Deadline: After 80 submissions received
The Headlight Review’s Annual Chapbook Prize in Prose is open for submissions! Send us your very best literary fiction, 6k-10k words, and you will be considered by our expert panel of judges for a $500 cash prize and publication of your manuscript. Submissions are $20 each, and all finalists will also be considered for publication. Publication in THR’s regular genres (Poetry, Nonfiction, Fiction, Book Reviews, & Interviews) is also year-round, and it is free to submit. Submission Guidelines for The Chapbook Prize, and for our year-round submissions, can be found on our website. We look forward to reading your work!
Fresh Fiction from Gilbert Allen
Guest Post by Elizabeth Genovise
If you’re hunting for some fresh fiction from a small press, check out Gilbert Allen’s newest book, The Beasts of Belladonna. This book features fifteen linked tales of quirky characters in a South Carolina foothills community. Expect the unexpected in these unsettling yet often hilarious stories, in which characters rub up against their own failures, yearnings, and secrets.
A minister nails a bird to a couple’s front door; a woman accidentally kills her cat and finds an unconventional way to grieve its loss; a man’s foxy neighbor goes to outrageous lengths to destroy his marriage. Domestic animals have a hefty influence on these people’s lives, sometimes comical and sometimes tragic; the same could be said about church as we’re introduced to the Mosquito Ministry, the Faster Pastor Challenge, and couples who pass witty notes during sermons. We meet “treenappers,” a Grandfather Against Garbage, and a character known as the Jesus of Malibu, and in these encounters are powerful flashes of raw humanity in all its complexity.
The Beasts of Belladonna by Gilbert Allen. Slant Books, October 2020.
Reviewer bio: Elizabeth Genovise is an MFA graduate from McNeese State University and the author of three short story collections, the most recent being Posing Nude for the Saints from the Texas Review Press. https://www.elizabethgenovisefiction.org/
Contest :: Reminder Carve’s 2020 Prose & Poetry Contest Closes November 15
Deadline: November 15
Carve Magazine‘s Prose & Poetry Contest deadline is November 15. Accepting submissions from all over the world, but work must be in English. Max 10,000 words for fiction and nonfiction; 2,000 words for poetry. Prizes: $1,000 each for fiction, nonfiction, and poetry. All 3 winners published online in Spring 2021. Entry fee $17 online only. Guest judges are Shruti Swamy for fiction; Kendra Allen for nonfiction; and Roy G. Guzmán for poetry. www.carvezine.com/prose-poetry-contest/
Contest :: Reminder Inaugural Acacia Fiction Prize Accepting Submissions
Deadline: December 31, 2020
The Acacia Fiction Prize winner is awarded $1,200, 20 author copies, plus publication and promotion by Kallisto Gaia Press for a collection of short stories, flash fiction, novellas, or any combination of fiction totaling between 40K and 75K words. Richard Z. Santos (Trust Me, 2020) will judge. Runner up receives $100. Entry fee is $25. All entrants receive a copy of the winning collection! Deadline: December 31, 2020. Sponsored by Duotrope. More info at kallistogaiapress.submittable.com/submit.
Raleigh Review – Fall 2020
This issue’s featured artist is Janice Joy Little. Fiction by Peter D. Gorman, Trina Askin, James Hartman, Melissa Reddish, and Katherine Conner. Poetry by Melissa Kwasny, Nan Becker, Dionissios Kollias, Colin Bailes, Rob Shapiro, Kabel Mishka Ligot, Hussain Ahmed, Johnny Lorenz, Darius Simpson, Camerin McGill, Jai Hamid Bashir, Melanie Tafejian, Maxine Patroni, Alaina Bainbridge, and Gabriella R. Tallmadge. Check it out at the Raleigh Review website.
The Wishing Tree
Guest Post by Robert Lamb
It was Union Gen. William Tecumseh Sherman who said, “War is hell.” If you have any doubt that the general was dead right, run and get a copy of The Wishing Tree by Matthew A. Hamilton. You’ll see war up close and personal in his excellent account of the Armenian genocide by the Turks in the early 1900s.
Hamilton, a Richmond, VA writer and former Peace Corps volunteer, shows us through the eyes of a young Christian girl in Armenia how war unleashes unspeakable human savagery in the name of ethnic cleansing.
It is April 1915 and the Turks’ Ottoman Empire, which has lasted for centuries, is on the verge of defeat by the allied forces of Great Britain and the Arabs. In the novel’s first few pages, the heroine, Valia, a teenager, sees her parents, siblings, and neighbors, all Christians, murdered by Turkish “police soldiers,” and flees for her life.
Thus begins an odyssey the reader won’t soon forget. The author’s account of Valia’s struggle to stay alive and hopeful is a hymn to the human spirit, and the story is nothing short of realistic and gripping.
Adding a nice touch of realism, even Lawrence of Arabia and Arab Prince Faisal make cameo appearances near the story’s end.
OK, film producers; you can’t say I didn’t give you a heads up on this novel.
The Wishing Tree by Matthew A. Hamilton. Winter Goose Publishing, September 2020.
Reviewer bio: Robert Lamb is the author of four novels and a book of short stories; he review books for the New York Review of Books; and he has a website at www.robertlamb.net.
Into the Void Magazine – #17
Welcome to a great issue full of vivid, haunting, charming and thought-provoking pieces with a stunning cover image by Jeff Corwin. Fiction by George Choundas, Kathie Giorgio, Rosalind Goldsmith, Alice Ting Liu, Chris Neilan, and Alexander Woods; nonfiction by Audrey Burges, Marie Kilroy, and Ellis Scott; and poetry by Dianna Vagianos Armentrout, Swapnil Dhruv Bose, James Butler, and more.
Contest :: National Indie Excellence Awards 2021 Open for Entries
The National Indie Excellence® Awards (NIEA) are open to all English language printed books available for sale, including small presses, mid-size independent publishers, university presses, and self-published authors. NIEA is proud to be a champion of self-publishing and small independent presses going the extra mile to produce books of excellence in every aspect. All entries for the 15th Annual NIEA contest must be postmarked by March 31, 2021. www.indieexcellence.com
Call :: We Pay Contributors: Driftwood Press Submissions Open
John Updike once said, “Creativity is merely a plus name for regular activity. Any activity becomes creative when the doer cares about doing it right, or better.” At Driftwood Press, we are actively searching for artists who care about doing it right, or better. We are excited to receive your submissions and will diligently work to bring you the best in full poetry collections, novellas, graphic novels, short fiction, poetry, graphic narrative, photography, art, interviews, and contests. We also offer our submitters a premium option to receive an acceptance or rejection letter within one week of submission; many authors are offered editorships and interviews. To polish your fiction, note our editing services and seminars, too. www.driftwoodpress.net
Into The Void Releases We Are Antifa Anthology
At the beginning of the month, literary magazine Into the Void released it’s We Are Antifa: Expressions Against Fascism, Racism and Police Violence in the United States and Beyond. The anthology features creative nonfiction, fiction, and poetry from diverse writers all over the world, i.e. the US, Canada, Ireland, the UK, Greece, Nigeria, and more.
Into the Void will be donating 100% of proceeds from the anthology’s sales to Black Lives Matter Canada. In order to maximize profits, the book will only be available via Amazon in ebook and paperback formats.
We Are Antifa was edited by Heath Brougher, Jay C. Mims, Amanda Gaines, Andrew Rihn, and Philip Elliot. It features “breathtaking writing condemning fascism, racism and state-sanctioned brutality through powerful expressions of grief, rage, hope and love.”
The title is a response to Donald Trump’s declaration that the US will be designating Antifa as a terrorist organization. The editors encourage readers to check out “A Brief History of Anti-Fascism” in Smithsonian Magazine to better understand why they published this anthology and “how anti-fascism and anti-racism are inextricably linked in the fight against oppression and supremacy.”
Call :: Girls Right the World Seeks Work for Fifth Issue
Deadline: December 31, 2020
Girls Right the World is a literary journal inviting young, female-identified writers and artists, ages 14–21, to submit work for consideration for the fifth annual issue. We believe girls’ voices transform the world for the better. We accept poetry, prose, and visual art of any style or theme. We ask to be the first to publish your work in North America; after publication, the rights return to you. Send your best work, in English or English translation, to [email protected] by December 31, 2020. Please include a note mentioning your age, where you’re from, and a bit about your submission. Please read our first four issues for an idea of work we like.
Call :: Waymark Literary Magazine Seeks Works of an Individual’s Footpath in Life
Deadline: November 20, 2020
Waymark Literary Magazine is an online and physical literary magazine dedicated to publishing the works of an individual’s waymark; their footpath in life. Anyone can submit as long as they have a story to tell. We are looking for nonfiction, fiction, poetry, and art submissions to be published in our biannual publication. Check out our Summer 2020 issue for an idea of what we seek.
Contest :: Baltimore Review Wants Prose Under 1,000 Words for Winter 2020 Contest
Deadline: November 30, 2020
No theme for our winter contest. Subject matter is entirely up to you. Surprise us! But keep it short. Two categories: flash fiction and flash creative nonfiction. We want to be amazed at how you abracadabra 1,000 or less into magic. And maybe be a little jealous of how you do that. One writer in each category will be awarded a $300 prize and published in the winter issue. All entries considered for publication and payment. Final judge: Diana Spechler. See www.baltimorereview.org for complete details. Deadline: November 30, 2020. Fee: $5.
Call :: Auroras & Blossoms Plus FPoint Collective Seek Work Year-round
Deadline: Year-round
Launched in 2019, Auroras & Blossoms is dedicated to promoting positive, uplifting, and inspirational art; and giving artists of all levels a platform where they can showcase their work and build their publishing credits. We publish short stories, six-word stories, paintings, and drawings. We are also looking for work that tells beautiful stories and articles that are helpful to photographers at every level of their career for publication in our sister journal FPoint Collective Photography Magazine. We are interested in photography, along with articles, tips, stories, and essays relating to photography. International submissions welcome. Submission Guidelines and apply here. Check out past issues for a taste of what we like.
Call :: Reminder: The CHILLFILTR Review Open to Submissions Year-round
Submissions accepted year-round.
The CHILLFILTR Review strives to bring the best new art to a worldwide audience by leveraging best-in-class technology to create a seamless and immersive web experience. We welcome submissions from all walks of life, and all perspectives. We are committed to inclusivity and kindly welcome work from marginalized voices. All featured works will receive an honorarium of $20 per 1000 words and will be published online at The CHILLFILTR Review as well as on our Apple News Channel. Readers can vote for their favorites, and year-end “Best Of” winners will receive an additional $100 cash prize.
Call :: The Blue Mountain Review Wants the Best Stories in All Genres
Submissions accepted year-round.
The Blue Mountain Review launched from Athens, Georgia in 2015 with the mantra, “We’re all south of somewhere.” As a journal of culture the BMR strives to represent life through its stories. Stories are vital to our survival. Songs save the soul. Our goal is to preserve and promote lives told well through prose, poetry, music, and the visual arts. Our editors read year-round with an eye out for work with homespun and international appeal. We’ve published work by and interviews with Jericho Brown, Kelli Russell Agodon, Robert Pinsky, Rising Appalachia, Nahko, Michel Stone, Genesis Greykid, Cassandra King, Melissa Studdard, and A.E. Stallings. Check out recent issues for a taste of what we like.
Terrain.org – October 2020
New on Terrain.org this month: poetry by Jane Lovell, Zach Eddy, Ted Kooser, Mary Fitzpatrick, Emily Tuszynska, and Jocelyn Casey-Whiteman; nonfiction and photos by Tyra A. Olstad; fiction by Jessica Bryant Klagmann; and an interview with Aimee Nezhukumatathil by Melissa L. Sevigny.
Chestnut Review – Autumn 2020
Work by Erik Wilbur, winner of the Chestnut Review 2020 Poetry Chapbook Contest, opens the Autumn 2020 issue, followed by an interview with the poet. See what else can be found in this issue at the Chestnut Review website.
Call :: Submissions Open for TriQuarterly Issue 160: Black Voices
Deadline: December 1, 2020 for poetry & prose; January 15, 2021 for video essays
This fall, TriQuarterly is open to free submissions from October 1 to December 1, 2020 (and January 15, 2021 for video essays), for our 160th issue. We will be working with guest editors to select and curate work exclusively by Black poets, prose writers, and video artists for June 2021.
The Bitter Oleander – Fall 2020
The Autumn 2020 issue of The Bitter Oleander features an interview with the Danish poet Carsten René Nielsen, including a selection of his prose poetry translated by David Keplinger. Also in this issue: fiction by Michael Pearce, Kelly Talbot, and more; essays by Will Stone; and poetry by Dolores Etchecopar, Stephen Tuttle, Madronna Holden, David Cholrton, Matei Vişniec, Silvia Scheibli, Patty Dickson Pieczka, and others.
The Adroit Journal – October 2020
Adroit 34 features Diane Seuss, Aimee Nezhukumatathil, Jos Charles, David Naimon, Dorianne Laux, Yalie Kamara, Alicia Ostriker, Mary Biddinger, Kevin Prufer, the winners of our 2020 Adroit Prizes, Jennifer Tseng, Elle Nash, Hazem Fahmy, Jenny Molberg, Darius Simpson, Zain Murdock, and many more.
Call :: MudRoom Winter 2021 Issue
Deadline: January 1, 2021
MudRoom is open for submissions until January 1st! We are seeking poetry and prose in all their forms. Submissions are free, and we aim to respond to work quickly. MudRoom is somewhere between where you’ve come from and where you’re going. We believe in the liminal, the dirty, the messy, and the mundane. We publish four issues of prose and poetry a year, and we also work to put out content devoted to developing a practice—we feature short essays on craft and interviews with writers. Send us your work, we’d love to read it!
Call :: Gateway Literary Press Seeks Short Story Collections
Deadline: November 30, 2020
Gateway Literary Press, a new small press, seeks submissions for its catalogue. We seek short story collections that fall somewhere in the surrealist/fabulist/magic realist tradition. Prospective writers should submit a 2 story sample with cover letter describing the rest of the collection, including a list of previous publications, particularly for stories included in the collection. No complete manuscripts at this time, please; these will be rejected unread. We read from November 1-30 and do not charge a fee. A sample authorial contract and more information can be found on our website: gatewayliterarypress.wordpress.com.
Call :: Call for Prose Submissions: Sou’wester 2021 Issue
Deadline: November 15, 2020
Sou’wester is still reading fiction and creative nonfiction for our annual print issue, forthcoming in spring 2021. We are committed to investing in and encouraging the words/stories/voices of all writers, prioritizing those belonging to marginalized communities. We want to read stories from writers belonging to the black diaspora, indigenous communities, Asian communities, Latin(x) communities, neurodivergent communities, those with disabilities, and LGBTQIA+. We seek fiction that allows us to transcend the everyday, haunts our dreams, and feels fresh. We’re looking for work that will move, stun, and awe our readers. Submission is free through Submittable.
Call :: Palooka Seeks Chapbooks, Prose, Poetry, Art, & Photography
Deadline: Year-round
Palooka is an international literary magazine. For a decade we’ve featured up-and-coming, established, and brand-new writers, artists, and photographers from all around the world. We’re open to diverse forms and styles and are always seeking unique chapbooks, fiction, poetry, nonfiction, artwork, photography, graphic narratives, and comic strips. Give us your best shot! Submissions open year-round. Issue 11 features work by Paul Luikart, Duke Stewart, Nils Blondon, Khalilah Okeke, Tim Chapman, Mark Halpern, Clark Merrefield, Leanne Hoppe, Donald Illich, and Malia Nahinu. palookamag.com
Call :: Storm Cellar Seeks Ambitious New Writing & Art
Deadline: Rolling
Storm Cellar is a literary journal of safety and danger, in print and ebook formats since 2011. We seek the voices of Black, Indigenous, POC, LGBTQIA+, gender nonbinary, neurodivergent, fat, disabled, border-straddling, poor, and more marginalized authors. We encourage connections, in work or by creator, to the Midwest, broadly construed. Now paying. Send ambitious, surprising new art and writing through stormcellar.submittable.com; learn more at stormcellar.org. It is free to submit, but we offer tip jar, expedited, and submission + issue response options.
Event :: SLS x St. Petersburg Review Virtual Master’s Class in Fiction
Event Dates: November 8–22, 2020; Location: Virtual;
Extended Deadline: October 30, 2020
Limited to: 10 people. Summer Literary Seminars International Retreats, an offshoot of SLS, in conjunction with St. Petersburg Review/Springhouse Journal invites you to a unique two-week master’s class in fiction taught by internationally acclaimed authors, Dawn Raffel and Laurie Stone. In this online course, you will receive one-to-one feedback; meet the editors of the New Yorker, Graywolf Press, Guernica, and St. Petersburg Review; attend events with Mona Awad, Polina Barskova, and Kadija Sesay; receive discounts for future programs including residencies in Georgia and Kenya; read your work in a publicly advertised event; and more. November 8 to November 22. To learn more and submit, visit stpetersburgreview.com/master-class.
A Handshake Between Time Periods
It’s incredibly rare that a novel can leave you feeling as ecstatically powerless as Ruth Ozeki’s A Tale For The Time Being, a strikingly well-crafted novel following the tribulations of both Naoko Yasutani, an early 2000’s teenager and of the more contemporary character of Ruth—an uninspired author reading the diary of the aforementioned Japanese teen.
Ozeki’s texts demonstrate a handshake between two separate periods within time, misting and tearing apart any conceptions of what it means to be ‘contemporary.’ The reader is simultaneously inundated with early references to popular and zany Japanese Maid Cafès and Hello Kitty merchandise (a Japanophile’s dream) in the form on Nao’s diary whilst Ruth provides a far more grounded account of modern normality—one of mundane and domesticated living.
When reading from the perspective of Nao, a readership is forcefully delved into an environment mostly motivated by suicidal thoughts. Being a Western reader, it became increasingly intriguing to be given some understanding into a Japanese mindset in regards to the romantic sentiments surrounding self-killing, one very foreign to my own.
On the other side of the coin, however, Ruth is a character who lives a decade or so after Nao’s accounts, the physical embodiment of dramatic irony. As a reader of Nao’s diary, she can locate Nao within time, using the internet as a tool to fixate her somewhere after 2001 but prior to the Fukushima Nuclear Reactor Incident of 2011—she’s a literary archaeologist of sorts. It is through Ruth that I, the reader, was stripped of all control. It is at Ruth’s pace of reading that we unveil the life of Nao, it is only at the will of her determination that I found myself turning the page, heavy with anticipation.
A Tale for the Time Being by Ruth Ozeki. Penguin Random House, 2013.
Reviewer bio: I’m Jack Graham, currently studying my Masters in English Literary Studies at Durham University.
Buy this book from our affiliate Bookshop.org.
Call :: 2020 Blueline Reading Period Closes November 30
BLUELINE: A Literary Magazine Dedicated to the Spirit of the Adirondacks seeks poems, stories, and essays about the Adirondacks and regions similar in geography and spirit, focusing on nature’s shaping influence. Don’t forget the submissions window is open until November 30. Decisions made by mid-February. Payment in copies. Simultaneous submissions accepted if identified as such. Please notify if your submission is placed elsewhere. Electronic submissions encouraged, as Word files, to [email protected]. Please identify the genre in the subject line. Further information at bluelineadkmagazine.org.
Sky Island Journal – Fall 2020
Sky Island Journal’s stunning 14th issue features poetry, flash fiction, and creative nonfiction from contributors around the globe. Accomplished, well-established authors are published—side by side—with fresh, emerging voices. Readers are provided with a powerful, focused literary experience that transports them: one that challenges them intellectually and moves them emotionally. Always free to access, and always free from advertising, discover what over 75,000 readers in 145 countries already know; the finest new writing is here, at your fingertips.
Event :: Reversed Thunder with Brendan Constantine
Event dates: November 5 – December 3, 2020; Location: Virtual
Join award-winning poet Brendan Constantine for an exciting craft and generative workshop presented by The Poetry Lab. Writers will respond/reflect on the principles of poetic conscious and political poetry as they explore valedictions and liberate their post-election feelings. Class includes three two-hour workshop sessions and ends in a live public performance, where all students will be invited to read alongside Brendan. Registration fee is $150 for adults, $125 for students with a valid student ID. Must be 18 or over to enroll. Class begins Thursday, November 5, 2020 at 6pm PST via Zoom. Learn more at thepoetrylab.com/reversed-thunder.
Ruminate – Issue 56
Ruminate Issue 56 celebrates Expression. Featuring the William Van Dyke Short Story prizewinning stories “Little to Do with Rain” by Leigh Claire Schmidli and “Occupation Rock and Roll” by Etan Nechin as well as Alberto Daniels’s short story “La Bruja.”
Split Rock Review – Issue 15
The new issue of Split Rock Review features work by Ted Kooser, David Axelrod, Lauren Camp, William Woolfitt, Celia Bland, and many more writers and artists, including fiction by Adrian Markle; nonfiction by Anna Oberg and Wendy Weiger; a comic by Don Swartzentruber; art & photography by Aaron Burden, Leah Dockrill, Natalie Gillis, and more; and poetry by Ellen Rogers, Connie Post, Jenny Wong, Rebecca Yates, Emry Trantham, and more.
Apple Valley Review – Fall 2020
Featuring short fiction by Kevin Bray, Morgan Cross, Adam Luebke, Tove Ditlevsen (translated from the Danish by Michael Goldman), and Epiphany Ferrell; an essay by Samantha Steiner; and poetry by Liana Sakelliou (translated from the Greek by Don Schofield), DS Maolalai, Emily Hyland, Antonio Machado (translated from the Spanish by Thomas Feeny), Tiffany Hsieh, and Joseph Zaccardi. Cover artwork by Konstantin Somov. More info at the Apple Valley Review website.
Contest :: Waxing & Waning Presents: The (TN) Tempest Edition
Deadline: January 17, 2021
With the prompts of living during the COVID-19 pandemic and dealing with natural disasters and their aftermath, this special edition of Waxing & Waning attempts to be the home for beauty during devastation, truth in fear, and human nature as it meets eye-to-eye with Mother Nature (in TN & beyond). One way to heal is for writers/artists to create—to put their hardships on a blank page or canvas. Bring us these attempts. $10 submission fee for all categories. Winners of each category (poetry, prose, & art) will receive a $50 prize. About 30 contributors will be selected for publication.
Call :: Breakbread Extends Deadline for First Issue Submissions
Extended Deadline: November 15, 2020
BreakBread Magazine is a magazine for all young creatives between the ages of 13 and 25. We are always looking for vivid, timely poetry, nonfiction, short stories, comics and visual arts (photography, illustrated narratives, and hybrid work) that explore new directions in arts and letters. Submissions are always free. Visit breakbreadproject.submittable.com/submit to send us your work. Check out our website for more information: www.breakbreadproject.org.
Call :: Pensive Open to Submissions on Black Lives Matter for Spring 2021 Special Feature
Deadline: November 15, 2020
New online publication based at Center for Spirituality, Dialogue, and Service (CSDS) at Northeastern University in Boston. Seeking work that deepens the inward life; expresses range of religious/spiritual/humanist experiences and perspectives; envisions a more just, peaceful, and sustainable world; advances dialogue across difference; and challenges structural oppression in all its forms. Seeking work for feature section on Black Lives Matter to be published in the Spring 2021 issue. Send unpublished poetry, prose, visual art, and translations. Especially interested in work from international and historically unrepresented communities. No fee; currently non-paying. Submit 3-5 pieces via Submittable or [email protected]. Questions? Contact Alexander Levering Kern, co-editor or visit pensivejournal.com. The first issue will have a special online launch event on Wednesday, October 21, 2020. Mark your calendars to learn more.
Call :: Utopia Science Fiction Underrepresented Protagonists
We’re looking for enthralling, upbeat stories set in futures we might want to live in. In contrast to growing dystopian stories and darker themes that seem so abundant in today’s literature. We invite you instead to share in our vision of a better tomorrow. Of a future filled with wonder and hope. We publish stories that transport us to another world, a bright future, one we want to believe in, one we’ll fight to see realized. The theme of our next issue is ‘underrepresented protagonists.’ www.utopiasciencefiction.com
October eLitPak :: MFA in Creative Writing at UNCG
Find Your Story Here
Application Deadline: January 1. One of the first creative writing programs in the country, UNC Greensboro’s MFA is a two-year residency program offering fully funded assistantships with stipends and health insurance. Students work closely with faculty in one-on-one tutorials, take courses in poetry, fiction, publishing, and creative nonfiction, and pursue opportunities in college teaching or editorial work for The Greensboro Review. More at mfagreensboro.org.
Rewards & Consequences of Connection
Rarely, if ever, is the narrator of a novel so personal that it’s like they’ve invited you for tea. Juliana Delgado Lopera’s Francisca does that and more, balancing colloquialisms and two languages with stage-speaking authority. Readers learn a lot and a little of Francisca—she is at least in her mid-20s while telling her story, but we mostly stay locked in on one special summer.
Fiebre Tropical reminds readers of monotony that can ensue during long breaks in high school. Living in Miami with little freedom and resources to explore her surroundings, Francisca is limited to watching her neighbor play computer games, watching telenovelas with her abuela, and interacting with the faith-based community her mother almost forcefully wants her to join.
Christian communities are ubiquitous and highly accessible for youths. This novel explores what happens to identity when one joins these spaces. Will Francesca the all-black wearing “heathen” be transformed by God and his followers, or will followers of Christ find themselves shadowed in Francisca’s queer darkness?
Lopera alternates languages almost seamlessly, creating an authentic intimacy that makes the novel’s tone fresh and inviting as opposed to alienating. The distinct voice keeps the novel consistent; as the reader traverses through the plot, they learn more about Francisca’s mother’s and grandmother’s histories, explored in a way that’s not far off from a Junot Diaz or Toni Morrison book.
The novel explores the relationship between mother and daughter, generational trauma, immigrant experience, coming of age as queer, and queerness repression. The book is also about heartbreak. With the pandemic quarantine reminding us of what it means to be powerless and stuck at home, Fiebre Tropical is a reminder of the vulnerable yet necessary act of connection, of it’s rewards and consequences.
Fiebre Tropical by Juli Delgado Lopera. Amethyst Editions, March 2020.
Reviewer bio: Eric P. Mueller is an essayist based in Alameda, CA. His work has appeared in Foglifter, Thought Erotic, and elsewhere. He reads for Longleaf Review. Follow him and his two dogs @realericmueller on Twitter or Instagram.
Buy this book from our affiliate Bookshop.org.
Call :: great weather for MEDIA 2021 Anthology
great weather for MEDIA seeks poetry, flash fiction, short stories, dramatic monologues, and creative nonfiction for our annual print anthology. Our focus is on the fearless, the unpredictable, and the experimental. Please visit our website for guidelines. Deadline: January 15, 2021.
Call :: Essential Voices: A COVID-19 Anthology
While the pandemic has ravaged our world, certain populations have been impacted more deeply than others. Essential Voices strives to give voice to those who have been silenced. Send us your poems, stories, recipes, or works of art that reflect upon the experience of COVID and COVID related issues in your life. This anthology will be published by West Virginia University Press. Visit us at our website for guidelines before submitting to [email protected]. Deadline: December 31.
Marybeth, Hollister and Jane
Marybeth, Hollister and Jane is a fictional story set in the rural area of Callicoon, New York. The book has a very realistic vibe to it and all the characters seem believable. It follows the journey of a handful of people trying to locate the Eagle Diamond, stolen in the 1960’s. At the start, most of them are from the same organization, LVAJ, whose job is to locate stolen arts, artifacts, etc. and then pass them to someone else. But as the story unfolds, the head of the organization, Peter Reece, is too weak to manage the organization, and eventually all the members separate and begin the search on their own.
All through the journey of reading this book, I was on a rollercoaster. The scenes are sketched out in a way that makes the words leap off the page. All the characters too, are perfect for their roles. Author Vera Jane Cook has done an exceptional job. I particularly like Brock Stanley with his wise, witty, and caring nature (for Jane).The unexpected twist of The Sisters and Jane was my favorite scene from this novel.
The ending could have been much better, though. It winded up too simple and easy and I felt that the story had promised a different sort of end. Nonetheless, Marybeth, Hollister and Jane is a great read, and I will certainly be reading more from this author.
Marybeth, Hollister and Jane by Vera Jane Cook. Chatter Creek Publishing, September 2020.
Reviewer bio: Manasi Patil is a young author with a passion for writing.
Transport to Another World with Auel
Which is more important, the clan or the individual? In Jean Auel’s 500-page series opener, Cro-Magnon Ayla navigates the customs of her adoptive Neanderthal people while pondering what it means that she is “Other.” To assimilate, she must comply with clan rules with which she disagrees. Sometimes she chooses defiance. When her practice of hunting with a sling (a man’s privilege) is discovered, she is placed under a death curse. Ayla isolates in a secret cave, an apt metaphor for the forced solitudes of today’s coronavirus pandemic. As clan political dynamics shift, she must determine whether she can live under the rule of a leader who, despite her valued status as a medicine woman, systematically abuses her.
Since its publication in 1980, the novel and its five sequels in the Earth’s Children series have generated a body of criticism, favorable and unfavorable, around its historicity, feminism, and treatment of race, among other topics. For the quarantined in 2020, though, The Clan of the Cave Bear does what it emphatically must: transport the reader to another world.
The Clan of the Cave Bear by Jean M. Auel. Penguin Random House, June 2002.
Reviewer bio: Amy Ballard writes and teaches in southern Idaho. Her fiction has appeared in Barely South Review and elsewhere. Find Amy at www.amyballard.com.
Buy this book at our affiliate Bookshop.org.
Call :: Awakenings Review Seeks Submissions Year-round
Established in 2000, The Awakenings Review is an annual lit mag committed to publishing poetry, short story, nonfiction, photography, and art by writers, poets and artists who have a relationship with mental illness: either self, family member, or friend. Our striking hardcopy publication is one of the nation’s leading journals of this genre. Creative endeavors and mental illness have long had a close association. The Awakenings Review publishes works derived from artists’, writers’, and poets’ experiences with mental illness, though mental illness need not be the subject of your work. Visit www.AwakeningsProject.org for submission guidelines.
Manifesto on Shared Solitude
Guest Post by Jacqueline Williams
Given to me as a birthday gift, The Friend by Sigrid Nunez is a manifesto on shared solitude and the different ways in which we try to overcome grief. One of the intriguing things about the book is the author’s choice to leave the narrator unnamed along with most of the characters. However, at no point does that choice prove as an obstacle to the reading experience; instead, it renders visible particular details about the personality of the characters thereby allowing the reader to connect more deeply with them.
The book is a fairly easy read about the narrator’s journey of simultaneously losing and gaining someone and the idea of collective grief. As literary fiction, the book is peppered with trivia on various literary writers such as Adrienne Rich, T.S. Eliot, Virginia Woolf, and Franz Kafka among many others. The characters too draw from the similar flavor of what it means to be a writer and the conflicts attached to the profession of writing.
My favorite part of the book is the bond shared between the narrator and Apollo the Great Dane. Nunez’s take on the human-dog relationship is unlike any other. She is spot-on in her representation of the contemporary nature of company that of being alone, together. She writes, “What are we, Apollo and I, if not two solitudes that protect and greet each other?”
The Friend by Sigrid Nunez. Riverhead Books, February 2019.
Reviewer bio: My name is Jacqueline Williams and I’m currently pursuing M.A in English. My field of interests includes Gender Studies, Cultural Studies and Medical Humanities.
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Contest :: Reading Works Short Short Story Contest
Deadline: January 15, 2021
Take the challenge and write a short short story using 100 words. Topics: ants, bowling, 1940s, water. 7 cash prizes: Best of Contest ($100), Best of Category ($50), Best Youth Story (authors 14 and younger, $50), People’s Choice ($50). Submission fee: $10. Reading Works is a 501(c)(3) community based literacy program that provides free reading, writing and English acquisition tutoring to teens and adults. Proceeds from the contest support literacy programs. To learn more go to www.reading-works.org.
Call :: Light and Dark Seeking New Short Stories for Issue 18
Deadline: November 15, 2020
Light and Dark is an online literary magazine seeking works of short fiction by both new and established authors. We are looking for stories that grapple boldly with the dichotomous nature of existence: the light and the dark; the pain, pleasure; the joy and sorrow. We pay $15 per story. For our complete submission guidelines, head over to either our website or our Submission Manager at Submittable. We look forward to reading your work!
The Massachusetts Review – Fall 2020
In the Fall 2020 issue of The Massachusetts Review: fiction by Gwen Thompkins, Alanna Schubach, Andrea Maturana, Kathleen Hawes, and more; poetry by Marcela Sulak, Emily Schulten, Lance Larsen, Esther Lin, Brooke Sahni, C. P. Cavafy, and others; and nonfiction by Karen S. Henry, Ammiel Alcalay, Margaret Lloyd, and more. Plus, photography by Paul Should and a novel excerpt by Giacomo Sartori. .
EVENT – 49.2
EVENT’s latest offering is jam-packed with a tantalizing assortment of literary goodies. Poetry by Bára Hladík, Alpay Ulku, Alan Hill, Patricia Young, A. Molotkov, Dominik Parisien, and more; fiction by Jason Jobin, Kari Teicher, Fraser Calderwood, and Wayne Yetman; and nonfiction by Scott Randall. Plus, four reviews of poetry, fiction, and nonfiction titles. Read more at the EVENT website.