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It’s Always the Person You Least Expect

Guest Post by Caroline V.D.

As a first timer being introduced into the world of Rizzoli and Isles’s grisly world, I found myself left exposed to the intensity and intricately woven plot in Tess Gerritsen’s addition.

In I Know a Secret, we are pushed straight into the unfortunate murder of Cassandra Coyle, an indie filmmaker and are soon greeted with Rizzoli and Isles. For those like me who are meeting the two strong women quite late into the series, Gerritsen does a wonderful job in establishing familiarity and understanding of their characters as the murder investigation goes on. The characters throughout the book all contribute to the tension and suspense in deducing the culprit’s motives and next actions, as the number of bodies pile up and pasts uncovered. There are no moments that are wasted and no conversations that do not provide a twist to the story, as Coyle’s colleague says “Horror 101 . . . it’s always the person you least expect.”

The symbolism and messages throughout the story are consistent and well placed by Tess Gerritsen who had impressively created an impression of a web laid out by a culprit who could not be traced yet by the end of the book; the web could be followed into a single string as the culprit’s motives are laid out to the reader. It is an amazing feat done by Gerritsen who I commend for roping in another reader into her series!


I Know a Secret: A Rizzoli & Isles Novel by Tess Gerritsen. Penguin Random House, April 2018.

Reviewer bio: Hey all, it’s Caroline, and I am an aspiring book reviewer. Currently I’m working on a personal project where you’ll be seeing me and a lot more books in the future. Check it out at: https://theladywithinkstainedhair.tumblr.com/.

Buy this book at our affiliate Bookshop.org.

Sponsor Spotlight :: Mills College Flex Res MFA in Creative Writing

Mills College logoMills College is now offering a new kind of MFA in creative writing that enables its students to earn a degree in poetry, fiction, or nonfiction in their own way.

Along with offering more traditional classroom-based workshops and craft classes, Mills College also offers the ability to complete the degree by working one-on-one with a faculty mentor. This allows students to be on campus as much or as little as they desire. They are also expanding the amount of online offerings available during summer and January terms.

The program offers concentrations in education, literary arts administration, PhD preparation, and young adult fiction. Students can also create their own unique concentration with electives in podcasting, performance, and pedagogy. They offer a literary editing and production course that gives students hands on experience in editing their annual graduate journal 580 Split.

Stop by their listing on NewPages to learn more about their program.

Call :: The CHILLFILTR Review Seeks Essays, Poems, & Short Stories

Submissions accepted year-round.
The CHILLFILTR Review strives to bring the best new art to a worldwide audience by leveraging best-in-class technology to create a seamless and immersive web experience. We welcome submissions from all walks of life, and all perspectives. We are committed to inclusivity and kindly welcome work from marginalized voices. All featured works will receive an honorarium of $20 per 1,000 words and will be published online at The CHILLFILTR Review as well as on our Apple News Channel. Readers can vote for their favorites, and year-end “Best Of” winners will receive an additional $100 cash prize. Recent works published include “Washrooms” by Cat Hubka, “Holy Mile at Walsingham” by Sarah Law, and “An Outrageous Proposal” by Tim Tomlinson.

Southern Humanities Review – 53.2

In this issue find nonfiction by Charlotte Taylor Fryar and A. Molotkov; fiction by Kim Bradley, Judith Dancoff, Janis Hubschman, Jeff McLaughlin, and Ann Russell; and poetry by Joseph Bathanti, James Ciano, Bryce Lillmars, Esther Lin, Derek Mong, Christina Olson, Lee Peterson, L. Renée, Kristin Robertson, Mara Adamitz Scrupe, Wesley Sexton, and Annie Wodford. Find more info at the Southern Humanities Review website.

Call :: The Blue Mountain Review Strives to Represent Life through Stories

The Blue Mountain Review flierSubmissions accepted year-round.
The Blue Mountain Review launched from Athens, Georgia in 2015 with the mantra, “We’re all south of somewhere.” As a journal of culture the BMR strives to represent life through its stories. Stories are vital to our survival. Songs save the soul. Our goal is to preserve and promote lives told well through prose, poetry, music, and the visual arts. Our editors read year-round with an eye out for work with homespun and international appeal. Issue 18 of BMR features poetry by Paul Lomax, Charleene Hurtubise, and Jack Stewart; fiction by Sofia Romero, Guinotte Wise, and Michael Hardin; an essay by Oisin Breen; interviews with Christopher Moore, Tyree Day, Blood Orange Review, and Tim Gautreaux; plus special features. www.southerncollectiveexperience.com/submission-guidelines/

Bellevue Literary Review – No 38

Issue 38 of the Bellevue Literary Review (BLR) came together just as NYC and Bellevue Hospital were in the throes of the Covid-19 pandemic. Some of the BLR staff were alternating N95 masks with red pens, balancing patient-care with literary work. But the issue made it to the presses and is packed with good reads. It features the winners of the 2020 BLR Literary Prizes. The poems, essays, and stories in this issue travel from China to Texas to Tehran, from small town to big city, from World War I-era to the present. Stay tuned for Issue 39, coming in the fall, whose theme is “Reading the Body.” Read more at the Bellevue Literary Review website.

Seeing Dead People

Magazine Review by Katy Haas

Say, “I see dead people,” to just about anyone, and they’ll likely be able to name the movie it came from. But unlike Haley Joel Osment’s character in The Sixth Sense, attempting to help the dead find peace, Jasmine, the narrator in Catherine Stansfield’s “I See Dead People and Other Gags” uses the concept to help herself.

Jasmine tells people she can speak to their dead loved ones, and uses social media to glean information that she later uses in her sessions. Having lost her own mother at a young age and never really speaking about it again gives her a detachment from death and the sentimental feelings surrounding it, so she profits off other people’s pain and grief. However, at the end of the story, she’s hit with a surprise that may make her change her mind about her career path.

I would’ve enjoyed reading more about Jasmine and her work, getting to know more about her clients and her grandmother who casts a shadow over her mother’s death. Stansfield’s writing style is matter of fact and straight forward, fitting for Jasmine’s no-nonsense character. But what we are given is a fun read, a peak behind the medium’s curtain.

A Woman’s Experience in the Gold Rush

Guest Post by Christina Francine

Is making a living worth risking life and reputation? For Au Toy during the American Gold Rush, it was. There isn’t another way. When her abusive husband dies from consumption on the journey by ship from China in 1849, Au is left with her freedom, but without a way to support herself.

The price women pay for independence and safety historically is high. Many women used the only resource they had – their body. For Au Toy, her choices are even more limited due to her bound feet. Not wanting to subject herself to sex work, Au opens a “Lookee shop” instead. The San Francisco bay held unspeakable danger though, especially when Au is “fragile” and “dainty,” twenty years-old, and “varmints” and “ruffians” fill the streets. Her loyal servant, Chen, is big and strong, yet the two need safer accommodations. Mining camps spring up and more men than women roam the area. Au has to be careful with who she allows inside her shanty to look at, but not touch her naked body. When one of her observing customers is a policeman from New York assigned to protect the area, he unnerves her. Ever careful, she works to not encourage him or any of her clients. And yet, John Clark’s gentle nature and soft voice give her pause. He tells her “You are so very lovely, Mrs. Toy. Your skin is like alabaster, your hair like spun silk.” He agrees to pass by regularly on his round for her safety. John Clark warms Au and yet she’s not sure exposing her heart is a good idea. She may never recover.

Grossenbacher’s Madam in Silk is a suspenseful romance to be sure, but also a treat for those longing to travel through history. She captures the essence of people, time-period, setting, and historical events perfectly. Her dedicated research is obvious. She also captures the dangers and stigma women face in order to make a living no matter the time in history. Though a historical account, the situation unfortunately exists present day. Grossenbacher reminds readers of humankind’s ability for cruelty and evil, but also for kindness and love. A heartwarming novel intricately plotted with historical data. A valuable exploration too of how women, especially foreign women, fit into the larger scheme of Gold-Rush history.


Madam in Silk by Gini Grossenbacher. Jgks Press, July 2019.

Reviewer bio: Christina Francine is an enthusiastic author for all ages. She is the author of Special Memory (picture book) and the Mr. Inker series (leveled readers). Journal of Literary Innovation published her analysis on students’ writing across the nation Spring 2016. She believes individual learning style may solve world problems.

Call :: Blueline Open to Work Focused on Nature

Add November 30 to your deadline reminders! BLUELINE: A Literary Magazine Dedicated to the Spirit of the Adirondacks seeks poems, stories, and essays about the Adirondacks and regions similar in geography and spirit, focusing on nature’s shaping influence. Submissions window open until November 30. Decisions mid-February. Payment in copies. Simultaneous submissions accepted if identified as such. Please notify if your submission is placed elsewhere. Electronic submissions encouraged, as Word files, to [email protected]. Please identify the genre in the subject line. Further information at bluelineadkmagazine.org.

Revisiting Childhood Favorites

Guest Post by Chang Shih Yen

Lockdown gives you more free time to reread classics and revisit things you love as a child. The Little Prince is a book by French writer and aviator, Antoine de Saint-Exupéry. It was originally written in French and first published in 1943. Since then, it has been translated into hundreds of languages and has sold many millions of copies.

In The Little Prince, the narrator is a pilot who has crash landed in the Sahara Desert. In the middle of the desert, the pilot meets a little prince who comes from a different planet. The little prince has decided to travel and visit different planets, including Earth. The little prince asks the pilot many questions about the world. In this book, readers meet many characters like the little prince, his rose, his lamb in a box, and the fox. The book is also illustrated with charming illustrations by the author.

The Little Prince may be a children’s book, but it should be recommended reading for all ages. This book reveals the truths about life and the essential secret to understanding life. This book can be read at any stage in life, and each time that you read it, you will discover new truths and connect with your inner child.


The Little Prince by Antoine de Saint-Exupéry. Reynal & Hitchcock, 1943.

Reviewer bio: Chang Shih Yen is a writer from Malaysia, seeing through the pandemic in New Zealand. She writes a blog at https://shihyenshoes.wordpress.com/

Sky Island Journal – Summer 2020

Sky Island Journal’s stunning 13th issue features poetry, flash fiction, and creative nonfiction from contributors around the globe. Accomplished, well-established authors are published—side by side—with fresh, emerging voices. Readers are provided with a powerful, focused literary experience that transports them: one that challenges them intellectually and moves them emotionally. Always free to access, and always free from advertising, discover what over 70,000 readers in 145 countries already know; the finest new writing is here, at your fingertips.

Salamander – No. 50

The Summer 2020 issue of Salamander features poetry by Rajiv Mohabir, Emily O’Neill, Rose McLarney, Sebastián Hasani Páramo, and many more; translations by Martha Collins, Nguyen Ba Chung, and Sergey Gerasimov; fiction by Anne Kilfoyle, Matthew Wamser, Olivia Wolfgang-Smith, and Joanna Pearson; creative nonfiction by Kathryn Nuernberger; artwork by Emily Forbes; and reviews by Joseph Holt, Mike Good, Katie Sticca, and Brandel France de Bravo.

Event :: Storyville Writing Workshop Offers Virtual Opportunities

Storyville Writing Workshops logoOngoing Enrollment; Location: Online
Storyville Writing Workshop offers virtual writing workshops online for a wide variety of skill levels. Workshops provide personalized critiques, ongoing email access to the instructor, writing resources, personal virtual meetings via Google Meet, as well as access writing forums. The Basics of Novel Writing is currently available to enroll in. Learn more at storyvilleworkshop.com/online-workshops/.

The MacGuffin – Spring Summer 2020

Evan D. Williams’ Escape Risk on the cover of The MacGuffin’s Volume 36.2 charts a vivid route out via literature of whatever quarantine situation you may find yourself trapped in. Journey to a new home and a new job in Mark Halpern’s “Would You Like Fries with That?” or head out on a cinematic cross-country trek with grandma in Jordan J.A. Hill’s “Marching Towards Golgotha.” Matthew Olzmann—guest judge of this year’s Poet Hunt contest—is highlighted in a short feature that begins on p. 101, while Erin Schalk’s gouache, ink, and wax form a vibrant mid-volume oasis.

Event :: Willow Writers’ Workshop Now Offering Virtual Workshops for 2020

Beginning Dates: July 27; Virtual
Registration Deadline: Rolling
Willow Writers’ Workshops is going virtual this summer and fall! We will offer workshops, providing writing prompts, craft discussions, and manuscript consultations. All levels are welcome. Three different courses are being offered: Desire to Write? An Introduction to Creative Writing; Flash: Writing Short, Short Prose; and Writers Workshop on Thursday Nights, a six-week course focusing on short stories. Summer dates begin July 27. The facilitator is Susan Isaak Lolis, a published and award-winning writer. For more information, check out willowwritersretreat.com.

Call :: Palooka Seeks Diverse Forms & Styles Year-round

Don’t forget that international literary magazine Palooka is is open to chapbook and journal submissions year-round. For a decade they’ve featured up-and-coming, established, and brand-new writers, artists, and photographers from all around the world. They’re open to diverse forms and styles and are always seeking unique chapbooks, fiction, poetry, nonfiction, artwork, photography, graphic narratives, and comic strips. Give them your best shot! palookamag.com

Childhood Crushes & Dentist Fanfiction

Magazine Review by Katy Haas

Who didn’t have an embarrassing crush growing up? For thirteen-year-old Chava in “I Love You, Dr. Rudnitsky” by Avigayl Sharp, her new crush is her titular dentist.

Chava, deep in the throes of the brutality of puberty, falls in love with her dentist one day. Her newfound crush with its accompanying fantasies serves as a respite from her real life: being Jewish and bullied at her Catholic school, a disconnect with her distant mother, and disgust at her own body—her weight, her body hair, her budding sexuality.

Sharp gives Chava a voice that’s somehow both humorous and tragic, bringing me back to those awkward days of adolescence and the torturous process of puberty. She’s upfront and honest, telling us truths she doesn’t admit to others, while simultaneously wrapping us up in one lie after the other. By the end of the story, it feels like we’re reading her Dr. Rudnitsky fanfiction she’s posting on some secret blog. One can’t help feeling sympathy for Chava, for wanting to sit her down and give her a hug and some advice, and we can thank Sharp for creating such a cringe-worthy yet completely loveable character.

“Tacos Callejeros” by Kenneth Hinegardner

Magazine Review by Katy Haas

There’s a fine selection of short fiction in the Spring/Summer 2020 issue of Concho River Review. Among them is the five-page “Tacos Callejeros” by Kenneth Hinegardner.

In this story, Steven observes a mother and her two children at a restaurant. The children misbehave as he eats and watches their behavior, and he ends up taking a liking to their mother, Melanie. Between these observations are passages about watching a dog fight on a past trip to Tijuana. As we read, it becomes clear Steven is not a caring and concerned individual, but is closer to a dog, its teeth around another dog’s throat.

Hinegardner writes with a slow build to the end, writing with precision and subtlety. The final character in this story, Ruben, acts the reader’s place, recognizing this part of Steven that is slowly revealed across the pages in this chilling, short piece.

July 2020 eLitPak :: Gival Press Short Story Award

Gival Press Winter 2020 LitPak Flier
click image to open PDF

Gival Press is hosting three contests in 2020: the Gival Press Novel Award, the Gival Press Oscar Wilde Award, and the Gival Press Short Story Award. The Novel Award deadline was May 30. The prize was $3k and book publication in 2021. The Oscar Wilde Award for the best LGBTQ poem deadline was June 27. The prize was $500 and online publication. The Short Story Award deadline is August 8. The Prize is $1,000 and online publication. For complete details on each contest, visit: www.Givalpress.Submittable.com.

View the full July eLitPak here.

Call :: About Place Closes to Submissions on August 1

About Place Resistance, Resilience Call for SubmissionsDeadline: August 1, 2020
Each issue of About Place Journal, the arts publication of the Black Earth Institute, focuses on a specific theme. We will close to submissions for our Fall 2020 issue Works of Resistance, Resilience on August 1. Our mission: to have art address the causes of spirit, earth, and society; to protect the earth; and to build a more just and interconnected world. We publish prose, poetry, visual art, photography, video, and music which fit the current theme. More about this issue’s theme and our submission guidelines: aboutplacejournal.org/submissions/.

July 2020 eLitPak :: Blue Earth Review Summer Contest

Blue Earth Review July 2020 eLitPak flier
click image to open PDF

Blue Earth Review is open to submissions for our Summer 2020 Contest. Submit flash fiction: up to 2 flash pieces, 750-word maximum each; flash creative nonfiction: up to 2 flash pieces, 750-word maximum each; poetry: 1-3 poems. Deadline to enter is August 15, 2020. Entry fee: $5.00. Winners receive $500 and publication. Additional finalists may also be published. For these and general submissions, go to blueearthreview.submittable.com/submit.

View the full July eLitPak here.

July 2020 eLitPak :: Greensboro Review 2020 Robert Watson Literary Prizes

The Greensboro Review 2020 eLitPak flier
click image to open PDF

The Greensboro Review invites submissions for our annual Robert Watson Literary Prizes in Poetry and Fiction. Send us your previously unpublished poems or stories, now through September 15! Winners each receive a $1,000 cash award and publication in the journal; subscribers submit for free. To learn more, read past winning works, and submit, visit: greensbororeview.org/contest/.

View the full July eLitPak here.

Event :: The Center for Creative Writing Offers Online Opportunities for Writers

The Center for Creative Writing has been guiding aspiring writers toward a regular writing practice for more than 30 years. Their passionate, published teachers offer inspiring online writing courses in affordable six-week sessions, as well as one-on-one services (guidance, editing) and writing retreats (virtual for 2020). Whatever your background or experience, They can help you become a better writer and put you in touch with the part of you that must write, so that you will keep writing. Join their inclusive, supportive community built on reverence for creativity and self-expression, and find your way with words. Creativewritingcenter.com.

Call :: Pensive Seeks Work for Black Lives Matter Feature Section

Deadline: November 15; submissions reviewed and accepted on rolling basis
New online publication based at Center for Spirituality, Dialogue, and Service (CSDS) at Northeastern University in Boston. Seeking work that deepens the inward life; expresses range of religious/spiritual/humanist experiences and perspectives; envisions a more just, peaceful, and sustainable world; advances dialogue across difference; and challenges structural oppression in all its forms. Seeking work for feature section on Black Lives Matter. Send unpublished poetry, prose, visual art, and translations. Especially interested in work from international and historically unrepresented communities. No fee; currently non-paying. Submit 3-5 pieces via Submittable or via email to [email protected]. Questions? Contact Alexander Levering Kern, co-editor or visit pensivejournal.com.

The Power of Translation in The Return

Guest Post by Christy O’Callaghan

Last summer, when we could still travel, I had the honor of attending the Disquiet Literary Program in Lisbon. As part of that fantastic two weeks, we were treated to panels of local authors and discussions about the history of Portugal. Had I not had that experience, I may never have learned about the western world’s longest dictatorship. The panelists possessed so much history as people who lived those times or grew up in the wake of them. One such panelist was Dulce Maria Cardoso. Before I left Portugal, I’d already ordered her book The Return.

Her novel, which is translated into English by Angel Gurria-Quintana, mirrors her experience of being a Portuguese citizen but raised in Angola, one of Portugal’s colonies at the time. When Portugal had its revolution, so did their colonies. This book follows a family exiled back to Portugal, returning to a country many had never set foot in and where they weren’t welcomed with open arms. The main character Rui is a teenage boy trying to wrap his head around what’s happening, why, and how to live in this foreign Motherland.

Books like The Return exemplify why good translations are valuable. This dictatorship, let alone that colonies still existed, weren’t discussed when I was in school. And these events took place only 45 years ago. Being able to hear Dulce tell her story was a gift I shall treasure forever, but not everyone has that privilege. Access to books written in other languages then translated means more people can share in that information, those cultures, and experiences. Learning about our own society and history is essential. So too is knowing what has happened in the larger world—allowing us to glean from other’s experiences in hopes of not repeating them.


The Return by Dulce Marie Cardoso. MacLehose Press, 2016.

Reviewer bio: Christy O’Callaghan lives in Upstate, New York. Her favorite pastimes include anything in the fresh air. For her blog and writing, go to christyflutterby.com.

Call :: Apple in the Dark Issue 1

Deadline: August 15
Apple in the Dark Journal is a brand-new online publication focusing on works of fiction and creative nonfiction no longer than 1,500 words apiece. Send your work to [email protected]. Please use this format for the subject line: “[Last Name], [First Word of Title]” and please include your contact info/social media handles and a brief bio in the email. If possible, please paste the contents of your submission into the body of the email rather than attaching it as a Word document or PDF. Simultaneous submissions are permitted, but do please let us know if your work has been accepted elsewhere. appleinthedark.wordpress.com

Call :: Red Planet Magazine Submission Call

Deadline: Rolling
Red Planet Magazine is an independent literary magazine emphasizing a theme of speculative fiction, and is open for submissions year-round on a rolling basis. Contributors receive a digital copy of the issue in which their work has been featured. Please visit www.redplanetmagazine.com for additional information.

Call :: The Awakenings Review Seeks Submissions from Writers with Personal Connections to Mental Illness

Established in 2000, The Awakenings Review is an annual lit mag committed to published in the fall. It features poetry, short stories, nonfiction, photography, and art by writers, poets, and artists who have a relationship with mental illness: either self, family member, or friend. The striking hardcopy publication is one of the nation’s leading journals of this genre. Creative endeavors and mental illness have long had a close association. The Awakenings Review publishes works derived from artists’, writers’, and poets’ experiences with mental illness, though mental illness need not be the subject of your work. Visit www.AwakeningsProject.org for submission guidelines. There is no fee to submit.

Concho River Review – Spring 2020

This issue is dedicated to Dr. Terry Dalrymple, the founding editor of CRR. It includes fiction by Peter Barlow, Michael Fitzgerald, and others; nonfiction by Michael Cohen, Lucie Barron Eggleston, and more; and poetry by Barbara Astor, Roy Bentley, Jonathan Bracker, Matthew Brennan, Holly Day, Alexis Ivy, Ken Meisel, Alita Pirkopf, Maureen Sherbondy, Travis Stephens, Marc Swan, Loretta Diane Walker, Francine Witte, and more. Read more at the Concho River Review website.

Call :: PoArtMo 2020 Anthology Open to Submissions

Deadline: August 23, 2020
We invite you to submit your best art work created in 2020 for potential inclusion in a digital anthology that will be published later this year. Topics/Themes: Anything that is positive, uplifting, and inspirational in nature, with the exception of erotica and politics. Clean art only. No dirty words or swear words allowed! We are looking for poetry, flash fiction, essays, short stories, art, drawings, paintings, and photography. abpoetryjournal.com/poartmo-anthology/

Cleaver Magazine – Summer 2020

This issue of Cleaver Magazine features art by Madeline Rile Smith, a visual narrative by Emily Steinberg, and an essay on the art of Jan Powell by Melanie Carden. Also in this issue: short stories by Reilly Joret, Elaine Crauder, Melissa Brook, and Marion Peters Denard; flash by Susan Tacent, Brenna Womer, Michelle Ephraim, Leonard Kress, and others; and poetry by Roy Bentley, Stella Hayes, and more.

Contest :: FishFood Open to Short Stories for Inaugural Contest

Deadline: August 31, 2020
Online literary magazine FishFood Magazine is accepting submissions for its very first short story contest through August 31. Stories must be under 1,000 words. There is no set theme, so feel free to get as creative as possible. The winner of the contest receives $1000 plus publication of the story in FishFood Magazine: www.fishfoodmagazine.com.

Call :: Daphne Review Summer Mentor Program Applications Due July 31

The Daphne Review 2020 Summer Mentorship bannerDeadline: July 31, 2020
Don’t forget The Daphne Review is hosting an online mentorship program for talented high school student writers and established writers/teachers acting as their mentors. They’re currently taking applications for both types (students and qualified mentors) until July 31st! To apply, submit a resume and brief cover letter to [email protected]. Start Date: August 3-28. Format: online. Classes: flash fiction, poetry. Pay for mentors: $50 per hour for skype or $200; $25 per hour for email or $100; total: $300 via paypal. www.thedaphnereview.org

The Florida Review 2019 Editors’ Awards Winners & Finalists

The latest issue of The Florida Review includes the writers who placed in the 2019 Editors’ Awards. There are plenty to sink your teeth into.

Nonfiction
“Skin the Bunny” by Kirk Wilson
“To Trace the Sky” by Cherie Nelson

Poetry
“Father-Son & Holy” by Aurielle Marie
“Bridal Suite” by Joanne Dominique Dwyer
“Culture Shock” & “The Cycle” by Lani Yu

Fiction
“In Loco Parentis” by Eleanor Bluestein
“Americana” by Jennifer Buentello
“All the Guessing Gets Us” by George Looney

Chapbook
“Bedweather” by Angelo R. Lacuesta & Roy Allen Martinez
from “My father is housed inside a whale” by My Tran

There’s even more to check out within this issue, so be sure to grab a copy for yourself.

Sponsor Spotlight :: Tint Journal Focuses on Writing by Non-Native English Speakers

Tint Journal Spring 2020 IssueOnline literary magazine Tint Journal was founded in 2018 during the LARB/USC Publishing Workshop. Their mission is to encourage emerging and established ESL authors to stand behind their non-native backgrounds. The publish fiction, nonfiction, and poetry by non-native English writers biannually.  They also accept interviews and reviews by contributors of any linguistic background.

By choosing English as their means of communication, these writers provide their English reading audience with an immediate take on their values, ideas, and beliefs. They bridge borders and blend cultures without the third party of the translator and offer the purest and deepest understanding of their fiction and nonfiction worlds.

Their Spring 2020 issue features essays, poetry, and fiction by Catherine C. Con, Annick Duignan, Ifeoluwa Ayandele, Eneida P. Alcalde, Sejal Ghia, Rhea Malik, E. Izabelle Cassandra Alexander, Mario Marčinko, Hibah Shabkhez, and Caroline Smadja.

Stop by their listing on NewPages to learn more about them.

Sponsor Spotlight :: Better Than Starbucks, Not Your Ordinary Poetry Magazine

Better Than Starbucks July/August 2020 IssueBetter Than Starbucks is an online literary magazine publishing multiple genres of poetry including free verse, formal poetry, haiku, experimental poetry, poetry for children, African and international poetry, and poetry translations. Every issue features a poetry interview with a featured section of poems. While the main focus of the journal is poetry, they do also publish fiction, flash fiction, micro fiction, and creative nonfiction.

They publish six issues a year and you can find over 30 of their past and recent issues available to read in their online archives. Their current edition features an interview with A. M. Juster by Alfred Nichol. Learn more about them at their listing on NewPages.

2020 Dogwood Literary Award Winners

The Spring 2020 issue of Dogwood features the 2020 Dogwood Literary Award Winners in fiction, nonfiction, and poetry.

Nonfiction
“The Ritual of Smoking” by Rhonda Zimlich

Poetry
“Dear You” by Fay Dillof

Fiction
“Arbor Day” by Rebecca Timson

This year’s contest judges were Daisy Hernández (nonfiction), Ellen Doré Watson (poetry), and Ladee Hubbard (fiction). Visit Dogwood’s website for a celebration of each of the winners with words from the judges and bios for the winning writers.

Sponsor Spotlight :: Auroras & Blossoms Focuses on Positivity, Art, & Inspiration

Auroras & Blossoms 2020 NaPoWriMo Anthology coverAuroras & Blossoms is an electronic literary magazine launched in 2019 by co-founders Cendrine Marrouat and David Ellis. It is dedicated to promoting positive, uplifting, and inspirational poetry, poetry-graphy, short stories, 6-word stories, paintings, drawings, and photography. They feature poetry from adults as well as young writers ages 13-16. As they are a family-friend platform, no swear words, dirty words, politics, or erotica is allowed.

They also publish digital anthologies. Their first is the NaPoWriMo Anthology which contains poetry written throughout National Poetry Writing Month in April 2020 and features work by Donna Allard, Chandni Asnani, Maria L. Berg, Jamie Brian, Jimena Cerda, Jaewon Chang, Ravichandra Chittampalli, Sandra Christensen, Mimi DiFrancesca, Fiona D’Silva, Kate Duff, Judy Dykstra-Brown, Amanda M. Eifert, Stacie Eirich, David Ellis, Michael Erickson, Deveree Extein, Jack M. Freedman, Alicia Grimshaw, Jenny Hayut, Patrick Jennings, Liam Kennedy, Ting Lam, Rose Loving, Cendrine Marrouat, Michele Mekel, Ally Nellmapius, William Reynolds, Madhumita Sarangi, Anna Schoenbach, Julie A. Sellers, Jonathan Shipley, Dorian J. Sinnott, Krupali Trivedi, Angela van Son, Michele Vecchitto, Penny Wilkes, and Gemma Wiseman. Their next anthology will be PoArtMo which stands for Positive Art Month and Positive Art Moves.

Stop by their listing at NewPages to learn more.

Call :: Chestnut Review Seeks Work from Stubborn Writers

CHESTNUT REVIEW (“for stubborn artists”) accepts submissions year round of poetry, fiction, nonfiction, art, and photography. They offer free submissions for poetry (3 poems), flash fiction (<1000 words), and art/photography (20 images); $5 submissions for fiction/nonfiction (<5k words), or 4-6 poems. Published writers and artists receive $100 and a copy of the annual anthology of four issues (released each summer). Notification in <30 days or submission fee refunded. All issues are available for free online which illustrates what they have liked, but they are always ready to be surprised by the new! chestnutreview.com

Contest :: Driftwood Press 2020 Adrift Short Story Contest

2020 Adrift Short Story Contest posterDeadline: July 15, 2020
For our Adrift Short Story Contest, the guest judge this year is Geronimo Johnson (Welcome to Braggsville). The winning story receives $300, ten copies of the issue in which their story appears, and a featured interview. Runner-ups receive $100, five copies, and a featured interview. All stories read for the contest are considered for publication, which means your likelihood of publication and placing in the contest is much higher. For our 2019 contest, we selected three stories to publish. Deadline is on July 15th!

Past Fiction Shapes Our Present

Guest Post by Leland Davidson

You are not a politician, but self-made through hard work. You are not political and don’t fancy politics and prefer a life of content over luxury. Then the president of the United States himself has asked you to become the head of a government subcommittee, which is supposed to help the nation’s safety and better the country that you live in.

However, through digging and fact-finding, you discover this committee is sponsored by a giant and powerful company that is buying off politicians and absorbing other markets such as the media and weapon manufacturing. Trevayne was written in 1973 by Robert Ludlum on the heels of the Watergate scandal. But in a way, this book is more relevant in our modern-day situation involving the privatization of the United States of America. Companies and powerful families such as Koch and DeVos. Add on corporations like Facebook, Amazon, and Raytheon, which have since majorly impacted our democracy, and we see a cautionary tale in this book written nearly 50 years ago.

In this book Andrew Trevayne has a choice to stop this corporation from completely taking over the country and influencing all its decisions, or assimilate with it, thus shaping the future United States in the same manner we are seeing today. Trevayne can be seen as a fictional and nonfictional example as the United States is more of a business and money opportunity for the rich than for the working class who truly shape the nation.


Trevayne by Robert Ludlum. Delacorte Press, 1973.

Reviewer bio: Leland Davidson, a native of East Tennessee, holds an M.A. in Conflict Resolution and Coexistence from Heller School at Brandeis University, 2020.

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Contest :: Fiction Southeast seeks Short-Shorts for Story of the Month

Submissions accepted year-round.
Each month, the editors select one short-short story (under 1,000 words). The winning story will grace the front page of the website for the entire month and will be listed on the Stories of the Month Page, as well as the Fiction Page. The first winner was Serena Ferrari with “Zp, Signed with Love.” The reading fee is $10. The winner will receive $50. Submit here: fictionsoutheast.submittable.com/submit/163713/story-of-the-month.

Kenyon Review – July/Aug 2020

The July/Aug issue of the Kenyon Review offers fiction chosen by guest editor Angie Cruz. Featured authors include Samia Ahmed, Yalitza Ferreras, Katherinna Mar, Cleyvis Natera, and Namrata Poddar. In her introduction, Cruz writes “When I reread the stories featured in this issue, I find solace in them. They serve as evidence or reminders that as a collective, as members of the global community, everything we are feeling and experiencing now is both temporary and ongoing.” The new issue also includes work by Dan Beachy-Quick, Stephanie Burt, Floyd Collins, Nicola Dixon, Rodney Jones, Stanley Plumly, Grace Schulman, and Arthur Sze.

New England Review – 41.2

The summer New England Review issue extends deep into the past, with translations from ancient Greek, historical fiction featuring Alfred Nobel, and an essay/collage about Virginia Woolf and Elizabeth Bowen. It imagines the future with speculative fiction and crosses the Atlantic to bring together fifteen contemporary poets from the UK. Fiction by Hugh Coyle, Rachel Hall, Laura Schmitt, and more; poetry by Emma Bolden, Jehanne Dubrow, David Keplinger, Esther Lin, Joannie Stangeland, and others; and nonfiction by Indran Amirthanayagam, Zoë Dutka, and more.

Driftwood Press – Issue 7.2

Featured in our latest issue is the 2020 In-House Contest winning story “Trash Man” by Jessica Holbert alongside another story, “The Taxidermist,” by Seth Tucker. The poetry in this issue explores the emotional and physical connections to different geographies and technologies, from abandoned lighthouses and frost-covered pastures to half-truth news coverage and Harry Potter. Wrapping up the issue are visual arts and comics by Coz Frimpong, Geoffrey Detrani, Yi-hui Huang, Aimee Cozza, and Jason Hart. Read more at the Driftwood Press website.