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Stunning Covers :: Rain Taxi

Just when I thought I’d seen my fill of doll head art comes this newest issue of Rain Taxi, and for some creepy reason, I just can’t stop staring back at this one-eyed Kwepie winker.

If not already on your regular reading list, do add Rain Taxi Review of Books, both in print and online. Fall 2011 online edition features an interview with novelist Bonnie Jo Campbell and the mnartists.org featured essay Ghost Crawl through the Warehouse District of Minneapolis. The print issue features interviews with Peter Grandbois and Adam Hines, and reviews of books by Grant Morrison, JoAnn Verburg, Ron Hansen, Siri Hustvedt, Juan Goytisolo, Will Alexander, Kabir, and more.

Terry Tempest Williams Broadside

A limited-edition broadside of “Finding Beauty In A Broken World” by Terry Tempest Williams with artwork by Nancy Stein is available for $20 as a fundraiser for West Marin Review. I’m a sucker for a beautiful broadside, and this one most certainly satisfies. It’s letterpress printed on a 9×14 ivory linen and signed by both author and artist. The poem can be read on the website, and is a most appropriate expression for our times.

Black Lawrence Book Sale

Get three Black Lawrence Press story & poetry titles at reduced pricing, or all three with shipping included for $25 – September only:

Pictures of Houses with Water Damage
Stories by Michael Hemmingson

From the Darkness Right Under Our Feet
Stories by Patrick Michael Finn

The Giving of Pears
Poems by Abayomi Animashaun

New Lit on the Block :: Stone Highway Review

Edited by Mary Stone Dockery and Amanda Hash, Stone Highway Review is a biannual publication featuring poetry, short prose, and artwork, available online via PDF as well as POD via Lulu. For writers, Stone Highway Review likes “work that haunts, electrifies, tingles. We like creativity. We believe the imagination contains as much truth as ‘truth.'” The editors also comment that they like prose that “slips into the surreal or plays with language in new and exciting ways,” and that “if your fiction is more poetry than prose, we want it.”

The first issue features works by Paul David Adkins, James W. Hritz, Michelle Reale, Ariana D. Den Bleyker, Kim Kin, Peter Schireson, Jenny Catlin, Maggie Koger, Caitlin Elizabeth Thomson, Christina Dubach, Len Kuntz, Christopher Woods, William Doreski, Devon Miller-Duggan, Dr. Ernest Williamson III, Tom Holmes Christina Murphy, Alex Yuschik, Ruth Holzer, and Jenny Ortiz.

Stone Highway Review accepts submissions online via Submishmash and has a Facebook page.

Wanted: Readers Who Like to Write

Like to read? Like to write? Want free lit mags? Be a NewPages Reviewer!

Our reviewers come from all walks of life: published writers, undergraduate & graduate students, teachers, stay-at-home moms & dads, retirees, and people who just love to read and add some literary enhancement to their day. If you are new to review writing, we’re happy to work with you and will offer feedback to help you develop your review writing skills.

Visit the NewPages Reviewer Guidelines to get started. We are especially interested in lit mag reviewers – both for print and online literary publications.

ZYZZYVA Redesign

Editor Laura Cogan is making a big splash with this newest issues of ZYZZYVA. Cogan says the publication has worked on a redesign with Three Steps Ahead, the same California firm behind ZYZZYVA’s new website. “ZYZZYVA’s original print design, created with care by Thomas Ingalls & Associates in 1985, was elegant and restrained,” Cogan writes in her editor’s note. “We kept in mind the clarity and the spare beauty of their vision as we sought to add other elements speaking to the pleasures of print, to the craft of bookmaking, and to the stimulating quietude of reading. We considered paper weight and tone, typesetting and titles, mingled serifs with sans-serifs, discussed the old-fashioned whimsy of endpapers — always with a view toward presenting stories, poetry, and art in the best way possible.”

Additionally – and probably most stunning for regular readers of ZYZZYVA is the cover design, which is reflective of the addition of the journal’s first-ever full-color art feature: photographic portraits by Katy Grannan and paintings by Julio Cesar Morales.

New Lit on the Block :: Journal of Renga & Renku

Editors Norman Darlington and Moira Richards are both active in the study and practice of renga and renku and have collaborated on various renku related projects since 2005. Journal of Renga & Renku is their newest project, and includes a periodical, renku contest, book publishing, and an online community – Haikai Talk – devoted to haikai and all poetic forms orginating in Japan and written in English.

JRR is devoted to all aspects of renga and renku, including scholarly articles, poems, discussions, contests, critiques and more that will interest Asian Studies scholars as well as teachers and students of English literature/poetry. The editors “believe it will also be of interest to poets experimenting with the writing of renku in a number of languages around the world today, and to practitioners exploring aspects of renku and its za as an educational/social/therapeutic tool.”

The inaugural issue, published on demand via Lulu.com, includes a great deal of content, including a report on “Four Sign Language Renga” by Donna West and Rachel Sutton-Spence. This unique article includes commentary and links to YouTube videos of these sign language poetry performances; I highly recommend the publication for this content alone! But, there’s so much more:

Shisan – four 12-verse poems
Ninjūin – six 20-verse poems
Jūnichō – four 12-verse poems
Kasen – eight 36-verse poems
Half-kasen – an 18-verse poem
Yotsumono – a four-verse poem
Live renku – one 12-verse and one 18-verse poem
Triparshva – fourteen 22-verse poems
Including the winner of the 2010 JRR renku contest, “The Tiniest Pebble,” a triparshva by William Sorlien, John Merryfield, Sandra Simpson, Linda Papanicolaou and Shinjuku Rollingstone.

Essays:
“Renku – A Baby Thrown Out with the Bath Water: A Start of Reappraising Shiki” by Susumu Takiguchi
“Gradus and Mount Tsukuba: An Introduction to the Culture of Japanese Linked Verse” by H. Mack Horton
“Longer Renku: The Hyakuin of 100 Stanzas” by William J. Higginson
“The Mechanics of White Space (or Basho Cranks-up the Action)” by John E. Carley
“The Alchemy of Live Renku” by Christopher Herold

JRR will publish again at the end of 2011 and is open for submissions until October 1, 2011. See JRR‘s website for full submission information.

New Lit on the Block :: West Marin Review

West Marin Review is a literary and art journal published by “a dedicated band of volunteers supported by two local literary interests – the Tomales Bay Library Association and Point Reyes Books – and friends and neighbors.” And while this grounds the review in local support, contributions are open to all writers and artists, newcomers as well as professionals.

A full table of contents for each issue is available online. Issue three offers excerpts of some content online. The print issue includes:

Prose by Catherine David, Reynold Junker, Jessica O’Dwyer, Agustina Martinez, Jan Harper Haines, Agnes Wolohan Smuda von Burkleo, Vivian Olds, Elia Haworth, Jonathan Rowe, Steve Heilig, Daniel Potts, Flor Jimenez, Jazmine Collazo, Cynthia A. Cady, Jody Farrell, Dave Mitchell, and Terry Nordbye;

Poetry by Jodie Appell, Prartho Sereno, Julia Bartlett, Gillian Wegener, Juan Avalos, Albert Flynn DeSilver, Lynne Knight, Apology, Randall Potts, Hal Ober, Roy Mash, and Nellie Hill;

Art + Artifact by Patti Trimble, Nell Melcher, Ryan Giammona, Andrzej Michael Karwacki, Amanda Tomlin, Kurt Lai, Jessica Baldwin, Willow Wallof, Sha Sha Higby, Marnie Spencer, Terrence Murphy, Christa Burgoyne, Wendy Goldberg, Dewey Livingston, Tom Killion, Richard Lindenberg, Lorna Stevens, Kevin Alvarado, Jacqueline Mallegni, Christa Coy, Kyla Pasternak, Mary Siedman, Zea Morvitz, Vi©kisa, Jon Langdon, Mark Ropers, Sevilla Granger, and Mardi Wood.

Students Can Create Daily Comix Diaries to Show What They Learn

From Bill Zimmerman, Creator, MakeBeliefsComix.com – and adaptable to college as well as K-12:

If you’re looking for an exciting new literacy activity for the new school year why not start a daily 20-minute comic strip segment during which your students create a comic diary about something they learned or read or experienced that day? Creating such daily comix diaries provides a way for youngsters to digest and integrate key material that they are taught as well as to reflect on their lives and experiences. And what better way to improve writing, reading and storytelling skills!

To help educators, MakeBeliefsComix.com, the free online comic strip generator, has launched a Daily Comix Diary Page offering many ideas at

http://www.makebeliefscomix.com/Daily-Comix-Diary/

Students can also draw their own comics with pencil or crayons and use stick figures or pictures cut from magazines. By making their own comic strips, students will realize that they can create stories and make art. They will learn that they, too, are capable of generating their own learning materials, their own memoirs, and that their ”take” on the world is so very special – everyone sees things differently.

What to draw and write about?

For starters, why not have students create autobiographical comic strips about themselves and their families or summarizing the most important things about their lives? Let each student select a cartoon character as a surrogate to represent him or her. They might also summarize what their individual interests are or some key moments in their lives.

• Maybe students create a comic strip with a new ending for a book that they’ve read, or an extension of the story, or a deeper exploration of a character in the book.
• Maybe their comic is about a concept they learned in science or in social studies.
• Maybe their comic captures an interesting conversation they overheard.
• Maybe their comic is about something sad or bad that happened to them, such as someone bullying them. Or about something special, such as a birthday wish.
• Maybe their comic is about something fun or wonderful that they or a friend experienced – perhaps an adventure they had. Or, about a great or important memory they will never forget.
• Maybe their daily comic contains a joke they heard or something funny a parent said to them recently.
• Maybe they’re exploring a problem at home that’s bothering them, such as a sibling who’s driving them crazy.
• Maybe theirs is a comic strip utilizing new vocabulary learned that day.
• Maybe their comic strip is a fantasy story that came to their imagination.
• Or, how about creating a political comic strip commenting on some new development in government or a news event?

Now, imagine the student’s comic-filled sketch book or folder containing daily diary entries created over the course of a year that will trace each child’s thoughts and learning, that will reflect what was important to her or him. They’ll have composed a comic book diary that they will treasure for the rest of their lives.

Most important, the 20-minute-a-day daily comix diary challenge offers students the chance to become creators as they find their voice, rather than just passive learners. What better gift can you give them?

New Lit on the Block :: Poecology

The name Poecology is “the fusion of poetry and ecology brings two of my great passions together” writes editor Kristi Moos. Born from “a slip of the tongue,” Poecology is now an online literary magazine of ecology-focused poetry, fiction, and nonfiction. Moos says, “I think there is much left to be said about the idea that poetry, and all writing for that matter, can influence physical ecology. When the idea for Poecology came about, I started seeking answers to long-held questions: How can literature shape the places and environments that inspire writing in the first place? What can I do to take part?” Issue 1 is just the beginning of the answer to these questions.

Contributors to the first issue include Anna L

Postcard Publications: Thumbs Up & Down

A few new literary postcard ventures have started up recently – not a new concept, and one The Alternative Press from the 70’s used effectively as part of their literary activism. I’m a big fan of ‘ephemera’ lit – that “publication” that doesn’t fit as neatly into the standards of print-cycle magazine, but has unique print qualities that make it attractive. For me, postcards definitely qualify.

Of the couple I’ve seen come in so far, I have to say I haven’t been overly-impressed with the print quality. This is tough, since it seems in recent years, the post office has taken to stamping, inking, and stickering more and more space on the already size-limited real estate available to the sender. This creates problems when the text meant to be that card’s installment of the journal ends up inked over and unreadable. While the stickers can usually be peeled off, not all post offices use these, so there may be ink at the top and the bottom of the card, making fairly good-sized chunks of the text unreadable.

As if this wasn’t enough, there also seems to be a growing trend in postcards getting a layer of the cardstock ripped off as they go through some sort of roller system. This is usually on the text side of the card and so may also end up ripping off the layer with text on it or causing damage to the art front of the card. Non-glossy cards (the better environmental choice) often come through looking as though a Matchbox car did a peel out on the art side, with black smudges and wear spots, and the text side with ink stamps and tears across the text. I’m certainly not expecting these cards to come through the post in a pristine state; if fact, these markings can become a part of the art and text itself, adding to the character of these publications.

In all, I love the idea of literary postcards. I participate each year in the August Poetry Postcard Festival, and just hope that other participants are aware of how the poems are coming through at their final destination (I’ve received blank postcards, where it looks like someone put their poem on with tape or a sticker, and the postal sorting machines have ripped it off completely). While I have a great sense appreciation for the concept, the execution is sometimes a disappointment. [Pictured: Abe’s Penny Volume 3.2 – can’t tell who the artist is or title because that information was inked over by the post office stamp on the reverse side, whereas the art side got black and orange ink stamps and a brown smudge. To their credit, Abe’s Penny does post photo images of the content online, often inked and torn as well, but when I tried to find this particular card, the image online was different than the one I received.]

An alternative to actually receiving the individual cards sent in the mail is something like Tuesday: An Art Project, whose set of postcards come wrapped in a paper package with even more poems and information about the publication itself. This is a fun way to get the cards, read them, and then share them with others. Since only one poem or artwork featured on the picture side of the card, they are less likely to be damaged. They are also then each a piece suitable for framing vs. postcards that are art on one side and an author’s writing on the other. The quality of the paper and the letterpress printing and photo printing (rather than simple photocopies) also assure that these will be more likely to survive the postal gamut unscathed.

I’m all for postcard literature. With all our digital access, there’s still something fun and special about getting “real mail.” Each time I receive postcard lit, I read it – usually immediately, and then again later. It’s not the longer, sustained reading I most enjoy, but I do appreciate getting jolts of lit in my day. Just enough to remind me to take a deep breath and savor the moment.

Some postcard journals that I’m aware of:

Abe’s Penny
Hoot Review (forthcoming)
The Postcard Press
Ripples

If you know of or are a part of others, please let me know.

New Lit on the Block :: Spittoon

Posted online and in a pdf version, Spittoon is an independent magazine of contemporary and experimental poetry, fiction, and creative nonfiction. Editors for this quarterly publication are Matt VanderMeulen (fiction), Kristin Abraham (poetry), and Berly Fields (creative nonfiction).

The inaugural issue of Spittoon features fiction by Wayne Lee Thomas, Ann Stewart, Sara Pritchard, Kyle Hemmings, William Haas, William J. Fedigan, Kirsten Beachy; poetry by Nate Pritts , Rich Murphy, Amanda McGuire, Kristi Maxwell, R.J. Ingram, Arpine Konyalian Grenier , Dana Curtis, Ryan Collins, Molly Brodak; and an interview with Arpine Konyalian Grenier.

Submissions are accepted year round with each piece published also automatically entered in the yearly “Best of Spittoon” awards.

New Lit on the Block :: Adventum Magazine

Adventum Magazine is a new online publication of, well, as Editor-in-Chief and Founder Naomi Mahala Farr muses in her philosophy – what could best be described as outdoor adventure writing. While other magazines exist that do honor the environment, the outdoors, and adventure, Naomi created Adventum to explore all of these in a more literary venue: creative nonfiction and haiku with photography and photo essays. The result is nothing short of breathtaking.

Produced in Issuu (print available on demand), the first installment of this biannual features essays by Adrianne Aron, Trevien Stanger, Manda Frederick, Kim Kircher, Kathleen Saville, Willard Manus, Cheryl Merrill, Tom Leskiw, Adrienne Ross Scanlan, Ed Gutierrez; photography by Shea Mack, Brandon Hauser, Jon Oliver-Hodges, Shaun Bevins, Tim Farr; and haiku by Dennis Maulsby, Sidney Bending, Julia Goodman, Wayne Lee, Wally Swist.

Submissions for the next issue are accepted until November 15. Adventum accepts “creative nonfiction, essays, and memoir pieces that explore some aspect of personal experience in the outdoors. This includes but is not limited to adventure in extreme wilderness landscapes as well as urban, whether it is about climbing trees, mountains or buildings, kayaking rivers or oceans, walking in pursuit of rare insects, pursuing the art of parkour, oceanic living, or mountain culture.” Photography and haiku (and haiku ONLY) are also accepted.

What I’m Reading :: Dear Bully

Note: If you don’t read all of this, read this much – Please buy a copy of this book and donate it to your local library and/or public school library. Kids need access to books like this to know they are not alone. (This is how I’d planned to end this post, but since not all readers will make it that far, I felt the need to start with it.)

Dear Bully, edited by Megan Kelley Hall and Carrie Jones, is a collection of seventy stories from young adult authors recalling their own childhood experiences with bullying. The perspectives vary, from being an observer who does nothing to stop the incidents, to being the victim – most often feeling helpless, hopeless, but also angry and acting out – to being the perpetrator, a point of view least often explored, and, though with no means to excuse it, often revealing as much hopelessness and helplessness as the victims themselves.

With school gearing up, this book would make a incredible addition to any classroom – from middle school right on through college. This kind of text provides an extremely accessible approach to starting discussions about bullying. Without being preachy or mandating step-by-steps, these stories open the door to talking about what it’s like to be bullied and why it matters to have these conversations now. Who better to provide this to young adults but the young adult authors themselves, many of whose works may already be on the bookshelves in the classroom.

The book is divided into sections: Dear Bully; Just Kidding; Survival; Regret; Thank You Friends; Insight; Speak; Write It; and It Gets Better. The most heart wrenching for me was the Dear Bully section, in which authors write letters to the bullies of their pasts. All are from the perspective of the adult looking back, and these stories in particular seem to hit the strongest chord of showing just how long-lasting negative memories of bullying can be. For anyone who says, “It’s just kids being kids” and “They’ll get over it” – this section is for you.

There are also some fun and uplifting works – where friends stand by one another and stop their hurtful behavior, where the victim finds resolve and perseveres – and not just in adulthood, but then, there, in that moment of childhood. And of course, many, many of the stories show that, despite the bullying, despite feeling as a child that the world was going to end, all of these adults either say directly in their stories or show simply by their being included in this volume, that life does go on and there is more to life than just surviving. Of course, the best stories are the ones where the victims do see their bullies in adulthood and find that those ogres are just regular people – no longer larger than life, no longer commanding control of their universe. And the victims see that they themselves may actually have come out for the better in their lives. Maybe a bit of “vindication” – self-satisfying, but not without its truth.

This collection offers a delightful variety of writing styles – from the epistolary to the narrative – including diary entries, loads of character sketches (of course) and effective dialogue – both external and internal. There are song lyrics by Jessica Brody (with a link to hear the song online), an A-Z narrative (not quite an acrostic) by Laura Kasischke, a comic with story by Cecil Castellucci and illustrated by Lise Bernier, and another of my favorites, Sara Bennett Wealer writing to herself as a young girl with “stuff I wish someone would have told me when I was sixteen.” This should be required reading of ALL young girls (not to mention some adults).

The book includes two helpful sections: “Resources for Teens” and “Resources for Educators and Parents.” Dear Bully has a website that at the moment doesn’t have a whole lot to offer, mostly just media PR on the book, and a Facebook page where users post insightful, supportive, and helpful comments on bullying – what states and schools are doing, as well as personal commentary. A lot more going on here with 800+ likes.

With incidents of bullying – and the most insidious of all: cyberbullying – on the rise, this book comes into and can help start the conversation at the most opportune time. Dear Bully is for everyone who has grown up in this culture where bullying takes place every day, not just in the schools, but in our streets, in our homes, our place of work (and globally). Dear Bully unveils the truth of who we are as a community of people, and it’s not pretty. But until we recognize this, stop keeping it silent, and address it head-on, we’re doomed to continue forcing young people to have to “survive” their childhoods. It’s time to be the grown-ups we wish had stepped in to help us when we were young.

Creative Resistance Fund

The Creative Resistance Fund is intended for activists and culture workers in situations of distress as a result of their professional work. Distress situations may include verbal threats, imprisonment or legal persecution, violent attack, professional or social exclusion, or harassment.

The Creative Resistance Fund provides small distress grants to people in danger due to their use of creativity to fight injustice. The fund may be used to evacuate a dangerous situation; to cover living expenses while weighing long-term options for safety; or to act on a strategic opportunity to affect social change.

Chattahoochee Review Welcomes New Eitors

Now celebrating its 31st year in print, The Chattahoochee Review is under all new editorship: Editor Anna Schachner, Managing Editor Lydia Ship, Fiction Editor Andy Rogers, Nonfiction Editor Louise McKinney, Poetry Editor Michael Diebert; Art Editor Claire Paul, and Social Media Editor Michael Rowley.

Managing Editor Lydia Ship writes: “Although our roots are in the South and we publish important writers such as William Gay, George Singleton, and Natasha Trethewey, we also publish writers from other regions of the U.S. and other countries such as Denmark, Mexico, Romania, and England. We are committed to exploring literature in translation and to writers who transgress borders, cultural and otherwise. While the Review features poetry, fiction, nonfiction, interviews, reviews, and occasional graphic work, we are also open to nontraditional forms. We value established writers but take great pride in discovering new voices. Work from The Chattahoochee Review is regularly featured in nationally published anthologies and books.”

The Chattahoochee Review is currently seeking poetry, fiction, and nonfiction for a special issue on Southern Literature to be published in late 2011, with a particular interested in writing that:

1. Challenges the traditional definition of “Southern”
2. Addresses the concerns of ethnicity in the South
3. Uses humor with originality and intelligence
4. Blends the gothic with other literary modes
5. Defies geography and the use of the vernacular as the only conditions of Southern identity

New Lit on the Block :: TINGE Magazine

TINGE Magazine is Temple University’s new online literary journal, published twice a year, in the Spring (April) and in the Fall (December). The journal is edited by the graduate students of Temple’s M.F.A. Program in Creative Writing and has an open submissions policy.

The first issue includes Fiction by Liam Callanan, Katherine Zlabek, Marc Schuster, Lauren Hopkins Karcz, V. Jo Hsu, and Mat Johnson; Poetry by Melissa Slayton, Michael S. Begnal, Christopher Schaeffer, George Eklund, Diana K. Lee, and Kristin Prevallet; Nonfiction by Michael Milburn; and Interviews with Kristin Prevallet and Mat Johnson.

Submissions for the next issue of TINGE Magazine will open September 1; submissions are accepted through Submishmash.

[Cover art by Brooke Lanier “Personal Best”]

Alimentum Eat & Greet Tours

Alimentum: The Literature of Food offers Eat & Greet Food Tours – visiting cafes, bakeries, sample foods in restaurants, and visit markets. Registration is required.

NASHVILLE
September 17th, 2011
Nolensville Pike
Tour runs from 9:30 am till 4 pm. Includes cafes of Istanbul to the authentic bakeries of Iraq, restaurant specialties: Ethiopian injera, Turkish stuffed grape leaves, Kurdish flatbread, Thai-style curry, authentic Mexican tacos, and learn from local market owners and restaurateurs about their native cuisine, and shop ethnic markets.

Tour Hosts: Alimentum Publisher Paulette Licitra & PR Director Annakate Tefft

Upcoming tours:

NASHVILLE October 22, 2011
Middle Tennessee Farm Tour
Tour Hosts Alimentum Publisher Paulette Licitra & PR Director Annakate Tefft

NYC November 5th, 2011
Bensonhurst-Gravesend Brooklyn – Southern Italian Cusiine & Culture
Tour Hosts Alimentum Publisher Paulette Licitra & Editor Esther Cohen

NYC November 6th, 2011
Elmhurst, Queens – Thai Cuisine & Culture
Tour Hosts Alimentum Publisher Paulette Licitra & Editor Esther Cohen

Teaching 9/11

The National Museum of American History will commemorate the tenth anniversary with an exhibit of objects recovered from the three sites attacked on September 11, 2001 – “Bearing Witness to History: Remembrance and Reflection.” Photographs with commentary on each object are available online as well as text and audio stories from the collection curators. A separate page of educational resources is available for teachers as well as a blog discussing such related issues as whether to teach the events of 9/11 as history or current events.

New Re-Lit on the Block: The Public Domain Review

Founded and edited by Jonathan Gray and Adam Green, The Public Domain Review was launched 1/1/11 to coincide with Public Domain Day celebrations around the world. The aspiration of The Public Domain Review is “to become a bounteous gateway into the whopping plenitude that is the public domain, helping our readers to explore this rich terrain by surfacing unusual and obscure works, and offering fresh reflections and unfamiliar angles on material which is more well known.”

Each week an invited contributor presents an interesting or curious work with a brief accompanying text giving context, commentary and criticism. Contributors include scholars, writers, critics, artists, archivists, scientists and librarians. is also now accepting open submissions.

In addition to the articles, The Public Domain Review has begun collections of public domain films, audio, images and texts.

The review is a project of the Open Knowledge Foundation (a not-for-profit organization) and is made possible by funding from the Shuttleworth Foundation.

New Lit on the Block :: EdgePiece

Founded by Sarah Lindsay to “give new writers and artists a place to start – an edge piece for their big-picture puzzle,” EdgePiece will publish online tri-annually. Joining in this effort are Developmental Editors Sarah Lucas, Max Pickering, Pamela S. Wall, Dakota Morgan and Copy Editor Pamela S. Wall. Together, the unique promise of this publication is to “never fully reject a manuscript; we work with you, editing your piece and suggesting improvements. This way, everyone gets experience and satisfaction from the process.”

Featured in Issue 1.1 is Fiction by George Masters, Elizabeth Dunphey, Tim Martin, Nana Adjei-Brenyah, and Bob Kalkreuter; Non-Fiction by Katie Liming, and Kendra Shirey; Poetry by, Catherine Batsios, Alana Aguilar, Thommie Gillow, Paige Webb, Nico Mara-McKay, and Amanda Montell; Photography by, Kendra Shirey, Vanessa Levin-Pompetzki, and Keith Moul.

EdgePiece is “hungry for fiction, non-fiction and poetry” but will also consider book/essay/poetry/film reviews, photography, and other graphic/visual art.

Bacopa 2011 Literary Review Prizes

The newest edition of Bacopa: A Literary Review from the Writers Alliance of GAinesville, includes the winners of the 2011 Bacopa Genre Awards:

Fiction
1st JoeAnn Hart, “Open House”
2nd Mandy Manning, “Growth”
Honorable Mention Q. Lindsey Barrett “Toro-nado”

Nonfiction
1st Amanda Skelton, “Warding off the Monkey”
2nd Carolyne Wright, “Los Olvidados: The Forgotten Ones”
Honorable Mention Ed McCourt, “Watching Rocco”

Poetry
1st Colleen Runyan, “me or the tea”
2nd Erika Brumett, “Fight Overheard in Sign Language”
Honorable Mention Carolyne Wright, “Acrostic: Evcharistoic Eulene”

New Lit on the Block :: Amethyst Arsenic

Based out of Somerville, Mass, Amethyst Arsenic publishes “all forms of poetry from new and established voices” as well as art. Edited and published by Samantha Milowsky with copy editing by Kasandra Larson and design by Emily Crandall, Amethyst Arsenic will appear at least twice a year, regularly offering opportunities for guest editors.

Issue 1.1 (Summer 2011) with Guest Editors Lucie Monroe, Michael Gill includes works by Brandon Amico, Rusty Barnes, Gale Batchelder, Cassandra Clarke, Jim Cronin, Gregory Crosby, Judson Evans, Reinhard G

Mental Shoes Will Knock Yer Socks Off

Mental Shoes: Footwear and the life of the mind is an online publication of “arts and ideas” – which includes fiction and viso-writing. Each issue downloads as a pdf.

The current issue (shown) is 300 pages – takes a while to download – but completely worth it (as are the previous issues – some shorter and quicker to download).

Especially worth the wait is “Mississippi Beaches: One Year After the BP Oil Spill” – a series of photographs by Julie Dermansky – a poignant reminder of how “clean up” does not equate to cleaned up.

New Lit on the Block :: Specter Literary Magazine

The two founders of Specter Literary Magazine – husband & wife, mensah demary & Athena Dixon-DeMary, prose writer & poet respectively – take the Gen Y labels, embrace them, and consider them as the very complexity that writers regularly address: “Are we all frightened, passive, coddled? Are we all spoiled & flighty? Do we all dream? If Generation Y is so different from our parents and grandparents, then what does it mean to: love today; raise children today; keep religious faith today? The work some might consider ‘navel-gazing’ and ‘postmodern’ and ‘boring?’ We want that work. Writers who believe literature can reveal and–dare we say–save the world? We want those writers. We want dreamers.”

Published online, the first issue of Specter, launched at the end of July, features works by Mick Davidson, Lois Harrod, J. Bradley, Noriki Nakada, Bradley Warshauer, Jasmon Drain, Chris Castle, and Tom Sheehan.

Specter accepts poetry, fiction, creative nonfiction and flash via Submishmash.

Confrontations Takes on Art

According to editor Jonna G. Semeiks, for the first time in its over 40-year publishing history, Confrontations has included a section devoted to visual art. The artist (whose work is also featured on the cover) is Esteban Vicente, “an immigrant who left Spain during the Civil War in the 1930’s and settled on the Lower East Side of Manhattan.” Along with the editorial introduction, there is an bio before the images, and eight four, two-sided, full-color, full-bleed pages of his paintings featured. For its inaugural foray into art inclusion, Confrontations has shown great sensibility it how to do it right.

Stunning Covers: Calyx

Celebrating 35 years of continuous publishing, Calyx: A Journal of Art and Literature by Women Summer 2011 features the cover art “Adaptation” (acrylic on canvas, 36″ x 48″) by Amy Guidry. It can be viewed in a larger image in the Calyx website. More of Guidry’s work is featured inside the magazine, along with that of Christine Wuenschel, Marie Le Glatin Keis, Alethea Norene, RoByn Thompson, Kathline Carr and Lu – all in full color on glossy center pages.

New Lit on the Block :: The Snake

Editors Marc & Morgane McAllister founded In The Snake Magazine “to provide quality short literature that is both meaningful as well as enjoyable to read.” Launched July 2011, the monthly publication thus far features the short stories of Rose Droll, Jennifer Moore, and Carmen Maldonado, Yarrow Paisley, Jesse Rubin, A. Kham and Shauna Brock.

In The Snake Magazine is currently holding a short story contest for their Summer 2011 Elephant Prize. Deadline for submissions is August 31.

In The Snake Magazine is also accepting submissions for upcoming issues, offering guidelines with detailed expectations of plot, theme, style, and existential conflict: “We look for stories that build strong, dynamic characters that reflect the nature of the human experience.” In addition to cash awards for their contest, In The Snake Magazine is a paying market.

In Aporia: The Annual Akilah Oliver Memorial Reading

The annual Akilah Oliver Memorial Reading honors the memory of Lang professor Akilah Oliver, a radical poet, feminist, and activist. As the first of an annual reading series, this reading will feature the work of Oliver’s contemporaries Julian Brolaski, Rachel Levitsky and Lauren Nicole Nixon, along with Oliver’s former students Erik Freer, Karl Leone and Kaley Foley.

The event is scheduled to take place Monday, September 12, 2011 at 7:00 pm at The New School: Lang Cafe, 65 West 11th Street; New York, NY.

RSVP on Facebook.

Anniversary: Ploughshares 40th

To celebrate its 40th year of publication, the Fall 2011 issue of Ploughshares brings back former guest editors “to contribute new works of their own, to nominate and introduce an emerging writer, or to give an account of turning points in their careers.” A full list of the contents is available on the website, though it does not indicate which new writers are being introduced by guest editors. Ploughshares changes active content links each day for the current issue.

New Lit on the Block :: Trans-portal

“Written for an intelligent reader,” Trans-portal: The Hub of Trans-Formation Studies features contributions that “exhibit the highest qualities of scholarship while also being accessible by a wide audience.”

Trans-portal’s Founding Editor/Curator Michael Broek is joined by Contributing Editors Patrick Donnelly, Stephen D. Miller, Susan Castillo, Matthew Carter and Tarfia Faizullah, and Editor-At-Large Laura McCullough in producing an online biannual, appearing summer and winter.

The first issue (Summer 2011) features lyrical essays by Amanda Abel, Elizabeth Howort, and Steve Newton; scholarly essays by Camille Alexander, Danielle Mortimer, Margaret R. Borders, Bryce Christensen; an audio essay by Paul Lisicky, a photo essay by Tarfia Faizullah, and a review of Lisa See’s Snow Flower and the Secret Fan and and Amy Chua’s Battle Hymn of the Tiger Mom by Judy Chen-Cooper.

Trans-portal also includes individual resource pages for essays an articles on a variety of “trans” concepts: Trans-Personal, Trans-Cultural, and Trans-National. I hope to see this become a wealth of resources that continue to grow with the longevity of the publication.

Trans-portal is seeking creative non-fiction lyric essays and scholarly articles pertaining to any of our themes, with an emphasis on synthesis and contemporary relevance.

Sycamore Review Editor Changes & Contest Winner

The Summer/Fall 2011 issue of Sycamore Review features the winner of their annual Wabash Prize for Fiction: Joe B. Sills, “the Duck.”

There are also a number of staff changes taking place: Editor-in-Chief Anthony Cook is stepping down (congratulations on the new baby!); the new editor will be Jessica Jacobs. Poetry editors Mario Chard and Josh Wild and nonfiction editor Chidelia Edochie will also be moving on, with replacements yet to be announced.

Georgia Review Features Stephen Dunn

The Summer 2011 issue of The Georgia Review includes a special feature on Pulitzer Prize-winning poet Stephen Dunn: “Many a Beautiful Strangeness.” The feature is well deserved, as TGR Editor Stephen Corey notes: “…since 1980 The Georgia Review has, up through this issue, presented more than fifty of Stephen Dunn’s poems and five of his essays—plus an interview conducted by Laura McCullough [available in full on the TGR website] and a self-conducted ‘intraview,’ both of which appear here in Summer 2011. All told, Stephen Dunn’s Georgia Review poetry offerings would fill a book of nearly one hundred pages — W. W. Norton, are you listening? — and the full body of his contributions would just about flesh out an entire issue of our journal.” Read the full editorial online here, as well as the full table of contents here.

New Lit on the Block :: Mixed Fruit

Mixed Fruit is a bi-monthly online publication co-founded by editors Lindsay Shields and Abby Norwood. Mixed Fruit has an varied and energetic editorial staff reading poetry, fiction, creative nonfiction, translations, and reviewing art submissions.

Editors include Kat Lewin (fiction), Jessica Plante (poetry), Matthew Burnside (fiction/poetry), Kea Wilson (fiction/Spanish/Greek translation), Courtney Thomas Vance (fiction), Summer Greer (poetry/Thai/German translation) and contributing editors Peter Alan Herbert (fiction/copy), Bethany Sarah Startin (poetry reader/French/Ancient Greek/Latin translation), Donna Vorreyer (poetry reader), Olga Mexina (Russian translation), Elisa Fernandez-Arias (Spanish/French translation), and Paula Bertr

Wave Books Subscription = Free Festival Pass

In addition to receiving all the books published by Wave Books in 2011, this year’s subscription ($75) comes with complimentary passes to the Wave Books Poetry Festival: Three Days of Poetry in Translation ($25 value), coming up November 4-6 in Seattle. Even if you can’t attend the festival (donate your passes?) subscribers will receive all materials included in festival participant packets, including limited edition pamphlets and a handmade book.

For a full list of the books included, visit Wave Books website.

WLT: Poetry Untethered

The newest issue of World Literature Today (celebrating 85 years of continous publication) includes the special section “Poetry Untethered: 10 Voices from the English-Speaking World.” In addition to their regular content, this section includes contributions from John Mateer, Dana Gioia, Stephanie McKenzie, Nicholas Samaras, Bill Manhire (“Cream Torpedoes: Recent Poetry in New Zealand”), Maya Khosla, Ilya Kaminsky, Jane Hirshfield (“What is American in Modern American Poetry: A Primer with Poems”), Ngwatilo Mawiyoo, and Ian Brinton (“Pods, Presses, and Pamphlets: Poetry in England Today”). Also included is an extensive interview by Michelle Johnson with Dana Gioia.

A full table of contents is available online with access to some of the above listed features. WLT also offers exclusive web content available for all visitors.

Puerto del Sol Contest Winners

The Summer 2011 issue of Puerto del Sol features works by the winners of their Poetry and Fiction Contests:

2011 Fiction Contest (Dawn Raffel, judge)

1st Place: Joe Aguilar, “The Flood”
2nd Place: Jen Bergmark, “Boyle Heights”
3rd Place: Kellie Wells, “The Incinerating Place”

2011 Poetry Contest (Julie Carr, judge)

1st Place: Amy Woolard, “The Housewarming”
2nd Place: Amy Woolard, “The Petty Arsonists”
3rd Place: Denise Leto, “Jaw Simulacra”

Best of Net Submissions Sought

From Sundress Publications: “Since 2006 the Best of the Net Anthology has sought to represent the best of the online literary world in poetry, fiction, and in 2010 non-fiction. Sundress Publications is seeking submissions to the sixth volume of Best of the Net. This project aims to represent the expanding, although often disregarded, online venue and bring more prestige to the innovative and continually growing medium. This collection intends to bring greater respect to the voices of those writers who choose to publish their work online. Our last issue included work by poetry by B.H. Fairchild, Karin Gottshall, Maxine Lopez-Keough, fiction by, Chimamanda Ngozi Adichie, Max Everhart, Dominic Preziosi and non-fiction by Amy Clark, Mark Dowie, and Emma Trelles. Submissions from editors will be open from July 1 to September 30th. Winners will be announced in February, 2012.” Full details available here.

New Lit on the Block :: The Muse (India)

The Muse: An International Journal of poetry is a new biannual online publication with Chief Editor Pradeep Chaswal and Editors Dr. Mohammad Arif and Deepak Chaswal.

The first issue includes poetry by A. D. Winans, Adam Bogar, Adrienne Wolfert, Alan Lindsay, Anca Vlasopolos, April Avalon, Benjamin Myers, Boghos L. Artinian, Carl Scharwath, Carrie Allison, Chris Tanasescu, Christina Murphy Dalel Sarnou, Devreaux Baker, Gale Acuff, Hal O’Leary, Hugh Fox, Jennifer C. Wolfe, Judith Prest, Kathleen Specter, Kenneth Pobo, Linda Appleby, Michael D. Sollars, Michael Lee Johnson, Mike J Gallagher, Paul Lobo Portuges, Phillip A. Ellis, Raj Vatsya, Richard Oko Ajah, Rebeca Sara, SamEisenstein, ShradhaKamra, ThomasZimmerman, Valentina Cano, Victor W. Pearn, and William John Watkins.

Also featured in this issue are research papers and essays “Pet Trees & Dancing Bay Ponies” by Joseph Powell, “How Dangerous Is Digital Literature?” by Felix Nicolau, and “A Tribute to Raymond Garlick (1926 – 2011)” by Byron Beynon, as well as interviews with Hugh Fox and Al Beck and book reviews.

The Muse is open for submissions of poetry, research papers, essays, and reviews. The deadline for the December issue is November 10.

New Lit on the Block :: Anobium

Based in Chicago, but with “values that extend beyond borders,” Anobium aims to “print literature in a digital world” and do so with quality and brevity, keeping the volume small (5″x&’, 84pp), portable, durable (laminated matte cover with 55lb stock), and accessible ($10).

Anobium‘s masthead is: Senior Editor Mary J. Levine, MFA; Managing Editor Benjamin D. van Loon, BA; Assistant Editors Jon-Erik Means, BA, Michael Zielinski, BA, Lauren Monokian, BA; Illustrator & Assistant Designer Jacob van Loon, BFA; and Executive Administrator Sarah E. Docherty, BM.

Anobium: Volume 1 (Summer 2011) features new writing from Laura Carter, Jennifer Collins, William Doreski, Eric Evans, Ricky Garni, Jonathan Greenhause, Luke Irwin, Rich Ives, Eddie Jones, J.S. MacLean, Claire McCurdy, Bethany Minton, Thomas Mundy, Ben Nardolilli, James Payne, Stephanie Plenner, Graham Tugwell, Meredith Turits and Susan Yount. Also included is a feature story and interview with “Chicago favorite,” Joe Meno.

Submissions for volume 2 are now open for poetry and prose. Specific guidelines are available on the Anobium website.

Flannery O’Connor Short Fiction Award Winners

E.J. Levy, of Washington, DC, and Hugh Sheehy, of Brooklyn, NY, have been named the winners of this year’s Flannery O’Connor Short Fiction Award. Levy’s collection MY LIFE IN THEORY and Sheehy’s collection THE INVISIBLES will be published by the University of Georgia Press and will be available in Fall 2012.

The competition, now in its twenty-eighth year, seeks to encourage the writers of excellent short stories and bring their work to a wider audience by offering publication of a book-length collection and a $1,000 prize. The Flannery O’Connor Award has helped launch the literary careers of such previous winners as Ha Jin and Antonya Nelson.

New Lit on the Block :: The Washington Pastime

The Washington Pastime is an online journal edited by founder Paul Karaffa and Laura Bolt. Karaffa’s motivation for starting the journal was a 2010 study from Central Connecticut State University in which Washington DC Metropolitan area was found to be the most well read urban area in the United States. “But Washington, DC.” Karaffa writes, “did not have a professional literary magazine representing its stake in contemporary American literature. The Washington Pastime was founded as an electronic and print publication based in Washington, DC committed to publishing the best in literary and genre fiction.”

The first issue, available on The Washington Pastime website and also as a PDF download, includes literary fiction by Matthew Ward, science fiction by Michael Anthony, horror fiction by Matt Walker, crime/mystery fiction by Jeanette Samuels, and experimental fiction by Keith Laufenberg.

The Washington Pastime website also includes a section called “Author’s Resource,” offering a developing library of information on publishing, writing fiction, the future of publishing, and “words of caution” for writers entering publishing.

The Washington Pastime is open for submissions for its next issue. Writers may submit adventure, fantasy, horror, science fiction, mystery, romance, thriller, western, and general literary fiction. Submissions for articles about the writing industry are also considered for the “Author’s Resource” page as well as topics of interest and controversy for an upcoming feature called “Expanding Scope.” The Washington Pastime offers a nominal payment for works published.

The Washington Pastime is also holding a contest for fiction and a Promising Young Author Prize for Fiction. See website for contest guidelines. The deadline for both contests is December 31.

Additionally, The Washington Pastime has an editor position open. If you are interested, see the “About” page on the site for more information.