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Book Review :: House Parties by Lynn Levin

House Parties by Lynn Levin book cover image

Guest Post by Joy Stocke

In Lynn Levin’s expert hands, House Parties, a collection of twenty beautifully crafted short stories, the mundane actions of daily life are upended and enter the realm of myth. Family relationships, work relationships, and love in its many forms are woven into a narrative laced with pop culture, literary references, wisdom, and wry humor. On a hike in Yosemite, a young man caring for his ailing mother encourages his friends to seek an elusive waterfall and encounters a raven who leads the way. In a nod to Mary Shelley’s Frankenstein and turning the Jewish myth of the Golem on its head, a woman yearning for companionship fashions a meatloaf into a living being. Students rebel against their professors. A young woman perfects the art of grifting, while a millennial couple seeks to rekindle their love in a new housing development. On a remote beach in Puerto Rico, an awkward teenager encounters a band of monkeys. The natural world permeates the collection and illuminates the mysteries that exist just beyond our grasp. For Levin and her rich tapestry of characters, that very mystery offers and delivers the opportunity for transcendence.

House Parties by Lynn Levin. Spuyten Duyvill Press, May 2023.

Reviewer bio: Joy E. Stocke is the author of numerous books and articles. She has edited and published works of fiction for more than 30 years.

Book Review :: Choosing to Run by Des Linden

Choosing to Run by Des Linden book cover image

Guest Post by Kevin Brown

Unlike several other memoirs from female runners that have come out in the past six months or so—Laura Fleshman’s Good for a Girl; Kara Goucher’s The Longest Race; or Running While Black by Alison Mariella Désir—Linden’s memoir is much more focused on her career in running, not significant issues surrounding the sport (gender, doping, and race, respectively) in the context of the authors’ lives and careers. She centers her story around the 2018 Boston Marathon, interspersing chapters from that race with longer chapters about how she got to that point. The first half of the book feels like necessary background information Linden needs the reader to know to set up the much more dramatic second half of the book, the time in her career when she’s nearing that appearance in Boston. As with the final 10K of the Boston Marathon course, the pace picks up at that point, as the suspense of how she ended up winning the race (no spoiler there, as it’s in the summary of the memoir) after struggling with a debilitating thyroid issue and the worst marathon preparation of her career makes readers want to push to the finish. While Linden does hint at larger concerns—unequal power in contract negotiations and doping—the focus here is on why Linden continued (and continues) to show up and choose to run.

Reviewer bio: Kevin Brown has published three books of poetry: Liturgical Calendar: Poems (Wipf and Stock); A Lexicon of Lost Words (winner of the Violet Reed Haas Prize for Poetry, Snake Nation Press); and Exit Lines (Plain View Press). He also has a memoir, Another Way: Finding Faith, Then Finding It Again, and a book of scholarship, They Love to Tell the Stories: Five Contemporary Novelists Take on the Gospels. Twitter @kevinbrownwrite or kevinbrownwrites.weebly.com/.

Choosing to Run by Des Linden. Dutton, April 2023.

Book Review :: An Apprenticeship by Clarice Lispector

An Apprenticeship or The Book of Pleasure by Clarice Lispector book cover image

Guest Post by Colm McKenna

Clarice Lispector’s An Apprenticeship or The Book of Pleasures is a romantic novel, but this categorization is perhaps misleading. The story follows primary school teacher Lóri falling in love for the first time. Lóri, however, does not feel sufficiently prepared; she cannot fall into it because she does not understand how to love, nor how to live. She strives to figure out the latter so that the former might come more easily.

Lóri is “cosmically different” from other people; the act of living that seemingly comes so easily to others is simply unintelligible to her. When engaging with the real world and its social conventions, she “put[s] someone else on top of herself” so that she can at least pretend to fit in. The scenes in which she interacts with the world are full of anxieties that are invisible to those around her. Lóri is full of metaphysical questions; she fears the prospect of shirking life, worries that the process of thinking is unnatural to her, and bemoans the epistemological loneliness that keeps people apart.

An Apprenticeship is unconventional as a romantic novel, which may explain the mixed reviews it initially received. However, there are some brilliant insights about love to be found here; Lóri makes a case for common sense in love, and the futility of a forced search for pleasure. Lispector’s novel is a richly philosophical story, as well as a sharp and original commentary on love.

Reviewer bio: Colm McKenna is a second-hand bookseller based in Paris. He has published and self-published an array of short stories and articles, hoping to eventually release a collection of stories. He is mainly interested in the works of John Cowper Powys, Claude Houghton and a range of Latin American writers.

An Apprenticeship or The Book of Pleasures by Clarice Lispector. Translated from the Portuguese by Stefan Tobler. New Directions Publishing, May 2022.

Book Review :: Disbound by Hajar Hussaini

Disbound poetry by Hajar Hussaini published by University of Iowa Press book cover image

Guest Post by Jami Macarty

Imagine a book’s binding has dissolved. Now consider what it means when a country loses its binding: “each house / to grieve a long list / of mourners / who had no procession.” Now, dear reader, you are in the “tenacious presence” of Disbound, Afghan poet and translator Hajar Hussaini’s debut. Disbound’s inquiry: What binds self, family, and nation after war? The nation: Afghanistan, where “the state of affairs chauffeurs the thousands / out of place.”

The poems of Disbound offer “an inventory / / of memories” and the demographics of immigration: “four in ten would leave given the opportunity.” The lives of citizens are pitted against papers and files: “shake an immigrant / and scraps of paper fall out of reality”; “father may die before the files are processed.”

Gestures of dismantling contribute to Disbound’s aesthetics. According to the end notes, several of the collection’s poems “are made of found language borrowed from” various Afghan media sources. This repurposing seems to allow the poet to subvert ideological messages while highlighting a “new gen continuum” and privileging artistic expression: “a slaughterhouse / was renovated / an art production built /… / … / against forgetting.”

Similarly, expression of female sexuality and desire “in gendered halls” is brought forward: “in this language the body / is both / alive and not.” The “manifestation of… immeasurable needs” is perhaps a disbounding from Afghan national norms, and in that way, a “gain,” if there is such a thing, from disbounding. In a book, written out of profound disconnection, Hussaini’s willingness to reconnect with language and the body “is a post-traumatic act,” is a radical act to rebound and rebind after disbound.

Disbound by Hajar Hussaini. University of Iowa Press, November 2022.

Reviewer bio: Jami Macarty is the author of The Minuses (Center for Literary Publishing, 2020), winner of the 2020 New Mexico/Arizona Book Award – Poetry Arizona, and three chapbooks, including Mind of Spring (Vallum, 2017), winner of the 2017 Vallum Chapbook Award. Jami’s writing has been honored by financial support from Arizona Commission on the Arts, British Columbia Arts Council, and by editors at magazines such as The Capilano Review, Concision Poetry Journal, Interim, Redivider, Vallum, and Volt, where Jami’s poems appear. More at https://jamimacarty.com/

Book Review :: Diving at the Lip of the Water by Karen Poppy

Diving at the Lip of the Water by Karen Poppy book cover image

Guest Post by Jen Knox

Diving at the Lip of the Water, Karen Poppy’s debut full-length collection of poetry, explores the mystery and beauty of nature alongside the human potential that lives somewhere beyond our imposed boundaries. While the collection shows the author’s ability to move from precise individual worlds to political critique and macro ideas about human nature, each poem offers something of a contemplative nudge. Poppy’s gentle call to action is summarized as she writes, “The poetic voice has / Invisible instructions: / Crack open in case / Of emergency.”

Perhaps we are all living that emergency and in need of the voices that stand up for the magic of existence and refuse to over-define and confine. These poems offer philosophy, relational stories, and appreciation for the natural world. They invite readers to look to the wisdom around us, in all that nourishes, urging, “Growth will come Don’t let / This slowness burden you.” Anyone looking to remember the beauty of life or hear the sweet song of voices that do not shout will find a journey and a gift in Karen Poppy’s collection.

Diving at the Lip of the Water by Karen Poppy. Beltway Editions, May 2023.

Reviewer bio: Jen Knox is a writer based in Ohio. Her work appears in Chicago Tribune, Chicago Quarterly Review, Room Magazine, and The Saturday Evening Post. She was the recipient of the Montana Prize for Nonfiction from CutBank. Jen’s first novel, We Arrive Uninvited, was released in March 2023. Jenknox.com

Book Review :: I Have Some Questions For You by Rebecca Makkai

I Have Some Questions for You by Rebecca Makkai book cover image

Guest Post by Kevin Brown

On the surface, I Have Some Questions For You by Rebecca Makkai looks like another addition to the true crime genre, an appearance reinforced by the fact that Bodie Kane runs a podcast devoted to true crime. She returns to the boarding school she attended as a student to teach classes on podcasting and film studies, only for one of her students to work on a podcast investigating the death of one of Bodie’s classmates. However, Makkai goes well beyond this genre—subverting it at times, in fact—to explore the patriarchal structures women have to navigate on a daily basis and the real risks to their safety that come up again and again. Makkai has written a novel that raises questions about masculinity, internet culture, true crime, feminism, privilege, and justice, but she doesn’t provide any answers, as good novels are wont to do. The impressive part is that she has done all of that while telling a compelling story with characters readers care about. Readers will want to turn the page, not to find out about one more murder or microaggression, but to see what happens to Bodie and her classmates and students. Hopefully, they’ll see the world differently by the time they find out what has happened, as well.

I Have Some Questions For You by Rebecca Makkai. Viking, February 2023.

Reviewer bio: Kevin Brown has published three books of poetry: Liturgical Calendar: Poems (Wipf and Stock); A Lexicon of Lost Words (winner of the Violet Reed Haas Prize for Poetry, Snake Nation Press); and Exit Lines (Plain View Press). He also has a memoir, Another Way: Finding Faith, Then Finding It Again, and a book of scholarship, They Love to Tell the Stories: Five Contemporary Novelists Take on the Gospels. Twitter @kevinbrownwrite or kevinbrownwrites.weebly.com/.

Book Review :: The Longest Race by Kara Goucher

The Longest Race by Kara Goucher book cover image

Guest Post by Kevin Brown

In this memoir, The Longest Race, Kara Goucher, with Mary Pilson, tells the story of how she became a world-class runner, focusing on her time at the Nike Oregon Project. Goucher talks about the mental abuse she endured as a woman, especially the intense scrutiny of her weight and appearance, but also her pregnancy. She was in the program during the doping scandals of the early part of the century, which later led her to testify against her former coach and teammates. She endured sexual harassment and assault on several occasions. Throughout all of this mental and sexual abuse, she was trying to be one of the best runners in America and the world. Goucher’s memoir reveals the realities of what has happened at the top of various sports throughout the past few decades, especially the ways people in power have abused and ignored women. As Pilson writes in the introduction, “If you’ve ever bought a shirt or pair of shoes with a swoosh, you need to know this story. If you’ve ever tuned in to watch an Olympic final, a World Series, a Super Bowl, or any other professional sporting event, you need to know this story.” Even non-runners need to know this story.

The Longest Race by Kara Goucher. Gallery Books, March 2023.

Reviewer bio: Kevin Brown has published three books of poetry: Liturgical Calendar: Poems (Wipf and Stock); A Lexicon of Lost Words (winner of the Violet Reed Haas Prize for Poetry, Snake Nation Press); and Exit Lines (Plain View Press). He also has a memoir, Another Way: Finding Faith, Then Finding It Again, and a book of scholarship, They Love to Tell the Stories: Five Contemporary Novelists Take on the Gospels. Twitter @kevinbrownwrite or kevinbrownwrites.weebly.com/.

Book Review :: The Rabbit Hutch by Tess Gunty

The Rabbit Hutch by Tess Gunty book cover image

Guest Post by Kevin Brown

Tess Gunty’s debut novel, The Rabbit Hutch, is so weird and wild, with characters that can strike readers as so unlikable, I’m worried people won’t stick with it, which they definitely should, if for no other reason than her astonishing comparisons. Gunty’s title refers to a public housing unit where several of the main characters live, but it also refers to people whom society has put in a small cage, specifically people society has damaged in some way. For example, Blandine (originally Tiffany) has grown up in the foster care system and ends up living with three boys who have come up in similar circumstances, all of whom suffer from a lack of meaningful relationships. Moses and his mother—a woman who became famous as a child star on a TV sitcom—also have no real relationship, leaving Moses adrift as an adult, taking petty vengeance on those who hurt him. The novel sounds dark, and it is, overall, but not in a gratuitous manner. Instead, Gunty spends most of the book setting up the darkness—not just the characters’ immediate conditions, but also the realities of climate change and urban development—only to reveal a select few moments of light, just enough to remind readers of what is still good in the world and what can continue to be good, if only they work to make it so.

The Rabbit Hutch by Tess Gunty. Knopf, August 2022.

Reviewer bio: Kevin Brown has published three books of poetry: Liturgical Calendar: Poems (Wipf and Stock); A Lexicon of Lost Words (winner of the Violet Reed Haas Prize for Poetry, Snake Nation Press); and Exit Lines (Plain View Press). He also has a memoir, Another Way: Finding Faith, Then Finding It Again, and a book of scholarship, They Love to Tell the Stories: Five Contemporary Novelists Take on the Gospels. Twitter @kevinbrownwrite or kevinbrownwrites.weebly.com/.

Book Review :: Saving Time by Jenny Odell

Saving Time by Jenny Odell book cover image

Guest Post by Kevin Brown

Fittingly, I read Saving Time by Jenny Odell during my Spring Break and during the shift to Daylight Savings Time. The latter exemplifies Odell’s critique of time as a construct, especially one that portrays time as a series of boxes to fill. She sees such approaches to time as problematic in two ways: 1) they help create the idea that there is an inexorable future coming; 2) they reinforce systems of control. Odell draws from a variety of subjects—apocalyptic language, incarceration, productivity, climate change, and geography, for example—to reveal how those in power use time to reinforce hierarchies, often based on race, ability, or gender, but especially socioeconomics. Odell questions the assumptions embedded in such systems, such as whether one person’s hour is actually equal to another person’s, an idea that seems to be logically true, but that Odell shows to be nothing but another construct. During my Spring Break, Odell might be pleased to see, I’m not using my time productively, at least not as typical Western societies see productivity. Instead, I’m engaging in creativity for its own sake, including writing this review. Her book isn’t self-help or time management, so readers shouldn’t expect tips for living, but they should expect Odell to help them see time—and, thus, the world—differently.

Saving Time by Jenny Odell. Random House, March 2023.

Reviewer bio: Kevin Brown has published three books of poetry: Liturgical Calendar: Poems (Wipf and Stock); A Lexicon of Lost Words (winner of the Violet Reed Haas Prize for Poetry, Snake Nation Press); and Exit Lines (Plain View Press). He also has a memoir, Another Way: Finding Faith, Then Finding It Again, and a book of scholarship, They Love to Tell the Stories: Five Contemporary Novelists Take on the Gospels. Twitter @kevinbrownwrite or kevinbrownwrites.weebly.com/.

Book Review :: Birnam Wood by Eleanor Catton

Birnam Wood by Eleanor Catton book cover image

Guest Post by Kevin Brown

Eleanor Catton’s title, Birman Wood, should immediately make the reader think of Shakespeare’s Macbeth; however, Catton isn’t writing a contemporary retelling. That said, Catton’s characters have ambition and are willing to do what they need to do to achieve those ambitions, but the characters are more nuanced than in a typical tragedy. Mira has created Birnam Wood, a collective that legally (and not) plants crops in undeveloped areas, but is struggling to stay afloat and might suffer because of Mira’s ego. She meets Robert Lemoine—an American billionaire who has created the persona of a doomsday prepper to purchase land in New Zealand for which he has other, even-less-savory plans—and he agrees to help Mira fund a development on the land he has not quite purchased. Tony used to be a member of Birnam Wood, but he has been teaching overseas for the past several years and now wants a career in investigative journalism, so he sees a career-propelling story in Lemoine’s plans. Shelley has been working with Mira since Tony left, but she’s now considering leaving Birnam Wood, tired of Mira and of living on the margins. While the clearest tragedy in the novel is climate change—the moving of woods, in a different sense—there will be others, and, as in a Shakespearean drama, perhaps nobody is innocent.

Birnam Wood by Eleanor Catton. Farrar, Straus, and Giroux, March 2023.

Reviewer bio: Kevin Brown has published three books of poetry: Liturgical Calendar: Poems (Wipf and Stock); A Lexicon of Lost Words (winner of the Violet Reed Haas Prize for Poetry, Snake Nation Press); and Exit Lines (Plain View Press). He also has a memoir, Another Way: Finding Faith, Then Finding It Again, and a book of scholarship, They Love to Tell the Stories: Five Contemporary Novelists Take on the Gospels. Twitter @kevinbrownwrite or kevinbrownwrites.weebly.com/.

Book Review :: Some Days the Bird by Bourbeau and Casey

Some Days the Bird by Heather Bourbeau and Anne Casey book cover image

Guest Post by Jami Macarty

Some Days the Bird by Heather Bourbeau (HB) and Anne Casey (AC) is an epistolary exchange written between Northern California and Sydney, Australia in 2021 during the COVID-19 pandemic. As Bourbeau puts it in “The letting,” the poem-letters track the “conjunction” of how “People have become numbers, corridors are morgues” with “the tenacious need of green to grow.” In “Coastal descent,” Casey adds her “changing / tableau” from Australia’s “megafires” and “wreckage.” There’s the feeling from these pandemic dispatches, from their different continents and opposite seasons, that the description of each poet’s physical and natural surroundings offers solace, connection, and awareness; a saving formula, as Bourbeau writes in “This is not an inauguration poem” against “heat and fire and fear.” Throughout the exchange, the poets look more carefully, more completely at flowers, insects, and animals, at the “never before noticed” (“Equinox,” HB).

A high point in the exchange came via the corresponding poems “Our Prime Minister stands by” (AC) and “Pause” (HB), where the poets confront “gendered violence” (AC) and “value” (HB). In her poem, Casey takes on “this country // long at war with / its women”; while Bourbeau notes “Next week will mark my menopause.” I hoped for more of this direct engagement “with things we have been taught / are not worth savoring, / hold no value” (“Pause,” HB), but the poems relegated these gender concerns to subtlety and foregrounded lockdown, exile from family, daughters’ relationships to fathers, and Mother Nature: “this messy line between accustomed / and detached” (“Richter’s scale,” HB). Regardless of what I hoped for, Some Days the Bird is Heather Bourbeau’s and Anne Casey’s “song / of survival” (“Days of wild weather,” AC), “their song of freedom” (“Season’s greetings,” AC) across a “relentless distance” (“Solstice,” HB).

Some Days the Bird by Heather Bourbeau and Anne Casey. Beltway Editions, 2022.

Reviewer bio: Jami Macarty is the author of The Minuses (Center for Literary Publishing, 2020), winner of the 2020 New Mexico/Arizona Book Award – Poetry Arizona, and three chapbooks, including Mind of Spring (Vallum, 2017), winner of the 2017 Vallum Chapbook Award. Jami’s writing has been honored by financial support from Arizona Commission on the Arts, British Columbia Arts Council, and by editors at magazines such as The Capilano Review, Concision Poetry Journal, Interim, Redivider, Vallum, and Volt, where Jami’s poems appear. More at https://jamimacarty.com/

Book Review :: Our Share of the Night by Mariana Enriquez

Our Share of the Night by Mariana Enriquez book cover image

Guest Post by Colm McKenna

Our Share of the Night, Mariana Enriquez’s second novel, is a welcome addition to the emerging genre of Literary Horror. Well-defined lines have been drawn to distinguish “literary” fiction from horror, sci-fi, fantasy etc. Enriquez is becoming a name that is defying the pretensions of such categorization.

Our Share of the Night is a family history, primarily following Gaspar throughout his childhood and adolescence. His father, Juan – a medium for a Satanic cult – strives to help Gaspar avoid his fate of also becoming a medium. The story spans 37 years and has the backdrop of Videla’s military dictatorship, a theme common amongst contemporary Latin American writers.

Like with Hereditary and other recent Art House Horror films, a big part of the novel’s success can be attributed to its commitment to allegory, rather than simply using horror tropes for their shock value. The otherworldly forces, with their power to make people disappear, hold clear parallels with the military dictatorship in Argentina.

Enriquez is keen to explore the psychological effects of the narrative on her characters. A great deal of time is given to exploring the damage done to Gaspar through his involvement with the Occult. Gaspar also suffers real-world problems that are at times more psychologically devastating than the Occult horrors that fill the story.

These real-life problems are not sidelined; as it is put following a Satanic ritual, “we get hungry and we eat. . . we need to meet with the accountants. . . what happens is real, but so is life.”

Our Share of the Night by Mariana Enriquez; Illustrated by Pablo Gerardo Camacho; Translated by Megan McDowell. Hogarth Press, October 2022.

Reviewer bio: Colm McKenna is a second-hand bookseller based in Paris. He has published and self-published an array of short stories and articles, hoping to eventually release a collection of stories. He is mainly interested in the works of John Cowper Powys, Claude Houghton and a range of Latin American writers.

Book Review :: A Good Girl’s Guide to Murder by Holly Jackson

Guest Post by Indigo Stephens

A Good Girl's Guide to Murder by Holly Jackson book cover image

Holly Jackson’s A Good Girl’s Guide to Murder has a girl, and cold case, and a killer on the loose. All this in the small town of Fairview, where Pippa “Pip” Fitz Amobi lives. Years ago, Andie Bell was murdered by her boyfriend, Sal Singh, whose guilt drove him to suicide. But Pip doesn’t believe that’s the real story. This thrilling mystery is full of red herrings and revealed secrets, and no one is innocent. Jackson both sympathizes with and implicates characters, and takes advantage of readers’ assumptions to lead them away from the truth. Readers who love murder mysteries and strong female characters will be compelled to keep reading until every curiosity is satisfied.

A Good Girl’s Guide to Murder by Holly Jackson. Delacorte Press, January 2021.

Reviewer bio: Indigo Stephens is a violinist and a book lover. She enjoys reading books with strong female characters, especially sci-fi, murder mysteries, and Dystopian YA. Veronica Roth is one of her favorite authors, and one of her favorite series is A Good Girl’s Guide to Murder.

Book Review :: A Thousand Ways to Pay Attention by Rebecca Schiller

Guest Post by Amanda Weir-Gertzog

A Thousand Ways to Pay Attention by Rebecca Schiller book cover image

A Thousand Ways to Pay Attention: A Memoir of Coming Home to My Neurodivergent Mind by Rebecca Schiller explores the several-year period when she untangled the threads of her health diagnoses and the background of the land she and her family recently purchased. Compared to my memoir intake, my nature reading is slim, but Schiller’s sumptuous sensorial descriptors of her small farm in the UK enmesh the reader in the landscape of its mucky, weather-beaten, seasonal wonders. Interwoven with this ecological narrative is the history of former owners of their two-acre property, including interpretive retellings of their experiences supported by primary documentation and literary device.

Schiller’s mental health is addressed through the first two-thirds of the book via her interactions with her children and spouse, foggy memory, clumsiness, and heightened anxiety and depression since moving to their farm. Her diagnosis, and understanding of her neurodivergence, encompass only the latter third of the book and thus feel rushed.

Part of the joy, and potential conundrum, of A Thousand Ways to Pay Attention is the sheer amount of content all wrapped in a book that contains too many gifts: first years on a small family farm, obtaining a health diagnosis, and researching and reinterpreting the history of the land around her.

A Thousand Ways to Pay Attention: A Memoir of Coming Home to My Neurodivergent Mind by Rebecca Schiller. The Experiment, April 2022.

Reviewer bio: Amanda Weir-Gertzog is a writer, gerontologist, and eater of too much milk chocolate. A caregiver and community volunteer, she also authors book reviews to compensate for her prodigious reading habits. Amanda lives in Durham, North Carolina with her partner, pets, and overflowing bookcases.

Book Review :: Bright Unbearable Reality by Anna Badkhen

Bright Unbearable Reality by Anna Badkhen book cover image

Guest Post by Kevin Brown

In her collection of essays, Bright Unbearable Reality, Anna Badkhen—a former war correspondent, now essayist—forces us to examine the reality of migration despite the desire to look away. As her title implies, she compels readers to see the true causes of the massive amounts of people—one in seven worldwide, she says—who relocate due to climate change or suffering related to new weather patterns and natural disasters. I had planned to write that those people are forced to relocate, but that would be a false passive, a sentence construction Badkhen points out that ignores the true action and actor in order to make ideas more palatable. Badkhen doesn’t allow the reader this comfort, as she continually highlights the systemic problems that those in the wealthier countries cause, while at the same time, those countries deny entry to those whom they have displaced. In her essay, “Ways of Seeing,” she points out that there is the surface reality that most of us who have the privilege of reading her book know and the reality of those whose lives enable us to have that privilege; the difference, to use one of her images, between the restaurants and hotels that line Waikiki and the hotel workers striking for a living wage.

Bright Unbearable Reality by Anna Badkhen. New York Review Books, October 2022.

Reviewer bio: Kevin Brown has published three books of poetry: Liturgical Calendar: Poems (Wipf and Stock); A Lexicon of Lost Words (winner of the Violet Reed Haas Prize for Poetry, Snake Nation Press); and Exit Lines (Plain View Press). He also has a memoir, Another Way: Finding Faith, Then Finding It Again, and a book of scholarship, They Love to Tell the Stories: Five Contemporary Novelists Take on the Gospels. Twitter @kevinbrownwrite or kevinbrownwrites.weebly.com/.

Book Review :: Successful Aging by Daniel Levitin

Successful Aging by Daniel Levitin book cover image

Guest Post by Kevin Brown

Author of Successful Aging, Daniel Levitin is a neuroscientist and cognitive psychologist who brings both of his specialties to bear in this book. Levitin explores how people’s behaviors affect their brains and vice versa as they age, with the ultimate goal of helping people navigate their later years with a better quality of life, focusing on health over longevity. Levitin pored through thousands of articles to determine what the latest science says about aging, and he comes out of that reading quite optimistic. One of my few complaints about the book, in fact, is that he seems too optimistic about science’s answers, too trusting of continued progress. However, he encourages readers to stay involved in some sort of meaningful work; to continue to develop relationships; to get outside and exercise, no matter the difficulty, choices most of us could integrate into our lives, in order to have a more enjoyable and healthier life. My other complaint is that there are times when the science gets overwhelming for a lay reader, as I skimmed the jargon, wanting to get back to more of his summary conclusions from that science. Levitin provides readers with practical, research-based techniques for moving into one’s sixties, seventies, and beyond in the best mental and physical health possible.

Successful Aging by Daniel Levitin. Dutton, December 2020.

Kevin Brown has published three books of poetry: Liturgical Calendar: Poems (Wipf and Stock); A Lexicon of Lost Words (winner of the Violet Reed Haas Prize for Poetry, Snake Nation Press); and Exit Lines (Plain View Press). He also has a memoir, Another Way: Finding Faith, Then Finding It Again, and a book of scholarship, They Love to Tell the Stories: Five Contemporary Novelists Take on the Gospels. Twitter @kevinbrownwrite or kevinbrownwrites.weebly.com/.

Book Review :: Good for a Girl by Lauren Fleshman

Good for a Girl by Lauren Fleshman book cover image

Guest Post by Kevin Brown

Lauren Fleshman, author of Good for a Girl: A Woman Running in a Man’s World and one of the top professional runners of her generation, never achieved the highest levels of success as she (at the time) and others defined it. She talks about her running career in her memoir, but her interests lay beyond training times and significant races, as she’s much more interested in why she and so many other female runners struggled to perform as well as they (and others) expected. She redefines success away from making the Olympic team to being able to run to one’s potential and still live a healthy life. While acknowledging her limited point of view and knowledge, she talks about the obstacles and struggles that come with being a female runner: unhealthy relationships with food and body image; coaches and trainers who treat females’ bodies as if they’re interchangeable with those of men; sponsors and marketers who objectify women or fail to take into account their different physical development. While she shares the clear events of misogyny and sexism, she also conveys the less-clear, more-frequent ways in which a patriarchal sport and society ignore women’s potential, hindering them from becoming the runners and people they could be.

Good for a Girl by Lauren Fleshman. Penguin, January 2023.

Reviewer bio: Kevin Brown has published three books of poetry: Liturgical Calendar: Poems (Wipf and Stock); A Lexicon of Lost Words (winner of the Violet Reed Haas Prize for Poetry, Snake Nation Press); and Exit Lines (Plain View Press). He also has a memoir, Another Way: Finding Faith, Then Finding It Again, and a book of scholarship, They Love to Tell the Stories: Five Contemporary Novelists Take on the Gospels. Twitter @kevinbrownwrite or kevinbrownwrites.weebly.com/.

Book Review :: All Men Glad and Wise by Laura C. Stevenson

All Men Glad and Wise by Laura C. Stevenson book cover image

Guest Post by Laureen Mathon

Reminiscent of Downtown Abbey, this mystery takes place in 1919 on an English estate owned by Sir Thomas. The fourteen-year-old narrator is Harry, the son of Sir Thomas’s groom. When Harry finds a murdered man, he decides he must help to solve the murder and that will help him become “somebody.” This coming-of-age story as well as a murder mystery offers many surprises around Harry’s life along the way.

Readers follow Harry’s adventures in trying to solve the murder while he experiences many of the societal changes of the time—motor cars vs. horses, class distinctions, and gender roles. Expectedly, Harry is gifted with horses, but it is clear the author knows horses well too. By the end of the book, I felt I knew each of the horses and their distinct personalities, making this a great read for horse lovers.

At the front of the novel, the author provides a map of the farms and estates, as well as a cast of characters. There were times when the references to locations or characters got confusing, so I found these additions helpful.

The bumps in the road Harry encounters kept me turning the pages until it was all tied up with a satisfying ending. Could there be a sequel to find out more about Harry as an adult? I hope so!

All Men Glad and Wise by Laura C. Stevenson. Rootstock Publishing, April 2022.

Reviewer bio: Laureen Mathon is a retired insurance professional, avid reader, and former library trustee who looks forward to having this extra time to read and pursue new projects.

Book Review :: Stay True by Hua Hsu

Stay True by Hua Hsu book cover image

Guest Post by Taylor Murphy

Stay True by Hua Hsu is a poignant memoir about growing up, friendship, loss, identity, and the Asian-American experience. Hsu, a New Yorker staff writer, reflects on his time as an undergrad at Berkeley and his unlikely friend Ken.

An Abercrombie-wearing frat boy, Ken’s Japanese American upbringing emboldens him while Hsu is quieted by his immigrant Tawainese childhood. For example, Ken refuses to remove his shoes upon entering the house and directly calls out a casting director by asking why there weren’t more Asian-Americans on MTV. Meanwhile, Hsu rejects anything mainstream; he opts to stay in on Friday nights instead of partying and listens to intentionally curated music. Ken lives loudly and “wanted to see himself in the world” whereas Hsu contemplates how “Ken noticed that I never really went out. More important, he noticed that I hoped to be noticed for this.” Ultimately, Ken’s foil forces Hsu to examine his identity while learning how to loosen up and experience life more fully.

When Ken is senselessly murdered, Hsu turns to writing as a means to cope with the loss of a valued friend. His mother believes Hsu and his friends “had to find a way to get on with our lives.”

Stay True is the result of years of reflection about the ways an ordinary friendship shapes our life long after the friend is gone.

Stay True by Hua Hsu. Doubleday, September 2022

Reviewer bio: Taylor Murphy is a sales manager by day and an English graduate student by night. When she’s not juggling work and school, you can find her snuggled up with her adorable pug and a good book, spending time by the sea, or catching a Boston Celtics game. Her twitter handle is @tayfran and is an amalgamation of the aforementioned things she loves most.

Book Review :: Chilean Poet by Alejandro Zambra

Chilean Poet by Alejandro Zambra book cover image

Guest Post by Colm McKenna

Alejandro Zambra’s most recent novel, Chilean Poet, follows budding poet Gonzalo through his adolescence, followed by a fortuitous meeting with his first love Carla, and the family they start together with her six-year-old son Vincente.

It’s a story about poetry and poets in Chile, where it is los sueños de los niños – a child’s dream – to become a poet. It’s also a commentary on family. Gonzalo delves into the Spanish for stepfather – padastro – and is upset by the negative connotations the -astro suffix carries. Though language fails us sometimes, Gonzalo develops a relationship with Vincente that is unrestricted by dictionary definitions.

Chilean Poet is realistic and experimental: Gonzalo and Carla separate, his relationship with Vincente fades. After the separation, the narrative follows Vincente through his teenage years, combating similar issues his father had dealt with. One of his lovers becomes the protagonist, before being abandoned by the narrator upon boarding her flight home. The storytelling is erratic, despite its traditional bildungsroman form. It correlates well with lived experience; years flash by in seconds, people come and go, dreams and expectations are rarely satisfied in full.

Zambra has crafted a glorious story, full of literary references and astute observations on family and growing up. Notice the missing article in the title; the story is about the idea of being a Chilean Poet; Gonzalo and Vincente just happen to instantiate the idea for a while.

Chilean Poet by Alejandro Zambra, translated by Megan McDowell. Granta Books, Febrauary 2023.

Reviewer bio: Colm McKenna is a second-hand bookseller based in Paris. He has published and self-published an array of short stories and articles, hoping to eventually release a collection of stories. He is mainly interested in the works of John Cowper Powys, Claude Houghton and a range of Latin American writers.

Book Review :: Nervous System by Lina Meruane

Nervous System by Lina Meruane book cover image

Guest Post by Colm McKenna

Lina Meruane’s novel Nervous System evokes the universal fear of illness and death on nearly every page. The story follows Ella through her struggles to finish a doctoral thesis funded entirely by her father’s savings. Her partner, El, is a forensic scientist, who is recovering from an explosion at a work site. After wishing sickness on herself – so she could concentrate solely on her thesis – Ella is suddenly overcome by an undiagnosable illness.

The story is presented in small fragments, often delving into seemingly innocuous memories, to brutal statistics about illness and the end of life on earth. These fragments match the tone of the half-formed anxious thoughts that fill the story. Death is treated as if its reality was becoming clear for the first time. There are lines that could have come from any textbook – “the heart was a muscle that could give out” – but in Nervous System, they lose their objectivity, inducing only fear. References to the ancients’ explanations of illness abound, reflecting the book’s treatment of these grim subjects; the fear and anxiety they evoke remain largely the same, despite technological advances.

Nervous System concerns itself with issues that are hard to accept, but there is solace to be found in hearing another voice confront the hard facts of life on our behalf.

Nervous System by Lina Meruane, translated by Megan McDowell. Atlantic Books, February 2022.

Reviewer Bio: Colm McKenna is a second-hand bookseller based in Paris. He has published and self-published an array of short stories and articles, hoping to eventually release a collection of stories. He is mainly interested in the works of John Cowper Powys, Claude Houghton and a range of Latin American writers.

Book Review :: Easy Beauty by Chloé Cooper Jones

Easy Beauty by Chloé Cooper Jones book cover image

Guest Post by Kevin Brown

In Easy Beauty: A Memoir, Chloé Cooper Jones shares that she was born with sacral agenesis, a congenital condition that affects her stature and the way she walks. While her memoir focuses on the physical pain she suffers, she is more interested in examining how others see her and how she sees herself. She travels to a variety of locations, often under the guise of doing research—as when she travels to Cambodia to explore why people visit monuments to horrific events—but really to think through her self-image, largely shaped by how others see her as different and lesser-than. Her son’s view of her complicates this search, as she doesn’t want to communicate her emotional discomfort at moving through the world to him (doctors had told her she was unable to get pregnant, so her having a child at all was not a development she expected). Throughout the work, she explores beauty and the myths that have accrued around it, whether that’s through classical art or watching Roger Federer play tennis. While her writing and travels help her develop an idea of beauty that includes her and her view of the world, ultimately her relationships help her find the beauty she already possesses.

Easy Beauty by Chloé Cooper Jones. Avid Reader Press, April 2022.

Reviewer bio: Kevin Brown has published three books of poetry: Liturgical Calendar: Poems (Wipf and Stock); A Lexicon of Lost Words (winner of the Violet Reed Haas Prize for Poetry, Snake Nation Press); and Exit Lines (Plain View Press). He also has a memoir, Another Way: Finding Faith, Then Finding It Again, and a book of scholarship, They Love to Tell the Stories: Five Contemporary Novelists Take on the Gospels. Twitter @kevinbrownwrite or kevinbrownwrites.weebly.com/.

Book Review :: Reward System by Jem Calder

Reward System by Jem Calder book cover image

Guest Post by Kevin Brown

Jem Calder’s collection of interlocking short stories in Reward System follows a group of British Millennials, focusing on Julia and Nick, as they try to navigate relationships, technology, and jobs during the approaching pandemic. Calder renders his characters with sympathy and compassion, even when they make poor decisions, given the challenges they face. Julia and Nick (and their friends) live with roommates or their parents, move from one job to the next—sometimes by choice, sometimes not—and try to find ways to truly connect with those around them. Society exacerbates all of these problems, whether the structural oppression women (especially) push against or the technology that more often separates than connects (though not always). This focus on technology works especially well in the stories “Distraction from Sadness Is Not the Same Thing as Happiness” and “The Foreseeable.” In “Distraction” a female user of a dating app connects with and meets a male user (Calder uses no names), exploring the new dating landscape, for good and ill. “The Foreseeable” ends the collection, as Julia and Nick are both sheltering with their parents during the pandemic—one more enjoyably than the other—while talking via FaceTime. The connection keeps breaking in and out, a metaphor for all of the relationships in this collection.

Reward System by Jem Calder. Farrar, Straus, and Giroux, July 2022.

Reviewer bio: Kevin Brown has published three books of poetry: Liturgical Calendar: Poems (Wipf and Stock); A Lexicon of Lost Words (winner of the Violet Reed Haas Prize for Poetry, Snake Nation Press); and Exit Lines (Plain View Press). He also has a memoir, Another Way: Finding Faith, Then Finding It Again, and a book of scholarship, They Love to Tell the Stories: Five Contemporary Novelists Take on the Gospels. Twitter @kevinbrownwrite or kevinbrownwrites.weebly.com/.

Book Review :: The Nineties by Chuck Klosterman

The Nineties by Chuck Klosterman book cover image

Guest Post by Kevin Brown

I was expecting Chuck Klosterman’s The Nineties: A Book to bring back vivid memories from the decade I spent in college and graduate school; what I wasn’t expecting was how Klosterman would present the decade’s events, culture, and people differently than I remembered them. Klosterman covers what most readers would expect: the elections—ranging from Ross Perot’s role in 1992 to the Supreme Court’s role in 2000—the rise of the internet; the music that changed the decade, whether Nirvana or Tupac; the stereotypes and reality of Generation X; the video store’s impact on movie making; the fall of the Berlin Wall and the Soviet empire; major news events, such as the Anita Hill accusations, the Columbine shooting, and the O.J. Simpson trial. Where Klosterman shines, though, is in repositioning what he discusses, asking questions about why nineteen percent of the country voted for Ross Perot (full disclosure: I was one of those, and, yes, I regretted it within a year), how the nineties were more about the potential of the Internet than the Internet itself, and how George H.W. Bush lost the 1992 election after having the highest approval rating in history the year before. Rather than a walk through nostalgia, Klosterman helps redefine how we should view the nineties.

The Nineties by Chuck Klosterman. Penguin Books, January 2023.

Reviewer bio: Kevin Brown has published three books of poetry: Liturgical Calendar: Poems (Wipf and Stock); A Lexicon of Lost Words (winner of the Violet Reed Haas Prize for Poetry, Snake Nation Press); and Exit Lines (Plain View Press). He also has a memoir, Another Way: Finding Faith, Then Finding It Again, and a book of scholarship, They Love to Tell the Stories: Five Contemporary Novelists Take on the Gospels. Twitter @kevinbrownwrite or kevinbrownwrites.weebly.com/.

Book Review :: Undoing the Liberal World Order by Leon Fink

Undoing the Liberal World Order: Progressive Ideals and Political Realities Since WWII by Leon Fink book cover image

Guest Post by Marc Martorell

The central contention in Leon Fink’s Undoing the Liberal World Order: Progressive Ideals and Political Realities Since WWII is that US foreign policy in the decades following the Second World War had an important component of liberal idealism. Fink presents readers with examples of these progressive ideals in practice. Thus, we learn how, after the end of the war, the US promoted democratic decision-making structures for German workers in the industrial sector to thwart Communism in the areas occupied by the Allies.

In Central America, US liberals found an ally in Costa Rica’s President José Figueres Ferrer, who pursued significant social democratic reforms while remaining anti-Communist. Meanwhile, the liberal US ambassador in New Delhi, Chester B. Bowles, coordinated US aid for India’s agricultural development with Prime Minister Jawaharlal Nehru, a leader of the Non-Aligned Movement.

Fink is more convincing in arguing that the role of progressive ideals in US foreign policy declined during the last decades than he is in proving that these kinds of ideals were important in the first place. The examples presented in the text are largely in line with the book’s thesis, but readers may legitimately ask themselves whether these cases are representative of a significant trend or the result of very specific conjectures.

Undoing the Liberal World Order: Progressive Ideals and Political Realities Since World War II by Leon Fink. Columbia University Press, January 2022.

Reviewer Bio: Marc Martorell Junyent graduated in International Relations and currently holds a joint Master in Comparative Middle East Politics and Society at the Eberhard Karls University of Tübingen and the American University in Cairo. His main interests are the politics and history of the Middle East (particularly Iran, Turkey and Yemen). He has studied and worked in Ankara, Istanbul and Tunis. He tweets at @MarcMartorell3.

Book Review :: Running While Black by Alison Mariella Désir

Running While Black by Alison Mariella Désir book cover image

Guest Post by Kevin Brown

Alison Mariella Désir’s Running While Black: Finding Freedom in a Sport That Wasn’t Built for Us is a book runners should read; it’s also a book everybody should read. Désir details how running helps her manage her depression and how she has used running to develop a career and passion that has guided her life. The book not only shows what running while Black is like, it shows what being a Black woman in America is like. While the book is a critique of the whiteness of running in America, Désir uses the lens of running to talk about racism, sexism, and their intersection. The Notes pages illustrate the depth and breadth of her research, as she pulls from newspaper articles; scholarly works on issues such as redlining, Jim Crow, racism in medicine, and contemporary legal issues; social media and podcasts; and well-known writers on race, such as Ta-Nehisi Coates and Ijeoma Oluo. This breadth of research, coupled with Désir’s experiences, makes this book a must for every reader. I expected to see running differently after reading Désir’s book, but I didn’t expect to see so many other aspects of twenty-first-century life and racism in new ways. Any book that can have that effect is worth reading, whether one has ever or will ever run.

Running While Black by Alison Mariella Désir. Portfolio, October 2022.

Reviewer bio: Kevin Brown has published three books of poetry: Liturgical Calendar: Poems (Wipf and Stock); A Lexicon of Lost Words (winner of the Violet Reed Haas Prize for Poetry, Snake Nation Press); and Exit Lines (Plain View Press). He also has a memoir, Another Way: Finding Faith, Then Finding It Again, and a book of scholarship, They Love to Tell the Stories: Five Contemporary Novelists Take on the Gospels. Twitter @kevinbrownwrite or kevinbrownwrites.weebly.com/.

Review :: “To the Quick” by Karen McPherson

Southern Humanities Review volume 55 numbers 3 and 4 cover image

Post by Denise Hill

“To the Quick” by Karen McPherson is a brief poem made up of three tercets. It’s a poem of wizened recognitions that can truly only come with age, which the narrator acknowledges in her skin, “Hardening. // Softening. Veined and rugose.” where she wears her weariness for “hoarding my personal past while coveting others’ futures – ” (How does McPherson know my mind so well?) The speaker goes on to forgive and make plans, trim a kitten’s claws and compare those clever little mechanisms to her own nails, exposed and absurd as a result of tearing “away soft crescents with my teeth.” “To the Quick” delivers readers as promised, to that pit inside that yearns for understanding and connection while at the same time being fully grounded in the concrete non-attachment to time, which moves steadily forward. We eventually figure some things out, “forgive the lapses,” and remain mystified all the same. McPherson succinctly finds that sweet spot in “To the Quick.”

“To the Quick” by Karen McPherson. Southern Humanities Review, v. 55 nos. 3&4.

Reviewer bio: Denise Hill is the Editor of NewPages.com, which welcomes reviews of books as well as individual poems, stories, and essays. If you are interested in contributing a Guest Post to “What I’m Reading,” please click this link: NewPages.com Reviewer Guidelines.

Book Review :: Fixed Star by Suzanne Frischkorn

Fixed Star poems by Suzanne Frischkorn book cover image

Guest Post by Jennifer Martelli

Suzanne Frischkorn’s collection of poems, Fixed Star, braids loss and language. In her prose poem, “Nascent,” Frischkorn writes, “The yoked constellations—Capitalist and Communist—rang bright on her skin. Fidel, is it cold in Cuba?” As both the daughter whose “father’s from Cuba” and as the grandmother who will “twine a history with a silver thread,” the speaker cleaves to poetry. Frischkorn’s use of the sonnet crown throughout the book reminds us of her mastery of the craft. The sonnet becomes the braid, twining throughout the book. In “Letra,” Frischkorn writes,

            In Cuba, right now, someone conducts
     a symphony of furtive braiding for a tourist.
     She’ll leave before the last braid is half-done.

The repetition of the sonnet balances the “dissonance” in the first poem, “Cuban Polymita,” which opens with the haunting statement,

     Birth cleaved me in half—
     the sea I grew legs in
     now a dissonance
     a fixed star—

The section closes with the image of cleaving, in “XII,”

                 but all she said
     aloud was, “This is where I’m from.”
     Birth cleaved me in half—

In Fixed Star, Suzanne Frischkorn assures us that, despite displacement and despair, it is the language of poetry that will “coax the palomas to follow you home.”

Fixed Star by Suzanne Frischkorn. JackLeg Press, September 2022.

Reviewer bio: Jennifer Martelli is the author of The Queen of Queens and My Tarantella, named a “Must Read” by the Massachusetts Center for the Book. Her work has appeared in Poetry and elsewhere. Jennifer Martelli has received grants from the Massachusetts Cultural Council. She is co-poetry editor for Mom Egg Review.

Book Review :: Foster by Claire Keegan

Foster by Claire Keegan book cover image

Guest Post by Kevin Brown

Like Keegan’s earlier book, Small Things Like These, Foster is slight in size, but not in emotional heft. This novella tells the story of a nameless girl in the Irish countryside whose parents must send her to stay with neighbors for a summer while her mother is pregnant. The main financial problem seems to be her father who loses cows in card games and has a liquid supper on a regular basis, while her mother has too many children to pay attention to all of them. The Kinsellas, who take the girl for the summer, don’t care much for her father, Dan, and it’s clear he thinks similarly of them. The situation is one of convenience more than care. Or so it seems. The Kinsellas love the girl in a way that neither of her parents do, a care they show in small ways that seem obvious: her new clothes and a bit of spending money for ice cream; a lack of shame when she wets the bed; lessons on how to read and cook. By the end of the novella, the Kinsellas have fostered the girl not only by keeping her for a few months, but by encouraging her, nourishing her, promoting her development, and, most importantly, cherishing her.

Foster by Claire Keegan. Grove Atlantic, November 2022.

Reviewer bio: Kevin Brown has published three books of poetry: Liturgical Calendar: Poems (Wipf and Stock); A Lexicon of Lost Words (winner of the Violet Reed Haas Prize for Poetry, Snake Nation Press); and Exit Lines (Plain View Press). He also has a memoir, Another Way: Finding Faith, Then Finding It Again, and a book of scholarship, They Love to Tell the Stories: Five Contemporary Novelists Take on the Gospels. Twitter @kevinbrownwrite or kevinbrownwrites.weebly.com/.

Book Review :: The Swimmers by Julie Otsuka

The Swimmers by Julie Otsuka book cover image

Guest Post by Kevin Brown

Julie Otsuka uses shifting points of view to make her books both universal and specific. In her novel, The Swimmers, she begins with the first person plural point of view to give voice to the titular swimmers, exploring the diversity of their reactions when the pool develops a crack, a metaphor for the loss to come in the second half of the novel. Otsuka sets up the idea of memory, collective and individual, she will explore through Alice, one of the swimmers. The reader learns little about Alice in the second half, though Otsuka shifts to the second person point of view to put the reader in the position of Alice’s daughter (who sounds quite similar to Otsuka, from the few hints the reader receives, including her mother’s interment in camps during World War II, one of the memories her mother holds onto throughout much of her deterioration). The reader sees Alice from a distance as one of the swimmers and up close as a mother who is becoming a different person than the daughter remembers. The reader empathizes with the mother and daughter, but knows, as the doctors make clear, there is nothing to do, but to endure the inevitable loss and rebuild a life after that loss.

The Swimmers by Julie Otsuka. Knopf, February 2022.

Reviewer bio: Kevin Brown has published three books of poetry: Liturgical Calendar: Poems (Wipf and Stock); A Lexicon of Lost Words (winner of the Violet Reed Haas Prize for Poetry, Snake Nation Press); and Exit Lines (Plain View Press). He also has a memoir, Another Way: Finding Faith, Then Finding It Again, and a book of scholarship, They Love to Tell the Stories: Five Contemporary Novelists Take on the Gospels. Twitter @kevinbrownwrite or kevinbrownwrites.weebly.com/.

Book Review :: Demon Copperhead by Barbara Kingsolver

Demon Copperhead by Barbara Kingsolver book cover image

Guest Post by Kevin Brown

In her latest novel, Demon Copperhead, Barbara Kingsolver updates Charles Dickens’ David Copperfield (thus the name of the titular character), moving the story to turn-of-the-millenium Appalachia. This approach tempts those readers who are familiar with Dickens’s novel to play a matching game with characters and events, but Kingsolver’s novel goes much further than a literary exercise that tests readers’ nineteenth-century novel knowledge. Her interest in updating Dickens’ novel is to explore the poverty rampant in Appalachia (as it was in Dickens’s London), a problem made significantly worse because of the opiod crisis. While Dickens’s David struggles through his own forms of exploitation, Kingsolver’s Demon, his friends, and his family are all victims in various ways to the addiction that pharmaceutical companies created in places and people who lacked the means to fight back. As with cases from real life, Demon comes by his addictions innocently, but then struggles with them for hundreds of pages, despite those around him who are trying to help. While Kingsolver shows a community decimated by drugs, she creates characters—as does Dickens—the reader cares about. She puts a face to the headlines many of us have the luxury of skimming over and reminds readers there are too many people whose lives seem destined for destruction, through no fault of their own.

Demon Copperhead by Barabara Kingsolver. Harper Collins Publishers, October 2022.

Reviewer bio: Kevin Brown has published three books of poetry: Liturgical Calendar: Poems (Wipf and Stock); A Lexicon of Lost Words (winner of the Violet Reed Haas Prize for Poetry, Snake Nation Press); and Exit Lines (Plain View Press). He also has a memoir, Another Way: Finding Faith, Then Finding It Again, and a book of scholarship, They Love to Tell the Stories: Five Contemporary Novelists Take on the Gospels. Twitter @kevinbrownwrite or kevinbrownwrites.weebly.com/.

Book Review :: Everyone Knows Your Mother is a Witch by Rivka Galchen

Everyone Knows Your Mother is a Witch by Rivka Galchen book cover image

Guest Post by Kevin Brown

In Everyone Knows Your Mother is a Witch, Rivka Galchen uses the story of Johannes Kepler’s mother, whom her neighbors accused of being a witch, to explore how easily people will bow to societal pressures. Katharina is a woman like many in the early 1600s: unable to read or write, but knowledgeable of the natural world. She is also a widow in possession of property. That combination makes her an ideal target for her accusers. Galchen also creates a seemingly innocent bystander—Katharina’s neighbor Simon, who serves as her guardian in the absence of her children—to take down her testimony. The reader watches the world through Simon’s eyes, as well as Katharina’s account of her experiences, and the reader also watches Simon react to the pressures the townspeople put on him. Through Simon, Galchen raises the question of who is willing to stand beside the accused even to their own detriment, as well as exploring what it feels like to be the accused. In her recreation of a time that seems so different from our own, Galchen reminds readers we will all have such moments—both of bearing witness and of standing up for ourselves—turning a time-bound tale into one that is terribly relevant.

Everyone Knows Your Mother is a Witch by Rivka Galchen. Macmillan, June 2021.

Reviewer bio: Kevin Brown has published three books of poetry: Liturgical Calendar: Poems (Wipf and Stock); A Lexicon of Lost Words (winner of the Violet Reed Haas Prize for Poetry, Snake Nation Press); and Exit Lines (Plain View Press). He also has a memoir, Another Way: Finding Faith, Then Finding It Again, and a book of scholarship, They Love to Tell the Stories: Five Contemporary Novelists Take on the Gospels. Twitter @kevinbrownwrite or kevinbrownwrites.weebly.com/.

Book Review :: Under My Bed by Jody Keisner

Under My Bed and Other Essays by Jody Keisner book cover image

Guest Post by Olga Montenegro

Jody Keisner’s Under My Bed and Other Essays explores the ritualistic aspect of fear, the summoning of anxiety’s ghosts, and what it means to be a woman living under the promise of male violence. Although Keisner speaks truth to power on what it is like to live with anxiety, it is the exploration of fear and her grandmother that ties the themes of womanhood, illness, and survival. Keisner’s three-section arrangement (Origins, Under the Skin, and Risings) plays an intricate role in how the work is both read and experienced. The reader could interpret the three sections as a balanced academic and creative essay of the Genesis of anxiety, the kinesthetic journey of a disabled body, and the resurrection of Self, which are all ideas Keisner studies deeply about herself.

In “Origins,” the opening essay, Keisner explores her fear as her partner asks, “Why does your mind go down such dark corridors?” This is the premise of the collection of essays in which Keisner, while realizing her own body has an autoimmune disorder, is also realizing that the world is constantly telling women that there is always a threat. Learning how to coexist with this notion, Keisner offers an exploration of female-bodied anxiety through beautifully curated pieces with profound research that both enriches and empowers the reader. Always paying respect to queer and disabled bodies, Keisner unites her voice as part of a symphony of those trying to survive in an increasingly antagonistic world.

To offer a counter point to the deeply embedded fear, Keisner devotes beautiful moments and lyrical prose to speak of her beautifully messy and human grandmother, Grace. Always studying the power behind language, Keisner speaks of her paternal grandmother with admiration and fondness, “My grandmother protected my joy-filled childhood, but to do so, she had to keep a part of herself from me: her pain and suffering.” It is through Grace, ironically, that the readers find a form of respite and the goal that, regardless of how much this world tells us we’re not welcomed, there are ways to not be afraid.

Under My Bed and Other Essays by Jody Keisner. University of Nebraska Press, September 2022.

Reviewer bio: Olga Montenegro is a grad student at Bridgewater State University. She splits her time between Mexico City and Massachusetts. You can find her @ActuallyOlga on Twitter.

Book Review :: Breaking Points by Chelsea Stickle

Breaking Points by Chelsea Stickle book cover image

Guest Post by Matthew Rodriguez

As fearless as she is creative, Chelsea Stickle reaches deep into her bag of tricks to “wow” her readers with every story in her debut chapbook, Breaking Points. Many of these stories captivate the reader in such a way that it feels criminal that they’re only flash fiction pieces, but it’s beautiful enough to accept them as the art forms they are. The courage to experiment with various styles of writing, including a multiple-choice quiz and a flow chart, reveal Stickle’s hidden genius by telling deep stories in unorthodox ways, one that might even spark the beginning of a writing revolution! A standout piece, “How Mature Are You: A Quiz,” exemplifies the glories of pushing conventional boundaries within flash fiction formatting through its whimsical and ironically hard-nosed approach to storytelling with a choose-your-own-adventure type of beat. These kinds of structures, while puzzling at first glance, expand a reader’s view of how effectively a writer can tell a story without falling into familiar patterns. It would not be surprising to see a wide range of unique, personalized styles born from Stickle’s innovation. Ultimately, this collection is more than just an ensemble of witty tales but a mosaic of brilliant artistry.

Breaking Points by Chelsea Stickle. Black Lawrence Press, April 2021.

Reviewer bio: Matthew Rodriguez is a graduate student at Bridgewater State University pursuing his English MAT (Master of Arts in Teaching) and currently works as a freshman English teacher at B.M.C. Durfee High School.

Book Review :: The Lonely Stories edited by Natalie Eve Garrett

The Lonely Stories edited by Natalie Eve Garrett book cover image

Guest Post by Sam Tarr

The Lonely Stories: 22 Celebrated Writers on the Joys & Struggles of Being Alone is a collection of distinguished and diverse writers gathered in a volume of unifying isolation narratives, a wonderful contradiction illustrating the affliction or privilege of solitude. Editor Natalie Eve Garrett aimed “to summon cathartic personal essays illuminating the experience of being alone” to challenge the shame and the taboo aspect of discussing one’s loneliness. Collected and crafted before and during the worst of pandemic lockdowns, the stories act upon the hard-learned lessons of the times, showing our isolation was not some passing phase.

Writing can be a punishingly lonely craft, so it’s the writers themselves that tie this collection together best. Each entry is a mosaic showing the complex solidarity of feeling alone. It’s in the “utter brownness” of Claire Dederer’s West Texas landscape and in the silenced pain of Yiyun Li, who “disowned [her] native tongue.” We feel the despair of it in Imani Perry’s hospital room, described as “a funhouse of refracted and repeated loneliness,” and the “different texture” of loneliness in the pre-internet era of Lev Grossman’s “Maine Man.”

Each contribution is a flare sent out of the darkness. In their glare, we see the individual reflections of loneliness. In their glow, we bask in the rebuttal.

The Lonely Stories edited by Natalie Eve Garret. Catapult, April 2022.

Reviewer bio: Sam Tarr is a graduate student at Bridgewater State University and writer living in Weymouth, MA. His work has appeared in 86 Logic and The Bridge. 

Book Review :: Animal, Roadkill, Ashes, Gone by Emily Pittinos

Animal, Roadkill, Ashes, Gone essays by Emily Pittinos book cover image

Guest Post by Alice Verlezza

In her heartfelt memoir of four chapbook essays, Animal, Roadkill, Ashes, Gone, Emily Pittinos animates familial memories and the personal process of grief. This collection pays tribute, not only to the memory of our passed loved ones, but to the exponential growth of their children in their absence. As we learn the details of her ancestral losses, the narrator weaves in and out of time and space. Through the iterative process of processing her father’s unexpected death we “[become] squires of each other’s grief.” Pittinos’s familiar trauma is rendered stark and bare in this “summary of his body.” 

Our relatable Gen-X protagonist, a wry wit demonstrating vulnerable frankness, reminds us that, “We’ll live in cardboard boxes until we die poor and alone” in the inevitably “promise-less future.” Pittinos’s voice powerfully echoes generational attitudes of frustration and hopelessness without getting bogged down. “Nothing will ever be the same,” and we are “always preparing for the worst,” but these essays gracefully illuminate that “the mind abuses its license to change.” In the face of trauma and loss, the mind finds a way to connect back to its natural state, one of peace, gratitude, and remembrance.

Animal, Roadkill, Ashes, Gone by Emily Pittinos. Bull City Press, November 2022.

Reviewer bio: Alice Verlezza, educator, writer, and mother of two was raised in Rhode Island. An MS graduate of Queens University in Sociology, Alice continues her scholarly work earning an English Masters at Bridgewater State University where she researches gender identity and mental health in narrative.

Book Review :: Souvenirs from Paradise by Erin Langner

Souvenirs from Paradise by Erin Langner book cover image

Guest Post by Shauna Briggs

Grief and loss in Sin City. Erin Langner’s debut essay collection, Souvenirs from Paradise, hits on the allure and beauty of one of America’s favorite tourist destinations – Las Vegas. The backdrop of the classic Vegas casinos led Langner to receive the Wendy S. Walters’ 2021 Creative Nonfiction Book Award from publisher Zone 3 Press. Weaving in the city’s history – the fabled old strip, various casino myths, and celebrity stories – with her own experiences and emotions are what makes this collection so hard hitting. Langner convinces the reader of all the charm and complexity of Vegas’s most popular casinos, driving us with her when she writes about her first road trip into town. She captures the outsider-moved-in perspective seamlessly while reconciling the irreparable pain of loss: “People had been telling me for years that I would love Las Vegas, but I refused to believe them.” Neon lights, ringing slot machines, musical impressions, mob memories, and painful history. . . what’s not to love? Langner expresses a complicated and scintillating love in brilliant lyrical prose.

Souvenirs from Paradise by Erin Langner. Zone 3 Press, November 2022.

Reviewer bio: Shauna Briggs is an English teacher on Cape Cod and is currently pursuing her MA in English at Bridgewater State University. She lives in Massachusetts with her husband, dog, and two cats.

Book Review :: If There Is No Wind by Margaret R. Sáraco

If There Is No Wind by Margaret R. Saraco book cover image

Guest Post by R. Bremner

Margaret R. Sáraco’s solid debut poetry collection, If There Is No Wind, begins with a paean to a once-imposing, now-deceased maple tree, skillfully interweaving emotions and memories: “we sat on the stump remains, holding vigil, wishing her well in the afterlife.” It ends with a poem that transforms her into a seabird, exchanging the anguish of being shut in for the joy of freedom, “swimming in warmth, bathing my afterimage away.” In between are 77 pages of sometimes melancholy, sometimes uplifting, but always affecting, poetry. With a personal bias toward surrealism, perhaps my favorite poem in this collection is the lightly surrealism-tinged “Lifeline,” in which Saraco considers that her life has been spent “seated in a kayak / paddling rivers I’ve never seen.” She is waiting for her turn

To pull the kayak
ashore, climb out
discover what
is buried
in my
dense weeds.

In the next-to-last poem in this book, “Quiet Moment,” Sáraco views a reflected moon in a puddle on a clear night and is waiting “for a message / to tell me what this means.” It is indeed a feeling that many of us have had.

If There Is No Wind by Margaret R. Sáraco. Human Error Publishing, September 2022.

Reviewer bio: R. Bremner has been writing of incense, peppermints, and the color of time since the 1960s in journals and anthologies including International Poetry Review and Climate of Opinion: Sigmund Freud in Poetry. Eight published books and chapbooks bear his name, including Hungry Words (Alien Buddha Press).

Book Review :: Borealis by Aisha Sabatini Sloan

Borealis by Aisha Sabatini Sloan book cover image

Guest Post by Alexandria Machado

In Borealis, a stunning long form essay published by Coffee House Press, Aisha Sabatini Sloan reckons with the vast expanse of nature, simultaneously negotiating her relationship to queerness, blackness and the Alaskan landscape. Written lyrically with the use of white space as a conduit for understanding solitude as a person of color in an overwhelming white population, Sloan wonders “when there is no Black figure, what am I supposed to like looking at?” She artfully explores interactions as intimate collisions and reconciliations, whether that be a lover or the way color displays in the sky; all experiences are showcased as this prismatic aurora. Sloan paints her images with dazzling natural light, calling us to take a moment to look and listen to the world around us. Borealis is one great luminous moment, a meditation of self-reflection in contrast to the wilderness. What is similar and what is starkly different becomes resigned to the mystery of images, the way they mimic and shift: “The fog has lowered itself like haunches over a toilet across the tops of mountains.” This essay is as concerned with music as it is silence; we hear “The opening strains of Bjork’s ‘Bachelorette’ play as a bald eagle opens its wings above a lamppost on the spit,” or how “Beaches tend to mean your ear hurts a little; the wind is loud.” Lists give way to observations and letters to a nephew in jail expose how captivity is not just the body in a physical place. Sloan creates collages of color and revelations, “Now I think crying is like touching time. A half-hearted attempt to crash into now.” Sloan’s essay encourages readers to spend time with nature in a way that is patient, humorous and imaginative, with the reminder to not look past any moment, as there is magic and horror everywhere.

Borealis: An Essay by Aisha Sabatini Sloan. Coffee House Press, November 2021.

Reviewer Bio: Alexandria Machado is a graduate student studying English at Bridgewater State University and a writer living in Providence, RI. Her poems, essays and reviews have appeared or are forthcoming in Boshemia, Vagabond City, The Merrimack Review, 86 Logic and other publications.

Book Review :: I Am Jonathan Scrivener by Claude Houghton

I Am Jonathan Scrivener by Claude Houghton book cover image

Guest Post by Colm McKenna

Orphaned from the age of 19, James Wrexham finds himself employed in a dreary office. Without friends or family, he is merely “a spectator in life”. James’ humdrum existence comes to an end after being hired as secretary to Mr. Jonathan Scrivener, an independent gentleman soon leaving England. He is set to receive a lavish salary and live in Scrivener’s flat while he is away. Scrivener remains a shadowy figure throughout; details about him come from a cast of his friends who in turn come to know James. Initially, they are all unaware of each other, and all describe Scrivener as a completely different person.

I am Jonathan Scrivener revolves around two central themes, the first being the existence of an untapped potential in the men and women of inter-war Britain. Instead of painting his characters as gloomy hollow men (seemingly well adjusted and successful people, yet spiritually bankrupt), Houghton is more optimistic. Wrexham writes countless formulaic job applications, but what he submits to Scrivener is a long epistle about himself, which he doesn’t reread. There is something in Wrexham that Scrivener appreciates, even if he is blind to it himself.

Houghton protects his characters from material constraints, because “leisure reveals us”. Work and physical necessity don’t allow us to understand ourselves: “of course people behave themselves on a treadmill; what the hell else can they do?” Wrexham was a shell of a man before being hired by Scrivener. The job he is hired into plays a minor part in the story. It simply functions as a springboard to leisure, the realm in which introspection begins, as well as life’s “real” problems. Though no doubt controversial, it is a profound thesis.

Although Valancourt Books have republished six of Houghton’s novels, there remains a dearth of content out of print. He wrote essays, theatre, poetry and plays; reprinting these would be a good way to show a newfound audience the other strings to Houghton’s bow. Many of his works are nearing their centenary; as the copyright is coming up for some of his underrated pieces, hopefully someone will resurrect them.

There is no biography on Houghton, and little else remains to pad out his life beyond a brief interview given to a writer’s directory in 1950. I Am Jonathan Scrivener was eventually dramatized in 1953, but this was 22 years after the book’s release, and by then Houghton’s fame had already begun to dwindle. He shared an agent with F. Scott Fitzgerald, Agatha Christie and William Faulkner (to name a few), and had a host of celebrity admirers. Whatever the reason for his lost fame, it will be obvious to his readers that it has nothing to do with literary merit.

I am Jonathan Scrivener by Claude Houghton. Valancourt Books, April 2013.

Reviewer bio: Colm McKenna is a second-hand bookseller based in Paris. He has published and self-published an array of short stories and articles, hoping to eventually release a collection of stories. He is mainly interested in the works of John Cowper Powys, Claude Houghton and a range of Latin American writers.

Book Review :: Impossible Naked Life by Luke Rolfes

Impossible Naked Life stories by Luke Rolfes book cover image

Guest Post by Justin Courter

Betcha can’t eat just one! Reading the flash fictions in Luke Rolfes’s Impossible Naked Life, winner of the Acacia Fiction Prize from Kallisto Gaia Press, you’ll tell yourself: Okay, maybe just one more. . . and then read another half-dozen of them. These stories are, by turns (and turns of the pages that keep you wondering what the author will think of next) heartfelt and hilarious. The first sentence of each is a runway from which Rolfes takes an imaginative flight, and the only regret is that sometimes the ride seems too short. Some of the best of these stories are the longer ones—longer, in this case, meaning about ten pages.

One of the funniest, “My Neighbor, Ray,” begins: “On day three of the global crisis, a person crawls out of my mouth. The person is small at first—the size of a marble—but then he grows and grows until full sized.” The person is essentially the narrator’s (Luke’s) alter ego; he befriends the next-door neighbor, who moves in with Luke and his family. Covid cabin fever induces late-night discussions on subjects such as what the concerns of the toothbrush and razor might be if inanimate objects had feelings; and an afternoon when Luke’s kids use some of the overstock of toilet paper to wrap Ray up like a mummy in the backyard.

Not all the stories are surreal but, as does the one described above, all have an emotional accuracy. You aren’t sure where you’re going in Impossible Naked Life, but you’re enjoying a Denis Johnson kind of trip.

Impossible Naked Life by Luke Rolfes. Kallisto Gaia Press, March 2022.

Bio: Justin Courter’s books include the novels The Heart of It All and Skunk: A Love Story. He lives in New York City.

Book Review :: Our Missing Hearts by Celeste Ng

Our Missing Hearts by Celeste Ng book cover image

Guest Post by Kevin Brown

Our Missing Hearts by Celest Ng is a dystopian novel in the vein of Margaret Atwood’s The Handmaid’s Tale. Ng says she drew everything in her fictional world from real life, which makes her United States scarily believable. The government has passed the PACT act, which prohibits discussion of un-American ideas; targets people of Chinese descent; and uses the government’s right to remove people’s children as a means of control. This law leads to rampant discrimination and violence against Asian Americans, ultimately forcing the mother of the main character to flee. While there are parts of exposition to explain this alternate America, the heart of the book is Margaret’s difficult decision to leave Bird when he was nine. He has spent several years without her, but he ultimately goes looking for her, partly because of a cryptic note he receives, but also because of the disappearance of one of his classmates, Sadie, who has been removed from her family and relocated. By centering the novel on these relationships and the effects of such a law on parents and children, Ng reminds readers that laws don’t exist in a vacuum: there are always real individuals who suffer, whether we choose to see them or not.

Our Missing Hearts by Celeste Ng. Penguin, 2022.

Reviewer bio: Kevin Brown has published three books of poetry: Liturgical Calendar: Poems (Wipf and Stock); A Lexicon of Lost Words (winner of the Violet Reed Haas Prize for Poetry, Snake Nation Press); and Exit Lines (Plain View Press). He also has a memoir, Another Way: Finding Faith, Then Finding It Again, and a book of scholarship, They Love to Tell the Stories: Five Contemporary Novelists Take on the Gospels. Twitter @kevinbrownwrite or kevinbrownwrites.weebly.com/.

Review :: “Porous” by Jessica Moore

Brick summer 2022 literary magazine cover image

Guest Post by Megan Eralie

Published in the summer 2022 issue of Brick, “Porous” by Jessica Moore investigates motherhood and imagines the many types of containers in and around pregnancy, birth, and life. Moore opens by stating, “I have an affinity for the liminal.” This fascination of “spaces between” opens an exploration of moments and feelings “beyond the physical.” Reflecting on motherhood, both years before and after giving birth to twins, Moore muses on the space love contains and the boundaries, containers for love, that also grow with motherhood. A car crash eight years before giving birth results in a head injury which causes Moore to pay closer attention to losses and to memorize a passage from John Berger that sparks an unintended attention towards how the mind “alter[s] and appropriate[s]” our own words—memorized words are, themselves, unable to be contained. The containment of words read and memorized culminates in an observation that words, like fetal cells from a pregnancy, live in the body long after birth. The essay itself is a container of Moore’s words blended with other writers’, a container that goes on to live within the reader, revealing the liminality of language.

“Porous” by Jessica Moore. Brick: A Literary Journal, issue 108, Summer 2022.

Reviewer bio: Megan Eralie (she/her) is a nonfiction writer, poet, and graduate student living in Logan, Utah, who thinks having two cats is a personality trait. You can find her on twitter @smeggggs.

Review :: “Tom Is Dead” by Catherine Sinow

Marrow literary magazine logo

Guest Post by Virginia

A succinct nonfiction essay by Catherine Sinow, but one that will sit in the mind long after you’ve finished reading it, “Tom Is Dead” is about tragedy befalling a family and the complications of grief that come from no longer being close to that family. The work, published in Issue 3 of Marrow Magazine, is about rifts between people but also about closeness, and how those two things can co-exist sometimes in strange and painful ways. Sinow utilizes the small space the essay takes up well, and while the word count is low, the content is packed with effective language, like these opening lines, “Once I was friends with two brothers. I had a falling out with both of them. Eight months later, their dad was hit by a car and killed.” The blend of craft and content makes the essay a real brain-worm of a piece, and it’s a slightly morbid, slightly bittersweet, altogether powerful read.

“Tom Is Dead” by Catherine Sinow. Marrow Magazine, Issue 3, 2022.

Reviewer bio: Virginia is an English graduate student at Utah State University. They like talking with cats better than talking with people.

Review :: “The Sum of Which Parts” by Beth Kephart

Beth Kephart head shot

Guest Post by Zoe Dalley

“Our ideas of love were different, too. I wanted, I was desperate, to know you truly, Dad.”

Beth Kephart’s [pictured] short nonfiction piece “The Sum of Which Parts” focuses on a collection of items belonging to her now deceased father to let readers into his world at the end of his life during the COVID-19 lockdowns. From his wallet to a picture of his Wii bowling team, Kephart uses these items to help us understand what it was like for her father, and, in turn, what it must have been like at a time of extreme isolation for much of the older generation without the access or mastery over technology. Kephart then pairs the physical distance of the lockdowns, where she wasn’t able to visit her father without the barrier of technology, with the emotional distance she feels existed between her and her father. Beautifully weaving the two together, “The Sum of Which Parts” effectively tackles the complexity of parent/child relationships, in particular during strange and unforeseen circumstances, such as a global pandemic.

“The Sum of Parts” by Beth Kephart. Upstreet, 2022.

Reviewer bio: Zoe Dalley is a graduate student specializing in literature, composition and culture. They have a particular interest in horror, experimental literature, and anything within the realm of the bizarre.

Book Review :: Powder Days by Heather Hansman

Powder Days: Ski Bums Ski Towns and the Future of Chasing Snow by Heather Hansman Hanover Square Press November 2021 book cover image

Guest Post by Keegan Waller

Through a mix of literary journalism and memoir in Powder Days: Ski Bums, Ski Towns and the Future of Chasing Snow, Heather Hansman asks the question: is the ski town dream dead, and did it ever exist in the first place? Hansman uses her own connections and experiences as a former ticket checker, ski patroller, and restaurant worker in a Colorado ski town to tell a story of the realities of working-class skiers who are still “living the dream.”

“We moved to the mountains and let the other facets of our lives fall into place from there.” In dispelling the common perceptions of the archetypical ski bum, Hansman paints a picture of communities in crisis due to stagnant wages and rising housing costs, mental health issues among ski industry workers, racial tensions, and the ever-looming threat of disappearing snow due to climate change. All framed by her nostalgic, months-long road trip to ski towns across the country. Anyone who has ever loaded everything they owned into their car and moved to a ski town – or even considered doing so after a weekend on the slopes – will find something to relate to in Powder Days.

Powder Days: Ski Bums, Ski Towns and the Future of Chasing Snow by Heather Hansman. Hanover Square Press, November 2021.

Reviewer bio: Keegan Waller is a graduate student in Utah State’s creative writing program. His writing has been featured in Door is a Jar, Boston Literary Magazine, and elsewhere. You can find him on Twitter @keeg_wall.

Review :: “Sufjan Stevens and How I Taught Myself to Cry” by Robin Gow

Mina Weeks review of "Sufjan Stevens and How I Taught Myself to Cry" by Robin Gow published in Cream City Review literary magazine cover image

Guest Post by Mina Weeks

Like the famous Milwaukee cream-colored bricks, Cream City Review’s Winter 2021 issue stands out from the crowd with its focus on marginalized works and experiences. In Robin Gow’s “Sufjan Stevens and How I Taught Myself to Cry,” the beauty and heartache of the trans experience dance with the anguish of familial trauma and bittersweet aftertaste of romance gone wrong. The inability to cry—and its ties to testosterone and holding oneself together with mere stitches—explores the helplessness of bottled-up emotions through the lens of singer/songwriter Sufjan Stevens, whose famously morose lyrics wield the power of tightened chests and melancholic sighs. Through this, Gow expertly captures the trans experience and its ties to emotional suppression and release.

“Sufjan Stevens and How I Taught Myself to Cry” by Robin Gow. Cream City Review, Fall/Winter 2021.

Reviewer bio: Mina Weeks (they/she) is a multi-marginalised K-pop stan who tweets, teaches, and writes fanfiction to get them through their existence. Find them on Twitter @minami_noel or on Instagram @meena.noel.

Review :: “A Place I Didn’t Try to Die in Los Angeles” by Jenny Catlin

Taylor Franson review of "A Place I didn't Try to Die in Los Angeles" by Jenny Catlin published in The Gettysburg Review headshot image of Catlin

Guest Post by Taylor Franson

Jenny Catlin’s [pictured] essay, “A Place I Didn’t Try to Die in Los Angeles,” touches on themes of shame, women’s lack of power, and personal agency. Throughout the piece are moments of dry humor, contrasted with surprising moments of tenderness. Catlin’s prose is both incredibly poignant and incredibly scathing. Her ability to create stark and bold images, while commenting on societal issues is phenomenal. You cheer for her, as she decides not to die, and moan as she makes other choices detrimental to her life. You cannot help but cry with her as she cries in “the Nut” (the now-closed seedy Nutel Motel), and understand what she means when she writes, “There is a kind of alone that only exists in cities as big as Los Angeles.” The piece is infused with emotion and power. Catlin’s diction carries the essay and sets the tone for the entirety of the piece as they expertly balance harsh realities with the inner turmoil that follows. Many women who have felt powerless and forced into difficult choices will not only relate to Catlin’s essay but may see a direct reflection of themselves here as well.

“A Place I Didn’t Try to Die in Los Angeles” by Jenny Catlin. The Gettysburg Review,

Reviewer bio: Taylor Franson Thiel is a creative writing graduate student at Utah State University. She wrote this review because she had to for a class, but she means every word. She can be found on Twitter @TaylorFranson

Review :: “Shame” by Elizabeth Lindsey Rogers

"Shame" by Elizabeth Lindsey Rogers review by Lauren McKinnon from Cincinnati Review issue 19.1 2022 literary magazine cover image

Guest Post by Lauren McKinnon

Elizabeth Lindsey Rogers explores isolation, class, and gender in her nonfiction essay, “Shame.” Set mostly in Guilford County, North Carolina, Rogers recollects her complicated relationship with her grandparents who live secluded on a gothic farm. Rogers sympathizes with her grandmother’s inability to escape a marriage to a man who acts as a family patriarch and predator. When Rogers graduates high school and attends Oberlin University, she fulfills a dream of higher education her grandma could never afford. Despite the liberal, nerdy, queer community Roger finds on campus, she feels out of place and looked down upon because of her ties to small town Guilford County. Rogers explores how humans value themselves above others based on class and education, both unearned privileges. She uses humor and calculated characterization of her grandmother to show readers how isolating it is to exist on the edges. The essay ends with a haunting image of Roger’s grandma, trapped behind the glass window above her sink, washing the dishes, staring at the view of an eroding barn and fields of clay. The image humanizes isolation as women observe the world around them but are unable to fully participate.

“Shame” by Elizabeth Lindsey Rogers. The Cincinnati Review, 19.1, Spring 2022.

Reviewer bio: Lauren McKinnon is a creative writing master’s student at Utah State University. She teaches English and is the Assistant Graduate Director of Composition. Lauren is currently writing her first book of poetry about the Southern Utah desert, motherhood, and woman’s bodies.

Review :: “Deathbed” by Anna B. Moore

Pembroke Magazine number 54 print literary magazine cover image

Guest Post by Sandra Edwards

Anna B. Moore’s “Deathbed” essay in Pembroke Magazine describes the end of her father’s life from her perspective as his primary caretaker. As a narrator, she questions her relationship with her father, but her feelings seem to change as she navigates his dying state. Rather than being a story of redemption or some other giant paradigmatic shift, it is instead one of understanding as she reflects on her father’s character. Interwoven with this narrative is her experience staying in a rented basement apartment while she is away to take care of her father.

Each scene offers details that serve to characterize her father, such as the description of his bedside table in the hospital: “Cluttered with old books, used drinking glasses, folded newspapers, used Kleenexes, his wallet, some coins and pens, a magnifying glass.” She also emphasizes his breathing throughout the piece, almost rhythmically, so that we not only see his physical deterioration into death, but also gain insight into his feelings just as she does. A seemingly simple piece on the surface, Moore captivates the reader and approaches the subject of death in a familiar yet sincere way.

“Deathbed” by Anna B. Moore. Pembroke Magazine, #54, 2022.

Reviewer bio: Sandra Edwards is a college student and aspiring writer currently pursuing her master’s degree.