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Sponsor Spotlight: Club Plum Literary Journal

Club Plum logoClub Plum Literary Journal is a new quarterly online literary magazine founded in 2019. They have released three issues to date with a focus on flash fiction, prose poetry, and art from both emerging and established writers. Their aim is to act as a “temporary entrance into a literary world of empathy, art, and sound. A place to take and to give.”

They keep their site clean and free of ads and distracting elements so the reader’s experience is focused on the absorbing tales and imagery unravelling in voices either understated or lyrical, but always powerful. “This is a safe place. Our hearts have been pummeled; our minds have been toyed with. We see clearly now. This is a place for thinkers and doers. A place to turn our pain into wondrous works of art.”

Check out their basic submission information and full publisher’s description at their listing on NewPages.

Ancestry: Where We’re From and Where We’re Going

Book Review by Katy Haas

Readers can look forward to Eileen O’Leary’s Ancestry, winner of the John Simmons Short Fiction Award, forthcoming this fall. The characters in this collection’s short stories look back at where and who they’ve come from as they try to discover who they can possibly become.

In “Adam,” the titular character reconnects with his father whom he has never met and finds that the man in front of him is not quite how he imagined. Living together in a dilapidated building, he’s suddenly faced with a change in expectations. Cecile from “Michigan Would Get Beautiful,” is finally getting what she wants as an interior designer, just as the lives of her first clients implode, leaving her to look at where she is and where she’ll end up. In “The Flying Boat,” Vera leaves her family behind to start a new life overseas. On the cusp of war, she returns to her family to find that everything has unexpectedly changed in her absence.

Family ties and inner tensions propel these stories, the characters grappling with the changes happening within them and around them. Even in the small space of short stories, we’re able to see the characters grow and adapt as they learn more about themselves and the people in their lives. A quick read, each story grabs the reader’s attention and holds on tightly until the end.


Ancestry by Eileen O’Leary. University of Iowa Press, October 2020.

Buy this book from our affiliate Bookshop.org.

Scared in the Air

Guest Post by Chang Shih Yen

Flight or Fright is an anthology with one theme: scary things that can happen while flying. This anthology is edited by the king of horror writing, Stephen King. This seemed like a good book to read in lockdown when international air travel is almost impossible.

There are 16 short stories and one poem in this anthology. There are old stories by Ambrose Bierce (1842-1914) and Arthur Conan Doyle (1859-1930) written before air travel even became a thing. There are two new stories written specifically for this anthology. One by Stephen King is a story about air turbulence. The second new story is by Joe Hill (son of Stephen King) whose story is about passengers in a plane while a nuclear war starts on earth mid-flight. There are also classic short stories by the likes of Ray Bradbury and Roald Dahl. Dahl draws on his own experience as a fighter pilot in World War II. Some stories tell the reader its content in the title, like “Zombies on a Plane” by Bev Vincent and “Murder in the air” by Peter Tremayne. There are all sorts of terrifying tales in this collection, with topics ranging from monsters, time travel, war, and murder, to falling out of the sky.

This was a satisfying read if you’re looking for something scary. There are stories like “The Fifth Category” by Tom Bissell, which haunts you and gets in your head and stays with you long after the last page is turned.


Flight or Fright: 17 Turbulent Tales edited by Stephen King and Bev Vincent. Cemetery Dance Publications, September 2018.

Reviewer bio: Chang Shih Yen is a writer from Malaysia, seeing through the pandemic in New Zealand. She writes a blog at https://shihyenshoes.wordpress.com/

Buy this book from our affiliate Bookshop.org.

Contest :: One Month Left to Submit to Orison Anthology Awards

Deadline: August 1, 2020
The 2020 Orison Anthology Awards in Fiction, Nonfiction, & Poetry offer $500 and publication by Orison Books in The Orison Anthology for a single work in each genre. This year’s judges are Blair Hurley (fiction), E. J. Koh (nonfiction), and Joy Ladin (poetry). Entry fee: $15. Submission Period: May 1-August 1. There is now one month left to submit. Find complete details at www.orisonbooks.submittable.com.

Call :: trampset seeks short fiction, nonfiction, & poetry

trampset, an online literary journal of fiction, poetry, and nonfiction, is seeking new submissions on a rolling basis. We want your best brain, your beating heart. Send that good human stuff our way. After focusing on black and queer writers for June, we are now back open to work from all writers. We pay $25 per accepted piece. We have 50 free submissions available a month through Submittable as well as Tip Jar and Quick Response options. Visit our submissions page: trampset.org/submissions-6e83932b0985.

Hope-Giving Horror

Guest Post by Lauren Mead

ST is concerned about his owner Big Jim when his eyeball falls out and lands in the grass. He should be, considering that Big Jim has just turned into a zombie thanks to a mysterious virus that travels through screens. When it becomes clear that cheering Big Jim up with his favourite beer and a bag of Cheetos isn’t going to help, ST (a domesticated crow) and Dennis (a dog) set out across the wilds of post-apocalyptic Seattle to find a cure.

On his journey, ST encounters hordes of vicious humans who are suffering from the same malady as Big Jim. He braves a deadly market (for doughnuts), the aquarium (for answers) and follows cryptic rumours of the one remaining human who can save them all. ST must set aside his fears to find a way forward in this new, and often frightening world.

I read Hollow Kingdom before COVID-19 was a phrase in my everyday life. I can remember thinking that I was glad there wasn’t some deadly virus on the loose, because gosh, wouldn’t that be awful? At the time, it kind of felt like it would be the end of the world. I’m a germaphobe, so I don’t handle sickness very well on a good day. Throw in a worldwide pandemic and you’ve got a recipe for this girl to never leave her house again. I didn’t, for awhile.

But if ST can face his fears in a zombie-infested world, I can sure as heck set foot outside. It’s funny how horror stories can have the opposite effect of real fear. Instead of making us want to hide, it makes us bolder to know that even if the worst, most terrifying thing were to happen, there would be a way forward. Horror gives us hope.


Hollow Kingdom by Kira Jane Buxton. Grand Central Publishing, August 2019.

Reviewer bio: Lauren Mead has been published in The Danforth Review, The MacGuffin, Soliloquies and Forest for the Trees. She also writes for her blog, www.novelshrink.com.

Buy this book at our affiliate Bookshop.org.

Call :: Bending Genre Seeks Work for Publication Year-round

Deadline: Rolling
Read Issue Fifteen of Bending Genres released on June 9. Then send us your zany, innovative best fiction, poetry, and creative nonfiction. We publish bimonthly, and year round. We at Bending Genres also host writing retreats as well as online writing workshops. Check out our website for submission guidelines and current workshop and retreat offerings: www.bendinggenres.com.

Contest :: Black Warrior Review 2020 Contests Are Open

Deadline: September 1, 2020
Don’t forget biannual print journal Black Warrior Review is open to 2020 contest submissions until September 1. Winners will receive publication and cash prizes ($500 for flash and $1,000 for poetry, fiction, and creative nonfiction). Judges are Mayukh Sen (nonfiction), Paul Tran (poetry), C Pam Zhang (flash), and Lucy Corin (fiction). Submission fee is reduced to $15 for fiction/nonfiction/poetry. $6 fee for flash. Complete information available at bwr.ua.edu.

Call :: Girls Right the World Issue 5

Deadline: December 31, 2020
Girls Right the World is a literary journal inviting young, female-identified writers and artists, ages 14–21, to submit work for consideration for the fifth annual issue. We believe girls’ voices transform the world for the better. We accept poetry, prose, and visual art of any style or theme. We ask to be the first to publish your work in North America; after publication, the rights return to you. Send your best work, in English or English translation, to [email protected] by December 31, 2020. Please include a note mentioning your age, where you’re from, and a bit about your submission.

Call :: Storm Cellar Seeks Amazing & Adventurous New Writing & Art

Deadline: Rolling
Storm Cellar, a journal of safety and danger, seeks amazing, adventurous new writing, art, and photography. Indigenous, Black, POC, gender nonconforming, women, LGBTQIA+, disabled, neurodivergent, fat, poor, and border-straddling authors encouraged. Midwest connections a plus. Specific, strong, and strange voices welcome: surprise us! Full guidelines at stormcellar.org/submit and submission manager at stormcellar.submittable.com.

Call :: Fleas on the Dog Issue 7

Deadline: August 30
We’re the site your teacher warned you about! The no frills brown bag in your face thumb your nose online psychotropolis for the literarily insane. Get committed today! The infamous dude sextet is bustlin’, hustlin’, itchin’ and twitchin’ for QUALITY short fiction, nonfiction, poetry, plays and screenplays that smell ripe and kick ass for our cage-rattling upcoming Issue 7. If we like what you submit we’ll be all over you; if we don’t we promise to be gentle, especially if it’s your first time. See our Guidelines for details: fleasonthedog.com. Runs July 1–August 30.

Call :: Raleigh Review Spring 2021 Issue

Deadline: Halloween 2020 at Midnight
We with Raleigh Review believe that great literature inspires empathy by allowing us to see through the eyes of our neighbors, whether across the street or across the globe. We are currently open to general submissions for poetry and flash fiction through Halloween 2020 at Midnight. There is a small convenience fee to submit to our general submission categories as this helps to defray the costs associated with operating via the Submittable platform, a necessary resource for us as our staff is located across the country and at times the world. We encourage you to check out our free full-issue online archive to find out more about us: www.raleighreview.org.

Contest :: Crazyhorse’s Crazyshorts! Contest Opens July 1

Deadline: July 31, 2020
July 1 is tomorrow which means Crazyhorse‘s annual Crazyshorts! competition will be officially open to submissions. From July 1st to July 31st, Crazyhorse will accept entries for our annual short-short fiction contest. Submit 3 short-shorts of up to 500 words each through our website: crazyhorse.cofc.edu. First place wins $1,000 and publication; 3 runners-up will be announced. All entries will be considered for publication; the $15 entry fee includes a one-year subscription to Crazyhorse. For more information, visit: crazyhorse.cofc.edu/crazyshorts.

Call :: Main Street Rag Seeks Poetry & Prose on Mental Health Recovery

Don’t forget that Main Street Rag seeks poetry and prose (fiction/nonfiction) for an anthology with a mental health recovery theme; uplifting stories of overcoming mental health challenges and trauma from writers who have experienced a mental illness or love someone who has. Length: up to 6,000 words (prose) or 5 poems. Reading Period: May1-August 1. Simultaneous submissions and previously published considered, however, authors must own the rights (no third-party permissions). Questions may be directed to editor Erika Nichols-Frazer at [email protected]. Submissions should be sent to: mentalhealth.submittable.com/submit.

Call :: Spread Art & Philanthropy with COVID LIT

COVID LIT is a monthly online lit mag that mobilizes writers to combat the world’s ills by not only providing a platform for urgent poetry and prose, but by directing money to regional, national, and international nonprofits. Instead of paying a submission fee, writers must donate at least $3 to a nonprofit of their choice. In our first two months, our writers have donated over $4000 to various causes related to COVID-19, racial injustice, homelessness, mental health, and others. Visit www.covidlit.org and send us your best work today!

Call :: The CHILLFILTR Review Publishes New Work Weekly

Submissions accepted year-round.
Don’t forget The CHILLFILTR Review is striving to bring the best new art to a worldwide audience by leveraging best-in-class technology to create a seamless and immersive web experience. They welcome submissions from all walks of life, and all perspectives and are committed to inclusivity and kindly welcome work from marginalized voices. All featured works will receive an honorarium of $20 per 1000 words and will be published online at The CHILLFILTR Review as well as on their Apple News Channel. Readers can vote for their favorites, and year-end “Best Of” winners will receive an additional $100 cash prize.

Contest :: The Hunger Press Seeks Chapbooks

Deadline: September 1, 2020
Don’t forget that The Hunger Journal has now expanded to include The Hunger Press, starting with their Tiny Fork Chapbook Series. They believe art and literature is eternally important, and want to use this opportunity to welcome new writers and readers into The Hunger community by producing well-designed, dynamic, hand-bound chapbooks. They will be accepting submissions from June 1–September 1. They welcome poetry, prose, and hybrid manuscripts of 15–40 pages. For more details on the Tiny Fork Chapbook Series and submission process, please go to www.thehungerjournal.com/tiny-fork-chapbooks.

The Georgia Review – Summer 2020

The Georgia Review‘s latest issue features new writing from Garrett Hongo, Aimee Nezhukumatathil, Laura van den Berg, A. E. Stallings, and many other exciting voices! Original translations of poetic works by Hisham Bustani and Shuzo Takiguchi. Illustrated features on the theme “Shelter in Place,” by Lindsey Bailey, Kaytea Petro, and Bishakh Som. Cover art and portfolio by Doron Langberg. This issue is not to be missed—read selected online features today!

Dip Your Fingers in a Faraway World

Guest Post by Karabi Mitra

Julia Phillips’s Disappearing Earth opens on the shores of a sea lapping at the edges of the Siberian Peninsula. Two young sisters are playing on the beach. It’s a simple enough setting. The older one is trying to get the younger one to come home. You don’t yet know why, but you’re starting to feel unsettled and you can almost feel the oncoming danger. By the end of the chapter, the girls have disappeared.

The chapters that follow are not an investigation into the disappearance. Instead they are stories of various inhabitants located in and around the Kamchatka Peninsula. The disappearance of the girls hangs over each of them, but the stories are about their own lives. A new mother struggling to come to terms with staying at home and giving up her career. A mother whose child similarly disappeared three years ago. And that’s when the patterns start emerging. The complexity of relationships, the underlying beliefs and mistrust towards certain groups of people. Natives are treated in a slightly different way. There is a distrust towards the so-called new people who have migrated to the region. There are superstitions and practices. And you realize that ultimately people are the same, no matter where they are. We’re all dealing with the same issues.

The setting of Disappearing Earth makes you feel as though you’ve dipped your fingers into a faraway world. The descriptions of the volcanoes and open tundras and thermal springs and open fields add an allure to the overall story. You sometimes feel as though you really are at the end of the world. The ending is stunning, and Julia Phillips ties up at the loose ends in a way that makes you close the book with a satisfied hush.


Disappearing Earth by Julia Phillips. Penguin Random House, April 2020.

Reviewer bio: Karabi Mitra is an avid reader, based in Toronto. She also enjoys writing and has been published in various literary magazines such as Litro Magazine and Volney Road Review.

2019 Carve Prose & Poetry Contest Winners

Carve annually hosts the Prose & Poetry Contest for submissions in fiction, nonfiction, and poetry. There is one winner in each genre category, each awarded a $1000 prize.

Readers can find the winners of the 2019 contest in the Spring 2020 issue.

Fiction
“A Simple Case” by Nancy Lundmerer

Nonfiction
“From the Book on Pit Firing Pottery” by Sarah Sousa

Poetry
“Cleft” by Jason M. Glover

The judges for this past year’s contest were Lydia Kiesling in fiction, Analicia Sotelo in nonfiction, and Benjamin Busch in poetry. Submissions for this year’s contest will reopen at the beginning of October.

Call :: Blue Mountain Review Seeks Work with Homespun & International Appeal

The Blue Mountain Review flierSubmissions accepted year-round.
The Blue Mountain Review launched from Athens, Georgia in 2015 with the mantra, “We’re all south of somewhere.” As a journal of culture the BMR strives to represent life through its stories. Stories are vital to survival. Songs save the soul. Their goal is to preserve and promote lives told well through prose, poetry, music, and the visual arts. The editors read year-round with an eye out for work with homespun and international appeal. They’ve published work by and interviews with Jericho Brown, Kelli Russell Agodon, Robert Pinsky, Rising Appalachia, Nahko, Michel Stone, Genesis Greykid, Cassandra King, Melissa Studdard, and A.E. Stallings. www.southerncollectiveexperience.com/submission-guidelines/

2019 Able Muse Write Prize Winners

Able Muse‘s annual Write Prize awards $500 for the best submitted poem, $500 for the best submitted flash fiction, and publication in the print journal. The Winter 2019 issue of Able Muse features the winners of the 2019 contest.

Poetry Winner
“Waiting for the Angel” by David MacRae Landon

Poetry Finalists
“Dear Sonnet” by Amy Bagan
“Paradox” by Beth Paulson
“Postcard, Vermont” by Miriam O’Neal

Fiction Winner
“To the Bottleneck Fiction” by Erin Russell

Stay tuned for the winners of the 2020 contest, which closed this past March.

Natasha Reads ‘The Jane Austen Society’ by Natalie Jenner

Guest Post by Natasha Djordjevic

Natalie Jenner’s debut novel, The Jane Austen Society, is a delightful, insightful tribute to the author who brought us so many memorable characters. The story is set at the end of WWII in Chawton, where Jane Austen spent the last part of her life and where she wrote her final three novels. A group of unlikely people become friends and form a society that has a mutual love for Jane Austen. They want to use their love to save her home and make it a museum with items of the era she resided in.

We’re introduced to Adam Berwick, a farmer who is the character we meet first, upon meeting with a stranger looking for Austen, develops an affection of Austen’s works; Dr. Gray, who is grieving over the loss of his wife; Mimi Harrison a Hollywood actress with a soft spot for Austen; Frances Knight, a descendant of Jane Austen’s brother; Evie Snow a housemaid working at the estate and who secretly catalogs the library; Adeline Lewis, an English teacher who has experienced a series of losses; Andrew Forrester, a lawyer handling the estate’s affairs; and Yardley Sinclair, an estate sales expert of Sotheby’s in London.

With an easy pace, a well-executed plot, and its ability to explore themes of grief, loss, identity, love, this is a novel that is sure to delight both Austen fans and newcomers to the author.


The Jane Austen Society by Natalie Jenner. St. Martin’s Press, May 2020.

Reviewer bio: My name is Natasha Djordjevic. My favorite genre to read is Historical Fiction, especially books set in the Tudor times. You can find my blog at poetryofreading.blogspot.com.

Buy this book from our affiliate Bookshop.org.

Call :: Club Plum Literary Journal Seeks Strong Voices

Deadline: Rolling
Submissions open for flash fiction of no more than 800 words and prose poems. Send powerful yet subtle pieces. Send strong voices. Send dreamy words that don’t gush. Skate on the edge of realities. Club Plum also seeks art: Please send one image only of pen-and-ink line art, watercolor, bold colors, experimental work, collage, impressionistic or abstract pieces. Tell the editor about your piece. The editor will pass on photography. See clubplumliteraryjournal.com for details. Volume 1 Issue 3 features work from William L. Alton, Ron Burch, Barry Jay Kaplan, James McAdams, Scott Ragland, Emelia Steenekemp, Jake Stimmel, Mary Buchinger, Jason Kahler, Natalie Eleanor Patterson, Katie Anderson, Ann-Marie Brown, Clara Choi, Tim Stuemke, and Oormila Vijayakrishnan Prahlad.

Call :: Palooka Open to Lit Mag & Chapbook Submissions Year-round

Palooka is an international literary magazine. For a decade we’ve featured up-and-coming, established, and brand-new writers, artists, and photographers from all around the world. We’re open to diverse forms and styles and are always seeking unique chapbooks, fiction, poetry, nonfiction, artwork, photography, graphic narratives, and comic strips. Issue 11 featured work by Paul Luikart, Duke Stewart, Nils Blondon, Khalilah Okeke, Tim Chapman, Mark Halpern, Clark Merrefield, Leanne Hoppe, Donald Illich, and Malia Nahinu. Give us your best shot! Submissions open year-round. palookamag.com

Call :: Second Revolution Literary Magazine Issue 2

Deadline: Rolling
We are currently seeking submissions for the second issue of Second Revolution. All forms of written and visual work are accepted, and poetry especially is encouraged; most submissions will be given personalized feedback. We seek to publish vivid work that is emotionally potent and history, socially, or culturally significant. Investigative blog articles are also encouraged. More details about the publication may be found www.secondrevolutionmag.com, and submissions may be emailed to [email protected].

Call :: The Petigru Review Open to Submissions through July 31

Deadline: July 31, 2020
Don’t forget The Petigru Review is looking for surprising stories, poems, essays, and first novel chapters for their annual online literary journal. They are especially interested in supporting diverse and emerging voices. Submissions close 7/31/20 or when they hit 500 submissions. www.thepetigrureview.com

Call :: Haunted Waters Press 2020 Reading Periods

Haunted Waters Press 2020 submission opportunities flierDeadline: August 31, 2020
Haunted Waters Press now seeking submissions for consideration in Tin Can Literary Review—our debut fiction anthology celebrating the works of new, emerging, and seasoned authors. We seek stories told in as little as 500 words and as many as 12,000. Selected works to be paid $250 per published story. Also seeking works of fiction, poetry, and flash for paid print publication in the 18th issue of From the Depths and in consideration for 2020 HWP Awards. Penny Fiction 2020 will showcase exceptionally short stories told in exactly 20 words—no more, no less. Details: www.hauntedwaterspress.com.

Call :: Blueline 2020 Reading Period Open

Deadline: November 30, 2020
BLUELINE: A Literary Magazine Dedicated to the Spirit of the Adirondacks seeks poems, stories, and essays about the Adirondacks and regions similar in geography and spirit, focusing on nature’s shaping influence. Submissions window open until November 30. Decisions mid-February. Payment in copies. Simultaneous submissions accepted if identified as such. Please notify if your submission is placed elsewhere. Electronic submissions encouraged, as Word files, to [email protected]. Please identify the genre in the subject line. Further information at bluelineadkmagazine.org.

The Briar Cliff Review – 2020

The 2020 issue of The Briar Cliff Review explores themes of violence, disconnectedness, and the legacy of slavery. Find poetry by Jed Myers, Claude Wilkinson, AE Hines, Lindy Obach, Doug Rampseck, Laura Stott, Melanie Krieps Mergen, Mary Fitzpatrick, Dar Hurni, and more; fiction by Deac Etherington, Carrie Callaghan, and others; and nonfiction by Karen Holmberg, Ryan McCarl, and more. Plus, two book reviews and pages of art.

Jessica Hertz Examines Five Fictional Women

Magazine Review by Katy Haas

In the latest issue of Pembroke Magazine, Jessica Hertz writes of the “Fictional Women I Have Known.” This five-part piece focuses on Alice from Alice in Wonderland, the mermaid from Hans Christian Andersen’s or Disney’s The Little Mermaid, Persephone, the sister from “The Six Swans” fairy tale, and Eve.

Each section explores the complexities of their feelings, their desires, and their realities. They’re not flat women on a page but are thought-out and developed even in the small space provided. I enjoyed Hertz’s take on each of them, and my favorites were the mermaid and Eve. The mermaid is faced with having to choose between a voice or the ability to dance, a choice she wishes she did not have to make. Eve is faced with a choice—eat the offered fruit or don’t—and Hertz asserts she knew exactly what she was doing when she accepted, a take I appreciated.

Peer into the inner thoughts and feelings of these five fictional women with Hertz as your guide.

A Time of Hope: Hatchet

Guest Post by Zizheng William Liu

Hatchet is the depiction of a world gone wrong. The book details the life of Brian Robeson, the son of divorced parents, and victim of a horrific plane crash. Left alone in the midst of the Canadian wilderness with nothing but a windbreaker and hatchet, Brian must tame himself to survive.

The story begins in the city, where 13-year-old Brian boards a bush plane to see his father for the summer. Miles up into the air, the plane pilot suffer from a heart attack, rendering the plane flying aimlessly above the Canadian landscape. But Brian had always been under tough situations. Ever since he had witnessed the dreaded secret that led to his parent’s divorce, Brian’s life had spiraled out of control. No, literally. The Cessna 406 bush plane that Brian was riding to see his father crashes, and Brian is forced to live his life in the wild. All the luxuries from the city are gone. Food needs to be hunted, shelter needs to be built, and the pesky mosquitoes need to be repelled. Over a month passes since the initial plane crash, and Brian finally finds a solution. He scavenges a transmitter from the plane ruins and that ultimately leads to his rescue. A fur buyer had been alerted to Brian, but the 54 days that Brian spent in the wilderness had still taken its toll.

A thrilling and powerful piece, Hatchet shows that any problem can be solved, even when life is on the line. In a time when the Covid-19 pandemic has swept through our nation, this book is an insight into the true potential that we all have. When utilized, no problem is too big to be solved.


Hatchet by Gary Paulsen. Scholastic Press, 1986.

Reviewer bio: Zizheng William Liu is an avid writer. His works have been published in multiple literary journals and he is an editor for Polyphony Lit Magazines.

Call :: Change Seven

Deadline: June 30, 2020
Change Seven is an online literary journal. We seek to publish the best available fiction, creative nonfiction, poetry, visual art, book reviews, and more from both established and emerging talents. We most enjoy writing that comes from experience, is well-crafted, lyrical, distinctive, and accessible. Language is important. We like work that takes risks, that is morally unflinching, not for the sake of spectacle but for some daunting and tender rendering of truth. That is not to say we don’t also admire subtlety and quieter pieces of work. We love those, too. Humor as well. Just make it matter. changesevenmag.com

A Thought-Changing Read

Guest Post by Mia Willardson 

On May 19th, 2020, Hunger Games author Suzanne Collins released the novel The Ballad of Songbirds and Snakes. This dystopian piece is a prequel to Collins’s bestselling series. The Ballad Of Songbirds and Snakes takes place during the tenth annual Hunger Games and centers around young Coriolanus Snow. Snow is chosen to mentor in the Hunger Games and feels mortified when he is assigned the tribute from district twelve, Lucy Gray Baird. In the capital, district citizens were inferiors—less than people. Coriolanus felt disgraced to be assigned a girl from district twelve. However, Snow begins to learn that Lucy Gray isn’t just a girl from district twelve. She’s a very smart young woman who likes to wear rainbow dresses, sing, dance, and make a scene. She begins to become a hit in the capitol and Snow begins to see her in a new light. He begins to believe that she has a shot at winning the Hunger Games.

This story helps Hunger Games fans understand how Katniss and Peeta’s world came to be. The reader is taught the history of the dystopian country, and the hardships Snow and his family faced.

The reader learns how certain events and traditions came to place in the Hunger Games universe. Readers will fall in love with the bold characters in the novel, and will definitely find themselves audibly gasping and laughing along with the story. Collins’s use of striking imagery will make the reader feel as though they are apart of the journey. Collins shocks readers with how much the story can compare to our world and our real-world issues. The story revolves around power, control, and how people will react to it on larger scales. You’d be surprised how children fighting for their lives in an arena would compare to what is happening now. The Ballad of Songbirds and Snakes is a must-read and is the thought-changing tale of the year.


The Ballad of Songbirds and Snakes by Suzanne Collins. Scholastic Press, May 2020.

Reviewer bio: Mia is a fifteen-year-old upcoming high school sophomore who adores creative writing and dystopian literary pieces.

Buy this book from our affiliate Bookshop.org.

Call :: Xi Draconis Books Seeks Socially Engaged Work through July 31

July 31 is the deadline to submit manuscripts for consideration to Xi Draconis Books. They seek socially engaged, book-length works of fiction, nonfiction, and poetry for its 2020 and 2021 production years. They accept novels, short story and poetry collections, memoirs, essay collections, and cross-genre book-length works. Their mission is to publish works that examine social justice issues of all kinds. Head to xidraconis.org/submission-guidelines/ to submit.

A Meditation on Friendship

Guest Post by Leah Browning

I Refuse is a novel by Per Petterson about two childhood friends. Tommy and Jim are now adults and have been estranged for many years when they unexpectedly cross paths on a bridge outside Oslo.

Per Petterson, who also grew up in Norway, is a thoughtful and moving writer. Overall, I see this book is a meditation on friendship, not only between the two main characters, but between others as well. There are several instances where a spontaneous act of kindness reverberates through another person’s day or even, in at least one case, an entire lifetime.

The book also focuses on something slipperier: the role of persistence or determination in a person’s life. One of the boys has a harsh, even brutal home life; the other has, in many ways, been luckier. Either could be destroyed by his circumstances.

At the beginning of the book, one of the men has been fishing, but it could have been either one: “As a rule I drove home before the first cars came down the hill towards the bridge, but today I had frittered my time away. I hadn’t even started to pack my bag, and the cars that were coming were classy cars, expensive cars. I turned my back to the road, my frayed navy blue reefer jacket wrapped tightly round me. I’d had that jacket ever since I was a boy in Mørk, and only one of the old brass buttons was still intact, and I had a woollen cap on as blue as the jacket, pulled down over my ears, so from behind I could have been anyone.”

Ambition has pushed one of the men in a strange, sometimes cruel direction. In this time of social distancing, reading about the powerful impact of friends and family members feels especially relevant.


I Refuse by Per Petterson (translated from the Norwegian by Don Bartlett). Graywolf Press, 2015.

Reviewer bio: Leah Browning edits the Apple Valley Review, which publishes short fiction, personal essays, and poetry in spring and fall issues. She occasionally blogs at https://leahbrowning.blogspot.com/.

Buy this book through our affiliate Bookshop.org.

Event :: Storyville Writing Workshop Offers Online Workshops

Storyville Writing Workshops logoOngoing Enrollment; Location: Online
Storyville Writing Workshop offers virtual writing workshops online for a wide variety of skill levels. Workshops provide personalized critiques, ongoing email access to the instructor, writing resources, personal virtual meetings via Google Meet, as well as access to writing forums. storyvilleworkshop.com/online-workshops/

Call :: About Place Journal Seeks Submissions through August 1

About Place Resistance, Resilience Call for SubmissionsDeadline: August 1, 2020
Each issue of About Place Journal, the arts publication of the Black Earth Institute, focuses on a specific theme. From 6/1 to 8/1 they’ll be accepting submissions for their Fall 2020 issue Works of Resistance, Resilience. Their mission: to have art address the causes of spirit, earth, and society; to protect the earth; and to build a more just and interconnected world. They publish prose, poetry, visual art, photography, video, and music which fit the current theme. More about this issue’s theme and their submission guidelines: aboutplacejournal.org/submissions/.

The Main Street Rag – Spring 2020

In the Spring 2020 issue: fiction by Jarrett Kaufman, Emily Alice Katz, J.T. Ledbetter, John Mancini, David Pratt, and Timothy Reilly; poetry by Jeffrey Alfier, Tobi Alfier, John Azrak, Tara Ballard, Chris Bullard, Dorritt Carroll, Ricks Carson, George Bishop, Sudasi J. Clement, Joan Colby, and more; and six book reviews. Be sure to check out our featured interview with Tim Bascom by Beth Browne.

december – Spring Summer 2020

Our latest issue features poetry by Kenda Allen, Jamaica Baldwin, Ronda Pizza Broatch, Satya Dash, Gibson Fay-LeBlanc, Rebecca Foust, Valentina Gnup, Tate Lewis, Abby E. Murray, Phong Nguyen, Eric Pankey, Kimani Rose, Joel Showalter, Ellora Sutton, Raisa Tolchinsky, and more; and fiction by Stacy Austin Egan, Lucy Ferriss, Tyler McAndrew, Casey McConahay, Susan Mersereau, and Griffin Victoria Reed. Read more info at the december website.

Call :: The Awakenings Review Open to Submissions Year-round

The Awakenings Review, established in 2000, is an annual lit mag committed to publishing poetry, short story, nonfiction, photography, and art by writers, poets and artists who have a relationship with mental illness: either self, family member, or friend. Their striking hardcopy publication is one of the nation’s leading journals of this genre. Creative endeavors and mental illness have long had a close association. The Awakenings Review publishes works derived from artists’, writers’, and poets’ experiences with mental illness, though mental illness need not be the subject of your work. Visit www.AwakeningsProject.org for submission guidelines.

Event :: The Center for Creative Writing Offers Online Courses & Community

Deadline: Year-round
The Center for Creative Writing has been guiding aspiring writers toward a regular writing practice for more than 30 years. Our passionate, published teachers offer inspiring online writing courses in affordable six-week sessions, as well as one-on-one services (guidance, editing) and writing retreats (virtual for 2020). Whatever your background or experience, we can help you become a better writer and put you in touch with the part of you that must write, so that you will keep writing. Join our inclusive, supportive community built on reverence for creativity and self-expression, and find your way with words. Creativewritingcenter.com.

Call :: The Daphne Review Seeks Mentors & Student Writers

The Daphne Review 2020 Summer Mentorship bannerDeadline: July 31, 2020
The Daphne Review is hosting an online mentorship program for talented high school student writers and established writers/teachers acting as their mentors. We’re currently taking applications for both types (students and qualified mentors) until July 31st! To apply, submit a resume and brief cover letter to [email protected]. Start Date: August 3-28. Format: online. Classes: flash fiction, poetry. Pay for mentors: $50 per hour for skype or $200; $25 per hour for email or $100; total: $300 via paypal. www.thedaphnereview.org

Call :: The Absurdist Wants Your Weird Flash Fiction

Deadline: Tuesday, June 30th
The Absurdist Fiction Magazine is an online publication of strange and surreal fiction, featuring new work every Thursday. We are currently looking for short stories (750-1,250 words) as bizarre as they are engaging. Stories may be humorous, unsettling, hallucinatory or thoughtful, or just a little off-center. We really just want something weird. Check out previously published work to get a sense of what fits. If interested, please review the guidelines at absurdistmag.com/submissions and submit!

Contest :: 2020 Francine Ringold Awards for New Writers

2020 Francine Ringold Awards for New Writers posterDeadline: July 15, 2020
Submissions are open for Nimrod’s Francine Ringold Awards for New Writers. The Ringold Awards offer prizes of $500 and publication for fiction and poetry, and are open only to writers with no more than two previous publication credits in their genre. For poetry, submit up to five pages; for fiction, one short story, 5,000 words maximum. The contest is open internationally. All finalists will be published and paid at our normal rates. Manuscripts may be mailed or submitted online: nimrodjournal.submittable.com/submit.  Each entry must be accompanied by a $12 entry fee. Email [email protected] or visit nimrod.utulsa.edu for complete rules.

2020 Lamar York Prize Winners

Pick up the Spring 2020 issue of The Chattahoochee Review for the winners of the Lamar York Prizes.

Fiction
“With Mercy to the Stars” by Lisa Nikolidakis

Nonfiction
“Catharsis, Diagnosis” by Rachel Toliver

The nonfiction winner was selected by judge Alice Bolin, who says the essay, “begins as straightforward memoir and blooms into something stranger and more wonderful: a treatise on the obsessive-compulsive act of storytelling, analysis of classic graphic novel, a meditation on how comics tell stories, and on how our lives, with their nonsensical, sometimes brutal vignettes resemble comics.”

Fiction judge Anthony Varallo writes that he was “drawn in from the first page, happy to be in the company of a young narrator who is just starting to glimpse the limitations of the adulthood that awaits her, as confining as the cage that houses her father’s prized bear.”

Be sure to check out these pieces for yourself in The Chattahoochee Review.

Call :: Light and Dark Issue 16

Deadline: July 15, 2020
Light and Dark is seeking your best short stories for our sixteenth online issue! We are particularly interested in stories that deal in some way with the dichotomous nature of existence. Please send us nothing longer than 3,000 words. All stories will be published on our website: www.lightanddarkmagazine.com. The author will also receive a token payment of $15. We look forward to reading your best work: lightanddark.submittable.com/submit.