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Black Warrior Review SLS Contest Winners

Black Warrior Review has teamed up with Summer Literary Seminars for their annual contest. Judges Jayne Anne Phillips and Matthew Zapruder selected winners for the 2011 contest: Blair Bourassa, for his story “Love is Such an Old Fashioned Word,” and Lillian Bertram, for her poem “I Believe the Far Fields.”

Each received tuition, airfare, and accommodations to the 2011 SLS program of their choosing (Montreal, Lithuania, or Kenya), plus publication in the most recent issue of Black Warrior Review (Fall/Winter 2011) and online in The Walrus.

[BWR Fall/Winter 2011 cover art “Liquid Ground I” by Helen Pynor.]

Fringe Change in Editors

Fiction Editor David Duhr is now Managing Editor of Fringe online magazine. Former Fiction Editorial Assistant Anna Laird Barto has taken on the role of Fiction Editor. Fringe publishes poetry, fiction, nonfiction, essays, art, and mixed genre works.

Pine Manor College Fellowship Winners

The Solstice MFA Program of Pine Manor College (MA) has announced Fellowship winners for the 2012 winter/spring semester: MFA student Ann Breidenbach has been awarded the Michael Steinberg Fellowship for Creative Nonfiction, and MFA student Charles Tucker has been awarded the Dennis Lehane Fellowship for Fiction. Each Fellow will receive $1,000 toward her/his first semester’s tution.

RATTLE Poetry Prize: Readers Decide Winner

The Winter 2011 issue of RATTLE includes the finalists for the 2011 RATTLE Poetry Prize. The winner has not yet been selected, as RATTLE has opted to turn this final decision over to the magazine’s readership. Editors have carefully considered the best way to do this, and have opted to offer voting eligibility only to those who were already subscribing to RATTLE prior to the announcement of the finalists.

Even if you’re not a subscriber, it would be fun to pick up this issue (or have a class of students read it at the start of next semester) and go through your own selection process, then see how this compares with the final decision. The winner will be announced at RATTLE online on February 15, 2012.

Finalists whose poems are included in this issue are Pia Aliperti, Tony Barnstone, Kim Dower, Courtney Kampa, M, Andrew Nurkin, Charlotte Pence, Laura Read, Hayden Saunier, Diane Seuss, Jeff Vande Zande, Craig van Rooyen, Bryan Walpert, Anna Lowe, Weber Maya, and Jewell Zeller.

[Cover art by Toni Cameron.]

New Lit on the Block :: Cobalt

Staffed by Managing Editor Andrew Keating, Poetry Editor Jill Williams, Fiction Editor Rafe Posey, Non-Fiction Editor Samantha Stanco, Art Director Danielle Peterson, Social Media Manager Michelle Junot, Blog Contributors Gillian Ramos and Kate Stone, Cobalt is an online quarterly of fiction, non-fiction and poetry “of the highest caliber,” as well as interviews “with some of the most influential writers in the literary community.” Cobalt‘s mission is “to publish quality creative work and promote the literary arts, as well as those who celebrate them.”

The first issue features Poetry by Brian Russell, Georgia Kreiger, John Abbott, Steven Leyva, Andrea Dickens; Fiction by Jen Michalski, Mandy Taggart, Emily Kiernan; Nonfiction by James Claffey, John FitzGerald; and Interviews with Nicola Griffith (author of The Blue Place) and Jessica Anya Blau (author of Drinking Closer to Home).

Issue two will be available December 10. Submissions are open and accepted through Submishmash.

[Cover image “Metro” by Sophie Johnson (Oil on Canvas).]

New from TED

From the TED website: The success of TEDTalks has demonstrated that millions of people around the world are hungry to absorb new ideas. Many of the talks create a desire to go deeper – but not everyone has the time to read an entire book on a subject. TED Books fill that gap. While a traditional book is at least 60,000 words, TED Books, at fewer than 20,000, allow someone to see an idea fleshed out in a satisfying way – but without having to devote a week of reading time to it.

Some TED titles include

Homo Evolutis: Please Meet the Next Human Species by Juan Enriquez & Steve Gullans
The Happiness Manifesto: How Nations and People Can Nurture Well-Being by Nic Marks
Beware Dangerism! Why We Worry About the Wrong Things and What It’s Doing to Our Kids by Gever Tulley
Make Love Not Porn: Technology’s Hardcore Impact on Human Behavior by Cindy Gallop
Weekday Vegetarian: Finally, a Palatable Solution – Graham Hill
Media Makeover: Improving the News One Click at a Time by Alisa Miller
Aftercrimes, Geoslavery, and Thermogeddon: Thought-Provoking Words from a Lexicographer’s Notebook by Erin McKean

TED Books are available from Amazon.com and Apple’s iBookstore, and for the Nook platform. They can be purchased for $2.99 each (US).

New Lit on the Block :: Lost in Thought

Editor Kyle Schruder writes: “Lost in Thought came from a simple idea: I like magazines, why not make one of my own?” Always easier said than done, yet Lost in Thought introduces itself as a beautifully designed publication that looks more like something Shruder’s been doing for decades.

“For this premiere issue,” Schruder says, “I decided to combine short stories and artwork. I approached writers, photographers and illustrators with this simple premise: you can write something new, or you can submit something already finished. I paired the people who wanted to make something new with the people who gave me finished works. Some writers wrote entirely new stories based on illustrations that the artist had submitted. Other photographers arranged photo shoots based on stories I received.”

The premier issue, available via MagCloud in print and digital formats features Writers Jules Archer, Kim Bannerman, Katrina Gray, Graeme Lottering, Sem Megson, Kari Nguyen, Sara Patterson, Katerina Prudchenko, Gareth Spark, and Chris Tarry; Photographers James Azzopardi, Julien Hayard, Karrah Kobus, Lindsey Kowalski, Aleksandra Skiljevic, Synchrodogs (Tania Shcheglova and Roman Noven); and Illustrators Yeremeeva Katya, Jennifer Maidment, mathiole, Jared Meuser, Estelle Morris, and Rose Wong.

Submissions are open for issue two, which Schruder says will “more free-flowing, more experimental, and hopefully even more interesting!”

Creative Nonfiction Launches Book Imprint

From CNF: Creative Nonfiction has announced the launch of Creative Nonfiction Books. The magazine, nearing its 20th anniversary, has long been considered “the voice of the genre” and has an impressive and highly acclaimed history of creating an understanding of our world through thoughtful, engaging narratives on a wide variety of topics and real-life experiences. The debut list, consisting of two titles, will be launched this spring and distributed by Publishers Group West.

Most of the Creative Nonfiction Books titles, at least initially, will be anthologies with contributions from many authors, offering multiple perspectives and appealing to a diverse readership. Forthcoming titles include Becoming a Nurse, insightful essays about what drives those in this demanding and difficult profession; Surviving Crisis, essays exploring intense, pivotal moments in life that trigger personal growth; and Southern Sin, essays on the sultry South and its sins, which range from skipping church to coveting your neighbor’s wife.

Creative Nonfiction has worked with exceptional book publishers in the past — W.W. Norton, Tarcher-Penguin, Other Press and many university presses — in order to distribute and sell titles associated with the magazine. Lee Gutkind states, “Now, with the traditional publishing industry in turmoil, we see opportunities for a small publisher with a well-established base. Creative Nonfiction has a long history of spotting talent and of introducing new writers who have important stories to tell. The book imprint offers the opportunity to expand our reach—and to help those writers, and their stories, find a wider audience.”

Creative Nonfiction Books, debut list:

April 2012
At the End of Life: True Stories About How We Die
Edited by Lee Gutkind; Introduction by Francine Prose

An anthology of 22 personal narratives that explore death, dying and palliative care, revealing the inner workings of a system in which doctors, patients and their loved ones battle to hang on—and to let go.

ISBN: 978-1-937163-04-4, Trade Paper, $15.95, 288 pages

May 2012An Immense New Power to Heal: The Promise of Personalized Medicine
By Lee Gutkind and Pagan Kennedy

Through intimate patient stories as well as profiles of leading-edge doctors and scientists, this clear-eyed, lively and highly engaging book explores one of the most significant scientific breakthroughs of our time: the sequencing of the human genome and the subsequent development of personalized medicine.

ISBN: 978-1-937163-06-8, Trade Paper, $15.95, 320 pages

New Lit on the Block :: Unstuck

Newly lauched out of Austin, Texas, Unstuck is an independent print literary annual emphasizing “literary fiction with elements of the fantastic, the futuristic, the surreal, or the strange — a broad category that would include the work of writers as diverse as Borges, Ballard, Calvino, Huxley, Tutuola, Abe and (of course) Vonnegut.”

The editors add, “In our pages, you’ll find straight-up science fiction and fantasy; domestic realism with a twist of the magical; and work that experiments with form or blurs the boundaries between poetry and prose. We also publish a small selection of poems and essays.”

The first issue features new fiction by Aimee Bender, J. Robert Lennon, Amelia Gray, Joe Meno, Marisa Matarazzo, Arthur Bradford, Helen Phillips, Matthew Derby, Rachel Swirsky, Matthew Vollmer, Lindsay Hunter, John Maradik & Rachel B. Glaser, Leslie What, Charles Antin, Meghan McCarron, Sharona Muir, Andrew Friedman, Julia Whicker, Judson Merrill, Karin Tidbeck, and Randy Schaub; new poetry by Kiki Petrosino, Zach Savich, Dan Rosenberg, Kaethe Schwehn, and Patrick Haas; and new non-fiction by Rennie Sparks.

Unstuck will be available in Kindle format for e-readers, and a portion of each print run of Unstuck is donated to schools, libraries, and literacy programs. If you’re a librarian, teacher, tutor, or administrator, and think your students or clients would enjoy Unstuck, visit the Libraries and Schools link on their website.

Unstuck accepts online submissions via Submishmash.

[Cover photography “Highland Reservoir II” by Timothy J. Fuss.]

2011 Gulf Coast Prize Winners

The Winter/Spring 2012 issue of Gulf Coast includes the 2011 Gulf Coast Prize winners.

Poetry
Winner: “A New Vessel” by Amaranth Borsuk
Poetry judge: Ilya Kaminsky

Fiction
Winner: “The Window” by Brian Van Reet
Fiction judge: Frederick Reiken

Nonfiction
Winner: “The Suturing of Wounds or Words” by Arianne Zwartjes
Nonfiction judge: John D’Agata

A full list of winners and runners up is available on the Gulf Coast website.

New Lit on the Block :: Botticelli Magazine

Botticelli Magazine is an online literary and art journal produced and edited by students at Columbus College of Art and Design. Already in its third issue, Botticelli is planning a lot of expansion, inclusive of literary and logo contests.

Contributors to the first issues include Austin Charles Barrow, Chelsea Besse, Ross Caliendo, Austin Charles, Silver Corbin, Danielle Doughty, Brittany Leigh Ference, Chester Fillmore, Daniel Foley, Amy Gallagher Gallagher, Emily Gallik, Bina Gupta, Liandra Holmes, Matthew Houston, Kylie King, Amanda Knittle, Brittany Kotur, John Malta, Brian May, Mary S.Nemeth, Dave Nichols, Siddartha Beth Pierce, Todd Pleasants, Hannah Ross, Michelle Ross, Apryl Skies, Scott Stewart, Miles Tsang, and Elizabeth Vest.

Botticelli Magazine accepts only online submissions of fiction, poetry, creative non fiction, reviews, art, photography, as well as flash pieces and links to online work as long as the rights are available to the contributor. Collaborative work is also welcome. The magazine’s review process involves an editorial staff of writers and artists.

[Cover art for Issue 3: “French Friends” by Matthew Houston]

Books :: Shelter Puppies

I can honestly say, I hope eBooks will never replace the coffee table book. While I know digital picture quality can surpass print quality when it comes to art and images, it’s the cover of a book like this one that will get readers and “non-readers” alike to pick it up and thumb through its pages.

In his newest book, professional pet photographer Michael Kloth helps readers focus on the plight of the “pound puppies,” but without once showing the dark, heart wrenching images we think of when imagining life in “the shelter.” Instead of wire cages and cement floors as scenery, Kloth expertly poses the pups on clean backdrops with plenty of warm, bright light, letting viewers – and prospective owners – see the canine kids at their best. Little puppy personalities fill the pages of this book, and while they are the photographic subject, the real message of this effort is shared in Kloth’s introduction.

While Kloth recognizes there are “valid reasons to buy a puppy from a breeder,” he shares the message of animal advocates in promoting the adoption of shelter and foster animals. He cites research on the number of purebred dogs brought to shelter each year and that, though families may be eager when first purchasing designer-breeds, that excitement may wane when the resulting dogs turn out not to be such a good match.

Kloth volunteers his time each month to visit shelters in his area and photograph pets ready for adoption. The photos are used to help would-be owners find their next family member. Kloth offers helpful advice to shelters and volunteer photographers about ways to present these animals to give them the best chance at adoption. Photographing through wire cages, Kloth tells readers, is a no-no, along with images of the animal backed into the corner of a cage or in any way looking scared. While these may raise the sympathy meter, they don’t tend to help bring out the true, positive characters of the pet.

Kloth’s book features 65 puppies in full color on the main pages with a “follow-up” section in the back about what happened to each of the pups shortly after – most were successfully adopted with only a couple stories of return and retry. Also included are several later follow-up stories of the dogs now in adulthood and the lives they have changed. This is a truly heartwarming and highly educational addition to Kloth’s series on shelter pet books, which I hope he will continue.

I was initially interested in this book because it was promoted as one that donated a portion of the proceeds to the ASPCA. But, when I got the book, I was a bit let down to see that only twenty-five cents per book is donated. While this doesn’t seem like a lot, I relinquished that any amount is a good amount. Further, when reading about how much time, equipment, and resources Kloth devotes to his volunteer work photographing these animals, I understood that a great deal more of whatever he might earn from this book has already been donated through his kindness, and no doubt will continue.

In addition to his work with local shelters, Kloth is also a member of the new non-profit organization called HeARTs Speak. HeARTs Speak was founded with the expectation that visual artists can make a very real difference in helping adoptable animals find homes.

As with all my recommended books, this one makes a great personal or gift purchase, but would also be a good library donation to share with your community, or even purchasing a copy for your local shelter (who might benefit from the photography tips).

NewPages Book Reviews :: March 2011

Visit NewPages Book Reviews for December to read thoughtful commentary and analysis of the following titles:

Almost Never
Fiction by Daniel Sada

The Book of Life
Fiction by Stuart Nadler

Mr. Fox
Fiction by Helen Oyeyemi

Hard to Say
Fiction by Ethel Rohan

–gape–seed–
Edited by Ice Gayle Johnson, Jane Ormerod, Brant Lyon, Thomas Fucaloro

Waiting: Selected Nonfiction
Nonfiction by Elizabeth Swados

Habibi
Graphic Novel by Craig Thompson

Surprised by Oxford
Nonfiction by Carolyn Weber

Hooked
Fiction by John Franc

A Mortal Affect
Fiction by Vincent Standley

The Beds
Poetry by Martha Rhodes

New Lit on the Block :: Safety Pin Review

The Safety Pin Review is a new literary magazine featuring fiction of less than 30 words, posted once a week, with a major D.I.Y. twist: in addition to being published online, each story is hand-painted onto a cloth back patch, which is attached (via safety pins) to one of SPR‘s operatives – “a collective network of punks, thieves and anarchists” — who wear it everywhere they go for a week. The SPR website features the poems as well as pictures of the operative-of-the-week wearing it around.

Featured poets thus far include Barry Basden, J. Bradley, Doug Paul Case, Brian Hurley, Simon Jacobs, David James Keaton, Len Kuntz, Helen Vitoria, and xTx.

Safety Pin Review accepts submissions of unpublished fiction of no more than 30 words – no poetry, and pays $1.00 per acceptance.

[Operative pictured in Times Square, NYC, with “Scope” by Barry Basden.]

LGBT Writers in Schools: Pilot Program

The Lambda Literary Foundation is starting a pilot program called LGBT Writers in Schools, in collaboration with the Gay Straight Educators’ Alliance (GSEA), part of The National Council of Teachers of English.

Lambda Literary will coordinate author visits to classrooms — usually via Skype, but in person wherever possible — for authors to discuss their work with students. They are looking for volunteer LGBT authors, particularly in the YA (Young Adult) field, to donate an hour of their time to speak with participating high school and college classes.

For more information about being added to the list of participating LGBT authors, click here.

New Lit on the Block :: The Destroyer

Joining Editors Drew Krewer and Maureen McHugh is Managing Editor Meagan Lehr, Art Editor Andy Campbell and Web Designer Jason Criscio, to bring readers The Destroyer, a bi-annual online publication of text, art, and public opinion. Freely downloadable digital broadsides also available featuring digital art and quotes from texts.

The inaugural issue features Text by Nicole Wilson, Brandon Downing, Natasha Stagg, Joshua Marie Wilkinson, Amaranth Borsuk, Chris Hosea, Tony Mancus, Whitney DeVos, Annie Guthrie, and Brian Oliu; Art by Yuko Fukuzumi, Nicholas Hay, Sarah Duncan, and Casey Wilson; Opinion Pieces by Joe Hall, Steven M. Brown, Kim Largey-Soloway, and Lulu Antipyrene; Cheap Papers by Meagan Lehr, Maureen McHugh, and Drew Krewer.

The Destroyer accepts poetry, texts with no determinate genre, video, audio, and new media. Translations welcome as well as art in all media and thoughtful opinion pieces for “the vent.” The Destroyer accepts submissions via Submishmash.

AWP 2012

The AWP 2012 Schedule is online – and includes an electronic schedule planner that allows you to make selections of sessions and print out a personalized agenda (including an option for activities other than those on the AWP schedule).

New Lit on the Block :: First Inkling

First Inkling is an international student literary magazine, publishing short stories, poetry, graphic fiction, one-act plays, short film (screenplays), novel chapters, and more. Works are accepted from students currently enrolled in accredited colleges or universities at the community college, undergrad, graduate, or post doctorate level, from anywhere in the world. Works in languages other than English will also be considered, as long as it is submitted with an English translation.

The inaugural issue features writing by Lauren Fath, Duncan Lennon, Ryan McLean, Danielle M. Gorden, R. Sam Chaney, Phill Korth, Andrew Watt, Sam Sudar, Sally Wen Mao, Jean Kim, Cody Greene, Urban Eisley, Tait Howard, Daniela Maristany, Ryan Cannon, Minh Phuong Nguyen, Idris Goodwin, Amy Porter, Nicomedes Austin Suárez, N. S. Wiley, and Danielle Jones-Pruett.

All works published in First Inkling will be entered in the Associated Collegiate Press Pacemaker competition, with $750 cash awards going to the best in: Fiction, Narrative Nonfiction, and Poetry.

The issue also includes interviews with Rick Moody, Jim Shepard, John “Jack” Allman, and Brad Gooch.

First Inkling invites student writers to become members to the site and then to post to the publication’s blog. Interested students are also invited to become Associate Editors.

Carolina Quarterly Contest Winners

The Fall 2011 issue of The Carolina Quarterly includes the winners of the Riding a Gradient Invisible Contest, “an experiment in ‘Show, don’t tell.'” Editors sought submissions of writing to transition us into a “post-genre world.” Judge Amy Hempel made the following selections, all of which are included in the issue:

First Place: “American Desire” by James McFatter
Runner-up: “epitaph #26” by Matthew Vollmer
Runner-up: “Lift” by Courtney Sender
Honorable Mention: “Conditions” by Aaron Krol
Honorable Mention: “Catasrophilia” by Caroline Young

Parks & Occupation from Whiskey & Fox

From Whiskey & Fox:

The second issue of the Parks & Occupation special series is out, and can be downloaded for free at http://whiskeyandfox.org

No. 2 features work by Joshua Zelesnick, Rebecca Mertz, Gloria Frym, Michael Farrell, Andy Spragg, Gracie Leavitt & RJ Maitland, Robin Clarke, Jeff T. Johnson, David Hadbawnik, and Jon D. Witmer.

At least one more Parks & Occ. is on the way.

New Lit on the Block :: Cuckoo

Cuckoo is an online quarterly literary magazine written and edited by writers aged between 11-19. Cuckoo Quarterly aims to “publish the best young writing from all forms and genres and to be accessible and attractive to a wide readership.”

The publication is facilitated and administered by New Writing North, a development agency for creative writing and creative reading based in the north east of England.

Submissions for Edition 1 came from attendees of New Writing North’s three fortnightly writers’ groups in Newcastle, Hexham and Durham, or from those who participated in New Writing North’s Writing Summer Schools.

The issue features poetry, short fiction, ‘rants,’ reviews, and interviews by Beth Allison, Jacob Armstrong, Anusha Ashok, Laurie Atkinson, Hannah Bash, Shannon Baxter, Adam Bryden, Alice Buckley, Leah Chan, Jessica Graham, Andrew Henley, Scott Houghton, Hannah Morpeth, Daniella Watson, and Jessica Weisser.

Cuckoo Quarterly hopes that future editions will attract submissions from all over the world.

Cuckoo welcomes submissions of original writing by writers under the age of 19. They encourage everything from poetry to prose, short stories to movie reviews, opinion to imagination. It can be work that fits the categories laid out in previous editions or entirely different; don’t feel constrained by form or genre. The deadline for the next issue is December 21.

New Lit on the Block :: Phantom Limb

Founded by Kelly Forsythe and Kat Sanchez, Phantom Limb is a new online magazine of poetry, “dedicated to publishing good poems.”

The inagural issue features poems by Holly Amos, Michael Haight, Jeffrey Allen, Stephen Danos, Kayla Sargeson, y madrone, Jordan Conrad, Dolly Lemke, Late Litterer, Nathan Breitling, Camiele White, Izzy Oneiric, Steve Henry, Jessica Dyer, Chelsea Kurnick, Kristin Ravel, and Sarah Kelley.

Submissions are open until June 1, 2012 for the Fall 2012 issue.

[Phantom Limb image design: Jeffrey Allen]

Fifth Wednesday’s Lucky Anniversary

Independent and going strong, with issue number nine, Fifth Wednesday Journal begins its fifth year of publication – its Lucky Anniversary year. Based in Lisle, Illinois, FWJ will be hosting a special reading by Illinois poets on the evening of Friday, March 2, 2012 at the new Poetry Foundation Building (61 W. Superior Street, Chicago).

Fifth Wednesday Journal also has a well-developed Journal in the Classroom program, offering deeply discounted subscriptions and single copy issues to students in undergraduate or graduate classes using the magazine as a teaching/learning instrument in the class for at least one term. FWJ also offers an Editor in the Classroom along with their program, which is run independently of any other similar program.

New Lit on the Block :: Mixer

Founded and edited by Rebekah Hall and Steve Owen, Mixer Publishing is a new small press that publishes a new online magazine – mixer – every other month (bimonthly), one themed print anthology a year, and 1-2 limited edition novels/novellas a year. mixer is supported by a dedicated group of editors who each specialize in a specific genre.

Owen writes, “mixer is a ‘literary genre’ magazine that seeks to break the boundaries between genre fiction and literature. Many writers and readers desire something ‘in-between’ these two limited choices: a mix of entertainment and art. mixer‘s mission is to appeal to genre fans and literati alike because our goal is to expand the market by appealing to a wider range of tastes and sensibilities than the traditional literary magazine. Our stories and poems either do something fresh or interesting with language, or mix forms in new ways. For example: A realist story that upends the traditional epiphany form. Or a romantic noir written in lyrical prose. Or a horrific black comedy written in a realistic, minimalist style. Or a poem that eschews the pastoral and works against tradition by playing with popular genre or iconoclasm.”

As a literary site, mixer does not currently plan on archiving issues by date. Rather, as a genre-based publication, old stories will be “archived” in the order they were published (from new to old) under each genre section (realism, romance, horror, noir, poetry, etc).

A short list the noteworthy online contributors to date include: Brian Evenson, Kate Braverman, Kevin Prufer, Daniel Grandbois, Myfanwy Collins, John Jodzio, and Aaron Burch.

Mixer Publishing’s first anthology, of Love & Death: heartburn, headaches, & hangovers, also has additional stories from Kate Braverman and Myfanwy Collins, as well as Kirstin Allio.

mixer accepts submissions via Submishmash.

Antioch Celebrates 70

Founded in 1941, the newest issue of The Antioch Review (Fall 2011) celebrates the publications 70th year and features the best work we’ve published in the last decade. A full table of contents is available on the magazines website under Current Issue. Each selection for this retrospective celebration includes the original publication date of the piece as well as a current biography of the author. Robert Fogarty has also provided a history of the publication which can be read on the magazine’s home page.

Carolina Quarterly Tagline Contest

Here’s something to talk about over turkey: The Carolina Quarterly is asking readers to come up with a tag line for issue 61.3 with a free 1-year subscription prize. You submit your entry by posting to the comments section on the CQ website. Here’s a bit more from their post:

Since 2010, each issue of The Carolina Quarterly has contained a unique tag line, appearing on the title page at the front and subscription form at the back of the journal. Now we want your help to come up with the next one.

Recent tag lines include:
Punctilious Whimsy Since 1948
Obdurate Effervescence Since 1948
Habitually Nascent Since 1948
Prurient Scripturience Since 1948
Comfortably Eclectic Since 1948

Guidelines: Tag lines must be 22 characters or less, and ideally two words, in keeping with precedent. The tag line should make sense as a descriptor of The Carolina Quarterly and should indicate something we’ve been/been doing “Since 1948.”

Deadline: December 1

Gemini Flash Fiction Contest Winners

The winner of the Gemini Magazine Flash Fiction Contest is Xavier McCaffrey for his work “Drinks on the Doctor,” with second place awarded to “Death in Nairobi” by Agatha Verdadero. These as well as honorable mentions by Todd Benware, Geoffrey Uhl, Heather Sappenfield, Laura Loomis, and Corey Ginsberg are all available to read on the Gemini Magazine website.

Midway Additions

Currently in its sixth year of operations, Midway Journal welcomes the addition of Assistant Poetry Editor, Molly Sutton Kiefer and Non-fiction Editor, Priscilla Kinter to the staff. Midway Journal is an online publication of drama, fiction, poetry, nonfiction. The newest issue features works by Ray Gonzalez, Timothy Gager, Elizabeth Aoki, Drew Jennings, Richard Lovejoy, Sarah Katherine McCann, Lucas Pingle, and Phillip Sterling.

OccuPoetry

Phillip Barron and Katy Ryan are the collaborative effort behind OccuPoetry, a new journal, collecting and publishing poetry about economic justice/injustice, greed, protest, activism, and opportunity.

Barron writes, “The Occupy Movement is speaking to people in all parts of the country (and even the world), and as the next few weeks unfold, you’ll see that the wonderful submissions we are receiving reflect this geographic diversity. The protesters are being evicted from the parks that, up to this point, have been the symbols of the occupation. But the movement will adapt, and the poetry will continue because the pursuit of economic justice grows only more intense.”

Already featured on the site are poems by Carrie Osborne (CA), Richard Downing (FL), and Louie Crew (NJ). A unique feature of the site is recordings of poets presenting their poetry, emphasizing the oral quality of the poetic discipline and also making the website more accessible to people with different abilities.

Three times a week, OccuPoetry will publish poetry three times a week. Information on submissions is here.

Graduate CW Classes for Audit

Pine Manor College in Chestnut Hill, MA has a select number of graduate-level creative writing courses open to the public for auditing during the winter residency of its Solstice MFA Program, scheduled from December 30, 2011 to January 8, 2012. Classes are open to serious writers working at all levels; auditors are encouraged to complete the advance preparation requirements for any MFA class they wish to attend. The registration fee is $30 per course for Solstice graduates/$40 per course for the general public; the deadline for enrolling as an auditor for winter 2011 Residency is Friday, December 23, 2011.

Endings :: Northwest Review

Editor Daniel Anderson bid readers farewell in the final issue of Northwest Review (v49 n2). The Creative Writing Program of the University of Oregon website notes: “This was not an easy conclusion for us to reach. However, the current economic climate, as well as the rapidly evolving nature of literary quarterlies today, present challenges that we simply do not have the financial and human resources to overcome. We would like to thank everyone who has supported us over the years – as readers and as writers – and we wish all of you success in placing your poetry, fiction and creative nonfiction elsewhere.”

The final edition is a celebration of the work of “poet, colleague, mentor, and friend” Charles Wright and includes poetry by Charles Wright, poetry in tribute to Charles Wright (Yusef Komunyakaa, James Tate, Charles Simic), reminiscences about Charles Write (James Tate, Chase Twichell, Ann Beattie, David Young, Adrienne Su, Mark Strand), essays on Charles Wright (Garrett Hongo, Mark Jarman), two symposium sections with a dozen works, and a final section of appreciations for Charles Wright (Michael Collier, Edward Hirsch, Aaron Baker, Dave Smith, Jahan Ramazani). Additionally, there is a final contribution of poetry to close this final issue of Northwest Review.

New Lit on the Block :: The Prompt

Editor Kim Hunter-Perkins brings us the prompt, a new online literary magazine that hopes to encourage submissions based on prompts. The editors clarify that they mean “to provide a place for work that often has no place in a traditional literary magazine because of its form or function.” That is, writing that is the result of a workshop or writing exercise that is “pretty darned good,” but is rejected on the basis of being “too workshoppy.”

To further encourage prompt-based writing, and to solicit submissions, the prompt provides an array of prompts, including text prompts, photo prompts, audio prompts and video prompts. If you haven’t tried it, it’s pretty amazing what a 30-second audio clip can inspire!

the prompt website also includes commentary and resources on a featured form (currently “The Post-Apocalyptic Genre”), and “practical pedagogy” on how teachers can use the prompt in the classroom.

Working to produce a quality publication are Associate Editors Dan Davis, Natalie Doehring, Luke Kingery, Kristi McDuffie, Whitney Noland, Anna-Elise Price, Clint Walker, and Artists in Residence Heidi Butler Mitchell and Christy Blew.

the prompt is accepting submissions of poetry, including flash-based poetry, prose – including fiction and creative non-fiction, and “non-traditional selections” such as scenes, character profiles, “snapshots,” etc. The Prompt accepts submissions via Submishmash.

Narrative Poetry Contest Winners

Winners of the Narrative Third Annual Poetry Contest have been announced, with poems available to read on the Narrative website:

FIRST PLACE
Willa Carroll “No Final Curtain”

SECOND PLACE
Emma Gorenberg “Miscellany”

THIRD PLACE
Shivani Mehta “Twenty-One People between My Legs (and Counting)”

FINALISTS
Melissa Barrett
Rebekah Bloyd
Heather Gibbons
Shane Lake
Jodie Marion
Kristina McDonald
Maya Pindyck
Diane Seuss
Allen Speed
Sarah Wedderburn

New Lit on the Block :: Petrichor Review

Founded and edited by Emma Nichols, Pete Viola, and Sean Case Petrichor Review is a new online triannual of poetry, fiction, and art.

The first issue features fiction and poetry by Corey Mesler, G.A. Saindon, Howie Good, James Valvis, Jason Kalmanowitz, John Grey, Joseph Farley, Kyle Hemmings, Larry Gaffney, Len Kuntz, Les Wicks, M. Chandler Rodbro, Matthew Dexter, Paul David Adkins, Peter Marra, Thomas Zimmerman, Valentina Cano, and Walter Campbell, and artwork by Charlotte McKnight, Doris Case, Jim Fuess, Kimberly Marra, Lindsey Buckley, Thomas Zimmerman, and Vinny Carnevale.

Petrichor Review is open for submissions for their next and upcoming issues.

Narrative Spring 2011 Story Contest Winners

The Narrative Spring 2011 Story Contest Winners have been announced and are available on the publication’s website:

FIRST PLACE
Nickolas Butler “Underneath the Bonfire”

SECOND PLACE
Jan Ellison “Second First Night”

THIRD PLACE
Katie Cortese “The Promised Land”

FINALISTS
Douglas Bauer
Wesley Brown
Leslie Ingham
Hannah Johnson
Jerry D. Mathes II
Lewis Moyse
Rina Piccolo
Rickey Pittman
Charlotte Price
Lynn Stegner

New Lit on the Block :: Antiphon

Edited by Rosemary Badcoe and Noel Williams, Antiphon (UK) is a new online quarterly of poetry and reviews of poetry books. The Antiphon website also includes an online forum for opinions on poems and articles related to poetry.

The inaugural issue offers new work from Catherine Edmunds, Martyn Crucefix, Andrew Shields, Larry Jordan, Angelina Ayers, Jane Røken, Richard Moorhead, James Howard, Michaela Ridgway, Cora Greenhill, Mario Petrucci, Claire Dyer, John C Nash, Janet Fisher, Thomas Zimmerman, Jan Fortune, Brian Edwards, David Harmer, Pippa Little, and David Callin. The publication also features book reviews of works by Christy Ducker, Michael Mackmin and Helena Nelson, and a column called “Debating Point,” with this issue’s focus being: “Truth is beautiful, without doubt; but so are lies.” (Ralph Waldo Emerson)

Submissions are open through Submishmash.

Occupy Wall Street Poetry Anthology

The Poetry Anthology at Occupy Wall Street currently cataloged in the Occupy Wall Street library and maintained by the Occupy Language (formerly Occupy Poetry) seeks poems to place in the anthology. Send poems via e-mail (attachments accepted) to the librarian at the People’s Library: stephenjboyer [at] gmail [dot] com. You will receive and automated response. The anthology is currently organized in binders by week, with plans to migrate portions or all to the Web. Read more: here.[via Sarah Sarai]

Occupy Wall Street Library

The People’s Library is the collective, public, open library of the Occupy Wall Street leaderless resistance movement.

Located in the northeast corner of Liberty Plaza, the library provides free, open and unrestricted access to our collection of books, magazines, newspapers, ‘zines, pamphlets and other materials that have been donated, collected, gathered and discovered during the occupation.

The Occupy Wall Street Library website provides an overview of how the borrowing system works at the lending FAQ, a link to a catalog for a list of titles, the library’s history, and information on contributing to learn how you can help.

New Lit on the Block :: FictionNow

Editor Marge Lurie of FictionNow writes that the online magazine’s mission is “connecting good writers of short fiction with hungry, interactive readers. You’ll find stories that honestly reflect what it’s like to be alive in the 21st century – stories that wrestle, as all good fiction must, with how to construct meaning out of the welter of untamed experience.”

The first issues features works by Elizabeth England, George Dila, Richard Smolev, Ray Abernathy, Joel Hinman, Pamela Painter, Joanne Avallon, Silvia Bonilla, Seth Kaufman, and Susan Buttenwieser.

Submissions are open for previously unpublished fiction between 250 and 4,000 words.

New Lit on the Block :: Yew

Edited by designer Stephenie Foster and poet Carolyn Guinzio, Yew: A Journal of Innovative Writing and Images by Women will showcase three writers per month online with visual art provided by the writers, their collaborators, other artists or the editors.

The inaugural issue features Laynie Browne’s poem “An Urgent Walk Across a Moor” paired with Stephenie Foster’s photograph series “Drawn to the Light: Images of Mexico”; Andrea Baker’s work comprised of her own text and images; and Doro Boehme’s text paired with her own photographs.

Upcoming issues will feature writing and art by Maureen Alsop, Rosebud Ben-oni, Carol Berg, Grace Cavalieri, Jeri Coppola, Carolina Ebeid, Merlin Flower, Michaela Gabriel, Anne Gorrick, Endi Bogue Hartigan, Rebecca Gayle Howell, Megan Kaminski, Genevieve Kaplan, Deborah Poe, Maritza Ranero, Petra Whitaker, Marcela Sulak, and Carol Szamatowicz.

Yew welcomes submissions of poetry, hybrid writing, photography, or other visual art via email.

Lit Mags Gone Gorgeous :: South Dakota Review

Part of what makes the newest issue of South Dakota Review so stunning, in addition to the cover art by Oscar Howe (and design by Holly Baker) is the fact that the magazine changed its format to a luxurious 9×9, which allows two columns to ease the prose and wide margins to frame poetry.

Professor of English, Director of Creative Writing at The University of South Dakota, and now the new Editor-in-Chief of SDR, Lee Ann Roripaugh says the format change is permanent: “Our former editor, Brian Bedard, retired from USD this past spring, and I subsequently inherited the editorship of SDR. While I definitely wanted to retain the unique flavor of South Dakota Review, particularly with respect to its longstanding commitment to explorations of place/space/landscape and support of place-based and indigenous writers, I also wanted to both complicate these explorations, as well as contextualize them within larger national and even global literary contexts. Our goal is to broaden the aesthetic and cultural scope of the magazine in eclectically exciting ways, and broadening this conversation, to my mind, also included broadening the design. In particular, I wanted a larger page to allow for more possibilities in terms of framing and accommodating a wider variety of poems. Also, with the proliferation of so many excellent electronic magazines, it seems that if one is going to do a print magazine, the magazine should take delight in the sensuous and aesthetic pleasures of its own ‘printishness.'”

Mission accomplished SDR.

New Lit on the Block :: scissor and spackle

Jenny Catlin, Founder/Editor In Cheif, and Matt Schmid, Editor, bring readers scissors and spackle an online publication with a print companion, both available on the twenty-third of each month.

Issue II includes poetry and fiction Adrian Mitchell, Alex Schillinger, Anja Vikarma, Ariana D. Den Bleyker, Carla Sarett, Chris Castle, Cody Deitz, Corey Mertes, D.G. Bracey, Dennis Nau, DJ Swykert, Donna d. Vitucci, John Fields, Josh Goller, Kaydi Johnson, Laura LeHew, M.P. Powers, Mark.Farrell, Mather Schneider, Robert Kulesz, Robert Levin, Sandra K. Woodiwiss, Steven Finkelstein, Tim Schumacher, and Wendy Bradley, as well as the photo essay “Making of the Gods: Snippets of the life and craft of the god makers of Kumortuli as seen and felt by Anurima Das and Saikat Sengupta.”

scissors and spackle is open for submissions of comics, short stories, poetry, art, photography, erotica, genera-fiction, audio, and video.

Lit Med Database


Literature, Arts, and Medicine

This site, sposored by NYU, is a resource I keep coming across in my research. Time and again, when working on analysis of literature, this site pops up, and I have found it immensely helpful in guiding some of my work. Specifically, “The Literature, Arts, & Medicine Database is an annotated multimedia listing of prose, poetry, film, video and art that was developed to be a dynamic, accessible, comprehensive resource for teaching and research in MEDICAL HUMANITIES, and for use in health/pre-health, graduate and undergraduate liberal arts and social science settings.”

Fine for med students, as a lit student/teacher, this site works great for me! Each entry specifies genre (including medium for art), keywords (which help direct analysis from a medical perspective and are linked to others with the same theme), summary and commentary. Bibliographic information is also provided.

New Lit on the Block :: Aesthetix

Aesthetix is a new online poetry publication with a unique approach: poets are required to write a poem using one specific title per issue. According to the editor, “This results in a really interesting variety of approaches to a subject (‘aesthetix’) juxtaposed in ways that are not common in the average poetry journal.”

The first issue, “Red Car in the Future,” includes works by Seth Landman, Wendy Xu, Sean Williams, Rob MacDonald, Adam Clay, Ed Haworth Hoeppner, Matt Anserello, Parker Tettleton, Nick Lantz, B. Medrev, John Gallaher, Nick Sturm, Matthew Henriksen, Kimiko Hahn, JoAnna Novak, and Elisabeth Workman.

Aesthetix will post one featured title quarterly for submission consideration. Submissions accepted from new and established writers, with a particular interest in publishing long poems, collaborative poems, poems with nontext elements, poems by children, and poems by non-poets.

Narrative Medicine

Two related pieces from MedPage Today:

A Love Story, in Print and in the Clinic
Kistina Fiore’s special report on the practice of medical professionals and writing. Includes interviews with editors and contributors from The Healing Muse, Bellevue Literary Review, Ars Medica, Creative Nonfiction, and Third Space. Also includes a video interview with BLR’s publisher, Dr. Martin Blaser.

Fiore writes: “Physicians are, by virtue of their profession, enmeshed in the human condition, so it’s not surprising that many are drawn to literature…Moreover, there is an increasing recognition of the value of the reflective process involved in writing as a means of honing a healer’s skill.”

Narrative Medicine and the Godfather

An excerpt from Kristina Fiore’s interview with Lee Gutkind.

New Lit on the Block :: ffrrfr

Jim Cole is founder and editor and Ana Machuca the fiction editor of the newly launched ffrrfr, an online and “occasional print journal” of short fiction devoted to “creative storytelling and intriguing uses of language.”

The first issue features works by Miranda Mellis and David-Glen Smith along with an interview with each.

ffrrfr is accepting submissions for their winter 2011-12 issue through November 30. ffrrfr us “open to all styles” and is “most interested in writers who are doing interesting things with language, such as the use of Oulipian constraints.”

Six Poets on Six Movies

Issue #10 of New Ohio Review includes a section in which six poets were asked to write about movies that had a particular impact on them. Claudia Rankine writes about 35 Shots of Rum, Jeffrey Harrison about Antonioni’s The Passenger, George Bilgere about No Country for Old Men, Lloyd Schwartz about Angel by German-born director Ernst Lubitsch, Laurence Goldstein about the 1946 film Tomorrow if Forever, and Linda Bamber about the 2011 documentary Long Night’s Journey Into Day.

PEN’s Prison Writing Fundraiser

Breakout: Voices from Inside
The 2011 PEN Prison Writing Program Fundraiser

With Cara Benson, Hettie Jones, Claudia Menza, Marie Ponsot, Susan Rosenberg, Jackson Taylor, John Paul Infante, Randall Horton, and other special guests

Join PEN Members and special guests for a reading of award-winning prose and poetry from the PEN Prison Writing Contest. Proceeds from the event help ensure that PEN’s hallmark program continues to promote the restorative and rehabilitative power of writing by providing hundreds of inmates with skilled writing mentors, free Handbooks for Writers in Prison, and a forum where inmates are encouraged to use the written word as a legitimate form of power.

This event will feature a special reading of poems and prose by incarcerated men and women everywhere from El Paso to Riker’s Island, from Ft. Leavenworth to San Diego.

When: Wednesday, November 9, 2011
Where: The National Arts Club, 15 Gramercy Park South, New York City
What time: 7 p.m.
Tickets: $25. Purchase online or e-mail [email protected]

**If you can’t attend, please sponsor an MFA writing student to go in your place.**

In 2011, PEN’s Prison Writing Program:
• Distributed more than 8,000 copies of the PEN Handbook for Writers in Prison free of charge to men and women serving sentences throughout the United States
• Connected over 100 mentors with writers in prison for one-on-one instruction
• Judged over 1,500 manuscripts in our Prison Writing Contest
• Reprinted an Anthology Doing Time, with a new forward