Prism Review: Fiction & Poetry Contest Winners

Prism Review HomepagePrism Review has announced their 2020 contest winners!

Short Fiction: Alan Sincic, “Porter Must Be Stopped”
Judge Aurelie Sheehan: ” “Porter Must Be Stopped” could not be stopped. The language tumbles and collides and crests and takes a breath and rolls in again, and somehow all the world is poised and spinning on the fingertip of a storyteller for our pleasure. The story relies on and is in service to beauty—it conjures beauty out of thin air.”

Poetry: Anna Sandy-Elrod, “Only Two”
Judge Michelle Brittan Rosado: “In “Only Two,” the speaker transforms the difficulty of communicating into a charmingly awkward dance of pairs. These (mis)matchings include the Spanish and Portuguese spoken respectively by the customer and shopkeeper; the unnamed city’s buildings appearing “blue against blue, pink against cream”; and the imagined “two small cups on a plate” as metaphor for the speaker and their lover. This poet reminds us of the inadequacy of language to capture the true experience, even as it assures us that we can be both “failed and triumphant.” ”

Both winners receive $250 and will be published in the next issue. The editors thank all the entrants—the decisions were not easy!

Contest :: Flying South 2020

$2,000 in prizes. From March 1 to May 31, Flying South 2020, a publication of Winston Salem Writers, will be accepting entries for prizes in Fiction, Nonfiction, and Poetry. Best in Category winners will be published and receive $500 each. One of the three winners will receive The WSW President’s Favorite award and win an additional $500. All entries will be considered for publication. For full details, please visit our website: www.wswriters.org.

Nimrod – Spring Summer 2020

Nimrod Spring/Summer 2020

The theme for Nimrod‘s latest issue “Words at Play” sounds like a lot of fun. Learn more about it: featuring fiction by Gauraa Shekhar, Sean Bernard, Jackson Ingram, and Alison Ho; nonfiction by JJ Peña; and poetry by James Toupin, Joanna Gordon, Michelle Penn, Wendy Drexler, Holly Painter, Gabriel Spera, Amy Miller, Matthew J. Spireng, George Looney, Ellen Kombiyil, Margot Kahn, Myra Shapiro, Cindy Veach, Katy Day, Marjorie Maddox, Brooke Sahni, Ella Flores, Madeline Grigg, Jean-Mark Sens, Nicholas Yingling, and more.

Poetry – March 2020

Poetry - March 2020

The cover of Poetry‘s March 2020 issue is inviting. Learn what’s inside: a “Latinext” feature with work by Willie Perdomo, Féi Hernandez, Naomi Ayala, J. Estanislao Lopez, Stephanie Roberts, Roberto Carlos Garcia, Ashley August, Nicole Sealey, Noel Quiñones, Virgil Suárez, P.E. Garcia, Benjamín Naka-Hasebe Kingsley, Sergio Lima, Anthony Morales, Anaïs Deal-Márquez, Lupe Mendez, and Melinda Hernandez. Plus more poetry by John McAuliffe, Douglas Kearney, Robin Gow, Jennifer Chang, Suzi F. Garcia, Luther Hughes, Yusef Komunyakaa, John Kinsella & Thurston Moore, Caroline Bird, and more. Nonfiction by Matthew Bevis.

Raleigh Review – 10.1

Raleigh Review - Spring 2020

This issue of Raleigh Review features the winner of the flash fiction contest, Alexander Weinstein, and runners-up, Alexander Steele and Sarah Hardy. Plus new fiction from Michael Horton, Laura Marshall, Casey McConahay, Jeff McLaughlin, AJ Nolan, and Mark Wagenaar, and new poetry by Threa Almontaser, Kyce Bello, Despy Boutris, Lupita Eyde-Tucker, Charlotte Hughes, Kamal E. Kimball, Sandy Longhorn, Aimee Seu, Lena Khalaf Tuffaha, and more. This issue also features the art of Stacey Cushner, and an interview with Patricia Henley.

The Lake – March 2020

The Lake - March 2020

The Lake brings readers poetry every month. The March issue includes poems by Ben Banyard, Melanie Branton, Sandy Deutscher Green, William Ogden Haynes, D. R. James, Beth McDonough, Joe Hills, Kenneth Pobo, J. R. Solonche, Amy Soricelli, Gerald Wagoner, Sarah White. Reviews of Abby Frucht’s Maids and Marianne Boruch’s The Anti-Grief.

Cherry Tree – No. 6

Cherry Tree - 2020

Cherry Tree‘s sixth issue features work by Diannely Antigua, Destiny O. Birdsong, Mirande Bissell, Jennifer Bullis, Lauren Camp, Hannah Cohen, Bailey Cohen-Vera, Raymond Deej, Dante Di Stefano, Jen Stewart Fueston, Jeannine Hall Gailey, David Groff, Christian Gullette, Steve Henn, Korey Hurni, Ashley M. Jones, Kasey Jueds, Toshiya Kamei, Genevieve Kaplan, Olivia Kingery, Mingpei Li, Alice Liang, Sarah Lyons-Lin, Angie Macri, Ann Stewart McBee, Afopefoluwa Ojo, JJ Peña, Robert L. Penick, Emilia Phillips, Caroline Plasket, Alec Prevett, Sara Ryan, F. Daniel Rzicznek, Martha Silano, DeAnna Stephens, Anne Dyer Stuart, Yerra Sugarman, Ojo Taiye, Adam Tavel, Yasumi Tsuhara, Elsa Valmidiano, Hannah VanderHart, April Wang, and Art Zilleruelo!

Allegro Poetry Magazine – No. 24

Allegro Logo

Allegro Poetry Magazine has recently moved to a biannual publication schedule. This issue’s contributors include Judith Russell, Michael G. Casey, John Grey, Leslie Tate, Ruth Taaffe, Dan Overgaard, Ken Cumberlidge, William Snyder, Beth McDonough, Holly Day, Goran Gatalica, Kate Noakes, Aaliyah Cassim, Awósùsì Olúwábùkúmí A, Phil Wood, Gordon Gibson, Sean Howard, Michael Burton, Julia White, Julie Mullen, and Michele Waering.

Call :: Fleas on the Dog Issue 6

We’re the site your teacher warned you about! The no frills brown bag in your face thumb your nose online psychotropolis for the literarily insane. Get committed today! The infamous dude sextet is bustlin’, hustlin’, itchin’, and twitchin’ for QUALITY short fiction, nonfiction, poetry, plays, and screenplays that smell ripe and kick ass for our hopefully offensive upcoming Issue 6. If we like what you submit we’ll be all over you; if we don’t we promise to be gentle, especially if it’s your first time. See our Guidelines for details: fleasonthedog.com. Submissions open March 1-April 30.

What does the Future Hold for Literary Magazines?

The Writer talks to editors of literary magazines to gain insight into the future of publishing in “What does the future look like for literary magazines?

The problem is that more people want to get published than want to read.

Print journals have seen a decrease in subscriptions which has cut into already minuscule budgets to produce issues and pay writers. But while subscription numbers can be seen decreasing…submissions are on the upswing.

Take a look at what current editors of both online and print magazines have to say about trying to stay afloat in the precarious world of literary publishing and foraying not only into online-only content, but into other ventures to keep their journals alive.

The Gettsyburg Review – Autumn 2019

Gettysburg Review - Autumn 2019The Autumn 2019 issue of The Gettysburg Review offers readers a great selection of poetry and prose as usual, from Alice Friman’s “Hygiene,” which utilizes breasts as a way to measure time and maturity in a sort of tongue-in-cheek way, to the 55-part essay “A Brief Account of Certain Left-Leaning Tendencies” by Valerie Sayers which highlights her father by using the word “left,” to digestible words of wisdom in three poems by Joyce Sutphen.

But what really left me enamored was the art feature. Nine paintings by Anne Siems grace the pages and cover of this issue. The portraits are whimsical and magical, using creative patterns and images of nature to create portraits that draw viewers in. More little details pop out the longer one looks. People become one with nature—mushrooms cloud around a body in “We Are All Connected,” animal heads sprout from hands like puppets in “Beasts,” antlers grow from the head of an animal-surrounded girl in “Eve Dreams of a Wolf.” These works are gorgeous and give readers a good reason to stick around within the pages of this issue long after they’ve gotten their share of words.

The Hampden-Sydney Poetry Review – Fall 2019

Hampden-Sydney Poetry Review - Winter 2019Magazine Review by Katy Haas

I’m ready for spring to hurry up and get here already, so I couldn’t help gravitating toward poems featuring plants in the Fall 2019 issue of The Hampden-Sydney Poetry Review.

Tara Bray focuses on plants in all three of her poems: “Inside the Sycamore,” “Milkweed: Doxology,” and “Lemon Verbena.”  She writes with a hushed appreciation and admiration for each of these. There’s a familiarity and softness in her words. She calls the lemon verbena “sister,” she and her family fit themselves inside the sycamore, she feeds off the milkweed, a deep connection tying her to each plant.

This makes me appreciate Brian McDonald’s “Basil,” found on the following page, that much more. He heads in the completely opposite direction, beginning his poem with much less adoration: “Fuck. Another summer of trying to grow / these oily leaves I’ve always let fry / in the heat.” The basil plants lead McDonald to consider his shortcomings: other plants that have died in windowsills and his uncertainty about whether he’s treating his wife how she should be treated. He’s open and honest, deeply human, all with the help of these fragile basil plants.

It will still be cold here in Michigan for at least another month or two, so I definitely appreciate the writers that are able to deliver me from the chilliness and drop me in the middle of a sycamore or a warm backyard, a tray of basil plants in hand.

2019 Constance Rooke Creative Nonfiction Prize Winner

The Malahat Review - Winter 2019The Malahat Review annually hosts the Constance Rooke Creative Nonfiction Prize. The editors consider submissions of “a genre that embraces, but is not limited to, the personal essay, memoir, narrative nonfiction, social commentary, travel writing, historical accounts, and biography, all enhanced by such elements as description, dramatic scenes, dialogue, and characterization.” The Winter 2019 issue features the 2019 winner, chosen by Judge Yasuko Thanh: “Bat Reign” by Jeanette Lynes.

In an interview, Thanh said she was looking for “A story with a heartbeat, the ring of truth; to be surprised on every page with turn of phrase, or metaphor, or image so apt it’s breathtaking. Insight. A climactic “punchline” in the sense that its timing is perfectly paced and creates a resolution as inevitable as unexpected.”

Pick up a copy of the Winter 2019 issue of The Malahat Review to see how Lynes meets these expectations with “Bat Reign,” and check back in May of this year for details on the 2020 prize.

Orson’s Review has a New Website

Orson's Review screenshotBiannual online literary magazine Orson’s Review has a new website. It was formerly included on the website of parent company Orson’s Publishing, but has now branched off on its own.

The new site has a nice, minimalist design to highlight the work published.

All the archives have moved as well so you can read issues one through three on the new site. Plus, you can read interviews with contributors. Don’t forget to subscribe to receive notifications when Issue 4 is released soon.

Rattle – Spring 2020

Rattle - Spring 2020

The Spring 2020 issue of Rattle features a special tribute section of poems written by students of Kim Addonizio’s poetry workshops (as well as one poem by Kim herself). In the open section, the poems themselves are as good as their titles: “The Cow I Didn’t Eat.” “Social Experiments in Which I Am the [Bear].” “Ode to the Mattress on the Side of the Interstate.” Diverse as always, the new issue features a poem written in “the imagined voice of Frida Kahlo” (Barbara Lydecker Crane), “Young Dyke” by Alison Hazle, a duo of triolets by Carolyne Wright, and much more.

Contest :: EVENT Non-Fiction Contest 2020

EVENT Winter 2020 LitPak FlierDeadline: October 15, 2020
EVENT: A home for writers. A destination for readers. Now in its 49th year of publication, EVENT is an award-winning, internationally recognized literary magazine that inspires and nurtures writers, showcasing the best contemporary fiction, poetry, nonfiction, notes on writing, and book reviews three times a year, with stunning cover art and illustration. We are now accepting submissions of 5,000 words or less to the annual EVENT Non-Fiction Contest. $3,000 in prizes, plus publication. Entries must be postmarked or submitted online by October 15, 2020. Visit www.eventmagazine.ca for exclusive online content, and to learn more about our unique Reading Service for Writers.

Call :: Fictional Cafe

The Fictional Cafe logoFictional Café is a highly regarded online ‘zine, seven years old with 800 Coffee Club members in 47 countries. Fiction only, please, that titillates the readers’ senses and provokes their minds. Your short story or novel excerpt should be extremely well written with engaging characters and a unique, avant-garde, or unconventional plot. Visit our site and read some recent works on the pictorial slider. Join our Coffee Club, then review our submissions guidelines. If you’re exploring fiction’s boundaries, we’re interested in reading your work. www.fictionalcafe.com

14th Mudfish Poetry Prize Winner & Honorable Mentions

Mudfish - January 2020The newest issue of Mudfish features the winner and honorable mentions of the 14th Mudfish Poetry Prize. The 2019 judge was John Yau.

Winner
“Fluencies” by Mark Wagenaar

Honorable Mentions
“Not Yet Across” by G. Hanlon
“Crossing Lake Pontchartrain” by Stokes Howell

The 15th Mudfish Poetry Prize is currently open until March 15 and will be judged by poet and novelist Erica Jong.

Blink-Ink – True Crime Issue

Blink Ink - Issue 38

Magazine Review by Katy Haas

True crime seems to be all the rage lately, from books on famous cold cases to Netflix documentaries to hit podcasts. Blink-Ink tries its hand at covering this theme in Issue 38 wherein 16 writers use micro-fiction to explore true crime.

JR Walsh writes about a B&E at an ex’s house where the criminals’ “fingerprints never moved out.” Katie Yates writes of a husband who steals a puppy for his wife. In Craig Fishbane’s “Weapon of Choice,” one weapon is social media, the other is a gun. Leah Rogin-Roper provides four related pieces on a juvenile detention center. The stories in this issue cover a wide array of crimes in creative ways, and it’s fun to see a fictional take on truth.

Blink-Ink publishes stories that are 50 words or less. This makes for short, snappy stories that toss readers headfirst into the drama. In this issue, we never have to wait long to find out who did it in these whodunnits.

Mudfish – No. 21

Mudfish - January 2020

The newest issue of Mudfish features the winner of the 14th Mudfish Poetry Prize, judged by John Yau: Mark Wagenaar with “Fluencies.” Honorable mentions G. Hanlon and Stokes Howell are also included. Other contributors this issue: Dell Lemmon, Michael Lyle, Aillie McKeever, Beth Suter, Claire Scott, Vincent Bell, Marjorie Power, Angela Dribben, Yuyutsu Sharma, Holly Day, Jason Koo, James Trask, Jake Bauer, Francis Klein, Neal Zirn, Bob Coles, A. Kaiser, Kristin Entler, Tim Nolan, Kirk Wilson, Toni Hanner, and many more.

The Antioch Review – February 2020

Antioch Review - Fall 2019

The “Atention!” issue of The Antioch Review includes Heinrich Böll’s “Cause of Death: Hooked Nose” (translated by Robert C. Conard) which captures Nobel laureate Boll’s vivid imagery about the corollary of unfettered hatred, unchallenged propaganda, and fearful inertia for countries, communities, and consciences. Rachel Rose’s “Buccal Swab” airs the concerns and realities families face when a member harmlessly hands over DNA to Ancestry.com or some other DNAanalyses company. Stuart Neville’s thriller “Coming in on Time” unfolds in the eyes of a child naïve to passions that stir so strongly and sting so seriously. Find a full list of contributors at The Antioch Review‘s website.

Call :: The MacGuffin Volume 36 Number 3

The MacGuffin is featuring formal poetical works in Volume 36, No. 3! We’ll take a look at any poem in an established metrical form, but save any free or blank verse for a different issue. Send up to five poems, listing their titles and forms in an email cover letter, using “Form Issue” in the subject line. Submissions also considered via post and Submittable (themacguffin.submittable.com/submit). Please send all work by April 1, 2020. Prose is still being considered for general publication in this issue. For more information, please see our website at www.schoolcraft.edu/macguffin or send us an email at [email protected].

NewPages February 2020 Digital eLitPak

NewPages has sent out our monthly digital eLitPak to current newsletter subscribers yesterday afternoon. Not a subscriber yet? Sign up here: npofficespace.com/newpages-newsletter/.

Besides our monthly eLitPak featuring fliers from literary magazines, independent presses, and creative writing programs and events, we have a weekly newsletter filled with submission opportunities, literary magazines, new titles, reviews, and more.

Check out the current eLitPak below. You can view the original newsletter email here. Continue reading “NewPages February 2020 Digital eLitPak”

True Story – No. 34

True Story - Issue 34

The single-author True Story has released a new issue. In “Plume: An Investigation” by Mary Heather Noble, a former environmental investigator applies her forensic skills to a family mystery. What happens to us when we are exposed to toxicity, both literally and figuratively? Can we change what we pass on to our kids? And at what cost?