.S. address, only. Please visit the website for the complete guidelines: www.poeticapublishing.com.

Call :: Chestnut Review (for stubborn artists) Invites Submissions

Chestnut Review (“for stubborn artists”) invites submissions year round of poetry, fiction, nonfiction, art, and photography. We offer free submissions for poetry (3 poems), flash fiction (<1000 words each & up to 4 pieces), and art/photography (20 images); $5 submissions for fiction/nonfiction (<5k words), or 4-6 poems. Published artists receive $100 and a copy of the annual anthology of four issues (released each summer). Notification in <30 days or submission fee refunded. We appreciate stories in every genre we publish. All issues free online which illustrates what we have liked, but we are always ready to be surprised by the new! chestnutreview.com

A Quick Yet Powerful Read

Magazine Review by Katy Haas

In the Spring 2020 issue of Southern Humanities Review, Heather Corrigan Phillips dives into the use of language in “A Scattershot Approach.” Broken up into different sections, this piece looks at the idioms and metaphors relating to gunfire that English uses. Each section is a different phrase or word.

This nonfiction piece looks at a span of time immediately after the Sandy Hook Elementary School shooting. Her brother-in-law was a first responder at the school that day and we learn about him and the way his health and family were impacted. Phillips writes about this while living out of the country and learns more in spurts through Skype and phone calls, and readers subsequently learn about this in similar ways. Little bits of his story are revealed and then explorations of gun-adjacent language is placed in between.

Reading this really does bring to light the amount of idioms and metaphors that we use which relate back to guns, and this only scratches the surface. There are plenty more that weren’t included. We’re lead to question why this language is so prevalent while also seeing into the lives of humans who have gone through a traumatic event. Here is the perfect balance of fact and emotion, a quick yet powerful read.

Sponsor Spotlight: Cutthroat

Have you visited Cutthroat lately? They publish an online edition and an annual print anthology with high-quality poetry and prose with an edge.

They offer three awards every years: the Joy Harjo Poetry Award, the Rick DeMarinis Short Story Award, and the Barry Lopez Nonfiction Award which open for submissions in August.

Readers can look forward to Issue 25 which will drop sometime this month. You can learn more about Cutthroat and their past contributors at their listing on our website.

Jenni(f)fer Tamayo Answers “The Citizenship Question”

The Georgia Review - Spring 2020Magazine Review by Katy Haas

The Spring 2020 issue of The Georgia Review was released around the time U.S. citizens were receiving census information in the mail, and the work inside the issue relates back to this: the census and citizenship. Jenni(f)fer Tamayo’s “The Citizenship Question” is a stand-out among these.

The piece reimagines the Application for Naturalization, or the U.S. Citizenship Application. This piece spans three pages, and Tamayo rewrites the questions and options given. The first two pages are straight forward enough, with the third falling into a more chaotic format with text written upside down, overlapping other text, or fading away into blank space.

I always enjoy this type of writing that mixes the cold format of a form (Marissa Spear does something similar with her medical reports in “How Many Ways Can One Spell Hysteria?” found in Moonchild Magazine) and reworks it with heart, feeling, and poetry. It can be a bizarre feeling to see personal information about yourself reduced to a few lines and checkboxes in someone’s files, and Tamayo takes that information back, reclaims it as hers, and connects it back to her life and identity in an inventive and enjoyable read.

2020 Cherry Tree Young Writers’ Conference Moves Online

This year the Cherry Tree Young Writers’ Conference will be held online. With this change, the conference will still involve the same great faculty, craft discussions, readings, and literary camaraderie that the face-to-face conference promised.

The dates stay the same: July 15-18 with a similar schedule, and the price to participate has been discounted. Scholarships are still available.

Learn more about this year’s conference at The Rose O’Neill Literary House page on the Washington College website.

Documenting Awakening

Aimee Liu’s Glorious Boy opens in 1942 but begins in 1936 New York when Claire, aspiring anthropologist, meets Shep, a young British doctor being punished by exile.

They soon marry and depart to his duty station, Port Blair on the Andaman Island in the Bay of Bengal. The island serves as a penal colony for political prisoners. Once there, they hire eight-year-old Nalia to care for their mute son, Ty, the “glorious boy” of the title. Nalia possesses “an uncanny ability to intuit whatever Ty wanted or needed—as if the children had their own spiritual language.”

As British hold over the island falters, they hear more of Japan’s rallying cry of “Asia for Asians.” When Rangoon, a neighboring Burmese city, falls, civilians are ordered out of Port Blair with a single standing order: “No local borns or natives.” Because of the connection between Nalia and young Ty, Claire promises to find a means of getting Nalia off-island as soon as she can.

During the departure, however, an earthquake separates Claire from the rest of her family along with Nalia. Not long after, the island falls to the Japanese army as Nalia hides Ty among the tribes Claire began studying. Claire dedicates herself to retrieving her son. Meanwhile Ty becomes more a creature of the jungle than a child of the empire, seeming to straddle the “primitive” and “civilized.”

Glorious Boy documents the awakening of Claire as nations dive into World War II. She learns “that ambition is worthless unless it’s rooted in human understanding” and is astute enough to understand that “prosperity” is often aligned with, almost synonymous with “slavery,” that those who are politically powerful and connected find deference to their desires, and that “colonial rules [prove to be] a tyranny of injustice, not to mention ineptitude.”


Glorious Boy by Aimee Liu. Red Hen Press, May 2020.

Reviewer bio: Bill Cushing writes and facilitates a writing group for 9 Bridges. His poetry collection, A Former Life, was released last year by Finishing Line Press.

Buy this book through our affiliate Bookshop.org.

Contest :: Fiction Southeast Story of the Month Contest

Online literary magazine Fiction Southeast has launched the Story of the Month Contest to honor the best short fiction under 1,000 words. Each month the winning story will grace the front page of the website for the entire month and will be listed on the Stories of the Month Page, as well as the Fiction Page. The reading fee is $10, and the winner will receive $50. Submit here: fictionsoutheast.submittable.com/submit/163713/story-of-the-month. Entries are accepted year-round.

Contest :: KAKALAK 2020 Poetry & Art Contest Closes May 18

KAKALAK 2019 coverDon’t forget that the deadline to submit poetry and art that evokes the spirit of the Carolinas from the Outer Banks and Low Country to the Piedmont and Appalachia is May 18. Anyone can enter. Entry fee: $12 for 1-3 poems or 1-3 images. All entries considered for publication. All contributors will receive one copy for each item selected for publication. Prize money ranges from $300 to $20. Details can be found on the Kakalak contest page of the www.MainStreetRag.com website.

Call :: Adanna Closes to Submissions for Special Issue on May 15

Don’t forget Adanna Literary Journal, a women focused print publication, is open to submissions for a special issue through May 15. They are seeking essays, poetry, and creative nonfiction that speaks towards the experience of mothering in a time of crisis—caring for children, especially those with children in college returning from affected areas, those with younger children exposed to media and the anxiety of school shut-downs, as well as women who are caring for elderly relatives or those in the medical profession. To submit, please go to adannajournal.blogspot.com/p/submission-guidelines.html. The subject line should read “Special Issue” to distinguish this from their annual issue.

Call :: little somethings press issue three

little somethings press flierlittle somethings press is open for submissions for issue three. We want work that breathes in the space of a page, even as the world falters. Send your flash memoir and fiction of up to 300 words, your poetry of up to 12 lines, and your visual art to [email protected] by June 15th.  Up to three pieces per submission are welcome. Contributors will receive compensation through a contributor copy. All rights revert back to the author/contributor upon publication. littlesomethingspress.com

Contest :: Conduit Books & Ephemera’s 2020 Marystina Santiestevan First Book Prize Accepting Submissions

Conduit Books & Ephemera logoDeadline: June 30, 2020
Now in its third year, the Marystina Santiestevan First Book Prize awards $1,000 and publication to a poet writing in English who has not yet published a full-length book of poetry. If you have a smoking hot manuscript or know someone who does, please give us a shot. The Marystina Santiestevan First Book Prize champions poets who dance to their own tune not to be different but to be true. Previously unpublished manuscripts of 48-90 pages should be submitted through our Submittable page or via the USPS. Please visit www.conduit.org/book-prizes for details.

Deadline Extension :: 2020 Sandeen Prize in Poetry

Deadline has been extended to June 1 due to COVID-19.
The Sandeen Prize in Poetry is open to any author, with the exception of ND graduates, who has published at least one collection of poetry. We pay special attention to second volumes. A $15 administrative fee should accompany submissions. Make checks payable to University of Notre Dame. The volumes of the Sandeen Prize will be published in trade paperback format. The author will be offered a standard contract with the University of Notre Dame Press. There will be a $1,000 prize, a $500 award, and a $500 advance against royalties from the Notre Dame Press. Submission information on program website: english.nd.edu/creative-writing/.

Call :: Gold Man Review Open to Submissions from OR, AK, HI, CA, & WA

Deadline: June 1, 2020
Literary magazine Gold Man Review is a West Coast journal. They are currently looking for submissions of poetry, fiction, and nonfiction for Issue 10. They are open to all topics and themes and love work that pushes boundaries. Have work on the unusual side? They are probably the journal for you. Please note they only accept submissions from writers living in Oregon, Alaska, Hawaii, California, and Washington. See their website for full submissions guidelines: www.goldmanpublishing.com.

Contest :: Flying South Accepting Submissions through May 31

Winston Salem Writers is offering $2,000 in prizes for its annual Flying South writing contests. Best in each category (fiction, nonfiction, and poetry) receives $500. One of the three winners will receive an additional $500 as the WSW President’s Favorite award. All entries will be considered for publication in the next issue of literary magazine Flying South. For full details, please visit our website: www.wswriters.org.

Only Nature Reveals Our True Colors

Guest Post by Helen Zapata

“. . . all natural objects make a kindred impression, when the mind is open to their influence.”Nature, Ralph Waldo Emerson.

This is a powerful essay filled with complicated sentences that I had to read over and over again to make sense (and make some justice) to the real meaning behind Emerson’s Nature.

Emerson was in love with nature and for him, we need to truly look at it, observe it, respect it, and acknowledge that nature and humans are the same. Although at times this seemed a little too philosophical for me, I still felt related to this beautifully portrayed subject.

Through every stage that divides this book, Emerson describes nature as the only mirror in which humans should trust, the same one that represents our behavior, personal relationships, and the way we communicate with each other.

There is a chapter regarding language and its links to nature that reminds me of an Intro to Linguistics class, but with a little less theory and a lot more of spirituality. “Language” sums this essay perfectly and makes you really think about the way the earth gives us everything we need to exist, even in the early stages of our lives.

I guess by the time he wrote this essay, grammatical structure and syntax were different than they are now and that definitely adds another layer of complexity. But I also think that the way he built the relationship between men and nature couldn’t be phrased in any other manner.


Nature by Ralph Waldo Emerson. Penguin Books, September 1995.

Reviewer bio: I’m Helen Zapata, a freelance copywriter and editor specialized in independent digital publications.

Buy this title on Bookshop. Disclosure: NewPages earns a commission from any title purchased through our profile.

Valley Voices – Spring 2020

Visit this special issue on Mississippi. Poetry by George Drew, Jerry W. Ward Jr., Diane Williams, Charle R. Braxton, Kalamu ya Salaam, Angela Ball, Annette C. Boehm, Allison Campbell, Kendall Dunkelberg, and more; articles by John J. Han, Junying Jia, William Ferris, and Cassie Osborne Jr.; nonfiction by Hermine Pinson, Joseph Holt, and Kevin Baggett; and interviews with George Drew and Bennie Mae Fortune Harper. Plus, six book reviews.

Mayur Kalbag’s Mythical Voyage

Adventures of Poorna by Mayur KalbagGuest Post by Durdana Parveen

Adventures of Poorna, the debut work of Mayur Kalbag, is a mythical voyage of the protagonist Rudra who wakes up in a strange land and meets a monk there. Upon his guidance, he sets out on a long quest, gains a lot of mystical skills, discovers his past life, meets his guru and friends, and finally finds the purpose of his rebirth.

The plots and characters were so beautifully described that they could get struck in the reader’s mind forever. The concept of shivering was distinctly redefined in many instances. I personally liked the way author personified leaves and thorns in the story: “leaf would bite if not asked permission to pluck it” and “the thorns oozed ink when touched the leaf.” The colored water and the vapors that monk offers Rudra to quench his thirst and satiate his hunger were fascinating.

In addition to the detailed description of the plots and characters the author also mentions many rituals: havan pooja, third eye opening, appearance of Lord Shiva, and many other spiritual and mystical events.

The title is apt to the story and the author’s intentions and scope of the book are well-depicted. Although the story is little lengthy, I like the book as a whole and I’d recommend it for all the readers.


Adventures of Poorna by Mayur Kalbag. Penman Books, March 2020.

Reviewer bio: I’m Durdana Parveen Mohammad from India. I am currently pursuing my MBBS and writes poems, quotes, and reviews as a hobby at my own instagram page: @ifathwrites.

Contest :: Raymond Carver Short Story Contest Deadline is May 15

Don’t forget that May 15 is the deadline to submit short fiction of no more than 10,000 words to Carve Magazine‘s 2020 Raymond Carver Short Story Contest. Submissions welcome from writers world-wide as long as they are written in English. Prizes: $2,000, $500, $250, + 2 Editor’s Choice $125 each. All 5 winners published in Fall 2020 issue and reviewed by lit agencies. Entry fee $17 online/$15 mailed. Guest judge Pam Houston. www.carvezine.com/raymond-carver-contest/

Plume – May 2020

This month’s Plume Featured Selection includes work by and an interview with Fleda Brown. In nonfiction, David Kirby writes “Getting Stabbed Kidna Takes the Fight Out of Ya.” Chelsea Wagenaar interviews The Museum of Small Bones by Miho Nonaka. This month’s poetry selections include Steven Cramer, Terese Svoboda, Mark Irwin, Floyd Skloot, Denise Duhamel, Angie Estes, and more.

The Lake – May 2020

The May issue of The Lake features Jerrice J. Baptiste, Zoe Brooks, Holly Day, George Franklin, Nels Hanson, Jennifer A. McGowan, Warren Mortimer, Leah Mueller, Samuel Prince, Elaine Reardon, David Mark Williams, Rodney Wood, Abigail Ardelle Zammit. Reviews of Emma Lee’s The Significance of a Dress and Rachael Burn’s, a girl in a blue dress.

Anthony Doerr Gives Nature a Voice

Guest Post by Christy O’Callaghan

My happy place in life is also my happy place in words—with nature. The book could be the history of a plant or tree or the natural world herself playing a character. That old conflict of man vs. nature is such a large part of our world, even when we’re under stay at home orders during a pandemic. I have a hardy appreciation for those who approach this subject well.  Anthony Doerr is one of them.

If I admire an author, I’ll read all their works. All the Light We Cannot See was terrific and deserves the praise it receives. Last summer, someone recommended The Shell Collector, and that was what hooked me to Doerr’s work. Most recently, I have been escaping into the frozen winters of Alaska and the tropical island days of the Caribbean in About Grace. In each location of the book, nature is not only an element setting a mood outside of the window. She’s a mighty character.

We follow David Winkler, who studies water, especially snow, and the younger Naaliyah, who studies insects and crustaceans. Our third main character has her own agenda. “The wind assumed its voice: moaning against the window, humming around the roof corners; hissing through drafts. It whispered about darkness, about the coming shadows. Let go, it said, let go.”

Doerr evokes the power and cyclical rhythm of nature, seasons, and time. Even with characters who live in reverence of the natural world, they can’t compare with her. She exists not in the service of people but has her own story to tell.


About Grace by Anthony Doerr. Simon & Schuster, October 2015

Reviewer bio: Christy O’Callaghan lives in Upstate, New York.  Her favorite pastimes include anything in the fresh air.  For her blog and writing, go to christyflutterby.com.

About Place Journal – May 2020

“Practices of Hope” showcases creative processes as ways of making change. The pieces in this issue of About Place ask: How can creative practice allow us to feel and act differently? How can we invent new collaborations and new embodiment practices for humans and other fellow creatures? What can speculative, non-realist, and hybrid forms mean for eco-arts? How can we imagine a different future with more of us in it? What hope can we afford? What hope do we need? Together, we reach for art that activates new relationships to embodiment, climate crisis, species extinction, and environmentally located social pressures.

Driftwood Press Extends Application Deadline for Online Seminars

Good news! If you missed the April 30 deadline for Driftwood Press’s 2020 Online Seminar Series, you’re in luck! They have extended the deadline to apply to May 30. These seminars will run for five weeks starting on June 1 and ending on July 3.

The Erasure Poetry Seminar instructor is Jerrod Schwarz who teaches creative writing at the University of Tampa. This seminar features an in-depth look at the history, practices, and importance of erasure poetry. Every week students receive a video lesson, tailor-made writing prompts, and detailed feedback. The course will culminate in a Showcase Booklet of students’ work which will be made available for free download on Driftwood’s website.

The Editors & Writers Seminar is targeted towards three types of writers: writers submitting to magazines and wanting to fight through the slushpile, writers who wish to be editors of short fiction or run a magazine, and writers who wish to become better editors of their own and others’ work. The instructor will be Driftwood Press Fiction Editor James McNulty. Students receive weekly video lessons, a writing or revision assignment, a reading assignment, and detailed feedback on writing assignments.

Don’t forget that the biannual journal is open to submissions year-round and the publishing arm is currently open to submissions of novellas, graphic novels, and comic collections. They do charge a reading fee. Expedited response options available for journal submissions.

Call :: Bending Genres Seeks Zany Work

Deadline: Rolling
Send us your zany, innovative best fiction, poetry, and CNF. We publish bimonthly, and year round. Bending Genres also host monthly weekend workshops and retreats. The next online class is Artifact Lit: Exploring New Forms with Tyler Barton from May 22 to May 24. The next retreats are scheduled for August 16-22 in West Bend, Wisconsin, and September 1-7 in New Mexico. www.bendinggenres.com

Call :: The Conium Review Themed Submissions: “(Re)new”

Deadline: June 1, 2020
The Conium Review seeks flash fiction in response to the “(Re)new” theme from May 15th through June 1st, 2020. This theme will be edited by James R. Gapinski, author of the Edge of the Known Bus Line, Messiah Tortoise, and the forthcoming Fruit Rot. If your piece is accepted, it will be published on our website. Published authors also receive $20, a copy of our latest print issue, and a signed copy of the editor’s latest book. Send a single unpublished piece up to 1,000 words. No reading fee. Full guidelines here: coniumreview.com/themes/renew/.

Contest :: 2020 Cathy Smith Bowers Chapbook Contest

Open: May 1–June 15
Prize: $1000, publication, 50 author copies. Reading Fee: $15 (electronic submission $17). Length: 28-40 pages of poetry. First round judging done blindly by Main Street Rag editors. Final Judge: Cathy Smith Bowers, former Poet Laureate of North Carolina. 2019 Contest winner, Doralee Brooks of Bridgeville, PA for her book, When I Hold You Up to the Light. All entries considered for publication. Details: www.mainstreetrag.com.

Call :: Wordrunner eChapbooks Seeks Mini-Fiction Collections

Deadline: June 30, 2020
Two fiction collections will be selected for our fall 2020 e-chapbook series, to be published in August and December, online and as epubs. Stories may be flash or longer, from 500 up to 5,000 words each. We’d like at least five stories, but no more than 15 (if flash fiction). We will also consider novel excerpts. No genre fiction, please. Stories by authors who receive Honorable Mentions will be considered for our 2021 themed anthology. See www.echapbook.com/submissions.html for detailed guidelines and Submittable link. Payment: $100 plus royalties. Submission fee: $6.

Contest :: 2020 Orison Anthology Awards

Deadline: August 1, 2020
The 2020 Orison Anthology Awards in Fiction, Nonfiction, & Poetry offer $500 and publication by Orison Books in The Orison Anthology for a single work in each genre. Judges: Blair Hurley (fiction), E. J. Koh (nonfiction), and Joy Ladin (poetry). Entry fee: $15. Submission Period: May 1-August 1. Find complete details at www.orisonbooks.submittable.com.

Call :: trampset Now Paying for Quality Work

Deadline: Rolling
trampset, an online literary journal of fiction, poetry, and nonfiction, is seeking new submissions on a rolling basis. We want your best brain, your beating heart. Send that good human stuff our way. We pay $25 per accepted piece. We have 50 free submissions a month through Submittable as well as Tip Jar and Quick Response options. Visit our submissions page: trampset.org/submissions-6e83932b0985.

Reclamation of a Name

Parhelion - Winter 2020

Magazine Review by Katy Haas

In the latest issue of Parehlion, readers can find a selection of poetry by Sierra Lindsay. In this set of four poems, “The Line Between” especially stood out to me.

In this poem, Lindsay explores her name in three stanzas. The beginning draws readers in and explains the origin of this study: “I get lumps cut out of my breasts & on the hospital   bracelet, last name first.” The second stanza studies the name as it’s used by people she “shouldn’t be         fucking,” and the last stanza focuses on the name as it stands on a workplace name tag as customers question its source. The ending is explosive with its reclamation of her name and the power there, “I will put your name on my / tongue &       make you taste it.”

The layout of the poem makes it even more enjoyable to read, along with Lindsay’s careful construction of language that ebbs and flows.

Kari Gunter-Seymour Talks Trigger Warnings

Sheila-Na-Gig online - Spring 2020Magazine Review by Katy Haas

The Spring 2020 issue of Sheila-Na-Gig online features the winner and honorable mentions of the Spring Poetry Contest. Winner Kari Gunter-Seymour pens the poignant “Trigger Warning.”

In this piece, the speaker’s son grapples with PTSD which worsens in November, the result of time in the military. The speaker’s ability to relate is limited; the closest thing she has is watching her father die, and holding dogs as they’ve died. Throughout the poem she mourns not only her father, but also “the farm boy, the quipster, / the Ren & Stimpy impersonator” who her son used to be before he “boarded the plane, now camouflaged / in anxiety meds and a skeletal body.” I really liked the use of “camouflage” here, an image that not only describes the concealing the person he was, but one that also conjures up military uniforms he once donned.

Gunter-Seymour sums up the message of the poem in two truthful lines, “We don’t get to choose our memories, / they are triggered.”

Sponsor Spotlight: Fiction Southeast

Fiction Southeast is all about flash fiction. The online journal shares new fiction on a rolling basis, easily accessible on electronic devices.

A feature I’m especially fond of recently is their Flash Audio Series. I’ve had no attention span for reading while sheltering in place, but these audio versions of flash fiction do the work for you and are great to play in the background while making dinner, relaxing in the tub, gardening out in the yard—a welcome voice to accompany whatever you’re up to.

Lise de Nikolits Interviews Nora Gold

The Dead Man by Nora GoldFind a newly posted interview with Nora Gold at Lise de Nikolits’s blog. The two discuss Gold’s 2016 novel The Dead Man, her writing process, and her favorite ways to relax and unwind.

Gold is the editor of Jewish Fiction .net which just produced its 24th issue this past March. Visit their social media for curated lists of work relating to a similar theme that the journal has published in previous issues if you’re looking for even more good reads.

Driftwood Press Wants Your Graphic Work

Any graphic novelists or comic creators in the house? Driftwood Press is eager to hear from you! They currently accept short graphic works (one image up to 22 pages of comic art) for publication in their biannual, online journal. They’re open to serializing longer graphic works with presentation of the work’s first chapter and a series outline. The editors also seek graphic novel manuscripts for publication consideration. Submit full or partial manuscripts via Submittable.

Comic submissions to the magazine and graphic novel manuscript submissions are both free. Learn more about what they’re looking for at their website.

But if graphic work isn’t for you, the magazine is still accepting submissions for two of their contests until July 1.

Contest :: Killer Nashville Accepting Entries for 2020 Silver Falchion Award

Killer Nashville 2020 ContestsThe Silver Falchion Award is an open competition for works published in 2019. These books must be in the mystery, crime, true crime, and thriller genres. Conference attendees can submit for free. If you aren’t attending the 2020 conference taking place August 20-23 in Nashville, Tennessee, then the fee is $79. Submission deadline is June 1. Finalists will be announced in July. Finalists and winners will be honored during an awards dinner on August 22. For complete details including prize information, visit www.KillerNashville.com.

The MFA at Florida Atlantic University

Florida Atlantic University MFAFlorida Atlantic University’s MFA program offers concentrations in fiction, creative nonfiction, and poetry. All accepted students are offered a complete funding package including a teaching assistantship, stipend, and tuition waiver. Core faculty include Ayşe Papatya Bucak, Andrew Furman, Becka Mara McKay, Susan Mitchell, Kate Schmitt, and Jason Schwartz. Students have the opportunity to work on national literary magazine Swamp Ape Review.

Contest :: River Styx Poetry Contest – $1000 Prize plus Publication

Deadline: May 31, 2020
The 2020 River Styx International Poetry Contest awards $1,000 and publication for the best poem. Lee Ann Roripaugh is this year’s final judge. $20 entry fee includes one-year subscription to River Styx, beginning with the prize-winner issue; $15 fee includes prize-winner issue only. Up to three poems per entry. Multiple entries permitted with multiple entry fees. Submit online at riverstyx.submittable.com/submit or via postal mail to River Styx Poetry Contest, 3301 Washington Ave, Suite 2C, St. Louis, MO, 63103. Deadline is May 31, 2020 (postmarked). Complete guidelines at www.riverstyx.org/submit/poetry-contest/.

Call :: An Anthology of Mental Health Recovery

Main Street Rag seeks poetry and prose (fiction/nonfiction) for an anthology with a mental health recovery theme; uplifting stories of overcoming mental health challenges and trauma from writers who have experienced a mental illness or love someone who has. Length: up to 6,000 words (prose) or 5 poems. Reading Period: May 1-August 1. Simultaneous submissions and previously published considered, however, authors must own the rights (no third-party permissions). Questions may be directed to editor Erika Nichols-Frazer at [email protected]. Submissions should be sent to: mentalhealth.submittable.com/submit.

Hate Waiting? ALR’s Flash Flood Contest Is for You

ALR Flash Flood ContestMy least favorite aspect of submitting work is waiting for a reply. I’m so eager to hear back that checking my email inbox almost becomes a hobby.

For writers who feel similarly, consider submitting to American Literary Review‘s Flash Flood Contest which consists of two week submission windows for stories up to 1000 words. Winners will be decided upon by the following Friday and will be published at the ALR website shortly after.

You have a few more days to send in your stories for this submission period. Learn more about the Flash Flood guidelines at their website.

Contest :: Lynx House Press 2020 Blue Lynx Prize

TLynx House Press 2020 Poetry Prize flierhere is now one month left to submit poetry collections of at least 48 pages to Lynx House Press for their Blue Lynx Prize for Poetry. The $28 submission fee includes a copy of a book from their catalog.

The winner will receive $2,000 and publication. Previous judges have included Previous judges include James Tate, Yusef Komunyakaa, Dorianne Laux, Dara Wier, Melissa Kwasny, and Robert Wrigley. Submit your manuscripts at lynxhousepress.submittable.com/submit by June 1.

Event :: Summer 2020 Writers Institute at Washington University in St. Louis

They are monitoring the current situation, but are hopeful the Summer Writers Institute will be able to happen as planned. This annual event brings together many of St. Louis’ finest writers to share their expertise with students who are serious about developing their writing. This year celebrates their 25th anniversary. The Institute is an intensive two-week program featuring workshops in fiction, micro-fiction, poetry, and personal narrative. Deadline to register is July 16. The Institute will run July 17 through 31. summerschool.wustl.edu/summer-writers-institute

Contest :: North Street Book Prize for Self-Published Books

Winning Writers North Street Book PrizeDeadline: June 30, 2020
6th year. Grand prize of $5,000. Top winner in each category will win $1,000. Co-sponsored by BookBaby and Carolyn Howard-Johnson. Categories: Mainstream/Literary Fiction, Genre Fiction, Creative Nonfiction & Memoir, Poetry, Children’s Picture Book, and Graphic Novel & Memoir. $12,500 in total cash prizes. Fee: $65 per book. Final judges: Jendi Reiter and Ellen LaFleche. Submit online or by mail. Winning Writers is one of the “101 Best Websites for Writers” (Writer’s Digest). Guidelines: winningwriters.com/north.