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A Portal to Powerful Nonfiction

Magazine Review by Katy Haas

The art of John Belue dons the cover and pages of the Fall 2020 issue of Creative Nonfiction, and I absolutely love it. His work remixes vintage photos, thinly cut strips overlaying another photo to create an almost portal-like image. The art drew me into the “Memoir” issue of Creative Nonfiction and the writing made me stick around even longer.

Megan Doney’s nightmares haunt her after a shooting at the school where she teaches in “The Wolf and the Dog.” While her dreams leave her powerless, she imagines finding power if the situation ever happens again. The piece begins viscerally, a dark view into Doney’s mind after surviving a horrific event.

Mary Beth Ellis gets deeply personal in “Weaponry of the Cold War” as she walks readers through her vaginismus diagnosis. While the subject of her writing is both physically and emotionally painful, Ellis uses humor in unexpected places, her writing cynical and skeptical, light when it matters. As Ellis says, up to 14% of the female population suffers from vaginismus, and there is not much to read about the subject. Ellis adds her voice, her story, giving other people with vaginas something to relate to.

Whether you pick up Creative Nonfiction‘s latest issue because the art caught your eye, or because you crave powerful nonfiction, you will not be let down.

September 2020 eLitPak :: EVENT Non-Fiction Contest Deadline October 15

EVENT eLitPak flier
click image to open PDF

EVENT: A home for writers. A destination for readers. We are now accepting submissions of 5,000 words or less to the annual EVENT Non-Fiction Contest. $3,000 in prizes, plus publication. Entries must be postmarked or submitted online by October 15, 2020. Visit our website for full contest guidelines, exclusive online content, and our unique Reading Service for Writers.

View full September eLitPak here.

A Moment of Quiet

Guest Post by Brittany Waite

The current pandemic has impacted many aspects of our lives, especially our ability to interact with one another. There are many on social media who publish humorous portrayals of extroverts suffering under these conditions. At the same time, I feel that many introverts, shy and quiet in nature, feel a guilty sense of relief for this opportunity to stay cooped up in the comfort of their home.

In Quiet: The Power of Introverts in a World That Can’t Stop Talking, Susan Cain takes it upon herself to uncover these reserved figures and dive deep into their consciousness, exploring the individuality of their inner-minds. Using examples from history, concrete anecdotes, and years of research, Cain promotes the importance that introverts have in society and writes with the intent to show them the power they are capable of. So, whether you’re an introvert or not, Quiet will broaden your understanding of these reserved individuals, who they are, and what they can do.


Quiet: The Power of Introverts in a World that Can’t Stop Talking by Susan Cain. Broadway Books, October 2019.

Reviewer bio: Brittany Waite is a college student born and raised in Hawaii. She enjoys writing flash fictions but hopes to expand into other genres.

Buy this book at our affiliate Bookshop.org.

Sponsor Spotlight :: Desert Nights, Rising Stars will be Virtual in 2021

Desert Nights Rising Stars Writers Conference 2021While we would usually start things off with the beautiful desert weather and the southwestern landscape, things are a little different this year. With rising COVID cases in Arizona, restrictions surrounding travel around the nation, and ongoing orders against large public gatherings, we’ve made the choice to move Desert Nights, Rising Stars 2021 to a completely virtual experience.

The 2021 conference will be conducted online via Zoom from February 18 through 20. Program features will include writing workshops, panel discussions, readings, pitch sessions, book fair, author signings, and roundtable discussions. Genres covered this year include fiction, creative nonfiction, poetry, publishing, business of writing, memoir, and young adult.

The faculty for the conference will be Matt Bell, Mahogany L. Browne, Suyi Davies Okungbowa, Alan Dean Foster, Tod Goldberg, Raquel Gutiérrez, Marcelo Hernandez Castillo, Linda Hogan, Beverly Jenkins, C.B. Lee, Connie J. Mableson, Christopher Morgan, Cynthia Pelayo, Evan Winter, and Erika T. Wurth.

Early registration is only $225 before December 31. Swing by their listing at NewPages to get more details.

September 2020 eLitPak :: MFA in Creative Writing at UNCG: Find Your Story Here

UNCG MFA in Creative Writing August 2020 eLitPak flier
click image to open PDF

Application Deadline: January 1
One of the first creative writing programs in the country, UNC Greensboro’s MFA is a two-year residency program offering fully funded assistantships with stipends and health insurance. Students work closely with faculty in one-on-one tutorials; take courses in poetry, fiction, publishing, and creative nonfiction; and pursue opportunities in college teaching or editorial work for The Greensboro Review. More at our website.

View the full September eLitPak here.

Contest :: Announcing THE BOILER PRIZE

The Boiler Prize banner 2020Deadline: November 30
THE BOILER challenges you to submit flash/hybrid pieces under 800 words for this year’s prize. We welcome fragments, experiments, prose poems, flash essays/fiction. The only thing that matters is whether you can sustain our attention and craft a well-written, sleek, beautiful little thing. The deadline for submission is November 30. One winner will be published in our winter issue. A runner-up will be awarded $250 and also be offered publication. Additional finalists will be considered for our winter issue. Submission fee is $7. Close friends and colleagues should not submit.

Call :: Pensive: A Global Journal of Spirituality and the Arts Seeks Work for Black Lives Matter Feature

Deadline: November 15 (submissions reviewed and accepted on rolling basis)
New online publication based at Center for Spirituality, Dialogue, and Service (CSDS) at Northeastern University in Boston. Seeking work that deepens the inward life; expresses range of religious/spiritual/humanist experiences and perspectives; envisions a more just, peaceful, and sustainable world; advances dialogue across difference; and challenges structural oppression in all its forms. Seeking work for feature section on Black Lives Matter. Send unpublished poetry, prose, visual art, and translations. Especially interested in work from international and historically unrepresented communities. No fee; currently non-paying. Submit 3-5 pieces via Submittable or [email protected]. Questions? Contact Alexander Levering Kern, co-editor or visit pensivejournal.com.

Call :: BreakBread Magazine Seeks Work From Young Creatives

BreakBread Literacy Project logoDeadline: October 15
BreakBread Magazine is a magazine for all young creatives between the ages of 13 and 25. We are always looking for vivid, timely poetry, nonfiction, short stories, comics and visual arts (photography, illustrated narratives, and hybrid work) that explore new directions in arts and letters. Submissions are always free. Visit breakbreadproject.submittable.com/submit to send us your work. Check out our website for more information: www.breakbreadproject.org.

A Guided Exploration of Vulnerability

Guest Post by Tom Biesinger 

“Dangerous” and “love” may not be the first thing that comes to mind when thinking about great relationships, in fact most of us seek to keep “danger” and “love” as far apart as possible. Yet in a world where conflicts occur frequently and range from small disagreements over preference to relationship ending campaigns, it seems smart to invest in a little training to help keep the small things small and the big things in perspective.

Dangerous Love is an exploration of vulnerability and personal transformation through the relationships that challenge us most. Instead of posing as a typical self-help book with condescending statements of cliché “breakthrough,” Dangerous Love takes a softer line and uses questions and experiences collected over years of mediation practice to gently draw us to challenge areas of our own conflict styles.

Practical in its philosophy, this book aims to first bolster your understanding of conflict in all of its forms (avoidance, management, resolution, transformation, and reconciliation) then to give you tools to work fearlessly in your own pursuit of dangerous love.

Readers should expect to be challenged to improve their own conflict practices and love a little deeper. This book does well to mirror its own advice and guide us gently but firmly to a more positive and transformational view of conflict, love, and relationships.


Dangerous Love by Chad Ford. Berrett-Koehler Publishers, June 2020.

Reviewer bio: Tom lives in Hawaii and spends most of his time with his family or in the ocean. He also loves Motion Design.

Buy this book from our affiliate Bookshop.org.

Call :: The Awakenings Review Seeks Work by Writers with Connections to Mental Illness

Established in 2000, The Awakenings Review is an annual lit mag committed to publishing poetry, short story, nonfiction, photography, and art by writers, poets and artists who have a relationship with mental illness: either self, family member, or friend. Our striking hardcopy publication is one of the nation’s leading journals of this genre. Creative endeavors and mental illness have long had a close association. The Awakenings Review publishes works derived from artists’, writers’, and poets’ experiences with mental illness, though mental illness need not be the subject of your work. Visit www.AwakeningsProject.org for submission guidelines. Our 2019 issue featured work by Lora Keller, Alan Sugar, Rick Smith, Skip Renker, and more.

Tint Journal – Fall 2020

Tint Journal is the literary magazine for English as a Second Language creative writers, established in 2018 and based in Graz, Austria. We publish the finest of non-native English writing, including short stories, essays, and poems. Issue Fall ’20 has been released. Read twenty-five new literary creations by ESL writers from all around the world, now online and for free! Issue Fall ’20 also includes visual art creations by artists from all over the globe, combining the artistic realms of literature and art, as well as audio recordings of the writers reading their work.

Call :: Chestnut Review Seeks Poetry, Fiction, Nonfiction, Art & Photography Year-round

Chestnut Review (“for stubborn artists”) invites submissions of poetry, fiction, nonfiction, art, and photography year-round. We offer free submissions for poetry (3 poems), flash fiction (<1000 words), and art/photography (20 images); $5 submissions for fiction/nonfiction (<5k words), or 4-6 poems. Published artists receive $100 and a copy of the annual anthology of four issues (released each summer). Notification in <30 days or submission fee refunded. We appreciate stories in every genre we publish. All issues free online which illustrates what we have liked, but we are always ready to be surprised by the new! chestnutreview.com

Four Steps to Save the Planet

Guest Post by Elizabeth Basok

In We are the Weather: Saving the Planet Begins at Breakfast, Jonathan Safran Foer argues that the science is in: we know that animal agriculture is destroying our planet. Rather convincingly, Foer makes an argument for a plant-based diet stating that this one small change in our lifestyle could positively impact the climate crisis. He is able to create concise, effective, and easy to understand arguments throughout the book, breaking up his points into bite sized pieces that can easily be regurgitated by everyday people that find themselves in a discussion about climate change or the environmental benefits of a plant-based diet. The author aims to drive home the most effective actions we can take against climate change, claiming four notable things we can do: eat a plant-based diet, avoid air travel, live car free, and have fewer children.

Part two of Foer’s book is packed with facts about “The Greatest Dying,” which is an extinction that is taking place right now. While there are many mass extinctions that have happened, Foer states that this extinction is the first to be the result of a climate crisis. He adds, “Humans are now adding greenhouse gases to the atmosphere ten times faster than the volcanoes did during the Great Dying” (one of the six mass extinctions).

Foer acknowledges that adjusting to a vegan diet can be challenging. He admits that, even though he has written now two books advocating for a plant-based diet, he has succumbed to eating a burger from time to time. Foer suggests eating vegan for breakfast and lunch, while eating vegetarian for dinner (if a full vegan lifestyle is out of the question), saying “Not eating animal products for breakfast and lunch has a smaller CO2e footprint than the average full-time vegetarian diet.”


We Are the Weather: Saving the Planet Begins at Breakfast by Jonathan Safran Foer. Farrar, Straus and Giroux, September 2019.

Reviewer bio: Elizabeth Basok is a lecturer at The Ohio State University. Her Instagram is @lizbasok.

Buy this book at our affiliate Bookshop.org.

Event :: The Center for Creative Writing Online Courses & Virtual Retreats

The Center for Creative Writing has been guiding aspiring writers toward a regular writing practice for more than 30 years. Our passionate, published teachers offer inspiring online writing courses in affordable six-week sessions, as well as one-on-one services (guidance, editing) and writing retreats (virtual for 2020). Whatever your background or experience, we can help you become a better writer and put you in touch with the part of you that must write, so that you will keep writing. Join our inclusive, supportive community built on reverence for creativity and self-expression, and find your way with words.

Plume – Sept 2020

This month’s Plume featured selection: “The Chronicler of a Blue Planet: An audio interview with Ranjit Hoskote by Leeya Mehta” with work by the poet. Christopher Buckley pens the essay, “Out of Fresno—Poetry & ‘Career,’” and Susan Blackwell Ramsey reviews Hailey Leithauser’s Saint Worm.

The Louisville Review – Spring 2020

The latest print issue of The Louisville Review features fiction by Holly Tabor, Pamela Gullard, Bridget Mabunga, and Rebecca Thomas; nonfiction by Joseph Myers, Patricia Foster, Jessica Crowley, and Katherine Mitchell; and drama by Allie Fireel, Allen M. Price, Haydee Canovas, John Shafer, and Addae Moon. Poetry by Laura Judge, Joseph G. Anthony, James B. Goode, Shauna M. Morgan, Frank X Walker, and more

Kenyon Review – Sept/Oct 2020

The latest issue of Kenyon Review features a special poetry section, “All of This Is True,” guest-edited by Reginald Dwayne Betts, whose own poetry, a memoir, and essays explore the world of prison and the effects of violence and incarceration on American society. Betts has selected powerful work by fifteen poets including Sean Thomas Dougherty, April Gibson, Randall Horton, Roger Reeves, and others. The new issue also includes the winning poem and two runners-up in the 2020 Patricia Grodd Poetry Prize for Young Writers as well as four new works of fiction by Samuel Jensen, Dina Nayeri, Matthue Roth, and Marianne Shaneen.

Call :: Bending Genres Open to Work Year-round

Deadline: Rolling
Send us your zany, innovative best fiction, poetry, and CNF. We publish bimonthly, and year round. We at Bending Genres also host monthly weekend workshops and retreats. Check out past issues at  www.bendinggenres.com. Issue 16 features work by Joyce Wheatly, Gary Moshimer, Benjamin Woodard, Corey Farrenkopf, Patricia Q. Bidar, Georgiana Nelsen, & more.

Call :: Anthology Seeks Written Content about Madonna

Deadline: October 15, 2020
Are you a fan of pop-singer Madonna? We’re seeking original stories about the impact she’s had on individual lives. Submissions should be 1500-3500 words. Feel free to supplement with photos with Madonna, photos dressed like Madonna, or other related materials. We pay $25 for selected submissions. Contributing authors will receive a free copy of the published book. A portion of proceeds will go to the non-profit organization founded by Madonna “Raising Malawi”. Contributing authors will be required to sign a contract. Submissions must be in English: [email protected]. Work must not have previously appeared in print. We check for and report plagiarism.  This anthology will be edited and published by  Heather Turman and LeeAnn Tooker.

Contest :: Embracing Our Differences 2021

Deadline: October 7, 2021
Embracing Our Differences is seeking submissions for an outdoor juried art exhibit featuring 50 billboard size images created by local, national, and international artists and writers. The combination of visual art and the written word adds a deeper dimension to the overall experience. The display reflects the artists’ and writers’ interpretations of the theme “enriching lives through diversity.” The exhibit is displayed annually at Bayfront Park in downtown Sarasota and will be displayed from January 20 – April 1, 2021. A $1,000 award is given for “Best Quotation.”

Call :: Feminist Literary Magazine About Female Leadership Submissions Open

Deadline: November 1, 2020
They Call Us magazine (theycallus.com), an art and literature feminist magazine devoted to using media as a way to discuss everyday gender discrimination, is currently accepting poetry, prose, art, and photography submissions for our new edition They Call Us Bossy. This edition deals with gender stereotypes of womxn in positions of power. Submit your pieces to [email protected] by November 1st. All rights belong to the writers and all submissions will receive a personal response. Word count is 1200 words for prose and there is no fee.

Call :: Full Bleed Fifth Issue

Full Bleed, an annual journal of art and design, seeks submissions for its fifth issue, forthcoming in May 2021. We publish criticism, belle lettres, artwork, design, illustration, fiction, poetry, and graphic essays. For Issue Five, we are especially interested in submissions on the theme of adaptation. In this time of accelerating change, we invite artists, designers, and writers to reflect on the various ways that ecological, technological, and social conditions have necessitated and will necessitate reinvention, hard resets, or new modes of coping, working, living, and thinking. For more details, go to www.full-bleed.org/submit.

Call :: Walloon Writers Review 6th Edition

Walloon Writers Review coversDeadline: September 30, 2020
Walloon Writers Review is an independent regional literary magazine that shares original creative writing and nature photography inspired by Northern Michigan and the Upper Peninsula. We are accepting submissions for our upcoming 6th edition, to be published as an E-edition late 2020. Call for Submissions runs now through September 30th. Visit our website for our Guidelines. No submission fee for this edition only.

Call :: Have a Great Idea for a Book?

Deadline: September 30, 2020
Tolsun Books is looking for a great idea to turn into a manuscript for publication. Please submit an informal query letter describing a literary project made from parts (poems, stories, essays, hybrid) that you’d like to develop into a full-length book in close collaboration with our editorial team. In the same document, include a small sampling of representative work that you intend (in some form) to be included in the final manuscript. We are accepting queries only from authors currently residing in the United States who have one or no books previously published or forthcoming in the proposed manuscript genre/form (poetry, fiction, nonfiction, etc.). Submission fee is $10. tolsunbooks.com

Terrain.org – August 2020

Visit Terrain.org for the new work on the site this month. Arne Weingart reviews The Tilt Torn Away from the Seasons by Elizabeth Lindsey Rogers and Melissa L. Sevigny interviews Pam Houston. Fiction by Beth Alvarado; nonfiction by Tamie Parker Song, Scott Russell Sanders, and Paul Riley; and poetry by Seth García, Garrett Hongo, Collier Brown, and more. In currents: Charles Revello, Patricia Schwartz, and others.

Call :: Brush Talks Fall 2020 Issue

Deadline: Rolling
Brush Talks is a journal of creative nonfiction, photography, and poetry related to China. We are currently seeking submissions for our next issue, to be published in the fall of 2020. This can take many forms: general essays, travel essays, profiles, memoir, and narrative nonfiction. We seek submissions about places, people, history, culture, the arts, science and technology—anything related to China that is well written, creative, and true (we do not publish fiction). No submission fee. Please visit our website for more information and read the guidelines before submitting.

Call :: Girls Right the World Open to Submissions from Young, Female-Identified Writers

Girls Right the World is a literary journal inviting young, female-identified writers and artists, ages 14–21, to submit work for consideration for its fifth annual issue. We believe girls’ voices transform the world for the better. We accept poetry, prose, and visual art of any style or theme. We ask to be the first to publish your work in North America; after publication, the rights return to you. Send your best work, in English or English translation, to [email protected] by December 31, 2020. Please include a note mentioning your age, where you’re from, and a bit about your submission.

Call :: Blue Mountain Review Seeks the Best Stories in All Genres

The Blue Mountain Review flierThe Blue Mountain Review launched from Athens, Georgia in 2015 with the mantra, “We’re all south of somewhere.” As a journal of culture the BMR strives to represent life through its stories. Stories are vital to our survival. Songs save the soul. Our goal is to preserve and promote lives told well through prose, poetry, music, and the visual arts. Our editors read year-round with an eye out for work with homespun and international appeal. We’ve published work by and interviews with Jericho Brown, Kelli Russell Agodon, Robert Pinsky, Rising Appalachia, Nahko, Michel Stone, Genesis Greykid, Cassandra King, Melissa Studdard, and A.E. Stallings. www.southerncollectiveexperience.com/submission-guidelines/

Call :: Palooka Seeks Chapbooks, Prose, Poetry, Artwork, Photography

Palooka is an international literary magazine. For a decade they have featured up-and-coming, established, and brand-new writers, artists, and photographers from all around the world. They are open to diverse forms and styles and are always seeking unique chapbooks, fiction, poetry, nonfiction, artwork, photography, graphic narratives, and comic strips. Give them your best shot! Don’t forget submissions are open year-round.

Call :: Blueline Seeks Exceptional Poetry, Prose, and Art Focused on Nature

Don’t forget BLUELINE: A Literary Magazine Dedicated to the Spirit of the Adirondacks is seeking poems, stories, and essays about the Adirondacks and regions similar in geography and spirit, focusing on nature’s shaping influence. Submissions window open until November 30. Decisions mid-February. Payment in copies. Simultaneous submissions accepted if identified as such. Please notify if your submission is placed elsewhere. Electronic submissions encouraged, as Word files, to [email protected]. Please identify the genre in the subject line. Further information at bluelineadkmagazine.org.

Call :: Twin Bill Seeks Baseball Essays, Fiction, and Interviews

Deadline: September 30, 2020
Submissions are open for the debut issue of The Twin Bill, a literary baseball publication. We are looking for essays between 600–1,000 words, fiction up to 3,000 words, and interviews with people in and around baseball. Please send submissions and pitches to [email protected]. If you are interested in illustrating our pieces, please email us. All submissions will receive a personal response. There is no submission fee. For more details, visit www.thetwinbill.com/submissions/

Insights on Accidental Presidency

Guest Post by Eron Henry

Eight men became American presidents without being elected to the office. All acceded to the role after the incumbent was assassinated or succumbed to illness.

In Accidental Presidents: Eight Men Who Changed America, Jared Cohen provides historical details of their achievements and failings. Most were unprepared for the top office because they were uninterested, though a few coveted the presidency.

Theodore Roosevelt and Harry Truman were extraordinarily successful. The former succeeded William McKinley Jr. who was assassinated, and the latter Franklin Delano Roosevelt, who died of longstanding ailments. Except for the Vietnam War debacle, some believe Lyndon Johnson would be among the greatest presidents ever. He became president after the assassination of John Kennedy.

The most disastrous was Andrew Johnson, who became president after Abraham Lincoln was gunned down. The first to be impeached, Johnson reversed policies by Lincoln to help the nation heal after the bloody civil war. He set the stage for Jim Crow, initiating a century of intense discrimination against African Americans that boiled over into the Civil Rights Movement in the 1960s.

Cohen demonstrates the importance of presidents choosing able persons as their deputy.  Not all vice presidents were chosen for their ability but as a compromise candidate to appease interest groups or various constituencies in their party.

In the times we live, Cohen’s Accidental Presidents may prove especially insightful.


Accidental Presidents: Eight Men Who Changed Americav by Jared Cohen. Simon and Schuster, April 2019

Reviewer bio: Eron Henry is a communications consultant. He blogs at https://oletimesumting.com.

Buy this book at our affiliate Bookshop.org.

Call :: Send Your Essay, Poem, or Short to The CHILLFILTR Review

Submissions accepted year-round.
The CHILLFILTR Review strives to bring the best new art to a worldwide audience by leveraging best-in-class technology to create a seamless and immersive web experience. We welcome submissions from all walks of life, and all perspectives. We are committed to inclusivity and kindly welcome work from marginalized voices. All featured works will receive an honorarium of $20 per 1000 words and will be published online at The CHILLFILTR Review as well as on our Apple News Channel. Readers can vote for their favorites, and year-end “Best Of” winners will receive an additional $100 cash prize.

The Adroit Journal – August 2020

We’re beyond excited to bring you new work from Alicia Ostriker, Diane Seuss, Aimee Nezhukumatathil, Jos Charles, Yalie Kamara, David Naimon, and Jordan Jace. We’re also extremely excited to feature poetry by Asa Drake, Thomas Dooley, Mary Biddinger, Kevin Prufer, Maya C. Popa, Jordan Keller-Martinez, and more, prose by Emily Yang and Andreas Trolf, and art by Caroline Zhang, Taylor Wang, Ariel Kim, and others. Read more at The Adroit Journal website.

August 2020 eLitPak :: MFA in Creative Writing at UNCG

UNCG MFA in Creative Writing August 2020 eLitPak flier
click image to open PDF

Application Deadline: January 1.
One of the first creative writing programs in the country, UNC Greensboro’s MFA is a two-year residency program offering fully funded assistantships with stipends and health insurance. Students work closely with faculty in one-on-one tutorials, take courses in poetry, fiction, publishing, and creative nonfiction, and pursue opportunities in college teaching or editorial work for The Greensboro Review. More at mfagreensboro.org.

Call :: Hamilton Stone Review Issue 43

Deadline: Open August 24 – September 21
The Hamilton Stone Review
opens for submissions for the Fall 2020 Issue #43 on August 24, 2020 and closes September 21, 2020. Submissions may close early if the issue fills. Poetry submissions should be emailed only to Roger Mitchell at [email protected] with “HSR” in the subject line. Fiction and nonfiction submissions should be emailed only to Dorian Gossy at [email protected]. For more information, please see www.hamiltonstone.org/hsr.html#submissions.

Contest :: 30th Annual Jeffrey E. Smith Editors’ Prize

Missouri Review banner ad for the 2020 Editors' PrizeDeadline: October 1
Winners in fiction, poetry, and nonfiction receive a $5,000 cash prize, publication, promotion, and a virtual event to be determined. Submit one piece of fiction or nonfiction up to 8,500 words or up to 10 pages of poems. Regular entry fee: $25. All-Access entry fee: $30. Each entrant receives a one-year digital subscription to the Missouri Review (normal price $24) and the forthcoming digital short story anthology Strange Encounters, forthcoming from Missouri Review Books. (normal price $8.95). All-Access entrants receive full access to our ten-year digital archive. All entries considered for publication. Deadline: October 1. www.missourireview.com

Re-reading ‘The New Jim Crow’ in the Era of Black Lives Matter

Guest Post by Laura Plummer

When I first read Michelle Alexander’s groundbreaking book The New Jim Crow: Mass Incarceration in the Age of Colorblindness in 2010, Obama was in the beginning of his first term as president. Many white Americans believed his election was a sign that our country was now post-racial, that equality had finally been achieved. But that was a myth, as Alexander explains in painstaking detail. Using the statistics of the day, she lays bare the racism embedded in our criminal justice system, which she likens to modern-day slavery.

This year, I decided it was a good time to dust off Alexander’s work, to see how its distressing statistics had improved over the past ten years. The answer was, tragically, not enough. Blacks still face more discrimination than other races in every phase of the criminal justice system—from stops and arrests to sentencing and parole. They are still the primary targets of the fictional “War on Drugs,” which was invented as a legal means to put large numbers of Black people behind bars. They are still locked in to what Alexander calls a “permanent undercaste.”

The New Jim Crow came out before the 2013 killing of Trayvon Martin birthed #BlackLivesMatter, before the 2014 killings of Michael Brown and Eric Garner. It was before the killing of George Floyd and other Black Americans sparked worldwide protests against racist policing, before Black Lives Matter became a global movement. While the discrimination against Black people in America is much the same as when the book was published, the public support for protecting and defending Black lives has grown exponentially. The ground is fertile for all Americans who value justice to demand a new reality. To quote Dr. King, no one is free until we are all free.


The New Jim Crow: Mass Incarceration in the Age of Colorblindness by Michelle Alexander. 2010.

Reviewer bio: Laura Plummer is an American freelance journalist and writer from Massachusetts. Read her work at lauraplummer.me.

Buy this book from our affiliate Bookshop.org.

Sponsor Spotlight :: Minnesota State University, Mankato MFA in Creative Writing

Minnesota State University, Mankato logoThe MFA in Creative Writing at Minnesota State University, Mankato seeks to meet the needs of students who want to strike a balance between the development of individual creative talent and close study of literature and language. The program helps to develop work in the genres of fiction, creative nonfiction, and poetry. Students typically spend three years completing coursework, workshops, and book-length theses.

Current faculty includes Robin Becker, Candace Black, Geoff Herbach, Diana Joseph, Chris McCormick, Richard Robbins, and Michael Torres. Recent visiting writers include Juan Felipe Herrera, Marcus Wicker, Leslie Nneka Arimah, Danez Smith, Layli Long Soldier, and Ada Limón.

Students have the opportunity to grow within a rich and active community of writers with the Good Thunder Reading Series, the Writers Bloc Open Reading Series, and working on literary magazine Blue Earth Review.

Stop by their listing at NewPages to learn more.

Event :: Willow Writers’ Retreat Offering Virtual 2020 Workshops

Beginning Dates: July 27; Virtual
Registration Deadline: Rolling
Don’t forget Willow Writers’ Workshops is going virtual this summer and fall! They are offering workshops, providing writing prompts, craft discussions, and manuscript consultations. All levels are welcome. Three different courses are being offered: Desire to Write? An Introduction to Creative Writing; Flash: Writing Short, Short Prose; and Writers Workshop on Thursday Nights, a six-week course focusing on short stories. Summer dates began July 27. The facilitator is Susan Isaak Lolis, a published and award-winning writer. For more information, check out willowwritersretreat.com.

Call :: Pensive Seeks Submissions for Special BLM Feature + First Issue

New online publication based at Center for Spirituality, Dialogue, and Service (CSDS) at Northeastern University in Boston, Pensive, seeks work that deepens the inward life; expresses range of religious/spiritual/humanist experiences and perspectives; envisions a more just, peaceful, and sustainable world; advances dialogue across difference; and challenges structural oppression in all its forms. Also seeking work for feature section on Black Lives Matter. Send unpublished poetry, prose, visual art, and translations. Especially interested in work from international and historically unrepresented communities. No fee; currently non-paying. Submit 3-5 pieces via [email protected]. Questions? Contact Alexander Levering Kern, co-editor or visit pensivejournal.com. Deadline: November 15, but submissions reviewed and accepted on rolling basis.

The Malahat Review – Summer 2020

This issue of The Malahat Review features the 2020 Novella-Prize-winning “Yentas” by Rebecca Păpucaru, Daniel Allen Cox’s “The Glow of Electrum,” Mike Alexander’s “An Afternoon Gentleman,” Matthew Hollett’s “I’m Sorry, I Have to Ask You to Leave,” Ronna Bloom’s “Legend of Saint Ursula,” Alamgir Hashmi’s “Anywhere, 2019,” and Kate Felix’s “Beneath the Pond.” Also in this issue: Sarah Tolmie, Xaiver Campbell, Sarah Venart, Theressa Slind, Chris Banks, Daniel Sarah Karasik, Sarah Lord, Ron Riekki, Paul Vermeersch, and Alisha Dukelow. Plus, a selection of book reviews, and cover art by Sharona Franklin: “Mycoplasma.”

Carve Magazine – Summer 2020

In the newest issue of Carve, find short stories by Caleb Tankersley, Danielle Batalion Ola, Ronald Kovach, and Kirsten Clodfelter, as well as interviews with the authors. New poetry by Jane Zwart, Abbie Kiefer, Collin Callahan, and James Ducat, and new nonfiction by Feroz Rather and Kabi Hartman. In “Decline/Accept,” is “Clean Kills” by Greg November. Read more at the Carve website.

The Writer’s Hotel Goes Virtual for Fall 2020 Conferences

The Writer’s Hotel‘s three writing conferences will be hosted virtually in October instead of in NYC like normal this year.

The All Fiction Writers Conference will take place October 14-20. The schedule has been redesigned to offer their attendees the very best service possible. Major workshops will be capped at nine people instead of their usual fourteen.

2020 faculty this year includes Rick Moody, Jeffrey Ford, David Anthony Durham, Robyn Schneider, Michael Thomas, Ernesto Quiñonez, James Patrick Kelly, Elizabeth Hand, Francine Prose, Saïd Sayrafiezadeh, Sapphire, Elyssa East, Kevin Larimer, Jennie Dunham, Steven Salpeter and TWH Directors Shanna McNair and Scott Wolven. Deadline to apply is August 22.

The Nonfiction Weekend Conference will be held October 1-5. Application deadline is August 28. Faculty includes Meghan Daum, Mark Doty, Carolyn Forché, Richard Blanco, Hisham Matar, Michael Thomas, Beth Ann Fennelly, Molly Peacock, Honor Moore, Saïd Sayrafiezadeh, Elyssa East, Jonathan M. Katz, Kevin Larimer, Stephen Salpeter and TWH Directors Shanna McNair and Scott Wolven.

The Poetry Weekend Conference will take place October 22-26. Deadline to apply is September 1. Faculty includes current U.S. Poet Laureate Joy Harjo, Marie Howe, Heather McHugh, Terrance Hayes, Mark Doty, Cornelius Eady, Deborah Landau, Tim Seibles, Valzhyna Mort, Pádraig Ó Tuama, Camille Dungy, Javier Zamora, Alexandra Oliver, Kevin Larimer, Jenny Xie, TWH Directors Shanna McNair and Scott Wolven.