In this issue of Seneca Review you’ll find poems and essays by Carl Dennis, Donald Revell, Katrina Vandenberg, Adam Clay, Lyllian-Yvonne Bertram, Karen Brennan, James Longenbach, Joshua Marie Wilkinson, Tyler Mills, Katharine Coles, Maya Pindyck, Emma Bolden, Geneviève Paiement, Timothy O’Keefe, and more.
The May/June 2020 issue of the Kenyon Review features the sixth edition of “Nature’s Nature” includes twenty-nine new works by eighteen poets, selected by Poetry Editor David Baker. Featured contributors include Madhur Anand, Elizabeth Bradfield, Stephanie Burt, Stuart Dischell, Rebecca Morgan Frank, Paul Guest, Christian Gullette, Leslie Harrison, Didi Jackson, Devin Johnston, Joanna Klink, Phillis Levin, Leslie Adrienne Miller, Carol Muske-Dukes, Atsuro Riley, Nicole Stockburger, Hannah VanderHart, and Shelley Wong.
In this issue of Boulevard the winning essay from the 2019 Nonfiction Contest by Emi Nietfeld. An interview featuring Téa Obreht. A new fiction piece by Joyce Carol Oates, and a story by Mary Troy. The winning poems from the 2019 Poetry Contest by A.D. Lauren-Abunassar. A collection translated by Yifei Wu of the initial days of the Wuhan quarantine.
Deadline: August 15, 2020
“Spirituality is a broad concept with room for many perspectives. In general, it includes a sense of connection to something bigger than ourselves, and it typically involves a search for meaning in life. As such, it is a universal human experience—something that touches us all…”
No reading fee. Contributors will receive one free copy mailed to U.S. address, only. Please visit the website for the complete guidelines: www.poeticapublishing.com.
Chestnut Review (“for stubborn artists”) invites submissions year round of poetry, fiction, nonfiction, art, and photography. We offer free submissions for poetry (3 poems), flash fiction (<1000 words each & up to 4 pieces), and art/photography (20 images); $5 submissions for fiction/nonfiction (<5k words), or 4-6 poems. Published artists receive $100 and a copy of the annual anthology of four issues (released each summer). Notification in <30 days or submission fee refunded. We appreciate stories in every genre we publish. All issues free online which illustrates what we have liked, but we are always ready to be surprised by the new! chestnutreview.com
Magazine Review by Katy Haas
In the Spring 2020 issue of Southern Humanities Review, Heather Corrigan Phillips dives into the use of language in “A Scattershot Approach.” Broken up into different sections, this piece looks at the idioms and metaphors relating to gunfire that English uses. Each section is a different phrase or word.
This nonfiction piece looks at a span of time immediately after the Sandy Hook Elementary School shooting. Her brother-in-law was a first responder at the school that day and we learn about him and the way his health and family were impacted. Phillips writes about this while living out of the country and learns more in spurts through Skype and phone calls, and readers subsequently learn about this in similar ways. Little bits of his story are revealed and then explorations of gun-adjacent language is placed in between.
Reading this really does bring to light the amount of idioms and metaphors that we use which relate back to guns, and this only scratches the surface. There are plenty more that weren’t included. We’re lead to question why this language is so prevalent while also seeing into the lives of humans who have gone through a traumatic event. Here is the perfect balance of fact and emotion, a quick yet powerful read.
Magazine Review by Katy Haas
The Spring 2020 issue of The Georgia Review was released around the time U.S. citizens were receiving census information in the mail, and the work inside the issue relates back to this: the census and citizenship. Jenni(f)fer Tamayo’s “The Citizenship Question” is a stand-out among these.
The piece reimagines the Application for Naturalization, or the U.S. Citizenship Application. This piece spans three pages, and Tamayo rewrites the questions and options given. The first two pages are straight forward enough, with the third falling into a more chaotic format with text written upside down, overlapping other text, or fading away into blank space.
I always enjoy this type of writing that mixes the cold format of a form (Marissa Spear does something similar with her medical reports in “How Many Ways Can One Spell Hysteria?” found in Moonchild Magazine) and reworks it with heart, feeling, and poetry. It can be a bizarre feeling to see personal information about yourself reduced to a few lines and checkboxes in someone’s files, and Tamayo takes that information back, reclaims it as hers, and connects it back to her life and identity in an inventive and enjoyable read.
Online literary magazine Fiction Southeast has launched the Story of the Month Contest to honor the best short fiction under 1,000 words. Each month the winning story will grace the front page of the website for the entire month and will be listed on the Stories of the Month Page, as well as the Fiction Page. The reading fee is $10, and the winner will receive $50. Submit here: fictionsoutheast.submittable.com/submit/163713/story-of-the-month. Entries are accepted year-round.
Don’t forget Adanna Literary Journal, a women focused print publication, is open to submissions for a special issue through May 15. They are seeking essays, poetry, and creative nonfiction that speaks towards the experience of mothering in a time of crisis—caring for children, especially those with children in college returning from affected areas, those with younger children exposed to media and the anxiety of school shut-downs, as well as women who are caring for elderly relatives or those in the medical profession. To submit, please go to adannajournal.blogspot.com/p/submission-guidelines.html. The subject line should read “Special Issue” to distinguish this from their annual issue.
little somethings press is open for submissions for issue three. We want work that breathes in the space of a page, even as the world falters. Send your flash memoir and fiction of up to 300 words, your poetry of up to 12 lines, and your visual art to [email protected] by June 15th. Up to three pieces per submission are welcome. Contributors will receive compensation through a contributor copy. All rights revert back to the author/contributor upon publication. littlesomethingspress.com
Deadline: June 1, 2020
Literary magazine Gold Man Review is a West Coast journal. They are currently looking for submissions of poetry, fiction, and nonfiction for Issue 10. They are open to all topics and themes and love work that pushes boundaries. Have work on the unusual side? They are probably the journal for you. Please note they only accept submissions from writers living in Oregon, Alaska, Hawaii, California, and Washington. See their website for full submissions guidelines: www.goldmanpublishing.com.
Winston Salem Writers is offering $2,000 in prizes for its annual Flying South writing contests. Best in each category (fiction, nonfiction, and poetry) receives $500. One of the three winners will receive an additional $500 as the WSW President’s Favorite award. All entries will be considered for publication in the next issue of literary magazine Flying South. For full details, please visit our website: www.wswriters.org.
Visit this special issue on Mississippi. Poetry by George Drew, Jerry W. Ward Jr., Diane Williams, Charle R. Braxton, Kalamu ya Salaam, Angela Ball, Annette C. Boehm, Allison Campbell, Kendall Dunkelberg, and more; articles by John J. Han, Junying Jia, William Ferris, and Cassie Osborne Jr.; nonfiction by Hermine Pinson, Joseph Holt, and Kevin Baggett; and interviews with George Drew and Bennie Mae Fortune Harper. Plus, six book reviews.
Looking for new eco-poetry? Visit The Tiger Moth Review for Issue 4, featuring work by Desmond Kon Zhicheng-Mingdé, Tara Menon, Nsah Mala, Noriko Nakada, Sabrina Ito, Jikang Liu, Prasanthi Ram, Ang Xia Yi, Rachel Kuanneng Lee, Michael Garrigan, Lois Marie Harrod, Jennifer MacBain-Stephens, Remi Recchia, Joe Balaz, Mario Loprete, Edrie Corbit, Nisha Bolsey, and more.
The latest issue of Superstition Review is featured at this week’s Magazine Stand. The issue offers art by Richard McVetis, fiction by Janelle Bassett, nonfiction by Marina Hatsopoulos, poetry by Grant Clauser, and interview with Roy G. Guzmán.
In this issue, find nonfiction by Diane Mehta and Heather Corrigan Phillips; fiction by Raima Evan, Dewaine Farria, and more; and poetry by Catherine Carter, Julie Choffel, Catherine Esther Cowie, Jane Craven, Caleb Curtiss, Janice N. Harrington, Andrew Hemmert, Clay Matthews, and others. See more contributors at the Southern Humanities Review website.
Don’t forget that May 15 is the deadline to submit short fiction of no more than 10,000 words to Carve Magazine‘s 2020 Raymond Carver Short Story Contest. Submissions welcome from writers world-wide as long as they are written in English. Prizes: $2,000, $500, $250, + 2 Editor’s Choice $125 each. All 5 winners published in Fall 2020 issue and reviewed by lit agencies. Entry fee $17 online/$15 mailed. Guest judge Pam Houston. www.carvezine.com/raymond-carver-contest/
This month’s Plume Featured Selection includes work by and an interview with Fleda Brown. In nonfiction, David Kirby writes “Getting Stabbed Kidna Takes the Fight Out of Ya.” Chelsea Wagenaar interviews The Museum of Small Bones by Miho Nonaka. This month’s poetry selections include Steven Cramer, Terese Svoboda, Mark Irwin, Floyd Skloot, Denise Duhamel, Angie Estes, and more.
The May issue of The Lake features Jerrice J. Baptiste, Zoe Brooks, Holly Day, George Franklin, Nels Hanson, Jennifer A. McGowan, Warren Mortimer, Leah Mueller, Samuel Prince, Elaine Reardon, David Mark Williams, Rodney Wood, Abigail Ardelle Zammit. Reviews of Emma Lee’s The Significance of a Dress and Rachael Burn’s, a girl in a blue dress.
The second issue of Hole in the Head Review includes poetry by Richard Blanco, David Weiss, Marilyn A. Johnson, Kenneth Rosen, and more, and visual art from Eva Goetz, Jere DeWaters, Jacob Bond Hessler, and others. Plus, tattoo art by Bhagavan Das Shyam Lescault and much, much more.
This issue’s featured authors include Brian Turner, Sue William Silverman, Kristine Langley Mahler, Carly Anderson, Laurie Rachkus Uttich, Sara Ryan, Tyler Mills, Julie Marie Wade, Melissa Grunow, Katy Mullins, and more. Plus, beautiful photography by Christina Brobby. Find more contributors at the Brevity website.
“Practices of Hope” showcases creative processes as ways of making change. The pieces in this issue of About Place ask: How can creative practice allow us to feel and act differently? How can we invent new collaborations and new embodiment practices for humans and other fellow creatures? What can speculative, non-realist, and hybrid forms mean for eco-arts? How can we imagine a different future with more of us in it? What hope can we afford? What hope do we need? Together, we reach for art that activates new relationships to embodiment, climate crisis, species extinction, and environmentally located social pressures.
Good news! If you missed the April 30 deadline for Driftwood Press’s 2020 Online Seminar Series, you’re in luck! They have extended the deadline to apply to May 30. These seminars will run for five weeks starting on June 1 and ending on July 3.
The Erasure Poetry Seminar instructor is Jerrod Schwarz who teaches creative writing at the University of Tampa. This seminar features an in-depth look at the history, practices, and importance of erasure poetry. Every week students receive a video lesson, tailor-made writing prompts, and detailed feedback. The course will culminate in a Showcase Booklet of students’ work which will be made available for free download on Driftwood’s website.
The Editors & Writers Seminar is targeted towards three types of writers: writers submitting to magazines and wanting to fight through the slushpile, writers who wish to be editors of short fiction or run a magazine, and writers who wish to become better editors of their own and others’ work. The instructor will be Driftwood Press Fiction Editor James McNulty. Students receive weekly video lessons, a writing or revision assignment, a reading assignment, and detailed feedback on writing assignments.
Don’t forget that the biannual journal is open to submissions year-round and the publishing arm is currently open to submissions of novellas, graphic novels, and comic collections. They do charge a reading fee. Expedited response options available for journal submissions.
Deadline: Rolling
Send us your zany, innovative best fiction, poetry, and CNF. We publish bimonthly, and year round. Bending Genres also host monthly weekend workshops and retreats. The next online class is Artifact Lit: Exploring New Forms with Tyler Barton from May 22 to May 24. The next retreats are scheduled for August 16-22 in West Bend, Wisconsin, and September 1-7 in New Mexico. www.bendinggenres.com
Deadline: July 1, 2020
Winner receives $500 and publication in our 11th issue! Judged by Caki Wilkinson. Ten-dollar entry fee for up to three poems. All entries considered for publication. grisgris.wpengine.com
Deadline: June 1, 2020
The Conium Review seeks flash fiction in response to the “(Re)new” theme from May 15th through June 1st, 2020. This theme will be edited by James R. Gapinski, author of the Edge of the Known Bus Line, Messiah Tortoise, and the forthcoming Fruit Rot. If your piece is accepted, it will be published on our website. Published authors also receive $20, a copy of our latest print issue, and a signed copy of the editor’s latest book. Send a single unpublished piece up to 1,000 words. No reading fee. Full guidelines here: coniumreview.com/themes/renew/.
Deadline: May 31, 2020
Bacopa Literary Review’s 2020 contest is open until midnight May 31, with a $300 First Prize and $100 Second Prize in each of five categories: Fiction, Creative Nonfiction, Poetry, Humor, Short-Short Fiction. Specific guidelines on our Submittable page: writersallianceofgainesville.submittable.com/submit.
Deadline: June 30, 2020
Two fiction collections will be selected for our fall 2020 e-chapbook series, to be published in August and December, online and as epubs. Stories may be flash or longer, from 500 up to 5,000 words each. We’d like at least five stories, but no more than 15 (if flash fiction). We will also consider novel excerpts. No genre fiction, please. Stories by authors who receive Honorable Mentions will be considered for our 2021 themed anthology. See www.echapbook.com/submissions.html for detailed guidelines and Submittable link. Payment: $100 plus royalties. Submission fee: $6.
Deadline: Rolling
trampset, an online literary journal of fiction, poetry, and nonfiction, is seeking new submissions on a rolling basis. We want your best brain, your beating heart. Send that good human stuff our way. We pay $25 per accepted piece. We have 50 free submissions a month through Submittable as well as Tip Jar and Quick Response options. Visit our submissions page: trampset.org/submissions-6e83932b0985.
Magazine Review by Katy Haas
In the latest issue of Parehlion, readers can find a selection of poetry by Sierra Lindsay. In this set of four poems, “The Line Between” especially stood out to me.
In this poem, Lindsay explores her name in three stanzas. The beginning draws readers in and explains the origin of this study: “I get lumps cut out of my breasts & on the hospital bracelet, last name first.” The second stanza studies the name as it’s used by people she “shouldn’t be fucking,” and the last stanza focuses on the name as it stands on a workplace name tag as customers question its source. The ending is explosive with its reclamation of her name and the power there, “I will put your name on my / tongue & make you taste it.”
The layout of the poem makes it even more enjoyable to read, along with Lindsay’s careful construction of language that ebbs and flows.
Magazine Review by Katy Haas
The Spring 2020 issue of Sheila-Na-Gig online features the winner and honorable mentions of the Spring Poetry Contest. Winner Kari Gunter-Seymour pens the poignant “Trigger Warning.”
In this piece, the speaker’s son grapples with PTSD which worsens in November, the result of time in the military. The speaker’s ability to relate is limited; the closest thing she has is watching her father die, and holding dogs as they’ve died. Throughout the poem she mourns not only her father, but also “the farm boy, the quipster, / the Ren & Stimpy impersonator” who her son used to be before he “boarded the plane, now camouflaged / in anxiety meds and a skeletal body.” I really liked the use of “camouflage” here, an image that not only describes the concealing the person he was, but one that also conjures up military uniforms he once donned.
Gunter-Seymour sums up the message of the poem in two truthful lines, “We don’t get to choose our memories, / they are triggered.”
Fiction Southeast is all about flash fiction. The online journal shares new fiction on a rolling basis, easily accessible on electronic devices.
A feature I’m especially fond of recently is their Flash Audio Series. I’ve had no attention span for reading while sheltering in place, but these audio versions of flash fiction do the work for you and are great to play in the background while making dinner, relaxing in the tub, gardening out in the yard—a welcome voice to accompany whatever you’re up to.
Any graphic novelists or comic creators in the house? Driftwood Press is eager to hear from you! They currently accept short graphic works (one image up to 22 pages of comic art) for publication in their biannual, online journal. They’re open to serializing longer graphic works with presentation of the work’s first chapter and a series outline. The editors also seek graphic novel manuscripts for publication consideration. Submit full or partial manuscripts via Submittable.
Comic submissions to the magazine and graphic novel manuscript submissions are both free. Learn more about what they’re looking for at their website.
But if graphic work isn’t for you, the magazine is still accepting submissions for two of their contests until July 1.
Deadline: May 31, 2020
The 2020 River Styx International Poetry Contest awards $1,000 and publication for the best poem. Lee Ann Roripaugh is this year’s final judge. $20 entry fee includes one-year subscription to River Styx, beginning with the prize-winner issue; $15 fee includes prize-winner issue only. Up to three poems per entry. Multiple entries permitted with multiple entry fees. Submit online at riverstyx.submittable.com/submit or via postal mail to River Styx Poetry Contest, 3301 Washington Ave, Suite 2C, St. Louis, MO, 63103. Deadline is May 31, 2020 (postmarked). Complete guidelines at www.riverstyx.org/submit/poetry-contest/.
Yes, that’s right! Literary magazine Southern Humanities Review has chosen to extend the deadline to their annual Auburn Witness Poetry Prize. You know have until May 8 to submit up to three poems. SHR welcomes submissions from poets of all levels in their careers and especially seek work from underrepresented voices. First place is $1,000 and publication in the journal. The winner will also receive travel expenses to attend a reading at Auburn University in October. This year’s judge is Paisley Rekdal. www.southernhumanitiesreview.com/auburn-witness-poetry-prize.html
Deadline: June 1, 2020 at 5 AM EST
Raleigh Review is open for the 2020 Laux/Millar Raleigh Review Poetry Prize. All entrants to the contest receive the fall 2020 issue. Raleigh Review is a nonprofit literary arts organization now in its 11th year. Works selected during the spring submission period will appear in the fall issue. To submit, visit: raleighreview.submittable.com/submit/.
Elizabeth Jacobson sat down with Aby Kaupang and Matthew Cooperman to discuss their 2018 release of NOS (disorder, not otherwise specified). The book, published by Futurepoem Books, documents the odyssey into a foreign environment of hospitals, doctors, and diagnoses. Terrain.org published an excerpt from the book along with this interview.
Interviewer Elizabeth Jacobson starts the interview with the question about choosing to make the decision to let your child live or die and explains that she grew up in a family where a different choice was made.
Aby responds, “thank you for sharing your story a bit. I hope to hear more. I say that because I care, but also because I wish more people would write/speak about the difficult choices. De-stigmatize uncomfortable realities.”
She and Matthew Cooperman go on to explain how the book started as a private journal of Aby’s and transformed into something completely different. They also talk about how their lives have changed since its publication and what new challenges they face with their daughter who is now thirteen. Check out the full interview here…and maybe prepare a tissue or two.
Originally started in 1997 under the name of “Editor’s Picks,” Del Sol Review has transformed from highlighting select work from print journals to being its very own literary magazine. Contributors include Maxine Chernoff, Paul West, Linh Dinh, Holly Iglesias, Deborah Olin Unferth, Michael Martone, and Daniel Bosch.
Del Sol Review accepts unsolicited works of speculative fiction, poetry, prose poetry, creative nonfiction, short stories, and flash fiction year-round. They love works containing unique and interesting subject matter.
Their latest issue, No. 24, is the Richard Basehart Issue. This contains fiction by Joe Kowalski, Zeke Jarvis, Glen Pourciau, Debbie Ann Ice, Evan Steuber, Jenny Drummey, Andrew Stancek, Richard Leise, Risa Mickenberg, Joseph Couchet, Robert Miltner, Ron Riekki, and Mark Walling; and poetry by Michael Salcman, Nancy Botkin, Wendy Barker, Hilary Sideris, Rich Ives, and Nish Amarnath.
I love the little snippets they put with their issues: “Carnivores. Astonomy. Zsa Zsa Gabor Geeks.” or “Innocent, flight, teeth, yecch, and more!”
Black Warrior Review has decided to lower the rates to enter work into their annual writing contests. The submission fee to enter fiction, nonfiction, and poetry is now $15 while the fee to enter flash is now $6. Winners will receive publication and cash prizes ($500 for flash and $1,000 for poetry, fiction, and creative nonfiction). This year’s judges are Mayukh Sen, Paul Tran, C Pam Zhang, and Lucy Corin. Open until September 1. Complete information available at bwr.ua.edu.
The focus of The Revolution (Relaunch) is feminism in the broadest sense. This means they are interested in “creative activism” that voices the marginalized and/or criticizes corrupt authority for their online journal. They publish a range of styles—memoir, poetry, cultural criticism, interviews, and profiles featuring activists and grassroots organizations. Submit one piece of prose under 750 words, three poems, or 5 images to [email protected].
Guest Post by C.L. Butler
The other day while combing the world of literary magazines I came across something both unique and refreshing. I’m referring to Tyler Dempsey’s two poems most recently published in Re-Side Magazine Issue 5. These pieces use erasure poetry crafted from letters from Dempsey’s brother Travis Dempsey, who has been serving a prison sentence since 2009 in Oklahoma.
His poem “protein” captures the woes of the incarcerated for the outside world to hear. It draws attention to the role of economics in prisons to deal with basic everyday needs like nutrition. In “150MphWinds,” Dempsey points to his brother’s everyday observations. He finds the crux between complex and the dignity of simplicity by again showing what we take for granted.
While Tyler Dempsey is the curator of these poems, the words present a unique voice filled with legitimacy for the reader. It feels as if Dempsey’s brother is talking himself, creating a poetic mirroring of these letters. I chose to review these poems to not only produce more reviews on indie authors, but also to bring the attention of the privileged to the art coming from those with the least amount of civil liberties.
Reviewer bio: C.L. Butler is an African American and Dutch poet, historian, and entrepreneur from Philadelphia based in Houston, TX. In 2017 his poem Laissez Faire was published by The Bayou Review. In 2019 he published academic research with the Journal of International Relations & Diplomacy.
The Baltimore Review has not set a theme for their annual summer contest this year. Instead, they want to see short shorts. Send flash fiction, flash creative nonfiction, and prose poetry. They want to be amazed at how you abracadabra a sprinkling of words into magic. And maybe be a little jealous of how you do that. One writer in each category will be awarded a $300 prize and published in the summer issue. All entries considered for publication. Total word limit for each category is 1,000. See www.baltimorereview.org for complete details. Deadline: May 31, 2020. Fee: $5.
In this issue: the Robert Watson Literary Prize-winning story, Brendan Egan’s “War Rugs,” and Prize-winning poem, Emily Nason’s “Sertraline,” as well as an Editor’s Note from Terry L. Kennedy and new work from Helen Marie Casey, Will Hearn, Daniel Liebert, Robert Garner McBrearty, Elisabeth Murawski, Maxine Patroni, Alice Turski, and more. Read more at The Greensboro Review website.
The Common’s Spring 2020 issue released today. Inside the issue: an Arabic Portfolio from Sudan with work by Andel-Ghani Karamalla, Ishraga Mustafa Hamid, Bwader Basheer, Jamal Aldin Ali Alhaj, Mustafa Mubarak, and more. Also in this issue is fiction by Thoraya El-Rayyes, Catherine Buni, Bina Shah, and others; essays by A. Kendra Greene, Suraj Alva, and Tanya Coke; and poetry by January Gill O’Neil, Emily Leithauser, Megan Pinto, Mira Rosenthal, Tara Skurtu, John Freeman, marcus scott williams, and more.
Deadline: Rolling
COVID LIT is a new online lit mag that gives the middle finger to COVID-19 by publishing, promoting, and spreading art, poetry, and prose using the disease’s name. What sets us apart from other magazines? Simple: instead of paying us a submission fee, all submissions must be accompanied with a minimum $3 donation to a nonprofit of the artist’s choosing. Our goal is to publish weekly online content and, eventually, a print anthology, so send your best work and use your creative superpowers for good! Visit www.covidlit.org today and help those who desperately need it.
In this issue, find essays by Edward Lee and Tony Whedon; a photographic exhibit from artists around the world on the theme “Hunt”; poetry by Daniel Galef, Len Krisak, Katie Hartstock, Hailey Leithauser, and more. Featured in this issue are the 2019 Write Prize for Poetry winners and finalists and the 2019 Write Prize for Fiction Winner. Find a full list of contributors at the Able Muse website.
Online and print literary magazine Into the Void introduces a new series today: #LittleReadings. They contacted past contributors to their journal to submit a video of them reading their work and received an overwhelming response. If you have had work published in their journal, they hope you consider submitting a reading as well.
The first piece in the series is Charlie Scaturro reading his flash fiction piece “Perfect Blue Circles” which was published in their recent issue, #15.
They hope to release a few pieces a week with a weekly roundup newsletter.
Undergraduate writers, Runestone Journal wants to see your take on digital storytelling. Digital works based on a piece of fiction, nonfiction, or poetry are all welcome.
Editor Richard Pelster-Wiebe will be judging your submissions, and after an initial screening, the selection process will take place during Hamline’s “Introduction to Literary Publishing: Runestone.” The winner will receive a prize of $250.
Submissions are free and are open until October 1, so you have plenty of time to craft a great digital piece.
Before sending work in for consideration, check out Issue 17 of Blue Mountain Review. Published in February, this issue features interviews with Kelli Russell-Agodon, Zoe Fishman, Alex Gannon, Eurydice Eve, Justin Butts, Firewords. You can also find Poetry by Shutta Crum, Betsy Rupp, Jeremy Ray Jewell, and Twixt; plus fiction by Jacquelyn Scott, Kimberly Knutson, and Jim Kelly.
When you’re done reading, head on over to their submission manager and consider submitting your own poetry, fiction, micro fiction, and essays. They do charge a $5 fee. Remember, they particularly want work with both homespun and international appeal.
This annual national short fiction contest features a first place $2,000 cash award and invitation to an awards dinner on Friday, October 9, on the campus of Rosemont College; a second place cash prize of $500; and third place cash prize of $250. Requirements: unpublished works of fiction up to 8,000 words; $15 reading fee. Deadline: June 15. philadelphiastories.org