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Call :: Chestnut Review Seeks Work from Stubborn Artists Year-Round

CHESTNUT REVIEW (“for stubborn artists”) invites submissions year round of poetry, fiction, nonfiction, art, and photography. We offer free submissions for poetry (3 poems), flash fiction (<1000 words), and art/photography (20 images); $5 submissions for fiction/nonfiction (<5k words), or 4-6 poems. Published artists receive $100 and a copy of the annual anthology of four issues (released each summer). Notification in <30 days or submission fee refunded. We appreciate stories in every genre we publish. All issues free online which illustrates what we have liked, but we are always ready to be surprised by the new! chestnutreview.com

Ethan Hayes Reads ‘One Hundred Years of Solitude’

Guest Post by Ethan Hayes

“Many years later, as he faced the firing squad, Colonel Aureliano Buendia was to remember that distant afternoon when his father took him to discover ice.” These are the immortal opening lines of Gabriel García Márquez’s One Hundred Years of Solitude, a novel filled with so many more beautiful lines. The novel is concerning the generational story of Maconda and its founders, the family of Jose Arcadio Buendia.

I have found the novel to be filled with a wonderful whimsy that has made García Márquez famous. Every line is poetry that flows through the magical story that fills the pages. The main characters are the motley crew of Jose Arcadio Buendia’s family, who range from the dirt-eating Rebeca who wandered into the family to Jose Arcadio, the first-born son of Jose Arcadio Buendia who inherited his strength.

The novel is told in such a wonderful fairy tale style that blends magic into the storied events that plague this family and the town that they founded. One of García Márquez’s best works.


One Hundred Years of Solitude by Gabriel García Márquez. 1967.

Reviewer bio: My name is Ethan Hayes. I am a writer from Colorado. I like to write fiction and fantasy as well as short prose. You can find my blog at https://ewwhayes.wordpress.com/.

Buy this book through our affiliate Bookshop.org.

Call :: Harvard College Children’s Stories’ New Anthology: COVID Edition

Deadline: June 15, 2020
Harvard College Children Stories is currently accepting submissions to compile an anthology to support kids during the Covid-19 pandemic. Please visit our website if you would like to support this project and learn more about submitting: harvardchildrensstories.com/anthology. Thank you so much!

Call :: Raise Money for Black Lives Matter

Into the Void Antifa Anthology flierDeadline: July 31, 2020
In solidarity with protesters fighting for justice and equality, award-winning litmag Into the Void is publishing, in paperback and eBook, poetry and prose anthology We Are Antifa: Expressions Against Fascism, Racism and Police Violence in the United States and Beyond. 100% of proceeds from sales will be donated to Black Lives Matter. Submit poetry, fiction, or creative nonfiction which in some way concerns this topic. Payment is CA$15 per poem/flash and CA$30 per prose piece, plus a contributor copy. Over 50% of writers included in the anthology will be people of color. Submit: intothevoidmagazine.submittable.com/submit.

Call :: Red Rover Magazine Seeks Work for Issue 1

Red Rover Magazine is now accepting submissions for our premiere issue, currently projected for a January 2021 release date. Our mission is to inspire the improvement of mental health through the process of writing and creation. Please send us up to 6 poems, 2-5 pages of fiction, or up to 6 pieces of original artwork/photography to [email protected]. Submissions for the premiere issue will be accepted until October 31, 2020.

Contest :: Fiction Southeast Open to Story of the Month Submissions Year-round

Each month, the editors will select one short-short story (under 1,000 words). The winning story will grace the front page of the website for the entire month and will be listed on the Stories of the Month Page, as well as the Fiction Page. The reading fee will be $10, and the winner will receive $50. Submit here: fictionsoutheast.submittable.com/submit/163713/story-of-the-month. The first Story of the Month winner is now available! Read Serena Ferrari’s “Zp, Signed with Love.”

Call :: Blink Ink Seeks Home Cooking

Mom’s mac and cheese with cocktail wieners or a favorite meal you like to make. Tasty fare or a hard slog through a dismally over-done Sunday dinner. Dining delights dreamed of when there is little to hand. What else can we “cook up at home”, a plan, a scheme intertwined with adventure. Sure smells good, so tell us in fifty words or so what’s cooking be it real, imagined, or impossible. Submissions are open June 1st through July 15th. Send submissions in the body of an email to [email protected]. No poetry, bios, or attachments please. www.blink-ink.org/submissions/

Never Give Up: The Charmed Circle

Guest Post by Dawn Corrigan

As a child I read voraciously, but erratically. When it was time to pick a new Nancy Drew, I made my selection based on the cover art, rather than reading in sequence. I reread old books just as often as seeking new ones. It wasn’t always clear where the books had come from.

Thus I had in my adolescent collection a copy of The Charmed Circle, a 1962 “teenage novel” by Dorothea J. Snow. Somewhere along the way it disappeared, but in 2014, in a fit of nostalgia, I ordered a used copy from Amazon, sorting through more than a dozen “Charmed Circle” titles until I found the right one. Then I stuck it on a shelf and forgot about it. But recently, in my search for comfort food reading, I took it down.

I thought I’d read a little and then quickly fall asleep. Instead, I stayed up past two and finished it. That’s how it was when I was a teenager, too. Sometimes I’d finish it, then immediately flip back to the first page and start again.

Which is funny, because even back then the class stuff annoyed me, and it annoyed me even more this time. For instance, it had not occurred to me previously that our heroine, Lauralee Larkin, is elected Homecoming Queen mainly because her parents are willing to host (and fund) an endless array of pizza parties.

Nonetheless, there’s obviously something about the book I really like, and this time I figured out what: Lauralee tries things that scare her, and never gives up, even when those things don’t work out.

It occurs to me now that reading this book over and over again as a youth may have contributed to my ability to keep trying—to keep submitting my writing, to keep applying for jobs that seem like long shots, even to keep asking guys out (right up through my husband). This tenaciousness in the face of much rejection has served me well. It’s pretty much my only move! Fortunately, it’s the only one I’ve needed.


The Charmed Circle by Dorothea J. Snow. Whitman, 1962.

Reviewer bio: Dawn Corrigan‘s poetry and prose have appeared widely in print and online. She works in the affordable housing industry and lives in Myrtle Grove, FL.

Contest :: Black Warrior Review Open to 2020 Contest Submissions

Deadline: September 1, 2020
Biannual print journal Black Warrior Review seeks 2020 contest submissions. Winners will receive publication and cash prizes ($500 for flash and $1,000 for poetry, fiction, and CNF). Judges: Mayukh Sen (nonfiction), Paul Tran (poetry), C Pam Zhang (flash), and Lucy Corin (fiction). Open until 9/1. They have reduced their submission fee to $15 fiction/nonfiction/poetry. $6 flash. Complete information available at bwr.ua.edu.

A Relevant Classic Inspiring Resiliency

Guest Post by Kathryn Sadakierski

Little Women is a timeless classic and remains relevant during unprecedented days. On the surface, the endearing stories of Meg, Jo, Beth, and Amy March may seem to recount simpler times, but greater complexity underlies what appears to be sentimental. At its heart, Little Women is about family, growing stronger despite distance.

While their father serves as a chaplain in the Civil War, the March daughters, with the loving guidance of their mother, adapt, soldiering on together, each making their own destinies. They support each other through adversities, sharing in triumphs. When Beth falls ill, Amy stays with Aunt March, avoiding catching scarlet fever, but while distanced, she learns about herself, ultimately maturing. Their “castles in the air,” innermost dreams of places far-removed from their Concord home, sustain them, until the Marches realize that the lives they lead are better than anything they could have dreamed, finding beauty even in the bittersweet, as they come of age, surmounting the burdens they once lamented. It is not tangible walls that make up their home, but the love of their family.

Reading Little Women at home during the quarantine came not to be an escape from reality, so much as a telling reflection of it; the novel captures the ebbs and flows of life and time, which, as the Marches saw, are to be cherished. Being at home, away from their father and the promising reaches of the world they had yet to see was difficult for the spirited March girls, but in time, they turned what were once limits into opportunities, each contributing her own gift to the world, from Jo with her imaginative writing, to Beth with her music and compassionate heart. Challenges they overcame shaped them, becoming a source of empowerment. This message of resiliency continues to inspire.

Little Women by Louisa May Alcott. 1868.

Kathryn Sadakierski is a 20-year-old writer whose work has appeared in The Ekphrastic Review, Dime Show Review, Nine Muses Poetry, iō Literary Journal, and elsewhere.

Contest :: North Street Book Prize Deadline is June 30

Winning Writers North Street Book PrizeNow in its 6th year with a grand prize of $5,000, the North Street Book Prize for Self-Published Books closes to entries on June 30. Top winner in each category will win $1,000. Co-sponsored by BookBaby and Carolyn Howard-Johnson. Categories: Mainstream/Literary Fiction, Genre Fiction, Creative Nonfiction & Memoir, Poetry, Children’s Picture Book, and Graphic Novel & Memoir. $12,500 in total cash prizes. Fee: $65 per book. Final judges: Jendi Reiter and Ellen LaFleche. Submit online or by mail. Winning Writers is one of the “101 Best Websites for Writers” (Writer’s Digest). Guidelines: winningwriters.com/north.

Contest :: Hunger Press Tiny Fork Chapbook Series

Deadline: September 1, 2020
We’re thrilled to announce The Hunger Journal has now expanded to include The Hunger Press, starting with our Tiny Fork Chapbook Series. We believe art and literature is eternally important, and we want to use this opportunity to welcome new writers and readers into The Hunger community by producing well-designed, dynamic, hand-bound chapbooks. We will be accepting submissions from June 1–September 1. We welcome poetry, prose, and hybrid manuscripts of 15–40 pages. For more details on the Tiny Fork Chapbook Series and submission process, please go to www.thehungerjournal.com/tiny-fork-chapbooks.

Contest :: Orison 2020 Chapbook Prize Closes July 1

There is now under 1 month left to submit work to the 2020 Orison Chapbook Prize. Send submissions of 20–45 pages in any literary genre (poetry, fiction, nonfiction, or hybrid) from April 1–July 1. Orison Books founder and editor Luke Hankins will judge. The winner will receive $300 and publication by Orison Books. Entry fee: $12. For complete guidelines, see www.orisonbooks.submittable.com.

Call :: Online Journal trampset is a Paying Market

trampset, an online literary journal of fiction (short stories, flash fiction, excerpts from longer works), poetry (no shape poems, please), and nonfiction (personal essays, micro-memoirs, culture and criticism, reviews), is seeking new submissions on a rolling basis. We want your best brain, your beating heart. Send that good human stuff our way. We are focusing on Black and queer writers for the month of June. We pay $25 per accepted piece. We have 50 free submissions a month through Submittable as well as Tip Jar and Quick Response options. Visit our submissions page: trampset.org/submissions-6e83932b0985.

Contest :: 2020 Orison Anthology Awards Open to Submissions

Mark August 1 in your submissions calendars. That’s the deadline to submit work to the 2020 Orison Anthology Awards. The 2020 Orison Anthology Awards in Fiction, Nonfiction, & Poetry offer $500 and publication by Orison Books in The Orison Anthology for a single work in each genre. Judges: Blair Hurley (fiction), E. J. Koh (nonfiction), and Joy Ladin (poetry). Entry fee: $15. Submission Period: May 1-August 1. Find complete details at www.orisonbooks.submittable.com.

Call :: Wordrunner eChapbooks Closes to Mini-Fiction Collections on June 30

Don’t forget June 30 is the deadline to submit mini-fiction collections between 5 and 15 stories to Wordrunner eChapbooks for their Fall 2020 series to be Reminder :: Wordrunner eChapbooks Closes to Mini-Fiction Collections on June 30published in August and December online and as epubs. Stories may be flash or longer, from 500 up to 5,000 words each. They’d like at least five stories, but no more than 15 (if flash fiction). They will also consider novel excerpts. No genre fiction, please. Stories by authors who receive Honorable Mentions will be considered for their 2021 themed anthology. See www.echapbook.com/submissions.html for detailed guidelines and Submittable link. Payment: $100 plus royalties. Submission fee: $6.

Program :: MA in Creative Writing at University of South Alabama

Earn your MA with an emphasis in Creative Writing in the vibrant city of Mobile, near some of our country’s best beaches. Tuition waivers and assistantships are available as are additional scholarships for excellence and summer creative writing projects. Home of the Stokes Center for Creative Writing. Full-time students can finish the program in four semesters. Students can also enroll part time and/or complete the degree through evening coursework. For more information, visit our website: www.southalabama.edu/colleges/artsandsci/english/.

Call :: Driftwood Press Open to Submissions Year-round

Driftwood Press call for submissionsJohn Updike once said, “Creativity is merely a plus name for regular activity. Any activity becomes creative when the doer cares about doing it right, or better.” At Driftwood Press, we are actively searching for artists who care about doing it right, or better. We are excited to receive your submissions and will diligently work to bring you the best in full poetry collections, novellas, graphic novels, short fiction, poetry, graphic narrative, photography, art, and interviews. We also offer our submitters a premium option to receive an acceptance or rejection letter within one week of submission; many authors are offered editorships and interviews. To polish your fiction, note our editing service, too. www.driftwoodpress.net

Contest :: Crazyhorse’s 2020 Crazy Shorts! Contest

Deadline: July 31, 2020
From July 1st to July 31st, Crazyhorse will accept entries for our annual short-short fiction contest. Submit 3 short-shorts of up to 500 words each through our website: crazyhorse.cofc.edu. First place wins $1,000 and publication; 3 runners-up will be announced. All entries will be considered for publication; the $15 entry fee includes a one-year subscription to Crazyhorse. For more information, visit: crazyhorse.cofc.edu/crazyshorts.

Contest :: Autumn House 2020 Poetry, Fiction & Nonfiction Contests

Autumn House Press logoDeadline: June 30, 2020
Autumn House Full-Length Contests for Poetry, Fiction, and Nonfiction are accepting submissions! Winners of each contest receive publication of their full-length manuscripts. Each winner also receives $2,500 ($1,000 advance against royalties and a $1,500 travel/publicity grant to promote the book). The submission period closes on June 30, 2020 (Eastern Time). To submit online, please visit our online submission manager. The judges for the 2020 full-length contests are Ilya Kaminsky (poetry), Dan Chaon (fiction), and Jaquira Díaz (nonfiction).

CANCELLED :: Tolsun Books’ Translation Chapbook Contest

Deadline: July 31, 2020
The Tolsun Books’ Translation Chapbook Contest, judged by Minna Zallman Proctor, will be held June 1st-July 31st, 2020. Submit a chapbook of about 25 pages of translated poetry, short stories, flash memoir, essays, or hybrids. We favor dynamic voices and non-traditional themes. Winner receives publication and 50 copies of their chapbook. See additional details at tolsunbooks.com/submissions.

**Update 6/29/20: Tolsun Books has decided to cancel this year’s chapbook contest.**

Call :: iō Literary Journal Volume 3

io Literary Journal Volume 3 call for submissions flierDeadline: June 30, 2020
iō Literary Journal was founded in 2018 with the aim of showcasing an array of artistic expression and creative writing pieces from individuals whose voices are underrepresented, and those who may not have traditional writing or artistic backgrounds. iō Literary Journal is back for Volume 3 and will be accepting submissions to its third print volume up until June 30, 2020. Submit at: ioliteraryjournal.submittable.com.

Sync Audio YA for Summer

Once again, Sync Audiobooks is offering a free summer audiobook program for teens (13+) – and perhaps some adults too! SYNC 2020 is utilizing Sora, a student reading app available for free download from OverDrive. Each week Sync shares two YA titles that can be downloaded with no expiration. After the week, the titles are no longer available to download, but previous titles with descriptions remain available on the site.

It’s already Week 5 of the program, but there are seven more weeks remaining. Previous titles include Monday’s Not Coming by Tiffany D. Jackson, The 57 Bus by Dashka Slater, Secret Soldiers by Paul B. Janeczko, Picture Us in the Light by Kelly Loy Gilbert, Faust by Johann Wolfgang von Goethe (stupendously performed!), Stalking Jack the Ripper by Kerri Maniscalco, Sisters Matsumoto by Philip Kan Gotanda, and Disappeared by Francisco X. Stork.

All you have to do to access the titles is register your email address. I’ve done so for the past two years and never receive any related junk mail or other solicitations, so this is an great program for teens and adults alike!

Call :: Molecule – a tiny lit mag Fall 2020 Issue

Deadline: July 15, 2020
Call for submissions for the Fall 2020 issue of Molecule – a tiny lit mag. Poetry, prose, nonfiction, plays, reviews, and interviews in 50 words or less (including titles and interview questions). Visual art work of tiny things like tea bags and toothpicks, or tiny paintings also wanted: no skyscrapers please! Strict word count. Don’t try and trick us we have small minds. Send submissions preferably in the body of the email or jpeg attachment for photos to [email protected], along with a 3rd person bio no more than 24 words (including name). moleculetinylitmag.art.blog

Contest :: The Conium Review 2020 Innovative Short Fiction Contest

The Conium Review 2020 Innovative Fiction Contest FlierDeadline: July 1, 2020
The Conium Review 2020 Innovative Short Fiction Contest is open for submissions. Winner receives $500, publication in the next print edition, five copies of the issue, and a copy of the judge’s latest book. This year’s judge is Emily Wortman-Wunder, author of Not a Thing to Comfort You (University of Iowa Press). July 1st deadline. $15 entry fee. Guidelines here: coniumreview.com/contests.

Call :: COVID LIT Seeks Work for Monthly Issues

COVID LIT logoCOVID LIT is a monthly online lit mag that gives the middle finger to COVID-19 by publishing, promoting, and spreading art, poetry, and prose using the disease’s name. What sets us apart from other magazines? Simple: instead of paying us a submission fee, writers must donate at least $3 to a nonprofit of their choice. Since we launched in late April 2020, our writers have donated over $3000 directly to regional, national, and international nonprofits, so send your best work and use your creative superpowers for good! Visit www.covidlit.org today!

Call :: the Vitni Review Seeks Creative Writing for Fall 2020 Issue

Deadline: Rolling
the Vitni Review seeks creative writing submissions on an ongoing basis for its Fall 2020 issue. Our intention is to publish writing that pushes against convention, which challenges, subverts, or skillfully manipulates tradition, and which serves to advance the understanding of human culture and experience via interesting metaphors, exciting diction, and engaging content. We are especially dedicated to publishing work by writers from historically under- or misrepresented demographics. See our guidelines at www.vitnireview.org/submit.

The Gettysburg Review – 33.4

The Autumn issue of The Gettysburg Review is out. The issue features paintings by Jared Small, fiction by Jennifer Anne Moses, Jared Hanson, Darrell Kinsey, and Sean Bernard; essays by Andrew Cohen, K. Robert Schaeffer, and Christopher Wall; poetry by Jill McDonough, Max Seifert, K. A. Hays, Albert Goldbarth, Mary B. Moore, R. T. Smith, Jill Bialosky, Katharine Whitcomb, Corey Marks, Kimberly Johnson, Margaret Ray, Danusha Laméris, Linda Pastan, Christopher Bakken, Christopher Howell, and Margaret Gibson.

Call :: Palooka Seeks Chapbooks, Prose, Poetry, Art & Photography

Palooka is an international literary magazine. For a decade we’ve featured up-and-coming, established, and brand-new writers, artists, and photographers from all around the world. We’re open to diverse forms and styles and are always seeking unique chapbooks, fiction, poetry, nonfiction, artwork, photography, graphic narratives, and comic strips. Free digital copies of back issues now available for a short time. Give us your best shot! Submissions open year-round. palookamag.com

The Adroit Journal – May 2020

The May 2020 issue is here with poetry by Jenny George, Arthur Sze, Jessica Abughattas, Melissa Crowe, Jamaica Baldwin, C.X. Hua, Kara van de Graaf, Hala Alyan, Mark Wunderlich, Raymond Antrobus, Stephanie Chang, and more; prose by Scott Broker, Alyssa Proujansky, Maura Pellettieri, and Mina Hamedi, with a prose feature by Dima Alzayat. See what else the issue has in store for you at The Adroit Journal website.

Call :: Blue Mountain Review Wants the Best Stories in All Genres

The Blue Mountain Review flierNow in it’s 5 year, The Blue Mountain Review was launched from Athens, Georgia in 2015 with the mantra, “We’re all south of somewhere.” As a journal of culture the BMR strives to represent life through its stories. Stories are vital to our survival. Songs save the soul. Our goal is to preserve and promote lives told well through prose, poetry, music, and the visual arts. Our editors read year-round with an eye out for work with homespun and international appeal. We’ve published work with Jericho Brown, Kelli Russell Agodon, Robert Pinsky, Rising Appalachia, Nahko, Michel Stone, Genesis Greykid, Cassandra King, Melissa Studdard, and A.E. Stallings. www.southerncollectiveexperience.com/submission-guidelines/

Call :: Club Plum Wants Powerful yet Subtle Pieces

Deadline: Rolling
Submissions open for flash fiction of no more than 800 words and prose poems. Send powerful yet subtle pieces. Send strong voices. Send dreamy words that don’t gush. Skate on the edge of realities. Club Plum also seeks art: Please send one image only of pen-and-ink line art, watercolor, bold colors, experimental work, collage, impressionistic or abstract pieces. Tell the editor about your piece. The editor will pass on photography. See clubplumliteraryjournal.com for details.

James Braun Brings Readers Back to Winter

Magazine Review by Katy Haas

Everything is green and warm outside my window right now, but James Braun takes readers back to winter in his story “The Salt Man” from the Spring 2020 issue of Zone 3.

The story centers on two young sisters mid-winter. They are sent outside to wait for the salt man to come salt their roads before they’re allowed to play outside their yard. This is a dark piece. Poverty hangs heavy over the story. What once was green and beautiful has been covered by rocks. They have no heat in the house. Their neighbor loses fingers to frostbite. A woman cries on a couch while they go door to door asking if they can shovel driveways for cash to pay for a doctor bill. And the person they’re told will bring them a level of safety—the salt man—ends up being a source of danger in himself.

I enjoyed Braun’s writing style. There’s a level of flippancy with all the characters who view their lifestyle as ordinary. The story is short but holds a lot inside it. We’re able to discern as much meaning in what isn’t said as in what is clearly stated. And even though it is warm enough that I have my window open, a warm breeze blowing into my living room as I write this, Braun’s writing still makes a reader feel that inescapable cold of winter.

Feel the Pulse of LitMag

Guest Post by Jamie Tews

LitMag is a literary magazine published annually from New York City. The magazine’s pulse is found on page sixty-three with a quote from Aryeh Lev Stollman’s fiction piece “Dreams Emerging,” which states “true art is the condensation of ineffable yearning.” An ineffable yearning is a longing so strong it cannot be described; however, this issue’s work attempts description, and through writing, pieces of the unsaid become real. With fiction, nonfiction, poetry, and tributary letters, LitMag’s third issue holds work that embodies the condensation of ineffable yearning.

Meghan E. O’Toole’s fiction story “Abditory” carries the loudest pulse. It is a hazy and dreamlike exploration of how longing can manifest in dreams and become necessary for engaging with reality. O’Toole uses the image of milk to connect the main character’s past and present with their dream-images, and it is in the way the milk moves, the way it rises in the bedroom or pools on the road, that the story supplements the issue’s character of yearning. O’Toole’s story successfully employs elements of magical realism, which create a vivid sense of place that is consistent in every scene. I instantly believed in the fictional world she created, and this lack of hesitancy to trust and settle into the story’s place drew me back for a second and third read.

The magazine’s cohesion comes from every piece having its own sense of magnetism, and I read the magazine in one sitting. Each piece easily pulled me into the next, and it is for this ease and sense of connectivity that recommend LitMag.


Reviewer bio: Jamie is an MFA candidate at the University of North Carolina – Wilmington and holds a BA in English and Creative Writing from Indiana Wesleyan University. She has contributed work to Appalachian Voice, Appalachia Service Project, and has work forthcoming in the Chestnut Review.

Call :: Red Planet Magazine Wants Speculative Work

Deadline: Rolling
Red Planet Magazine is an independent literary magazine emphasizing a theme of speculative fiction, and is open for submissions year-round on a rolling basis. Contributors receive a digital copy of the issue in which their work has been featured. Please visit www.redplanetmagazine.com for additional information.

Call :: borrowed solace seeks mystical work

Deadline: July 31, 2020
borrowed solace is looking for “Mystical” works for the fall themed 2020 literary journal. We accept nonfiction, fiction, poetry, and art. Submissions close July 31, 2020; and you can review our guidelines, what the editors are looking for, and submit here at www.borrowedsolace.com. We want to read what mystifies you!

Call :: About Place Journal Works of Resistance, Resilience

Deadline: August 1, 2020
Each issue of About Place Journal, the arts publication of the Black Earth Institute, focuses on a specific theme. From 6/1 to 8/1 we’ll be accepting submissions for our Fall 2020 issue Works of Resistance, Resilience. Our mission: to have art address the causes of spirit, earth, and society; to protect the earth; and to build a more just and interconnected world. We publish prose, poetry, visual art, photography, video, and music which fit the current theme. More about this issue’s theme and our submission guidelines: aboutplacejournal.org/submissions/.

Call :: Xi Draconis Books Seeks Socially Engaged Manuscripts

Don’t forget that Xi Draconis Books is open to socially engaged, book-length works for publication in 2020 and 2021. They accept novels, short story and poetry collections, memoirs, essay collections, and cross-genre works. Their mission is to publish works examining social justice issues of all kinds. Head to xidraconis.org/submission-guidelines/ to submit. Check out a recent title from their catalog—it’s free. There is no fee to submit. Deadline: July 31.

Call :: This Is What America Looks Like Anthology Closes to Submissions on June 1

If you are a poet or writer living in or with ties to Washington, DC, Maryland, and Virginia, don’t forget that you have until June 1 to submit fiction or poetry to Washington Writers’ Publishing House for their first anthology in 25 years!

They are a 47-year-old nonprofit, cooperative, all-volunteer press and are looking for new and established writers, a cross-section of diverse voices, to write on America today. Be provocative, be personal or political (or both). They want writing that helps us see and reflect on this moment we are living in. More information at www.washingtonwriters.org. Submit at wwph.submittable.com/submit. There is a $5 fee.

Modern Espionage in Ancient Rome

Guest Post by Bill Cushing

Pulitzer Prize winner John Hersey is probably best known for his books dealing with China, where his father served as a missionary, but in The Conspiracy, he takes readers back to the first century AD and Nero’s imperial and mainly insanity-tinged reign.

Like the works of Robert Graves or Leon Uris, Hersey uses a historical backdrop to present a political thriller of the first order. Employing two main characters—Tigellinus, co-consul of the Praetorian guard, and Paenus, tribune of the Roman secret police, along with a series of memos, assorted notes, intercepted letters, and interrogation transcripts—the two members of Nero’s intelligence community try chasing leads concerning a potential assassination attempt against their emperor.

The primary suspects involved in this plan?

The philosopher Seneca and a cadre of poets, artists that Nero had earlier supported and entertained, are surveilled, bringing up images from the Oscar-winning film The Lives of Others.

However, as the layers of the plot open, it begins to reveal Nero’s descent into madness.

Soon, the reader begins to wonder if this is an actual investigation or a means to create a paper trail pointing to others in order to establish scapegoats while the members of Nero’s own security people become the real perpetrators.

One interesting aspect of this book is that it was released in 1972, when news and revelations of the Watergate incident dominated worldwide media and occupied American minds. Hersey’s story produced numerous parallels between the subterfuge and hidden messages of the novel with the events of those days. If readers want to make those connections or draw any parallels with current events is their choice, of course, but the fact that it’s possible only verifies what a relevant story Hersey concocted in any age when he conceived and delivered The Conspiracy.


The Conspiracy by John Hersey. 1972.

Reviewer bio: Bill Cushing writes and facilitates a writing group for 9 Bridges. His poetry collection, A Former Life, was released last year by Finishing Line Press.

Zone 3 – Spring 2020

The issue of Zone 3 includes poetry by Darius Atefat-Peckham, Colin Bailes, Brian Bender, Daniel Biegelson, Christopher Citro, Lynn Domina, Alexandria Hall, Lauren Hilger, Angie Macri, Martha McCollough, A. Molotkov, Kell Nelson, Amy Seifried, Pui Ying Wong, and more; fiction by James Braun, Janice Deal, Tammy Delatorre, Maura Stanton, and Terry Thomas; nonfiction by Rebecca McClanahan, Katherine Schaefer, and William Thompson, and art by Khari Turner.

The Bitter Oleander – Spring 2020

The Spring 2020 issue of The Bitter Oleander features the contemporary Arizona poet David Chorlton, interviewed by our editor and including a generous selection of poems from his forthcoming book, Speech Scrolls. The issue also presents translations from the fiction of Sophia de Mello Breyner Andresen (Portugal); and poetry in translation by Paula Abramo (Mexico), Alberto Blanco (Mexico), Maritza Cino (Ecuador), Andre du Bouchet (France), and Elaine Vilar Madruga (Cuba).