Review by Kevin Brown

It’s clear from Adelle Waldman’s second novel, Help Wanted, that she has worked in retail before, specifically in the warehouse section. Her story follows a small group of workers who arrive before the big-box store, Town Square, opens, so they can unload the truck, break down the boxes, and stock the shelves. While the plot focuses on the question of who will become the new general manager and, thus, which of the main cast of characters would take over as the manager of Movement—the business-speak title for the warehouse team—the real heart of the novel are the characters and their struggles.

They struggled in school, whether because they were uninterested, had undiagnosed learning disabilities, or encountered financial or family hardships, leading their lives to end up in the warehouse. Some of them are divorced and juggle childcare obligations; some are single and trying to figure out how to create a life; all of them have dreams, even if that’s nothing more than to move up one rung in the Town Square corporate ladder.

The backdrop for the novel heightens their concerns even more, as Potterstown, where the store is located, has never recovered from the 2008 financial crash and companies’ decisions to move to other countries, where labor costs are cheaper. And, of course, there’s the competition with the online retailer, whom the characters never name.

The team does find moments of joy and companionship, especially when they are all working toward a common goal that they, not management, define, but the book is not ultimately hopeful. Instead, Waldman creates real characters with real struggles that will persist for most, if not all, of their lives. She bears witness to the realities of those who work in the warehouse of the world, where most of us never think to look.

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Help Wanted by Adelle Waldman. W.W. Norton, March 2024.

Reviewer bio: Kevin Brown has published three books of poetry: Liturgical Calendar: Poems (Wipf and Stock); A Lexicon of Lost Words (winner of the Violet Reed Haas Prize for Poetry, Snake Nation Press); and Exit Lines (Plain View Press). He also has a memoir, Another Way: Finding Faith, Then Finding It Again, and a book of scholarship, They Love to Tell the Stories: Five Contemporary Novelists Take on the Gospels. Twitter @kevinbrownwrite

Guest Post by Kevin Brown

Anybody who pays attention to the news, especially sports news, probably thinks they know Semenya’s story, even if they don’t know her name. She’s a two-time Olympic medalist in the 800 meters from South Africa, but she was banned from running because her testosterone levels were too high, according to World Athletics, the governing board for track and field. They and some of her competitors argued that she had an unfair advantage.

This memoir is Semenya’s taking control of her own narrative, as she tells the story of how she fell in love with running, the acceptance she felt in her family and village, the success she had on the track, and her fight against World Athletics. Despite doctors’ classifying her as intersex, Semenya says she has never seen herself as anything other than female. She also argues that World Athletics never presented any scientific evidence that her testosterone levels gave her any advantage, and her racing times were well in line with other women she raced against.

For those who know Semenya’s story, The Race to be Myself by Caster Semenya will only deepen their knowledge, as she presents what she was thinking during her career. For those who think they know what happened during those years, her memoir presents a different view than the dominant narrative. For those who think they have no interest in a memoir about a runner, Semenya’s book reminds us that, when we talk about gender and access, we’re not talking about an issue; we’re talking about people.

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The Race to be Myself by Caster Semenya. W.W. Norton, October 2023.

Reviewer bio: Kevin Brown has published three books of poetry: Liturgical Calendar: Poems (Wipf and Stock); A Lexicon of Lost Words (winner of the Violet Reed Haas Prize for Poetry, Snake Nation Press); and Exit Lines (Plain View Press). He also has a memoir, Another Way: Finding Faith, Then Finding It Again, and a book of scholarship, They Love to Tell the Stories: Five Contemporary Novelists Take on the Gospels. Twitter @kevinbrownwrite

Guest Post by Nick Agelis

David Lipsky’s 2023 summer release, The Parrot and the Igloo, is a non-fiction work that focuses on climate change, but even more provocatively, the growing denial of its existence and the mammoth topic of potential human extinction.

Lipsky explains why climate change is so contentious using trendy narrative non-fiction techniques (think Capote or Mailer) to give insight into not only Thomas Edison, George Westinghouse, and Nikola Tesla’s scientific minds, but their personal idiosyncrasies as well. These insights allow casual readers to digest a convoluted and complicated topic: climate change and the subsequent denial of it.

Lipsky’s portrayal of a doom and gloom scenario reads like a comic entertainment of a who’s who in the field of science. Rife with current pop culture references from Disney’s Frozen to equating the severity of an ozone hole to a Christopher Nolan special effect, Lipsky makes reading about a potentially pending apocalypse fun. Wait… Is that possible? Unequivocally, yes.

Lipsky garnered much of his fame writing about the much more famous David Foster Wallace in his quasi memoir, Although of Course You End Up Becoming Yourself. But with the emergence of this Pynchonesque tragicomedy of world population proportions, Lipsky firmly stands on his own.

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The Parrot and the Igloo by David Lipsky. W.W. Norton & Co., July 2023.

Reviewer Bio: Nicholas Agelis is an unpublished high school English teacher and basketball coach in North Jersey, and is currently an MFA student at William Paterson University.

Guest Post by Kevin Brown

Paul Harding bases his new novel, This Other Eden, on a historical settlement of mixed-race people on an island off the coast of Maine. He uses that history as a springboard to create deep and rich characters who live there, ranging from Ethan Honey, a boy who can pass for white and has artistic talent that provides him with an opportunity others from the island never receive, to his grandmother Esther, a woman who sees the reality of what will come to their island, but who provides medicinal help to the residents in the meantime.

There are other finely-drawn characters, as well, such as Zachary Hand to God, who lives mostly in a tree while carving scenes from the Bible, and the Larks, who are almost translucent due to the amount of intermarriage in their family.

Harding pulls from historical accounts of what the government ultimately did to the residents of the island, relocating them to the mainland, putting them in institutions, even possibly sterilizing them to keep them from reproducing. Harding’s narrative voice, though, presents some contemporary views of Ethan’s artwork and the government’s actions, showing that those who lived on the island, while different than the mainlanders, had a thriving community with a culture of its own.

Harding reminds readers that what we do to others today will appear quite different a hundred years from now, which should give us pause before we alienate those who don’t match our definitions of normalcy.

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This Other Eden by Paul Harding. W.W. Norton, 2023.

Reviewer bio: Kevin Brown has published three books of poetry: Liturgical Calendar: Poems (Wipf and Stock); A Lexicon of Lost Words (winner of the Violet Reed Haas Prize for Poetry, Snake Nation Press); and Exit Lines (Plain View Press). He also has a memoir, Another Way: Finding Faith, Then Finding It Again, and a book of scholarship, They Love to Tell the Stories: Five Contemporary Novelists Take on the Gospels. Twitter @kevinbrownwrite