Plume – February 2020

Plume - February 2020

Plume‘s February 2020 issue features selection is “Engraved Phrases on Open Seas: Poems and Notes on Translations of Khal Torabully” by Nancy Naomi Carlson. Charles Simic pens an “Essay on the Prose Poem,” and Mark Wagenaar reviews Mark Irwin’s Shimmer. Poets in this issue include Sawnie Morris, William Logan, Mary Jo Salter, Mark Irwin, Kim Addonizio, Andrea Cohen, Adam Scheffler, and more.

Call :: Jewish Fiction .net Fall 2020 Issue

Jewish Fiction .net, (www.jewishfiction.net) a prestigious literary journal, invites submissions for its Fall 2020 issue. We are the only English-language journal devoted exclusively to publishing Jewish fiction, and we showcase the finest contemporary Jewish-themed writing (either written in, or translated into, English) from around the world. In 9 years we have published 400 stories or novel excerpts, originally written in fifteen languages and on five continents, and we have readers in 140 countries. We’ve published such eminent authors as Elie Wiesel, Savyon Liebrecht, and Aharon Appelfeld, alongside many fine lesser-known writers. For submission details, please visit our Submissions page at www.jewishfiction.net/index.php/contactus/submission/.

The Main Street Rag – Winter 2020

The Main Street Rag - Winter 2020

The Main Street Rag Winter 2020 issue includes featured interview “Living for the Day” with Laura Thurston by Richard Allen Taylor. Also in this issue, find fiction by Nancy Bourne, Michael Gaspeny, Nick Gardner, Don Stoll, Laurence Levey, and Michael Washburn; poetry by Joan Bauer, Ace Boggess, Les Brown, Brian Fanelli, Mary Alice Dixon, Sean Thomas Doherty, Vicki Mandel-King, Gerard Sarnat, Sibani Sen, Young Smith, and more; plus a selection of five book reviews.

Hampden-Sydney Poetry Review – 2020

Hampden-Sydney Poetry Review - Winter 2019

This year’s issue of HSPR is a collection of small things–the way the small things, the things we could almost overlook, often drive art as much as larger considerations. Our 4×4 section this year continues the theme – Richard Kenney, Tobi Kassim, Jessica Fisher and Stephanie Burt all weigh in on the role of small things in both making poems and appreciating them. Contributors include Jena Le, Sandra Lim, KE Duffin, Mary Cisper, Anna Tomlinson, Adam Tavel, Jonathan Wike, Tobi Kassim, and more. A changed logo, different paper, and new fonts are also small physical changes readers can note in this issue.

Contest :: Arts & Letters Prize Competition 2020

Arts & Letters Prizes 2020 flier

For our 22nd annual prizes in fiction, poetry, and creative nonfiction, we offer the winner in each category a $1,000 prize and publication in the next year’s Fall or Spring issue. All writers and poets writing in English are eligible to enter, excepting friends, relatives, or current and former students of the current-year judges. All fiction, poetry, and creative nonfiction prize submissions will also be considered for publication at regular payment rates. The submission period for our annual prizes is February 1 – March 31. The entry fee is $20. Submit now! artsandletters.gcsu.edu

Carve Magazine – Winter 2020

Carve Magazine - Winter 2020

The Winter 2020 issue of Carve Magazine features short stories by and interviews with Alissa Hattman, Emily Howorth, Sam Simas, and Kate Arden McMullen; poetry by Lucia Orellana Damacela, Jessica Hincapie, Cindy Juyoung Ok, and E. Kristin Anderson; and nonfiction by Brittany Coppla and Joel Clotharp. Additional features include Decline/Accept with “Fit” by Rayne Ayers-Debsksi, a “One to Watch” interview with Brandon Taylor by Anna Zumbahlen, and illustrations by Justin Burks.

Call :: Anomaly Open Reading Period

Anomaly Issue 29 screenshotThe online literary magazine from Anomalous Press, Anomaly is open to general submissions through March 1. They charge a $3 fee and offer a modest honorarium.

Plus, they have announced their new issue will launch on April 11. Featured folios include a CantoMundo tribute and Performance Poetry. They will also be doing an event at AWP 2020 with Waxwing and Newfound. Learn more…

Poetry – February 2020

Poetry - February 2020

The Poetry February 2020 issue features work by Zach Linge, Jesus Govea, and Dasiy Fried. More work by Terese Svoboda, Alison C. Rollins, Mia You, Caoilinn Hughes, Virginia Keane, Francine J. Harris, Angela Jackson, Rodney Jones, David Felix, Dujie That, Talin Tahajian, Partridge Boswell, Lani O’Hanlon, Beth Bachmann, John Lee Clark, Maggie Smith, James McCorkle, Zeina Hashem Beck, Jessica Greenbaum, Mei-Mei Berssenbrugge, Mary B. Moore, Gabrielle Bates, Nome Emeka Patrick, Jack Underwood, and Liz Berry. Plus, an essay by Jeffrey Yang.

Call :: Driftwood Press

Driftwood Press January 2020 issueDriftwood Press is not only a biannual digital and print literary magazine, but also a book publisher.

Submissions are accepted year-round with expedited response options available. Besides general submissions for their journal, they are currently open to submissions of novellas, graphic novels, and comic collections.

Many of their authors are offered editorships and interviews.

The Malahat Review – Winter 2019

The Malahat Review - Winter 2019

The Winter 2019 issue of The Malahat Review features 2019 Constance Rooke Creative Nonfiction Prize winner Jeanette Lynes. Also included: Carolyn Nakagawa, Julia Brush, Angélique Lalonde, Franco Cortese, Kurt Marti, Patricia Young, Sherine Elbanhawy, Suphil Lee Park, Emeka Patrick Nome, Hasan Alizadeh, Conor Kerr, Joel Robert Ferguson, Melanie Boyd, Bernadette White, Dominique Béchard, Jon Gingerich, Tatiana Oroño, Robert Hilles, Kulbir Saran, Sarah Yi-Mei Tsiang, Dawn Lo, and Sehrish Ranjha. Cover art by Sandra de Groot.

The Literary Review

The Literary Review - Fall 2019

The “Granary” issue of The Literary Review features poetry by Rosa Alcalá, Mario Ariza, Christian Barter, Samuel Cheney, James Ciano, Heather Derr-Smith, Dalton Day, Michael Farman, Stuart Friebert, Ute von Funcke, Elisa Gonzalez, Benjamin S. Grossberg, Jennifer Grotz, Maricela Guerrero, Hannah Jansen, and more; fiction by Jody Azzouni, James Braziel, Rosy Fitzgerald, Case Q. Kerns, Laura Shaine, Christine Sneed, Eva Taylor, and Jenny Wu; and prose by Kelly Luce, Karen Luper, Toni Maraini, and Josip Novakovich.

The Lake – February 2020

The Lake - February 2020

This week, we have The Lake‘s February issue, featuring Gaby Bedetti, David Butler, Brent Cantwell, Alexandra Corrin-Tachibana, Michael Dureck, Rebecca Gethin, David Krausman, Patrick Lodge, Bree A. Rolfe, Laura Stringfellow. Reviews of Jason Eng Hun Lee’s Beds in the East and Patrick Lodge’s Remarkable Occurrences.

The Adroit Journal – January 2020

Adroit Journal - January 2020

The Adroit Journal Issue 31 is here with new poetry by Victoria Chang, Michael Bazzett, Bruce Snider, Mark Halliday, Paul Guest, Lena Khalaf Tuffaha, Faylita Hicks, Caroline Crew, Paige Quiñones, Abby E. Murray, Natalie Eilbert, and more; prose by Kate Folk, Pete Segall, Alexander Weinstein, Alex Perez, Wendy Oleson, and John Elizabeth Stinzi; and art by Heather Betts, Jenny Shi, Anna Frankl, Niya Gao, You Young Kim, and Serge Gay Jr. Plus five new interviews with Victoria Chang, Danez Smith, Paige Lewis, Corrie Williamson, and Carmen Maria Machado.

Science as Story

Creative Nonfiction Fall 2019 coverIn their recent newsletter, literary magazine Creative Nonfiction has announced a new series of events launching this spring called Science as Story. The best part of this series is that these events will be free thanks to the support from the Fisher Fund of the Pittsburgh Foundation.

From March to May, five scientists will visit Pittsburgh to give public lectures. If you aren’t a local to the area, these will also be available as webinars! Each of these scientist writers will also participate in intimate conversations along with Q&As to discuss the craft of writing.

Plus, they will also be running a six-week writing workshop for scientists who are itching to tell their stories.

Featured authors in this series are Azra Raza, Amanda Little, Dawn Raffel, Danielle Ofri, and Ruth Kassinger. Visit their website to learn more.

Call :: Storm Cellar Summer 2020 Issue

Storm Cellar is currently accepting submissions of writing and art for its Summer 2020 issue. Women, BIPOC, LGBTQIA+, poor, neurodivergent, border-straddling, and other under-represented voices especially encouraged to submit.

They accept submissions on a rolling basis with free submissions starting at the beginning of the month. They also offer expedited and tip jar submission options.

2020 Force Majuere Flash Contest FlierBesides looking for submissions for their summer issue, they are also accepting all things flash for their FORCE MAJEURE Flash Contest. Pieces should be under 1,000 words and can contain fiction, nonfiction, marks, images, or any combination thereof.

Deadline to enter is April 30. $5 fee for 1 piece of flash or $12 for 3. Winner receives publication and $300.

“Death of the Farm Family” by Sarah Smarsh

The Common - Fall 2019Magazine Review by Makenzie Vance

In the Issue 8 of The Common, Sarah Smarsh describes how her grandfather’s home became a central gathering place for friends and family and then how it was lost after his death. She begins two generations before her own and skillfully condenses her three-generational story into a compelling length.

Smarsh recounts how her drifter grandmother met her grandfather and finally settled down after a life of wandering with her teenage child—Smarsh’s mother. Though the farmhouse served as a communal space for family and friends and a home for eccentric farm traditions like sledding in a canoe behind a truck, the farm fell apart when her grandfather died, leaving a hole in their lives.

Smarsh speaks to all when she illustrates the importance of a central gathering place for a community, and she reaffirms the importance of small farms and the lives lived upon them.

 

About the reviewer: Makenzie Vance is a creative writing student at Utah State University.

Call :: Oyster River Pages 2020 Reading Period

Literary and artistic collective Oyster River Pages is open to submissions for their next annual issue! They believe in the power of art to connect people to their own and others’ humanity. ORP likes to feature artists and writers whose voices have been historically de-centered and marginalized.

Submissions open through May 31, 2020. There is no fee to submit.

Ascent ascends

Ascent magazine coverLocal literary magazine Ascent ascends under new editorial management. Inforum.

After thousands of submissions and hundreds of pieces of work published for the world to enjoy, a fresh mind and eye is taking over the local literary magazine Ascent. As of January, W. Scott Olsen, an English professor at Concordia College in Moorhead and the author of several books, has stepped back from his role as editor-in-chief of the literary magazine — handing over the reins to colleague Vincent Reusch.

Ascent currently publishes online, with a few hard-copy issues printed each year; however, Reusch is hoping to bring back a regular schedule of printing submitted work.

To submit work, or to read pieces by other authors, visit the magazine’s website at readthebestwriting.com.

Southern Humanities Review – Winter 2019

Southern Humanities Review - Winter 2019

The Winter 2019 issue of Southern Humanities Review is out. In the issue: nonfiction by Lia Greenwell and Leslie Stainton; fiction by Erin Blue Burke, Dounia Choukri, Sayantani Dasgupta, and Alex Pickett; and poetry by J. Scott Brownlee, Sarah Edwards, Jared Harél, Kathryn Kirkpatrick, Matthew Landrum, Donna J. Gelagotis Lee, Rodney Terich Leonard, A.T. McWilliams, Michelle Peñaloza, and Supritha Rajan. Plus, cover art by Martha Park.

The Iowa Review – Winter 2019

Iowa Review - Winter 2019/2020

The latest issue of The Iowa Review is out. In this issue: toes, 362.28 in the card catalog, a portfolio of fantastical and surreal writing and artwork, a tenure review gone awry, and the winners of the 2019 Iowa Review Awards. Contributors include Julie Gray, Derby Maxwell, Elizabeth Dodd, Andes Hruby, and Laura Crossett in nonfiction; Joyelle McSweeney, Brian Sneeden, Philip Metres, Maggie Millner, and Stephanie Ellis Schlaifer in poetry; and Chloe Wilson, Sherry Kramer, Terrence Holt, Analia Villagra, and Bruce Holbert in fiction.

The Gettysburg Review – Fall 2019

Gettysburg Review - Autumn 2019

The Autumn 2019 issue of The Gettysburg Review features a selection of paintings by Anne Siems; fiction by Cody Harrison, Gary Amdahl, and Kathryn Harlan; essays by Valerie Sayers, Geoff Wyss, and Floyd Collins; poetry by Gregory Fraser, Robert Gibb, Adam Tavel, G. C. Waldrep, Connor Yeck, Kathryn Nuernberger, Alison Pelegrin, Todd Davis, Alice Friman, Nancy Carol Moody, Edward Mayes, Averill Curdy, Joyce Sutphen, Sarah Kain Gutowski, and Stanley Plumly.

Chinese Literature Today – Winter 2020

Chinese Literature Today - Volume 8 Number 2

In the latest issue of Chinese Literature Today, find a special feature on Twenty-First Century Chinese Theater with work by Liu Hongtao, Zhang Xian, Li Jing (including an interview with Li Jing by Liu Hongtao), Zhai Yueqin, Ding Luonan, Chen Jide, and Song Baozhen. Also in this tenth anniversary issue: a tribute to Jin Yong with work by Liu Hongtao, Paul B. Foster, and Weijie Song; work by Xiao Fuxing; and featured scholar Charles A. Laughlin.

New England Review – Polish Poetry in Translation

New England Review - Volume 4 Number 2, 2019Magazine Review by Andrea Diamond

Ellen Hinsey and Jakob Ziguras were invited to assist the New England Review in compiling a collection of poems written by previously untranslated Polish authors in a special issue titled “Polish Poetry in Translation: Bridging the Frontiers of Language” (Volume 40 Number 2, 2019). No doubt, Ellen Hinsey, who had previously used love as her guide to identify works to include in her book Scattering the Dark: An Anthology of Polish Women Poets, was chosen for her care and attention.

The introduction to Hinsey’s anthology is referenced in an editor’s note in this issue and highlights difficulties that translation presents. Hinsey describes how even best efforts are often unable to fully create expressions and understandings in English that exist uniquely in Polish (and other languages) while also preserving beauty in the verses. Continue reading “New England Review – Polish Poetry in Translation”

Chinese Literature Today Celebrates 10 Years

Chinese Literature Today - Volume 8 Number 2Back at the end of August 2019, Chinese Literature Today celebrated its tenth anniversary. During the past ten years, the journal—a sister publication to World Literature Today—has published sixteen issues of Chinese work and culture. With their latest issue, the editors have chosen to celebrate by publishing “the first ever CLT special section on contemporary Chinese theater.”

In this feature, readers will find over fifty pages of work, including “Boundary-Crossing Experiments: Ecology of the Shanghai Avant-Garde Theater in the New Century” by Zhai Yueqin, translated by Josh Stenberg; an examination of experimental theater by Ding Luonan, translated by Nienyuan Cheng; an interview with Li Jing by Liu Hongtao, translated by David N. C. Hull; and more.

Walloon Writers Review – No. 6

Walloon Writers Review edition 6 is a collection of poetry, short stories and nature photography inspired by Northern Michigan and the Upper Peninsula. This independent regionally focused literary magazine is published annually. “Edition 6” edited by Associate Editor Glen Young, is so titled as this is our first digital edition. Walloon Writers Review edition 6 is available on issuu and the link can be found on our website. No charge for the digital edition this year. Cover photography by Elizabeth J. Bates.

Nimrod Announces New Contest Deadline for Literary Awards

Nimrod LitPak FlierLiterary magazine Nimrod has announced a new deadline for their annual Literary Awards. Instead of submissions being accepted through April 30, contest entries are now being accepted January 1 through April 1.

The Katherine Anne Porter Prize for Fiction and the Pablo Neruda Prize for Poetry award $2,000 and publication to the first prize winners.

Nimrod accepts both snail mail and online entries. The $20 reading fee includes a one-year subscription. Check out their website for full submission information: artsandsciences.utulsa.edu/nimrod/nimrod-literary-awards/.

Don’t forget to update your calendars, writers!

2019 Writer’s Block Prize in Fiction Winner

The Louisville Review - Fall 2019Winners of Louisville Literary Arts’ annual Writer’s Block Prize are published in The Louisville Review. The Fall 2019 issue includes the winner of the 2019 prize: “The Things We Leave Behind” by Aimée Lehmann.

Lehmann’s fiction was selected by 2019 judge Garth Greenwell. In addition to publication, Lehmann also received a $500 prize for her winning piece. The 2020 Writer’s Block Prize is open during the summer months, so stay tuned for updates on this year’s deadline.

Updated :: 15th Annual Mudfish Poetry Prize

Mudfish 21 coverLiterary magazine Mudfish has announced it is now accepting submissions for its 15th Mudfish Poetry Prize. This year’s judge is Erica Jong, American novelist, satirist, and poet.

Mudfish is accepting both snail mail and email entries to the contest. You can submit up to 3 poems for $20. $3 fee for each additional poem.

Mail entries to Mudfish, 184 Franklin St, Ground Fl., New York, NY 10013 or email to [email protected]. Deadline to enter is March 15. On March 5, Mudfish announced they are extending the contest deadline to May 15, 2020.

Winners of last year’s contest, judged by John Yau, can be read in Issue 21 which is now available for pre-order.

“Owosso” by Mary Birnbaum

Crazyhorse - Fall 2019Magazine Review by Katy Haas

Mary Birnbaum’s nonfiction piece “Owosso” caught my eye in the latest issue of Crazyhorse, not only because it’s the winner of the Crazyhorse Nonfiction Prize, but because it’s a familiar name (though a surprise to see in a national literary journal); the tiny town in Michigan is a mere hour away from where I’ve lived my whole life. It’s also where Birnbaum’s grandfather lived, she learns as she reads his obituary at the gym. This discovery leads her on an exploration of the concept of ghosts and hauntings.

Across the country, Birnbaum writes of the ghostly characters of The Turn of the Screw by Henry James and personal ghost stories shared by two friends. This leads her to look at the ghosts of her own life. These are not supernatural beings haunting the darkness, but are her father and her grandfather, two strangers removed from her life.

Birnbaum’s thoughts about her father and grandfather are complex and complicated. She breaks her ideas apart into small chunks, making them easily digestible as she bounces back and forth between ghost stories, the “what-ifs” of finding and confronting her father, and her discovery at the gym. At one point she wonders, “if it’s worse to be a ghost or to be haunted. I wonder if both are possible in me,” leading me to consider the ways in which I myself am a ghost or am being haunted in my own life.

As the essay wraps up, Birnbaum decides to label Owosso a mythical location. But while the small city is something separated from herself, it did conjure up from the shadows a tiny, welcomed connection between writer and this reader.

“Transcendence: A Schematic” by Alyssa Quinn

Meridian - Summer 2019Magazine Review by Shaun Anderson

Alyssa Quinn’s “Transcendence: A Schematic”—Meridian Editors’ Prize 2019 winner—explores her efforts to process the loss of her brother. Weaving together a pilgrimage to Walden Pond, her memories of her brother, and her own beliefs and doubts, Quinn probes the hollowed out spaces, searching for a truth she can hold in the absence of her brother.

The exploration of emptiness leads Quinn to consider the places others turn to for truth. She explores science, religion, and maps, searching for a space where she can find her brother. Even in form, Quinn demonstrates absence as she creates a schematic, seeking answers from figures that do not exist. As Quinn tries to present an answer to her questions about death, transcendence, and reality she can only state with absolute uncertainty, “Perhaps the center is just as elusive as the beyond; matter as problematic as spirit.” In death, Quinn’s brother has shattered Quinn’s understanding of reality.

While the essay pulses with the agony of living in an emptied reality, Quinn recognizes that even her writing has been reformed by the loss of her brother. Quinn must confront the fact that “Syntax cannot convey true absence—say ‘I miss him’ and there he is again—there is no language for loss, for such awful missing.” Her work plunges into the loss of her brother, and emerges with the knowledge that Quinn must create a space to hold her brother within her own words.

 

About the reviewer: Shaun Anderson is a creative writing student at Utah State University.

2019 SRPR Editor’s Prize Winners

Spoon River Poetry Review - Winter 2019Spoon River Poetry Review’s Winter 2019 issue features the 2019 SRPR Editors’ Prize winner and runners-up.

Winner
“The Mammoth Steppe” by Mirande Bissell

Runners-Up
“I Thought I Was the Scream that Woke Me” by Abigail McFee
“After  weeks apart” by Alex Chertok
“Burning the Field” by Mitchell Untch
“Evolution” by Andrea Deeken
“Hoodoos” by Robin Rosen Chang
“Arizona” by Harry Bauld

Final Judge Rachel Webster introduces Bissell’s work and explains her choice, stating, “And maybe what I appreciate most about this poem is the fact that it introduces me to a speaker, a family and a landscape that are new to me, and piercingly vivid.” This year’s contest is currently open until April 15.

2019 Kenyon Review Short Fiction Contest Winners

Kenyon Review - January/February 2020Grab the first Kenyon Review issue of the year for the winners of the 2019 Kenyon Review Short Fiction Contest.

Winner
“Brown Girls” by Daphne Palasi Andreades

Runners-up
“Solitaria” by Emily Everett
“You Break It, You Own It” by Susan Falco

Fiction Editor Kirsten Reach introduces the three selections. Be sure to check this intro out for Judge Mia Alvar’s thoughts on her choices. Also not to be missed is the cover art for this issue, a literary illustration by Milan-based illustrator Emiliano Ponzi.

Contest :: The Southern Collective Experience Launches Women of Resilience Chapbook Contest

The Southern Collective 2020 Chapbook ContestThe Southern Collective Experience, home of quarterly literary magazine The Blue Mountain Review, launched a “women only” poetry chapbook contest this past November.

The Women of Resilience Chapbook Contest’s goal is “to highlight not only the struggle, but a way to the light” as “time and again, women have shown tremendous resilience while overcoming hardship, be it personal, marital, financial, parental, medical, addiction, and personal self worth. In fact, the caverns women navigate to ‘find the light’ are often deep, and brutal.”

The deadline to enter the contest is March 31 with winners announced on April 15. First prize is $200 and chapbook publication. The winner will be interviewed in the Summer 2020 issue of The Blue Mountain Review. There is a $25 fee.

The judge of this year’s contest is Melissa Studdard, author of four books including I Ate the Cosmos for Breakfast and Six Weeks to Yehidah.

“Dream Logic: The Art of Ten Contemporary Surrealists” by Kristine Somerville

Missouri Review - Fall 2019

Magazine Review by Katy Haas

The Fall 2019 issue of the Missouri Review invites readers to wander away from the ordinary into a world that’s a little bit “off” in its feature. In “Dream Logic: The Art of Ten Contemporary Surrealists,”Kristine Somerville offers a brief history of the surrealist art movement.

While we learn the history, we also see full-color images of surreal artwork, including embroidered mixed media images by Robin McCarthy, clay sculptures by Ronit Baranga, collages by Rodriguez Calero, and more. Indeed, these all carry dreamlike qualities as they challenge our expectations. Each piece grabs the eye and forces it to take in new, creative perspectives. Baranga’s work features grotesque human features emerging from delicate teacups. Gensis Belanger’s work seems to showcase the ordinary until you blink and realize a stool is supported by four large cigarettes instead of regular legs, and the foot inside the sandal that rests on the stool is actually a hot dog. Whimsy and dream logic reign in this feature. The provided history grounds us, though, giving a clear lens through which we can examine the art.

Somerville closes with the reminder, “surrealism provides an outlet for creativity and spontaneity and an escape from the tyranny of the real.” Allow yourself to escape for a moment and wander into the dreams of the surreal artists found in the Fall 2019 issue.

2019 SRPR Editors’ Prize Winner

Spoon River Poetry Review - Winter 2019Spoon River Poetry Review’s Winter 2019 issue features the 2019 SRPR Editors’ Prize winner and runners-up.

Winner
“The Mammoth Steppe” by Mirande Bissell

 

Runners-Up
“I Thought I Was the Scream that Woke Me” by Abigail McFee
“After  weeks apart” by Alex Chertok
“Burning the Field” by Mitchell Untch
“Evolution” by Andrea Deeken
“Hoodoos” by Robin Rosen Chang
“Arizona” by Harry Bauld

Final Judge Rachel Webster introduces Bissell’s work and explains her choice, stating, “And maybe what I appreciate most about this poem is the fact that it introduces me to a speaker, a family and a landscape that are new to me, and piercingly vivid.” This year’s contest is currently open until April 15.

Masters Review: New Writing on the Net

Masters Review: New Writing on the Net January 2020.

“In our first edition of New Writing on the Net for 2020, The Masters Review reader Nicole VanderLinden shares her suggestions for your weekend reading list, all selected from the best new writing published online in the previous month! Happy new year!”

Featured this month is fiction from Grist Online, Lunch Ticket, JuxtaProse, Juked, SmokeLong Quarterly, Hobart, and Crack the Spine.

The New Guard 2019 Contest Winners

The New Guard - 2019The New Guard Volume VIII features the winners of the Machigonne Fiction Contest and Knigtville Poetry Contest, as well as the contests’ finalists and semi-finalists.

Machigonne Fiction Contest
Judge Rick Moody
“The View From Beachy Head” by Thos. West

Knigtville Poetry Contest
Judge Patricia Smith
“Once Upon a Time” by Damen O’Brien

In addition to the winners, finalists, and semi-finalists, the issue also features a section of eleven letters to writers’ younger selves.