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Book Review :: Let Us Descend by Jesmyn Ward

Let Us Descend by Jesmyn Ward book cover image

Guest Post by Kevin Brown

Let Us Descend, Jesmyn Ward’s latest novel, like other neo-slave narratives—Colson Whitehead’s The Underground Railroad, Toni Morrison’s Beloved, and Ta-Nehisi Coates’ The Water Dancer— uses the mystical and the magical in her portrayal of slavery. Annis is separated from her mother and sold further South into even more brutal conditions. One way she survives is by drawing on the spirits of wind, water, and earth, as well as her ancestors. However, Ward doesn’t use these supernatural elements to make Annis’ existence easier; in fact, Annis often argues with these spirits about what they have done and where they have failed her or her family. Annis must ultimately rely on herself and those around her in order to survive and find a way to exist in a brutal system that consistently tries to break every bond she has, including the one with herself. Ward focuses more on the psychological and emotional effects of slavery than she does the physical abuse, though that’s certainly present. She is more concerned with Annis’ inner life and her relationships with her family and others who are enslaved than she is with recreating the brutality of the system. She ultimately wants to celebrate the resilience of the human spirit rather than relying on the supernatural spirits to provide an unrealistic survival for Annis.

Let Us Descend by Jesmyn Ward. Scribner, October 2023.

Reviewer bio: Kevin Brown has published three books of poetry: Liturgical Calendar: Poems (Wipf and Stock); A Lexicon of Lost Words (winner of the Violet Reed Haas Prize for Poetry, Snake Nation Press); and Exit Lines (Plain View Press). He also has a memoir, Another Way: Finding Faith, Then Finding It Again, and a book of scholarship, They Love to Tell the Stories: Five Contemporary Novelists Take on the Gospels. Twitter @kevinbrownwrite

Book Review :: Meltwater by Claire Wahmanholm

Meltwater by Claire Wahmanholm book cover image

Guest Post by Jami Macarty

In Meltwater, Claire Wahmanholm buoys her poems between the loss of a child and glacial ice melt, between “wail / and wishing.” Her poems read like a glossary of “every passing catastrophe,” acknowledging that everything is “made of / vanishing.” And, the poet is “living,” “alive / to notice,” asking, What are the implications of artistic fertility and motherhood when we are killing Earth? Perhaps because the “clock is about to start,” poetic form and sequence are important aspects of Meltwater. In the abecedary poems “O,” “M,” “P,” and “XYZ,” there is an alliterative and assonating accumulation “between mist and milk.” In opposition, words melt “white letters of dread invisible against / their surface of snow” in the eight erasures entitled “Meltwater.” In another series that makes use of variations of the statement “Everything Will Try to Kill You,” Wahmanholm invokes Lucille Clifton’s poem “won’t you celebrate with me.” In her poem, Clifton asserts “something has tried to kill me / and has failed,” but Wahmanholm admits she has “no plan to keep the chemicals separate / from the lake, the acid separate from the rain, the bird from the glass.” A series of four other poems entitled “Glacier” recounts visiting “the bright blue undersides turning over and over in the bay,” which “sounds like a metaphor but isn’t.” Wahmanholm is “talking about water.” The glacial ice melt and sea level rise that will flood coastal areas. Unlike other writers who write about climate crises, I get the feeling Wahmanholm does not write to either avert or despite disaster. Wahmanholm writes “to be ready for whatever [is] left of the world” and what “we suffer the empty universe for.”

Meltwater by Claire Wahmanholm. Milkweed Editions, March 2023.

Reviewer bio: Jami Macarty is the author of The Minuses (Center for Literary Publishing, 2020), winner of the 2020 New Mexico/Arizona Book Award – Poetry Arizona, and three chapbooks, including Mind of Spring (Vallum, 2017), winner of the 2017 Vallum Chapbook Award. Jami’s writing has been honored by financial support from Arizona Commission on the Arts, British Columbia Arts Council, and by editors at magazines such as The Capilano Review, Concision Poetry Journal, Interim, Redivider, Vallum, and Volt, where Jami’s poems appear.

Book Review :: How To by Heather Cadsby

How To by Heather Cadsby book cover image

Guest Post by Susan Kay Anderson

The prose poems in How To by Heather Cadsby are hilarious, and their titles are satisfying enough, let alone the bodies of the poems. Some examples: “How to catch flamboyant bohemians,” “How to tell if it’s different,” and “How to look at a broken fountain.” Each one offers its own non-advice and leads me to hunger for more.

I love how Cadsby plays with expectations. These poems offer surprises that are language-based without being frustrating to read. They are LOL poems, as in this line from “How to know if your venn diagram is pentimento”:

Golf is geometry as is burlesque.

These are funny and my mind creates illustrations or comic images to go with them as I read. I am challenged by this as a reader and also immensely entertained. Not a lot of poetry is funny. Many times, when poets try to be funny, they start rhyming or sound like Dean Young imitators (even though that is a good thing). Thank goodness to have read Cadsby’s inventions, I say to myself, wondering how I will manage to set this book down and get my mind back.

How To by Heather Cadsby. above/ground press, September 2023.

Reviewer bio: Susan Kay Anderson lives in southwestern Oregon’s Umpqua River Basin. Her long poem “Man’s West Once” was selected for Barrow Street Journal’s “4 X 2 Project” and is included in Mezzanine (2019). Anderson also published Virginia Brautigan Aste’s memoir, Please Plant This Book Coast To Coast (2021).

Book Review :: White Cat, Black Dog by Kelly Link

White Cat, Black Dog by Kelly Link book cover image

Guest Post by Kevin Brown

White Cat, Black Dog, Kelly Link’s collection of short stories, draws from Grimm’s fairy tales and uses them as inspiration for new stories. Some of those new stories are quite contemporary, while some read very much like the fairy tales that inspire her—most are a mix of that feeling. For example, the final story, “Skinder’s Veil” is based on “Snow-White and Rose-Red,” but it tells the story of Andy, a graduate student who hasn’t been working on his dissertation. A friend from graduate school offers him a three-week housesitting job at a rural home in Vermont. There are rules, though, in that he must welcome anybody who comes to the back door, but not the front door, including Skinder himself (who seems to be Death, but that isn’t clear). As in fairy tales, Link purposefully omits important information, leaving it to the reader to decide who some characters are or what particular events or places mean. In “The White Road” (based on “The Musicians of Bremen”), for example, the white road seems to be some portal to another place, but it could also simply be the evil that exists within each of us. Though Link has modernized some of the settings and plots from Grimm’s collection of tales, humanity never seems to change.

White Cat, Black Dog by Kelly Link. Random House, October 2023.

Reviewer bio: Kevin Brown has published three books of poetry: Liturgical Calendar: Poems (Wipf and Stock); A Lexicon of Lost Words (winner of the Violet Reed Haas Prize for Poetry, Snake Nation Press); and Exit Lines (Plain View Press). He also has a memoir, Another Way: Finding Faith, Then Finding It Again, and a book of scholarship, They Love to Tell the Stories: Five Contemporary Novelists Take on the Gospels. Twitter @kevinbrownwrite

Book Review :: Once These Hills by Chris McGinley

Once These Hills by Chris McGinley book cover image

Guest Post by Ashley Holloway

Set in 1898, Chris McGinley’s rural noir saga Once These Hills introduces the reader to life in eastern Kentucky on Black Boar Mountain, a world relatively untouched by modernization. Gaining momentum quickly, this story follows protagonist Lydia King, then aged 10, as she navigates life in a world that favors only the few. By championing strong female characters throughout the book, McGinley emphasizes the hardships of life in the early part of the twentieth century in rural Appalachia and how survival truly was reserved for the fittest.

As life starts to change on Black Boar Mountain, McGinley explores the relationship between big business and politics where the arrival of the Railway Company and its single-minded pursuit of advancement serves as a brilliant metaphor for our North American history of colonialism and capitalism. Through its insightful and nuanced dialogue and well-paced storyline, McGinley highlights the relationships between power, influence, and affluence, and how modernization often leaves some behind. In Once These Hills, McGinley has created a full-circle story with well-developed, three-dimensional characters, wrapping them up in a saga that successfully reminds us of the inevitability of the future; it is coming, and McGinley wants us to be prepared.

Once These Hills by Chris McGinley. Shotgun Honey, August 2023.

Reviewer Bio: Ashley Holloway gets bored easily, so she lives her life according to an ‘&.’ She teaches healthcare leadership in Calgary, AB, and is a nurse with a Master of Public Health, a graduate diploma in Global Leadership, with further studies in intercultural communication and international development. She writes in a variety of genres with work appearing across Canada and the US and has co-authored three books. Ashley is an editor for Unleash Press and her work has been nominated for the Pushcart Prize. She also really loves punctuation.

Book Review :: Hood Vacations by Michal ‘MJ’ Jones

Hood Vacations by Michal MJ Jones book cover image

Guest Post by Susan Kay Anderson

I love seeing the various styles/forms of poems in Hood Vacations by Michal “MJ” Jones and the way they’re never the same from one to the next. This variety shows hard work and willingness to bend. I especially admire how one moment we could be skirting Nate Mackey’s style in Double Trio, and then the next poem is like a small concentration in the mode of Tom Clark. Filled with backslashes, “Turnstiles” is a one-stanza poem about the author’s young son. It is interesting to see how the use of this punctuation flips readers through Jones’ narrative in the poem:

[. . . ] He’s exhausted bones/by nautical
twilight I gaze/between crib bars/brown skin/in deepening dusk

Societal and racial violence, family issues, birth, identity, and travel to hot springs are topics Jones makes fascinating through restrained telling that turns wild, full of expletives and eroticism. I appreciate that there are longer poems here. “Channelings” is seven pages long, in seven sections, so it is a pleasure to read in such a sensible layout and such a relief to see and read a poem this way. Hood Vacations is a break with something to show for, something to keep us there. Exquisite!

Hood Vacations by Michal ‘MJ’ Jones. Black Lawrence Press, January 2023.

Reviewer bio: Susan Kay Anderson lives in southwestern Oregon’s Umpqua River Basin. Her long poem “Man’s West Once” was selected for Barrow Street Journal’s “4 X 2 Project” and is included in Mezzanine (2019). Anderson also published Virginia Brautigan Aste’s memoir, Please Plant This Book Coast To Coast (2021).

Book Review :: a beautiful rebellion by Rita Bouvier

a beautiful rebellion by Rita Bouvier book cover image

Guest Post by Jami Macarty

Rita Bouvier invokes Linda Hogan’s belief from The Radiant Lives of Animals (Beacon Press, 2020): “The cure of susto, soul sickness, is not found in books.” And yet this Métis writer gives readers a beautiful rebellion, a book “carrying ancestral memories of the land,” and “adding to the story / like old times around the fire / giving thanks always giving thanks.” The ethos here: “as long as we have more to enjoy / than another we have responsibility / to lift each other again / and again.” In odes, elegies, “call it prayer if you want” or “an invocation for the sick and the dying,” Bouvier’s are poems that both “ponder the murky waters of truth and reconciliation” and “the massive weight of colonial history” as well as celebrate the “new greening of spring” and praise her “relative’s warm hands,” “crying out / marrsî my relatives!” As Bouvier strives “to wash away the pain and sorrow / as right renewal,” “her questions are very simple / who counts? what counts?” Bouvier suggests that to find answers, we must “look beyond ourselves to others / human and non-human / with whom we share this marbled blue and green planet.” With “wild rose” and “the scent of sage enveloping” in a beautiful rebellion, Rita Bouvier offers readers “a gift of renewal / / understanding that language is the sinew / connecting us to a life force” and “when we tire… / … / a bed of mustard-yellow dandelions.”

a beautiful rebellion by Rita Bouvier. Thistledown Press, April 2023.

Reviewer bio: Jami Macarty is the author of The Minuses (Center for Literary Publishing, 2020), winner of the 2020 New Mexico/Arizona Book Award – Poetry Arizona, and three chapbooks, including Mind of Spring (Vallum, 2017), winner of the 2017 Vallum Chapbook Award. Jami’s writing has been honored by financial support from Arizona Commission on the Arts, British Columbia Arts Council, and by editors at magazines such as The Capilano Review, Concision Poetry Journal, Interim, Redivider, Vallum, and Volt, where Jami’s poems appear.

Book Review :: Heating the Outdoors by Marie-Andrée Gill

Heating the Outdoors by Marie-Andrée Gill book cover image

Guest Post by Jami Macarty

Heating the Outdoors, an intimate lyric written by Marie-Andrée Gill and tenderly translated from the French by Kristen Renee Miller, is a “love story like all others.” As a result, the poems balance precariously between “simple happiness” and “storm damage.” More pointedly, Gill writes: “love is a virgin forest / then a clear cut.” The reader enters at the “clear cut,” then follows Gill through three phases of her love story as she experiences break-up, objectivity, and rebound. Throughout the collection, there is the feeling that Gill is “writing to survive” after “turbulent intimacy.” Despite the colonization of her heart, there is “something” in her that “keeps a lamp on”; something beseeches “where do I even begin to switch off my hopes”? It may be hope that prevents acceptance and leads to the repetition of “old dramas” and “sex bombs reigniting” once again. The poems do not provide an easy answer, but they do reflect how the constant battle for a woman’s sanity and autonomy inside a love relationship is analogous to skating on thin ice. In Heating the Outdoors, Gill determines that the woman not “end up in an asylum,” but instead “seeking [her] place somewhere out on the trail” in the boreal forest. “Outside is the only answer I found inside,” she writes. Turning toward a new intimate, nature’s “aspen,” “elk,” “bright paths of snowflakes,” Gill, an Ilnu and Québécoise woman, begins to “feel worthy of its / voice” and her own.

Heating the Outdoors by Marie-Andrée Gill translated by Kristen Renee Miller. Book*hug Press, March 2023.

Reviewer bio: Jami Macarty is the author of The Minuses (Center for Literary Publishing, 2020), winner of the 2020 New Mexico/Arizona Book Award – Poetry Arizona, and three chapbooks, including Mind of Spring (Vallum, 2017), winner of the 2017 Vallum Chapbook Award. Jami’s writing has been honored by financial support from Arizona Commission on the Arts, British Columbia Arts Council, and by editors at magazines such as The Capilano Review, Concision Poetry Journal, Interim, Redivider, Vallum, and Volt, where Jami’s poems appear. More at https://jamimacarty.com/

Book Review :: The Alta Vista Improvements by rob mclennan

rob mclennan image

Guest Post by Susan Kay Anderson

There must be an angst category in poetry called urban angst poetry when you realize you live in a city but have been feeling and acting like you are in the countryside. Maybe that’s not the case, here, exactly. More like pandemic angst, which the entire planet can relate to. rob mclennan’s Alta Vista Improvements is a place where such a realization occurs and is one of above/ground press’ unique pamphlets churned out in Canada. Here are a few lines in the titular poem in Section 5, which I loved reading:

[. . . ] this through-line
of patchwork housing, outcrop. A craft

of optimism, ignorance. The internet
equally bears each alphabet.

This is delicious writing! mclennan highlights the loss of the family goldfish through multiple fish, multiple losses; something is wrong in the picture of domesticity. What is it? We don’t exactly find out, yet travel the off-road territory with mclennan and enjoy every moment. In “Summer, pandemic,” as he waits for us in the car, his loyalty goes above and beyond to the complicated:

[. . . ] I perch in precooked car
awaiting our cat, in his follow up appointment
to recent dental extraction [. . . ]

Will life get itself all sorted out? In The Alta Vista Improvements, we sit and ponder (and hope) in all the wreckage.

The Alta Vista Improvements by rob mclennan. above/ground press, February 2023.

Reviewer bio: Susan Kay Anderson lives in southwestern Oregon’s Umpqua River Basin. Her long poem “Man’s West Once” was selected for Barrow Street Journal’s “4 X 2 Project” and is included in Mezzanine (2019). Anderson also published Virginia Brautigan Aste’s memoir, Please Plant This Book Coast To Coast (2021).

Book Review :: A Sky of Paper Stars by Susie Yi

A Sky of Paper Stars by Susie Yi book cover image

A Sky of Paper Stars by Susie Yi is both satisfyingly predictable and enticingly surprising. The story centers on middle-schooler Yuna and her attempt to detach from her Korean identity and fit in among her American schoolmates. Not finding the acceptance she craves, Yuna wishes to return to Korea, a place she left when she was just a baby and visited infrequently.

Memories of her halmoni (grandmother) and the stories her mother tells her about growing up there make Yuna believe she would be better off living in Korea. She makes the dreaded wish to return as she folds her 1000th tiny origami star and blames herself when news comes of her halmoni’s death. Burdened with the guilt that she has brought this untimely end, Yuna’s hand seems to turn to paper. Yuna travels to the funeral in Korea where she meets family she cannot even remember and who share memories of their halmoni that Yuna has no part in, causing her to feel even more isolated. As the shame over her wish grows, the transformation of her body to paper begins to creep up her arm. The only remedy, Yuna decides, is to complete an unfinished jar of paper stars her grandmother began folding. Once she reaches 1000, Yuna believes her wish will be reversed, and her halmoni will be restored.

Flashbacks in the novel shift from full-color images to blue or sepia tones, while the remaining present-day images throughout use deep, rich hues and dark brown rather than black linework to create a warmer overall tonality to the story. There are beautifully rendered full bleed pages to represent dream/surreal/imagination (I could envision a whole wordless book of these works by Yi). It’s these more fantastical elements of the story that help connect three generations of women and set the final emotional tone of the novel. The ending is heartwarming and surprising, enticing the reader to close the book and start all over again.

A Sky of Paper Stars by Susi Yi. Roaring Book Press, September 2023.

Reviewer bio: NewPages.com Editor Denise Hill reviews books based on personal interest.

Book Review :: Wellness by Nathan Hill

Wellness by Nathan Hill book cover image

Guest Post by Kevin Brown

In Wellness, Nathan Hill has written a novel that is of its time, while still being timeless. In exploring the particularly American obsession with wellness and improvement, what he is really excavating is the power and peril of stories. His second novel follows Jack and Elizabeth, a couple who fell in love at first sight in 1993, and who are negotiating their marriage after just over two decades of being together. They tell themselves stories about their marriage, as well as their childhoods, hoping to make sense of their lives. Hill weaves minor characters’ stories in, as well: Jack’s father becomes obsessed with conspiracy theories; Elizabeth’s friend Brandie hosts a group that believes one can manifest happiness by speaking it into the universe; and Kate and Kyle, a couple who find meaning through polyamory and a critique of monogamy. While Hill satirizes each of these characters—and more, especially the postmodern cultural conversation in academia in the 1990s, one of the most humorous sections of the novel—he also understands why they (and we) need stories at all. When Elizabeth seems ready to turn to nihilism, wondering if anything is real, her mentor tells her, “Believe what you believe, my dear, but believe gently. Believe compassionately. Believe with curiosity. Believe with humility. And don’t trust the arrogance of certainty.” That’s good advice for our divided country and world, now and anytime anyone might pick up this novel.

Wellness by Nathan Hill. Alfred A. Knopf, September 2023.

Reviewer bio: Kevin Brown has published three books of poetry: Liturgical Calendar: Poems (Wipf and Stock); A Lexicon of Lost Words (winner of the Violet Reed Haas Prize for Poetry, Snake Nation Press); and Exit Lines (Plain View Press). He also has a memoir, Another Way: Finding Faith, Then Finding It Again, and a book of scholarship, They Love to Tell the Stories: Five Contemporary Novelists Take on the Gospels. Twitter @kevinbrownwrite or kevinbrownwrites.weebly.com/.

Book Review :: A knife so sharp its edge cannot be seen by Erin Noteboom

A knife so sharp its edge cannot be seen by Erin Noteboom book cover image

Guest Post by Jami Macarty

In A knife so sharp its edge cannot be seen, Erin Noteboom positions readers on the fine line between the “sting and sweetness” of “lives in depth and distance.” This is a poet interested in demarcations and definitions, where memory meets metaphor, perspective meets specifics, and recombination implies structure. The poet repeatedly flips a coin, showing readers one side, then the other, revealing the enigma where one concept begins and another ends. Within the poems, the mysteriously undefinable is proximal to the scientifically discoverable. Wilhelm Röntgen, who developed X-rays, and Marie Curie, who discovered radium and polonium, are among the scientists Noteboom’s poems present to readers. The poems, like these scientists, are focused on the interplay between light, shadow, and darkness that permits new, profound, and various forms of seeing, as “the eye is lighthouse.” Such a quest for “the sensation of light” and the “struggle for another label” inevitably has a cost. “For such a cost, there must be benefit / that is the equation of science,” writes Noteboom, who determines as a writer, “I want to use my life up / like a pencil. I want to eat stone and leave behind / the shell of a word I live inside, / something open.” Noteboom’s poetry examines “the cost / of the beauty. The beauty of the cost.” The poems mark readers with their exploration of science’s brilliance, life’s radiance, and what it is “to write at the end of the world.”

A knife so sharp its edge cannot be seen by Erin Noteboom. Brick Books, April 2023.

Reviewer bio: Jami Macarty is the author of The Minuses (Center for Literary Publishing, 2020), winner of the 2020 New Mexico/Arizona Book Award – Poetry Arizona, and three chapbooks, including Mind of Spring (Vallum, 2017), winner of the 2017 Vallum Chapbook Award. Jami’s writing has been honored by financial support from Arizona Commission on the Arts, British Columbia Arts Council, and by editors at magazines such as The Capilano Review, Concision Poetry Journal, Interim, Redivider, Vallum, and Volt, where Jami’s poems appear. More at https://jamimacarty.com/

Book Review :: Excisions by Hilary Plum

Excisions by Hilary Plum book cover image

Guest Post by Susan Kay Anderson

I’m attracted at once to the cover of Excisions by Hilary Plum. It is one of those famous tapestries from Medieval times, “The Unicorn Surrenders to a Maiden,” which is part of The Unicorn Tapestry series. That theme is theorized to represent Christ (with the unicorn being hunted) and the Crucifixion/Courtly Love. The titular long poem and section weaves in and out of the world of the Unicorn Tapestry and comes face-to-face with real-life situations and circumstances that Plum shows readers. The poet seems like the maiden, then like the wounded and dying unicorn, and then like the hound who has attacked the unicorn. Each line of Plum’s poems is precise and layers itself against the next line so that each creates a huge, whole image. These are such a mix of old and new, as in these lines from “If a gun disappears it reappears”:

…like
heaving stones no archeologist
schooled in empire
declines…

The images Plum creates are intriguing and captivating. I don’t know what to do with so many of them but to go back again and again to meditate and dream.

Excisions by Hilary Plum. Black Lawrence Press, October 2022.

Reviewer bio: Susan Kay Anderson lives in southwestern Oregon’s Umpqua River Basin. Her long poem “Man’s West Once” was selected for Barrow Street Journal’s “4 X 2 Project” and is included in Mezzanine (2019). Anderson also published Virginia Brautigan Aste’s memoir, Please Plant This Book Coast To Coast (2021).

Book Review :: Deep Are These Distances Between Us by Susan Atefat-Peckham

Guest Post by Jami Macarty

Deep Are These Distances Between Us: Poems by Susan Atefat-Peckham book cover image

In an act of personal yearning, Editor Darius Atefat-Peckham offers readers his mother’s voice from beyond. In Deep Are These Distances Between Us, Iranian-American poet Susan Atefat-Peckham (1970–2004) tenders a “shining, shimmering / space” for poems prescient, prophetic, compassionate, forgiving, and ecstatic, “her hands cupped like a bowl / filled with sunlight and water and pleading.” Atefat-Peckham pleads for “words louder than the silence between them” to offer comfort to our wounded world. The poems trace “[s]hadows / we are bound by”—the Iranian state’s gender-based oppression, the Iran-Iraq War of the 1980s, Islamophobia in the aftermath of the September 11, 2001 terrorist attacks—“to speak of / and hold, to carry” and resolve, “knees snapped to the earth,” in a devotional conversation with Persian mystics.

Despite the fact that Susan Atefat-Peckham died in a car accident when her son was three years old, her mind, advocacy, heart, and soul remain “bright, burning, / and alive” in her poetry. On a day when Narges Mohammadi was awarded the Nobel Peace Prize while imprisoned for her advocacy of Iranian women’s rights and sixteen-year-old Armita Geravand was dragged unconscious from a train after being beaten for not wearing a hijab, Susan Atefat-Peckham’s poems remind us that “there is always an ear listening / in the silence.” The distances between Susan Atefat-Peckham and us may be great, yet hers is unmistakably a poetry for our perilous times. Susan Atefat-Peckham is “still / in the universe.” She lives on via her poetry, which provides readers with a “place of repeated / comfort where even scars will brighten.”

Deep Are These Distances Between Us by Susan Atefat-Peckham. CavanKerry Press, May 2023.

Reviewer bio: Jami Macarty is the author of The Minuses (Center for Literary Publishing, 2020), winner of the 2020 New Mexico/Arizona Book Award – Poetry Arizona, and three chapbooks, including Mind of Spring (Vallum, 2017), winner of the 2017 Vallum Chapbook Award. Jami’s writing has been honored by financial support from Arizona Commission on the Arts, British Columbia Arts Council, and by editors at magazines such as The Capilano Review, Concision Poetry Journal, Interim, Redivider, Vallum, and Volt, where Jami’s poems appear. More at https://jamimacarty.com/

Book Review :: Intaglio Daughters by Laynie Browne

Intaglio Daughters by Laynie Browne book cover image

Guest Post by Susan Kay Anderson

Okay, these are weird poems, weird-in-a-good-way weird because they excite the imagination. Browne has taken Lyn Hejinian’s [alert: L=A=N=G=U=A=G=E poetry] poems and added her own two cents to them. She has not embellished them but taken a title and then riffed on it. Each poem ends with the title (which are phrases, mostly) changed around. This adds to the meaning and feeling of what Hejinian has done. It stretches the sense of things, as in “Language is as blind as sheep”:

It begins with,

Imbroglio daughters, imbroglio mind…

concluding with,

…Language unkind and steep

This adds to what Hejinian has built, and while these poems can be seen as collaborative, they use the found material of titles and transform them into sparkling jewels of poems, turning them luxurious and dazzling.

I don’t mind combing through these with the weight of mystery that comes with the territory of oblique writing like Language Poets are famous for, and away from which many, many poets run. These are poems to run to, towards the playfully topsy-turvy.

Intaglio Daughters by Laynie Browne. Ornithopter Press, September 2023.

Reviewer bio: Susan Kay Anderson lives in southwestern Oregon’s Umpqua River Basin. Her long poem “Man’s West Once” was selected for Barrow Street Journal’s “4 X 2 Project” and is included in Mezzanine (2019). Anderson also published Virginia Brautigan Aste’s memoir, Please Plant This Book Coast To Coast (2021).

Book Review :: The Glass City by Jen Knox

The Glass City by Jen Knox book cover image

Guest Post by Ashley Holloway

Originally published in 2017, Jen Knox’s revised edition of The Glass City is a brilliant collection of seventeen stories that fluidly combine seemingly unrelated themes together in unexpected ways. In this futuristic-yet-timely collection, Knox highlights society’s overwhelming sense of entitlement and narcissistic tendencies and their relationship to our changing climate. Each story is a mirror thrust in our faces, urging us to get over our love affair with ourselves, reminding us that “people didn’t need to further distinguish themselves from nature.” With buildings collapsing from exhaustion, virtual races run at home on treadmills, terrorist attacks, never-ending snowstorms, and characters with extra layers of toes from food contamination, Mother Nature acts as an omnipotent protagonist throughout, serving her primitive justice as a warning to society for the perils of continuing along the same trajectory. However, like the art of Kintsugi, Knox leaves us with the thought that what was once broken can indeed be salvaged and transformed into something beautiful.

The Glass City & Other Stories by Jen Knox. Press Americana, September 2023 (re-release).

Reviewer bio: Ashley Holloway teaches healthcare leadership at Bow Valley College in Calgary, AB. She writes in a variety of genres with work appearing across Canada and the US and has co-authored three books. Ashley is an editor for Unleash Press and her work has been nominated for the Pushcart Prize.

Book Review :: What Just Happened by Richard Hell and Christopher Wool

What Just Happened by Richard Hell book cover image

Guest Post by Susan Kay Anderson

Really, what just happened when I read this book of poems, scribble scrabble drawings, photographs of crows, essays, and a memoir/list? Do I finally realize why my friend Robert Christie (who was a musician) was so enamored by Richard Hell? Probably. Coming across this writer reminds me of all the things I loved about Robert and his wife, Denise, what is direct and plainspoken, what is unusual and gifted.

Hell references Bill Knott in poems, and this can tickle the funny bone in a way that is curioser and curiouser. We do get a sublime glimpse into Hell’s music life and see that it cannot be separated from his writing. Even his essays are sprinkled with pure poetic reverie, “For instance, Roy Orbison hummed like chauffeured teal.” (“Falling Asleep”) My goodness! This is genius territory, beware!

My favorite poem is “Poets,” as I have just never read what poets do and what poetry is expressed so profoundly:

what poets hope to have
their writing do is somehow
trick into being
all that time forgot

Forgetting you, we are certainly not, Richard Hell.

What Just Happened by Richard Hell with images by Christopher Wool. Winter Editions, June 2023.

Reviewer bio: Susan Kay Anderson lives in southwestern Oregon’s Umpqua River Basin. Her long poem “Man’s West Once” was selected for Barrow Street Journal’s “4 X 2 Project” and is included in Mezzanine (2019). Anderson also published Virginia Brautigan Aste’s memoir, Please Plant This Book Coast To Coast (2021).

Book Review :: Flare, Corona by Jeannine Hall Gailey

Flare, Corona by Jeannine Hall Gailey book cover image

Guest post by Jami Macarty

The coronae that flare in Flare, Corona, by Jeannine Hall Gailey, allude to solar explosions, coronavirus infections, cancer scare symptoms, and multiple sclerosis diagnosis. Put another way, the poems deal with exposure and contamination; after all, we “can only hold death at bay for so long.” Preoccupied with calamity, “downed planes, traffic accidents and plain old bad luck,” our narrator is “a person who looks for the dark side” and “can’t stop writing the apocalypse story over and over.” At least she has, and the poems benefit from, a sense of humor, dark though it may be. The collection reads like a survivor’s how-to manual for scenarios like a “zombie apocalypse” and “what to do when you get the diagnosis you may not survive.” Neither comedy nor gravity matter when the “truth is, there is no final secret, there is no formula to save us” from whatever “sudden instability” will cause our demise. Despite life’s supervillains and death’s close calls, Jeannine Hall Gailey is “dancing in the flames, arms raised high,” rejoicing in the “part of us radiant.”

Flare, Corona by Jeannine Hall Gailey. Boa Editions, Ltd., May 2023

Reviewer bio: Jami Macarty is the author of The Minuses (Center for Literary Publishing, 2020), winner of the 2020 New Mexico/Arizona Book Award – Poetry Arizona, and three chapbooks, including Mind of Spring (Vallum, 2017), winner of the 2017 Vallum Chapbook Award. Jami’s writing has been honored by financial support from Arizona Commission on the Arts, British Columbia Arts Council, and by editors at magazines such as The Capilano Review, Concision Poetry Journal, Interim, Redivider, Vallum, and Volt, where Jami’s poems appear. More at https://jamimacarty.com/

Book Review :: Because I love you, I became war by Eileen R. Tabios

Because I love you, I become war Poems & Uncollected Poetics Prose by Eileen R. Tabios book cover image

Guest Post by Susan Kay Anderson

The Glass Fire in Napa Valley, 2020 seems to have been a turning point for the extremely prolific poet, editor, novelist, and activist writer Eileen R. Tabios. She and her husband experienced the fire and subsequent evacuation, which was successful, except that part of her life’s work was lost. She lost whole archive entries; material that belonged inside protected library buildings in official archives and not in an outbuilding that burned. This book makes real the fact that Tabios felt strongly compelled, passionate, and driven to collect some of her rescued writings and preserve them in book form. She tackles this project with love of what she finds among the remains of her work and is saying that love is the war she is raging against loss. While published archives can be boring to read because we don’t have the original pamphlet, magazine, or lecture to enjoy, Tabios’ inventive poems are delightful. More than half of the book is a compilation of “Uncollected Poetics Prose” that expand the meaning of archive, leading readers to dream along within them. What is so magical about this collection is that we are not left hanging and lost in the dense material of this ambitious project; we are shown abundance and astounding imagination in what remains. This project is love.

Because I love you, I become war: Poems & Uncollected Poetics Prose by Eileen R. Tabios. Marsh Hawk Press, May 2023.

Reviewer bio: Susan Kay Anderson is a National Poetry Series finalist, Jovanovich Prize winner, and former Ragdale resident who lives in southwestern Oregon’s Umpqua River Basin. Her long poem “Man’s West Once” was selected for Barrow Street Journal’s “4 X 2 Project” and is included in her book of poems, Mezzanine (2019). Anderson also published Virginia Brautigan Aste’s memoir, Please Plant This Book Coast To Coast (2021). https://www.pw.org/directory/writers/susan_kay_anderson

Book Review :: Ordinary Notes by Christina Sharpe

Ordinary Notes by Christina Sharpe book cover image

Guest Post by Kevin Brown

Christina Sharpe has written an incisive and insightful book about what it means to be Black in America today. Though the 248 notes that make up the book are brief, they dig deeply into the realities of white supremacy as a central tenant of American culture. Sharpe draws on a wide variety of contemporary and historical writers, artists, and thinkers, ranging from some most readers would be familiar with—such as Toni Morrison and Frederick Douglass—to a number who will be new to those same readers. Her 248 notes include 208 footnotes, in fact, as she steps into the long and deep river of Black thought and art. Sharpe structures her book around the various meanings of the word note, whether as a verb meaning to notice or a noun in the musical sense. She’s interested in definitions and words in general, as one of the longest sections of the book is what she refers to as “preliminary entries toward a dictionary of untranslatable blackness.” Given her investment in the tradition of Black thought, she calls on other thinkers to help her provide definitions for “unbuilding,” “spectacle,” “property,” and a number of other terms. All of her notes—like a piece of music—combine to create a composition that is more than its individual parts, one that celebrates Black culture and history, while reminding readers of the White supremacist reality that Black tradition has been and currently is being forged within and against.

Ordinary Notes by Christina Sharpe. Farrar, Straus and Giroux, 2023.

Reviewer bio: Kevin Brown has published three books of poetry: Liturgical Calendar: Poems (Wipf and Stock); A Lexicon of Lost Words (winner of the Violet Reed Haas Prize for Poetry, Snake Nation Press); and Exit Lines (Plain View Press). He also has a memoir, Another Way: Finding Faith, Then Finding It Again, and a book of scholarship, They Love to Tell the Stories: Five Contemporary Novelists Take on the Gospels. Twitter @kevinbrownwrite or kevinbrownwrites.weebly.com/.

Book Review :: The Fraud by Zadie Smith

The Fraud by Zadie Smith book cover image

Guest Post by Kevin Brown

The title of Zadie Smith’s latest novel is misleading, as there is no singular fraud in this novel; instead, everybody seems to be a fraud. Smith bases her novel on the historical account of the “Tichborne Trial,” in which a man claims to be Sir Roger Tichborne, a claim that is so absurd to be laughable, given the evidence. However, people—primarily those of the lower- and growing middle-class—firmly support him, even when they know the claim is baseless. They attend his trial and rallies in support of him, denying any reality he or his trial calls into question. If readers are wondering if there are contemporary echoes, Smith sets them to rest with a song that serves as the epigraph for Volume Eight (her structure mirrors the Victorian novels she is channeling), in which each stanza ends with the word trump. While the trial is the underpinning of the novel, Smith largely follows Eliza Touchet, the housekeeper for William Ainsworth, a novelist who once outsold Dickens, but who is now largely forgotten. Eliza attends their literary gatherings, but even though she sees through the literary elite, she has no standing to critique, given the role of women in the 1800s. When she meets Andrew Bogle, a formerly enslaved Jamaican who serves as the faux Tichborne’s one consistent witness, she asks to hear his life story, wanting to understand a broader view of Britain and humanity. She ultimately has a moral choice to make to try to stay true to her beliefs, to avoid being a fraud herself, and she develops a different kind of voice by the end of the novel. While Smith spends much of the novel showing characters who doubt the very idea of a shared reality, she reminds readers that fiction can still convey truth, even when it rewrites history to do so.

The Fraud by Zadie Smith. Penguin, 2023.

Reviewer bio: Kevin Brown has published three books of poetry: Liturgical Calendar: Poems (Wipf and Stock); A Lexicon of Lost Words (winner of the Violet Reed Haas Prize for Poetry, Snake Nation Press); and Exit Lines (Plain View Press). He also has a memoir, Another Way: Finding Faith, Then Finding It Again, and a book of scholarship, They Love to Tell the Stories: Five Contemporary Novelists Take on the Gospels. Twitter @kevinbrownwrite or kevinbrownwrites.weebly.com/.

Book Review :: Now These Three Remain by Sarah Dickenson Snyder

Now These Three Remain by Sarah Dickenson Snyder book cover image

Guest Post by Jennifer Martelli

Sarah Dickenson Snyder’s latest collection, Now These Three Remain, strikes the delicate balance of faith and doubt. Like the master carver in “Industry,” Dickenson Snyder ponders,

Maybe I am practicing for some god’s commandments
with chisel and mallet I tap across the smooth surface
of slate to unveil letters, carve words I can touch.

Sarah Dickenson Snyder uses the slash like a chisel in her three sections, “Un/Faith,” “Un/Hope,” “Un/Love.” This gives these Biblical words facets, as if carved in stone. The poems exist in these oppositions, these dimensions.

In “Ginger Roots,” the speaker tells us, “Most good things grow in darkness— / seeds, roots, a fetus.” The speaker’s conflict is, at times, rooted in trauma and healing. Coming from a place of religious doubt, the collection is also an account of sexual assault and sexual autonomy. The speaker remembers her assault, “not-breathing, those seconds / falling inside me like a rock in a pond.” In “Without Regret,” the older speaker, “chose my life over what was beginning / to grow.”

Sarah Dickenson Snyder’s whisper “Heal us, heal us,” resonates throughout Now These Three Remain, where “we all just want to make something / close to sacred while we’re here.”

Now These Three Remain by Sarah Dickenson Snyder. Lily Poetry Review Books, April 2023.

Reviewer Bio: Jennifer Martelli is the author of The Queen of Queens and My Tarantella, both named “Must Reads” by the Massachusetts Center for the Book. Her work has appeared in Poetry, Poem-a-Day, and elsewhere. Martelli has received grants from the Massachusetts Cultural Council. She is co-poetry editor for MER. www.jennmartelli.com

Book Review :: In Memoriam by Alice Winn

In Memoriam by Alice Winn book cover image

Guest Post by Kevin Brown

Alice Winn’s debut novel follows two British teenagers—Henry Gaunt and Sidney Ellwood—during their time at an elite boarding school and into their time as soldiers during World War I. Their time at school sounds idyllic, but there are conflicts that come from Ellwood’s openness about his sexuality. It quickly becomes clear that Gaunt is also gay, but he is unwilling to admit that to himself or to others, and he is in love with Ellwood. The war significantly changes them both and forces them to confront their love, but also reminds them of the reality of the world they live in. Winn clearly conveys the horrors of the war and the loss of almost an entire generation of men, both through Gaunt and Ellwood’s experiences, but also through those of their classmates and Gaunt’s sister, Maud. She is part of a generation of young women whom adults encourage to go to the colonies, given how few men are left for them to marry. Winn creates a world where the war devastates all, leaving a world full of broken people who will have to spend the rest of their lives putting that world and their lives back together. Building their lives back is even more complicated for those on the margins, given society’s lack of acceptance of who they are. Winn reminds readers that so many did, in fact, sacrifice so much for the peace that followed, but some had to sacrifice even more.

In Memoriam by Alice Winn. Alfred A. Knopf, March 2023.

Reviewer bio: Kevin Brown has published three books of poetry: Liturgical Calendar: Poems (Wipf and Stock); A Lexicon of Lost Words (winner of the Violet Reed Haas Prize for Poetry, Snake Nation Press); and Exit Lines (Plain View Press). He also has a memoir, Another Way: Finding Faith, Then Finding It Again, and a book of scholarship, They Love to Tell the Stories: Five Contemporary Novelists Take on the Gospels. Twitter @kevinbrownwrite or kevinbrownwrites.weebly.com/.

Book Review :: Homestead by Melinda Moustakis

Homestead by Melinda Moustakis book cover image

Guest Post by Kevin Brown

In this debut novel, Melinda Moustakis creates a couple who agree to marry each other a day after they first meet, based mainly on Lawrence’s claim to 150 acres. He and Marie have reasons for wanting land, a home, and a family, though she is more forthcoming about those reasons. On the one hand, then, this novel explores the challenges of clearing land and building a house in Alaska in the 1950s. It touches on the development of Alaska as a state and the land the federal government took away from the indigenous tribes who lived there for centuries. Moustakis, though, is more concerned about what it means to make a life with another person, as opposed to in a particular place; the isolation of the homestead simply heightens the conflicts Lawrence and Marie have. The idea of statehood echoes the trades one must make in a relationship, as some people oppose statehood because of the taxes the federal government will impose in exchange for services and the right to vote, while the takeover of native lands shows what happens when a relationship is one-sided. There are threats hanging over Marie and Lawrence’s relationship throughout the novel, whether that’s a grizzly bear attack or the secrets Lawrence keeps, leaving the reader wondering if what they have built can survive in the wild.

Homestead by Melinda Moustakis. Flatiron Books, February 2023.

Reviewer bio: Kevin Brown has published three books of poetry: Liturgical Calendar: Poems (Wipf and Stock); A Lexicon of Lost Words (winner of the Violet Reed Haas Prize for Poetry, Snake Nation Press); and Exit Lines (Plain View Press). He also has a memoir, Another Way: Finding Faith, Then Finding It Again, and a book of scholarship, They Love to Tell the Stories: Five Contemporary Novelists Take on the Gospels. Twitter @kevinbrownwrite or kevinbrownwrites.weebly.com/.

Book Review :: Black Ball by Theresa Runstedtler

Black Ball by Theresa Runstedtler book cover image

Guest Post by Kevin Brown

Theresa Runstedtler digs deep into the NBA of the 1970s to show how a group of African American basketball players brought a new style of play to the sport, honed on playgrounds rather than high school and college gyms, where white players trained. More importantly, though, she shows how these same athletes stood up to the white owners and coaches, bringing lawsuits against them when necessary, to carve out more freedom and agency for the players. Those owners had almost full control of players in the 1960s, dictating who could play for which team when and limiting player salaries and the almost non-existent benefits. One player after another, though, began to push back against that control, winning one court battle after another, while also bringing a different style of play to the courts. Near the end of the book, Runstedtler shows how these changes reinvented the NBA and led to the strong performances of the 1990s and early 2000s, but also to the more politically outspoken players of more recent years. Runstedtler brings her experience as a Toronto Raptors dancer and scholar and professor of African American history to create a readable, insightful look at an important decade of development in Black activism and labor history.

Black Ball: Kareem Abdul-Jabbar, Spencer Haywood, and the Generation That Saved the Soul of the NBA by Theresa Runstedtler. Bold Type Books, March 2023.

Reviewer bio: Kevin Brown has published three books of poetry: Liturgical Calendar: Poems (Wipf and Stock); A Lexicon of Lost Words (winner of the Violet Reed Haas Prize for Poetry, Snake Nation Press); and Exit Lines (Plain View Press). He also has a memoir, Another Way: Finding Faith, Then Finding It Again, and a book of scholarship, They Love to Tell the Stories: Five Contemporary Novelists Take on the Gospels. Twitter @kevinbrownwrite or kevinbrownwrites.weebly.com/.

Book Review :: The Devil of Provinces by Juan Cárdenas

The Devil of Provinces by Juan Cárdenas book cover image

Guest Post by Colm McKenna

Lizzie Davis’ translation of Juan Cárdenas’ The Devil of the Provinces is a middle finger to literary categorization; mixing elements of both horror and thriller, Cárdenas’ novel plays with conventions of both classifications, while further blurring the lines between genre and literary fiction.

The story follows a failed biologist returning to his hometown. There are some deceptively lighthearted moments early on, mostly musings about the emotional repercussions attached to going back home. A clinical fatalism is always leaking under the surface though, pulling the masks off the comforts a small town and a quiet life seem to bring: “do nothing but wander from end to end, go up and come down, out and in, open and close the fridge door, sometimes lie in front of the TV. Pure actions… completely devoid of intention.”

Continue reading “Book Review :: The Devil of Provinces by Juan Cárdenas”

Book Review :: The Weight by Jeff Boyd

The Weight by Jeff Boyd book cover image

Guest Post by Kevin Brown

Jeff Boyd’s debut novel, The Weight, follows Julian as his life slowly begins to fall apart. The woman he’s been sleeping with is now engaged to somebody else; he’s working a job at a call center where the best way to advance in the company is to lead the morning prayer; he’s a drummer in a band that doesn’t seem to have much of a future; he’s one of a very few Black people in Portland. As the novel progresses, though, he slowly begins to learn how to put his life together, partly driven by a late-night encounter with a woman who reads him the entirety of The Death of Ivan Ilyich by Leo Tolstoy, a novella she believes he needs to hear then and there. The only complaint I have with the novel is that, like many first novels, Boyd wraps the ending up too neatly: people remain friends when perhaps they shouldn’t, and they reconcile every problem, at least superficially. Despite that complaint, Julian and his friends are an enjoyable group to spend time with, even when they’re making decisions the reader (and everybody else in the novel) knows are choices that will lead them in the wrong direction, at least until the end.

The Weight by Jeff Boyd. Simon and Schuster, April 2023.

Reviewer bio: Kevin Brown has published three books of poetry: Liturgical Calendar: Poems (Wipf and Stock); A Lexicon of Lost Words (winner of the Violet Reed Haas Prize for Poetry, Snake Nation Press); and Exit Lines (Plain View Press). He also has a memoir, Another Way: Finding Faith, Then Finding It Again, and a book of scholarship, They Love to Tell the Stories: Five Contemporary Novelists Take on the Gospels. Twitter @kevinbrownwrite or kevinbrownwrites.weebly.com/.

Book Review :: Hungry Ghosts by Kevin Jared Hosein

Hungry Ghosts by Kevin Jared Hosein book cover image

Guest Post by Kevin Brown

In Kevin Jared Hosein’s Hungry Ghosts, Hans Saroop is a hard-working husband and father in 1940s Trinidad. Unfortunately, that work doesn’t get him much money and results in even less social status. He and his family, as well as their friends, live in the Barrack, a pieced-together building with a roof that leaks so often they don’t bother to patch it and walls so thin everybody knows what is happening—for good and ill—in everybody’s lives. Above them, both literally and metaphorically, live Dalton and Marlee Changoor, a couple who have everything those in the Barrack wish they had. Hans and two of his friends work for the Changoors, a proximity that will lead to one crisis after another, revealing the temptation of power and the realities of poverty and lack of social standing. As the title conveys, there are characters who only live in the most literal sense, while those who are dead continue to affect the living, with no respite from their haunting. Hanging over the entire novel is the threat of violence that seems embedded in the nation’s history, especially the colonization and domination of the country that continues to weave its way through the residents’ lives, just waiting for the moment to return in full force.

Hungry Ghosts by Kevin Jared Hosein. Ecco, February 2023.

Reviewer bio: Kevin Brown has published three books of poetry: Liturgical Calendar: Poems (Wipf and Stock); A Lexicon of Lost Words (winner of the Violet Reed Haas Prize for Poetry, Snake Nation Press); and Exit Lines (Plain View Press). He also has a memoir, Another Way: Finding Faith, Then Finding It Again, and a book of scholarship, They Love to Tell the Stories: Five Contemporary Novelists Take on the Gospels. Twitter @kevinbrownwrite or kevinbrownwrites.weebly.com/.

Book Review :: A Practical Guide to Levitation by José Eduardo Agualusa

A Practical Guide to Levitation by José Eduardo Agualusa book cover image

Guest Post by Colm McKenna

A Practical Guide to Levitation brings together thirty of José Eduardo Aguaulusa’s short stories, some written just last year and some so old he doesn’t remember writing them. Naturally, there is a real variety to be found here; “The President’s Madness,” in which the president of the United States awakes from a coma speaking only Portuguese, has a postmodern flavor, and would not seem out of place in a Donald Barthelme collection. “Elevator Philosophy” and “The Tree That Swallowed Time,” however, are more akin to the light-hearted, acutely sad narratives of Adolfo Bioy Casares.

Agualusa is of Portuguese and Brazillian descent, hailing from Nova Lisboa, Portuguese Angola. Magical Realism is a clear influence on his writing. In fact, Agualusa’s literary idols pop us as characters; In the opening story, Jorge Luis Borges finds himself ambling around in the afterlife. Unfortunately for him, it is not the heavenly Library of Babel he was banking on, but an infinite plantation of banana trees. The grand cosmic surveyor has made a clerical error; Borges has been mistaken for Gabriel Garcia Marquez and finds himself in the latters’ heaven. The final image is of Borges eating banana after banana in hell (he finds no more appropriate name for another man’s paradise) with a wry grin on his face; Garcia Marquez must be in the heaven meant for Borges, and thus in his own sort of down below. A nod to Borges’ famously polemic takes on certain Latin American writers, perhaps. (Roberto Arlt, for example, was described as “an imbecile… extraordinarily uneducated” by his fellow countryman.)

The stories compiled here are brought together by abstract and metaphysical topics, with the backdrop of colonization and civil war an everpresent.

A Practical Guide to Levitation by José Eduardo Agualusa, translated from Portuguese by Daniel Hahn. Archipelago Press, August 2023.

Reviewer Bio: Colm McKenna is a second-hand bookseller based in Paris. He has published and self-published an array of short stories and articles, hoping to eventually release a collection of stories. He is mainly interested in the works of John Cowper Powys, Claude Houghton, and a range of Latin American writers.

Book Review :: Black on Black by Daniel Black

Black on Black by Daniel Black book cover image

Guest Post by Kevin Brown

In his collection of essays Black on Black, Daniel Black takes a different approach to Blackness than many contemporary writers. Rather than focusing on the systemic racism so prevalent in American society, he takes that reality for granted, then turns his attention to a celebration of Blackness. He celebrates Black female directors, historically Black colleges and universities (HBCUs), the Black church, and activists and writers ranging from Frederick Douglass to Toni Morrison. Most of all, he centers his essays around self-love in the Black community, as he wants to spotlight the resilience and brilliance of that community, as his subtitle shows. He goes even further and celebrates LGBTQ+ Black resilience, as they battle AIDS, as well as those within and outside of their race. However, his book is not just unvarnished praise, as he also questions the institutions of power, especially the church and HBCUs, wanting them to be better. A superficial reading makes Daniel Black sound like Booker T. Washington—especially when he argues about the failure of integration—but a closer reading shows him to be more Malcolm X. He wants those who are White or straight or cisgender to see the beauty of Blackness and queerness, but he also wants his community to build on their brilliance, to grow even more beautiful.

Black on Black by Daniel Black. Hanover Square Press, January 2023.

Reviewer bio: Kevin Brown has published three books of poetry: Liturgical Calendar: Poems (Wipf and Stock); A Lexicon of Lost Words (winner of the Violet Reed Haas Prize for Poetry, Snake Nation Press); and Exit Lines (Plain View Press). He also has a memoir, Another Way: Finding Faith, Then Finding It Again, and a book of scholarship, They Love to Tell the Stories: Five Contemporary Novelists Take on the Gospels. Twitter @kevinbrownwrite or kevinbrownwrites.weebly.com/.

Book Review :: Flatback Sally Country by Rachel Custer

Flatback Sally Country by Rachel Custer book cover image

Guest Post by Mary Beth Hines

Rachel Custer’s new poetry collection, Flatback Sally Country, tells emotionally resonant stories of people who inhabit a hard-scrabble, left-behind, middle-American community. Through a combination of blunt and lyrical language, employing well-crafted formal and free-verse, these poems reliably deliver both pleasure and gut-punch. Custer’s linguistic alchemy draws the reader in from the start: “All day the sky is a closed fist [. . . ] All day the pregnant air [. . . ] It’s the kind of day that crouches low / behind your fear.” From there, each poem is as solid and satisfying as the next. Flatback Sally Country’s characters and sensibility are reminiscent of Marilynne Robinson’s novels, particularly Lila. Like Robinson, Custer shares glimpses into the lives of people born into overwhelmingly difficult circumstances. Yet, despite violence and hardship, the book flickers with redemptive moments, with love. Custer’s writing of this place and its people is a testament to survival, and to what matters. Its stunning closing, “As for me and my house, we will” is a praise song and a fitting conclusion to this review:

“praise the Lord of porkfat and Flatback Sally. [. . . ] praise hurt [. . . ] the same sin again and again. [. . . ] praise heat [. . . ] praise good killing one’s own dinner and the skin / tearing free from muscle at our hands / praise desperate land”

Flatback Sally Country by Rachel Custer. Terrapin Books, March 2023.

Reviewer bio: Mary Beth Hines writes poetry, short fiction, and non-fiction from her home in Massachusetts. Her work appears in Bracken, Crab Orchard Review, Cider Press Review, Tar River Poetry, Valparaiso, and elsewhere. Kelsay Books published her poetry collection Winter at a Summer House in 2021. Visit her at www.marybethhines.com

Book Review :: Take What You Need by Idra Novey

Take What You Need by Idra Novey book cover image

Guest Post by Kevin Brown

Novey’s novel alternates between Jean and Leah’s narration of their relationship, following Leah’s trip to Jean’s house now that she has died. Jean was Leah’s stepmother before she left Leah’s father, and he forbade any interaction between the two. They only saw each other once in the intervening years, and that meeting didn’t go well. Jean has been welding sculptures in her living room with the help of Elliott, a young man who lived next door for a time, taking inspiration from two twentieth-century female sculptors. She finds a freedom and solace in her art that eluded her for most of her life. Leah works as a translator in New York City and looks on her childhood home in rural New York with skepticism, especially when Donald Trump begins his campaign for president. The novel explores the divide between the small towns that have deteriorated over the past years and the larger cities that have thrived. Leah is suspicious of Elliott due to that divide, and the misunderstanding that takes place during Leah and Jean’s meeting is complicated because of the broader political climate. This work, though, also holds up the power of art—especially art from overlooked female creators. Leah’s final narration imagines a scenario that might exist, but might not. Leah says that, for the sake of the tale she’s telling, a number of events happen (which lead to Jean’s artworks ultimately ending up in a museum), even, possibly, one other woman who sees the sculpture (that might be in a museum, but might not be) and finds inspiration to create her own art.

Take What You Need by Idra Novey. Viking, March 2023.

Reviewer bio: Kevin Brown has published three books of poetry: Liturgical Calendar: Poems (Wipf and Stock); A Lexicon of Lost Words (winner of the Violet Reed Haas Prize for Poetry, Snake Nation Press); and Exit Lines (Plain View Press). He also has a memoir, Another Way: Finding Faith, Then Finding It Again, and a book of scholarship, They Love to Tell the Stories: Five Contemporary Novelists Take on the Gospels. Twitter @kevinbrownwrite or kevinbrownwrites.weebly.com/.

Book Review :: Imagine: A Tale of Love, Art, and Anarchy by Francesca Nesi

Imagine by Francesca Nesi book cover image

Guest Post by Eleanor J. Bader

Imagine: A Tale of Love, Art, and Anarchy, Francesca Nesi’s first novel, is a paean to chosen family. But the sweeping, multi-layered saga is also much more than this. Seminal moments in world history – the late 19th and early 20th century anti-Semitic pogroms in Eastern Europe; the opening of the first Nazi concentration camp in 1933; the US civil rights movement of the 1960s; and 2011’s Occupy Wall Street protests in New York City’s Zuccotti Park, among them – form a vibrant backdrop for a story that probes what it means to live ethically.

Central to the tale are Emma Roth, a bisexual Gen X art historian turned Manhattan gallery owner; Curtis Mayland, an older lesbian who works as a realtor; and Catherine Kroeger, a straight 20-something heiress whose billionaire dad bears a striking resemblance to Donald J. Trump.

The three are brought together by Tom Aldridge, a sadistic, misogynist hedge fund manager. As they collaborate on a plan to avenge his predatory behavior, the story takes numerous turns that force them, and consequently, us, to imagine a world without sexual or political violence. It’s heady stuff. And while the novel contains a few improbable threads, all told, Imagine is an inspiring ode to creativity, community, sisterhood, and social justice.

Imagine: A Tale of Love, Art, and Anarchy, by Francesca Nesi. Chelsea Books, January 2023.

Reviewer bio: Eleanor J. Bader is a Brooklyn, NY-based journalist who writes about books and domestic social issues for Truthout, Rain Taxi, The Progressive, Ms. Magazine, the Los Angeles Review of Books, and The Indypendent.

Book Review :: Hooked by Michael Moss

Hooked: Food, Free Will, And How the Food Giants Exploit Our Addictions by Michael Moss book cover image

Guest Post by Kevin Brown

Hooked: Food, Free Will, and How the Food Giants Exploit Our Addictions by Michael Moss may cause skepticism for his claim that the major manufacturers of processed food design their products to addict consumers, his book just might convince them otherwise. He spends a few chapters early in the work to set up that idea, pulling from research into drug and alcohol addiction, but also from the tobacco industry. The food product manufacturers often ended up owning tobacco companies, in fact. Moss also digs into evolutionary biology to explain why people have such difficulty resisting processed foods, especially those that include artificial sweeteners, which our bodies haven’t adapted to. He draws on a wide range of research and experts to support his argument, yet he makes that necessary science easily accessible to the general reader. Ultimately, he points out that we can be smarter than the food product manufacturers, and that we can use our knowledge of their tricks to make wiser choices when it comes to what we eat. While he’s clear that those manufacturers are interested in nothing but making more and more money, he provides readers with ways to see through their claims, allowing people to make healthier choices for their lives.

Hooked: Food, Free Will, and How the Food Giants Exploit Our Addictions by Michael Moss. Random House, March 2021.

Reviewer bio: Kevin Brown has published three books of poetry: Liturgical Calendar: Poems (Wipf and Stock); A Lexicon of Lost Words (winner of the Violet Reed Haas Prize for Poetry, Snake Nation Press); and Exit Lines (Plain View Press). He also has a memoir, Another Way: Finding Faith, Then Finding It Again, and a book of scholarship, They Love to Tell the Stories: Five Contemporary Novelists Take on the Gospels. Twitter @kevinbrownwrite or kevinbrownwrites.weebly.com/.

Book Review :: Wordly Things by Michael Kleber-Diggs

Wordly Things by Michael Kleber-Diggs book cover image

Guest Post by Jami Macarty

In Worldly Things, Michael Kleber-Diggs offers readers the opportunity to tune to his point of view as a middle-class Black American: “this is what I witness; / I want you to notice it, too.” Kleber-Diggs shows up to the page with a direct address and his “full humanity,” allowing the reader to come to know him as a generous poet, an ethical person, a family man, and community-minded soul, seeking and contributing to a socially just world. His poems recount the great suffering caused by “circumstances / marginalized, disenfranchised, and unheard”—the zeitgeist of his time and ours. Because he “wanted it different,” through his poems, he offers “aid.” As Kleber-Diggs’s lungs “take in / send out—oxygen/words,” his poems help us “know how twisted up our roots / are,” and dreams that “we might make vast shelter together—” Selected by Henri Cole as winner of the 2020 Max Ritvo Poetry Prize, Michael Kleber-Diggs’s haze-clearing, solace-offering, and love-illuminated debut Worldly Things expands the gamut, “the entirety of it”!

Worldly Things by Michael Kleber-Diggs. Milkweed Editions, July 2021.

Reviewer bio: Jami Macarty is the author of The Minuses (Center for Literary Publishing, 2020), winner of the 2020 New Mexico/Arizona Book Award – Poetry Arizona, and three chapbooks, including Mind of Spring (Vallum, 2017), winner of the 2017 Vallum Chapbook Award. Jami’s writing has been honored by financial support from Arizona Commission on the Arts, British Columbia Arts Council, and by editors at magazines such as The Capilano Review, Concision Poetry Journal, Interim, Redivider, Vallum, and Volt, where Jami’s poems appear. More at https://jamimacarty.com/

Book Review :: Saving Sunshine by Saadia Faruqi

Saving Sunshine by Saadia Faruqi; illustrated by Shazleen Khan book cover image

Saving Sunshine, written by Saadia Faruqi and illustrated by Shazleen Khan, examines the complexity of familial and cultural identities in relationship to the various roles of each character. While the story is premised on saving a loggerhead turtle nicknamed “Sunshine,” that act seems secondary to everything else going on here. Pre-teen/teen twins Zara and Zeeshan Aziz are at that age where they constantly annoy one another, and parents Bilal and Rasheeda, both doctors, have hit their limits with the bickering. On a conference trip where Dr. Rasheeda is being recognized for her work in pediatrics, the twins have their phones taken away as punishment and must not separate when their parents are off conferencing. Pure torture! But the youths find activities to occupy themselves, ways to tolerate one another, and in the end, support and encourage one another’s interests. Layers are added to the story with flashbacks, represented in sepia-toned imagery, filling in details that help explain why the characters behave the way they do, and peeling back judgments even the reader may have made before fully understanding the whole picture. This work offers a treasure trove of topics for discussion with an overarching message of the difficult but important act of standing up and standing firm – both for oneself as well as for others.

Saving Sunshine written by Saadia Faruqi and illustrated by Shazleen Khan. First Second, July 2023.

Reviewer bio: Denise Hill is Editor of NewPages.com and reviews books she chooses based on her own personal interests.

Book Review :: Ephemera by Sierra DeMulder

Ephemera by Sierra DeMulder book cover image

Guest Post by Jami Macarty

Ephemera, by Sierra DeMulder, offers readers a “camaraderie among / women and death, ” acknowledging “the ecstatic briefness of it all.” In the first two sections of the collection, the poet focuses on her origins and roots, offering faceted responses to where she comes from: “the body / is a body for such little time.” The first section attends predominantly to “the women in my family,” especially the poet’s grandmother, who “waits for death.” The second section traces the progression of love the poet has known, from first love to queer love to lasting love, asking: “Who would sign up to love something / so impermanent.” The second-half of the collection focuses primarily on pregnancy—wanting and trying to become pregnant, ectopic pregnancy and miscarriage, in vitro fertilization (IVF) and a viable pregnancy, and “waiting for our daughter.” These poems acknowledge “a thousand unrewindable moments” of grief “where all unfinished things dwell.” As these poems “leave… space for death,” they also offer “a blessing for each stitch.” In spite of or rather because DeMulder “give[s] thanks / for the loss,” recognizing life has “a levy on the road to” everything, she arrives triumphantly at the realization of an “intoxicating” and ephemeral “impermanence of enjoyment… everywhere.” Read these poems and “wake up back at the starting line, salvaged and full of hope.”

Ephemera by Sierra DeMulder. Button Poetry, June 2023.

Reviewer bio: Jami Macarty is the author of The Minuses (Center for Literary Publishing, 2020), winner of the 2020 New Mexico/Arizona Book Award – Poetry Arizona, and three chapbooks, including Mind of Spring (Vallum, 2017), winner of the 2017 Vallum Chapbook Award. Jami’s writing has been honored by financial support from Arizona Commission on the Arts, British Columbia Arts Council, and by editors at magazines such as The Capilano Review, Concision Poetry Journal, Interim, Redivider, Vallum, and Volt, where Jami’s poems appear. More at https://jamimacarty.com/

Book Review :: We Are a Haunting by Tyriek White

Guest Post by Kevin Brown

We Are a Haunting by Tyriek White book cover image

Tyriek White’s novel We Are a Haunting follows three generations as they live in Brooklyn public housing. White shows the struggles of the family and the community, both in terms of the limited choices they have and the pressures that lead them to make some of those choices bad ones. However, he also portrays the joy so many of the characters find in the people who surround and support them, as they forgive old wrongs and work to make their neighborhood and themselves better. White also uses magic realism to explore whether his characters are fated for ill ends, as all three family members—Audrey, Key, and Colly—have the ability to see ghosts. Key crosses time, in fact, to speak to her son Colly well after she has died and he is still living, and she explains one of the family’s greatest problems: “Guess all of it stays with us. We’re a family of ghosts, of half-living.” Yet, by the end of the novel, Colly is learning how to make a life in a land that doesn’t seem to want him to have one, that views his and his family’s bodies as “reminders of toil and burden.” He’s learning how he can be more than a haunting to the place he loves.

We Are a Haunting by Tyriek White. Astra House, April 2023.

Reviewer bio: Kevin Brown has published three books of poetry: Liturgical Calendar: Poems (Wipf and Stock); A Lexicon of Lost Words (winner of the Violet Reed Haas Prize for Poetry, Snake Nation Press); and Exit Lines (Plain View Press). He also has a memoir, Another Way: Finding Faith, Then Finding It Again, and a book of scholarship, They Love to Tell the Stories: Five Contemporary Novelists Take on the Gospels. Twitter @kevinbrownwrite or kevinbrownwrites.weebly.com/.

Book Review :: I Am Homeless If This Is Not My Home by Lorrie Moore

Guest Post by Kevin Brown

I Am Homeless If This Is Not My Home by Lorrie Moore book cover image

Plot is not the point in Lorrie Moore’s latest novel, If I Am Homeless This is Not My Home. Some people die, while some people live, and some of the living people have conversations with the people who have died. And not all the ghosts in the novel are those who have died, though some certainly are. Moore wants to explore what it means to be alive, to have a life, while also digging into mourning and grief and death, primarily through Finn, the main character. Finn’s ex-girlfriend, Lily, has struggled with mental illness as long as he has known her, and she has tried to commit suicide numerous times. Finn’s brother, Max, is dying of cancer. Finn doesn’t deal well with either of these situations, often refusing to face the reality of their mortality, but also ignoring the truths about their relationships. There are also interspersed chapters from letters written by Elizabeth, a woman who ran an inn in the post-Civil War South, a minor storyline that ultimately connects both literally and thematically to Finn’s story by the end of the novel. Lest this description sound rather bleak, Moore is as humorous as she always is, though more clever than funny. Still, she acknowledges the joy and laughter we must continue to find, even when—perhaps especially when—life and the end of it becomes miserable.

I Am Homeless If This is Not My Home by Lorrie Moore. Alfred A. Knopf, June 2023.

Reviewer bio: Kevin Brown has published three books of poetry: Liturgical Calendar: Poems (Wipf and Stock); A Lexicon of Lost Words (winner of the Violet Reed Haas Prize for Poetry, Snake Nation Press); and Exit Lines (Plain View Press). He also has a memoir, Another Way: Finding Faith, Then Finding It Again, and a book of scholarship, They Love to Tell the Stories: Five Contemporary Novelists Take on the Gospels. Twitter @kevinbrownwrite or kevinbrownwrites.weebly.com/.

Book Review :: Maths by Joel Chace

Maths by Joel Chace book cover image

Guest Post by Jami Macarty

In Joel Chace’s Maths, each page is “serving as a threshold” between the author’s “original writing” and “mathematical commentary.” There is a sense that by combining these two lexicons the author is solving for something akin to inclusivity and unity. Or, are the combined poetic and mathematical vibrations an assertion against whoever, whatever keeps languages separate? The focus of each page is complement and connection between components, creating a collaged page aesthetic that elicits engagement with the visual and the written. Each page is a “structural oddity,” a disordered space “the contents / of which entirely depend upon where / I take my stand” or, where a reader takes hers. Upon engaging the pages of Maths, I was confronted with a feeling of trauma being enacted, an “awful math” of catastrophic accident and “the odds” of irreparable destruction: “Less than one minute to tear open so many years.” There is something being made of the predictability of humans and numbers, of humans as numbers—a unifying treatment of discrete and continuous variables. Chace’s is a book “dedicated to solving / the riddle of its own existence.” In the end, “everything falls into place, each / beautiful number and function.”

Maths by Joel Chace. Chax Press, 2023.

Reviewer bio: Jami Macarty is the author of The Minuses (Center for Literary Publishing, 2020), winner of the 2020 New Mexico/Arizona Book Award – Poetry Arizona, and three chapbooks, including Mind of Spring (Vallum, 2017), winner of the 2017 Vallum Chapbook Award. Jami’s writing has been honored by financial support from Arizona Commission on the Arts, British Columbia Arts Council, and by editors at magazines such as The Capilano Review, Concision Poetry Journal, Interim, Redivider, Vallum, and Volt, where Jami’s poems appear. More at https://jamimacarty.com/

Book Review :: Divination with a Human Heart Attached by Emily Stoddard

Divination with a Human Heart Attached by Emily Stoddard book cover image

Guest Post by Jami Macarty

The central figure of Emily Stoddard’s Divination with a Human Heart Attached is a daughter who is sometimes the poet interested in story and belief, and at others, she is Petronilla, the spiritual daughter of Peter. Peter, as it is told, trapped Petronilla either by paralyzing her or by locking her in a tower to prevent her from being beguiled by suitors taken with her beauty: “which part of my body most worried him, was it the eyes.” The main concerns of these poems are father-daughter relationships, gendered power structures, and venustraphobia: “has there ever been a body / like that / that hasn’t been dangerous.” The poems also foreground trials of faith and tests of will: “how optimistically / some people use the word faith.” The daughter writing the poems struggles with relationships to God, to family, and to her husband. As the poems confront deaths of family members and loss of marital innocence—“proportions of grief”—they seem to ask who/what is divine, “looking for a God / to attach to it.” While God seems not to appear, Magpie does, conjuring the 16th-century nursery rhyme “One for Sorrow,” which suggests the number of birds seen tells of good or bad fortune. Also, as it is told, Magpie stayed outside the ark during the Flood’s rising waters and did not offer Jesus comfort at the crucifixion. These acts of divination, independence, and defiance seem to be what inspires the daughter in these poems. Through her, the poems arrive at two declarations: “I want more passion, less resurrection” and “Grief is the thing / that says the world is real.” If an “elegy is trying to tell the future,” then reading Emily Stoddard’s “gold-star” debut may well foretell yours.

Divination with a Human Heart Attached by Emily Stoddard. Game Over Books, February 2023.

Reviewer bio: Jami Macarty is the author of The Minuses (Center for Literary Publishing, 2020), winner of the 2020 New Mexico/Arizona Book Award – Poetry Arizona, and three chapbooks, including Mind of Spring (Vallum, 2017), winner of the 2017 Vallum Chapbook Award. Jami’s writing has been honored by financial support from Arizona Commission on the Arts, British Columbia Arts Council, and by editors at magazines such as The Capilano Review, Concision Poetry Journal, Interim, Redivider, Vallum, and Volt, where Jami’s poems appear. More at https://jamimacarty.com/

Book Review :: Bonsai by Alejandro Zambra

Bonsai by Alejandro Zambra book cover image

Guest Post by Colm McKenna

Bonsai, Alejandro Zambra’s first novel feels like it is over before it has even begun. I read it this morning over two coffees. By the time I finished it, I had eight, largely monosyllabic notes scrawled across the front-end paper; more often than not, my comments will spill over onto the half-title page. That is not to say that there is little noteworthy in Zambra’s book. Moreso, it is indicative of a well-crafted, engrossing story, a story in which narrative takes absolute precedent.

I find myself falling into Zambra’s stories without the teething problems that even the most ardent reader sometimes confronts in the opening few pages of a book. There is a mediopassive effect to Zambra’s prose. I think this ease stems from his self-contained, self-referential narratives; we are made to know from the off that we need only dedicate our attention to once-lovers Julio and Emilia, and that the periphery characters exist here only insofar as they reveal our protagonists. Those others could be fleshed out; they all have their favorite books, their ambitions, and secrets; they all go on dates and fall in love, but these details are not of any concern to the story being told. The narrative itself stands over the world like something tangible; when characters move on from Julio and Emilia, they move away from the story that is being told. In this self-contained narrative, this distance is equivalent to dropping out of the world.

Bonsai: A Novel by Alejandro Zambra; translated by Megan McDowell. Penguin Books, August 2022.

Reviewer bio: Colm McKenna is a second-hand bookseller based in Paris. He has published and self-published an array of short stories and articles, hoping to eventually release a collection of stories. He is mainly interested in the works of John Cowper Powys, Claude Houghton, and a range of Latin American writers.

Book Review :: When We Were Sisters by Fatimah Asghar

When We Were Sisters by Fatimah Asghar book cover image

Guest Post by Kevin Brown

Fatimah Asghar’s novel, When We Were Sisters, tells the story of three sisters who are orphaned, as was Asghar. Their uncle, who remains unnamed throughout the work, takes them in, not to actually care for them, but to use the money from their father’s death to fund his get-rich schemes that never work. The girls fend for themselves, often going hungry for days or weeks, living in squalorous conditions. They also have to work through their emotional struggles on their own, leading to trauma and suffering, especially for Kausar, the youngest sister and primary narrator of the novel. She portrays the sisters as watching out for one another, referring to them as sister-brothers or sister-mothers periodically in an attempt to show their toughness and their ability to nurture one another; however, Kausar realizes late in the novel that her perception has not been accurate. Asghar is a poet—this is her first novel—and her short sections feel almost like prose poems, at times; she even intersperses more poetic sections from the point of view of “him” and “her,” the sisters’ dead parents. Given their childhood, readers should be amazed at how well the sisters are able to manage largely on their own, but readers will also spend the novel wondering about the misogyny and greed that leads to their having to.

When We Were Sisters by Fatimah Asghar. One World, October 2022.

Reviewer bio: Kevin Brown has published three books of poetry: Liturgical Calendar: Poems (Wipf and Stock); A Lexicon of Lost Words (winner of the Violet Reed Haas Prize for Poetry, Snake Nation Press); and Exit Lines (Plain View Press). He also has a memoir, Another Way: Finding Faith, Then Finding It Again, and a book of scholarship, They Love to Tell the Stories: Five Contemporary Novelists Take on the Gospels. Twitter @kevinbrownwrite or kevinbrownwrites.weebly.com/.

Book Review :: Maamoul Press

Maamoul Press logo

At the 2023 Chicago Zine Fest, I met Maamoul Press, “a multi-disciplinary small press and collective for the creation, curation and dissemination of art at the intersection of comics, printmaking, and book arts.” The submission criteria includes “by-us-for-us” storytelling which need not be strictly autobiographical, but should be “rooted in some way in the writer or artist’s lived experience,” for “works by BIPOC women, trans, and non-binary artists.” I selected several publications from the Maamoul Press table, as I was interested in how each is unique in content and style.

Loneliness by Reimena Yee book cover image

Loneliness by Reimena Yee is a ten-page zine coursing through the author’s relationship with loneliness, from youth to adulthood. Not always ‘getting along’ with being alone, but finding the joy and beauty in it, nonetheless. Yee reveals how she copes with and even welcomes loneliness into her life. An uplifting and empowering perspective for all of us solitary dwellers out there. The images are mainly black and grayscale, a few brown/sepia tones, on ivory paper. (10pp, 2020)

The Insubordinate by Rawand Issa book cover image

The Insubordinate by Rawand Issa is a bilingual (Arabic/English) full-color graphic novel ‘do-si-do’ style, showing more of the publisher’s book arts skills. Its story is based on real events that took place in Beirut between October 8, 2015, and March 20, 2017, following a young woman’s demonstration participation and arrest. Her case was turned over to the Military Court and her lawyer fights to have the case thrown out since it is a civilian and not a military matter. Issa’s use of multiple thick lines and hard edges creating geometric shapes adds intensity to the story as it ramps up and unfolds. A disturbing narrative experience in a stylishly beautiful presentation.

The Layover by Soumya Dhulekar book cover image

I selected The Layover by Soumya Dhulekar for its two-color risograph print and its all-too-familiar mundane storyline of layover waiting in an airport, banal exchanges between strangers, and the connections we make in surreal yet familiar ways. The graphic style is a perfect vehicle of expression for this story experience. (12pp, 2019)

Reviewer bio: Denise Hill is Editor of NewPages.com and reviews books she chooses based on her own personal interests.

Book Review :: Jollof Rice and Other Revolutions by Omolola Ijeoma Ogunyemi

Jollof Rice and Other Revolutions by Omolola Ijeoma Ogunyemi book cover image

Guest Post by Kevin Brown

In Omolola Ijeoma Ogunyemi’s Jollof Rice and Other Revolutions, interlocking stories form a novel that follows four Nigerian girls as they become women trying to determine who they should be and what role their lives should play in the history of their country. In fact, the first story begins in 1897, well before any of the girls are born, and ends with a story set in 2050 with the remaining women meeting to help one of them solve a significant problem. On the one hand, this collection examines the positives and negatives of Nigeria’s history and culture, as it shows the effects of the Biafran war, the rise of Evangelical churches and anti-LGBTQ laws, the rich culinary connections, and the deep family relationships. In the final story, Ogunyemi even uses her background in medicine to critique the American healthcare system, especially around medical debt. More than anything, though, Ogunyemi’s work reveals richly developed characters who try to negotiate what it means to be a Nigerian woman, always relying on their friends to help them through triumph and tragedy. These characters care deeply for one another and, mostly, for their families, so they are willing to make whatever sacrifices are necessary so that the others’ lives can be better, no matter what political and cultural shifts occur.

Jollof Rice and Other Revolutions by Omolola Ijeoma Ogunyemi. Amistad, September 2022.

Reviewer bio: Kevin Brown has published three books of poetry: Liturgical Calendar: Poems (Wipf and Stock); A Lexicon of Lost Words (winner of the Violet Reed Haas Prize for Poetry, Snake Nation Press); and Exit Lines (Plain View Press). He also has a memoir, Another Way: Finding Faith, Then Finding It Again, and a book of scholarship, They Love to Tell the Stories: Five Contemporary Novelists Take on the Gospels. Twitter @kevinbrownwrite or kevinbrownwrites.weebly.com/.

Book Review :: The Funny Moon by Chris Lincoln

The Funny Moon by Chris Lincoln book cover image

Guest Post by Dave Greeley

Clair loved Wally but lately didn’t like him very much.

Wally is reminiscent of Jim Harrison’s Johnny Lundgren and Bukowski’s Henry Chinaski, guys who understand the cost of doing things the way they do because they are nothing if not self-aware.

The Funny Moon is set in a small New England college town where Wally grew up and to which he retreated in his late twenties. Lincoln renders it with a clarity that borders on virtual reality, and it becomes one of the book’s leading characters. After a few chapters, readers will feel like they grew up there, too. Inevitably, the walls are closing in on Wally. His main client wants social media advertising, a subject Wally knows nothing about. His wife Claire is running out of patience with him, or maybe she is outgrowing him. Even some of his lifelong chums are looking askance at him.

This is a classic coming-of-middle-age story, but Lincoln sails past every cliché with scenes so well-played the ending is one readers could not have predicted. The Funny Moon is sun-dappled and bleak, both a “What a ride” and “What the fuck?” As Jim Harrison puts it in Warlock, “The trouble is that no one gets to be anyone else.”

The Funny Moon by Chris Lincoln. Rootstock Publishing, June 2023.

Dave Greeley worked with the author for several years in the early 1980s. He is a communications consultant to clients in education, pharma, and high technology.

Book Review :: Chain-Gang All-Stars by Nana Kwame Adjei-Brenyah

Chain-Gang All-Stars by Nana Kwame Adjei-Brenyah book cover image

Guest Post by Kevin Brown

Chain-Gang All-Stars is Nana Kwame Adjei-Brenyah’s debut novel. After his stellar 2018 story collection Friday Black, this is an important book, but it’s also a good, if challenging, read. He creates an America similar to our contemporary one, but he’s updated some of the technology and introduced a new extreme sport, one in which those whom the state has incarcerated battle each other to the death. What hasn’t changed, though, is the racism and sexism and brutality found within the carceral system. Adjei-Brenyah highlights both Americas through the portrayal of his characters, but also through footnotes that remind the reader that, while his work is fiction, the suffering endured by so many is absolutely real. This mixture of what happens in twenty-first-century America and what has happened throughout American history along with his fictional world that builds upon those realities constantly reminds readers that what happens in the prison system today—especially the for-profit sections of it—is effectively no different from having prisoners kill one another for entertainment. Loretta Thurwar and Hamara “Hurricane Staxx” Stacker—the two main characters—try to create a relationship in the midst of this oppression and abuse, and they also work to show America what could be different, just as Adjei-Brenyah does in his novel.

Chain-Gang All-Stars by Nana Kwame Adjei-Brenyah. Pantheon Books, May 2023.

Reviewer bio: Kevin Brown has published three books of poetry: Liturgical Calendar: Poems (Wipf and Stock); A Lexicon of Lost Words (winner of the Violet Reed Haas Prize for Poetry, Snake Nation Press); and Exit Lines (Plain View Press). He also has a memoir, Another Way: Finding Faith, Then Finding It Again, and a book of scholarship, They Love to Tell the Stories: Five Contemporary Novelists Take on the Gospels. Twitter @kevinbrownwrite or kevinbrownwrites.weebly.com/.

Comics Review :: Trans and Non-Binary Menstruation by Jac Dellaria

The Bathroom by Jac Dellaria comic panel image

I came across Jac Dellaria’s work thanks to the Chicago Zine Fest where he was tabling. He has an Instagram where he posts his most recent work, and I zine reviewed several of his indie publications. Dellaria also has an incredible series he created in collaboration with University of Wisconsin – Madison Sociology Professor Sarah E. Frank (“Frankie”) based on interview research conducted in 2018-19 with trans and nonbinary emerging adults (18-29). Frank writes that Dellaria “translated the findings and quotes into stunning comic panels, presenting . . . a visual narrative of menstruation for trans and genderqueer people.” The comics include “The Bathroom,” “Product Problems,” “At the Doctor’s,” and “On Identity.” These four comics are worth visiting and sharing, especially in light of continued basic bathroom rights for all and to understand what it is like for others whose experiences are real and valid yet not justly recognized. As one character in “On Identity” comments, “I feel kinda stuck because periods are such ‘a woman’s thing’ that if I speak up, then I’ll be seen as invalidating my identity. But If I don’t, then no one will ever learn.” Here’s hoping more people will care enough to learn.

Trans and Non-Binary Menstruation by Jac Dellaria. Teaching Frankly, 2020.

“Queering Menstruation: Trans and Non-Binary Identity and Body Politics” by Sarah E. Frank. Sociological Inquiry, 2020.

Reviewer bio: Denise Hill is Editor of NewPages.com and reviews books she chooses based on her own personal interests.

Magazine Review :: Arc Poetry Magazine “How Poems Work”

Arc Poetry Issue 100 Spring 2023 cover image

Each issue of Arc Poetry Magazine includes “How Poems Work,” which offers readers a “case-study appreciation” of a single poem. The poem is reprinted in the issue along with the analysis, focusing on style, subject matter, influences, context, and the use of poetic elements. The spring 2023 issue featured Bardia Sinaee’s appreciation for “Epiphany” by Sara Venart. The poem opens with a series of visualized situations from everyday life, starting with the prompt “Here I am…” and coursing over a selection of events and feelings and questioning ‘what ifs.’ The closing line was a dagger to my heart in the most loving way and left me sobbing. “That’s a good poem,” I could have been satisfied to say, but then I read Sinaee’s commentary, which helped make connections I would not have, and offered a more authoritative assessment in ways I might not have felt confident making, but which made complete sense, such as, “This poem addresses us urgently and intimately.” While I felt that in reading the poem, seeing it said helped ground my feeling in shared reason. It helped me make sense, not of the poem, but of the effect the words had on me. It offered me a conversation partner in an otherwise solitary experience. It’s a wonderful feature for those of us who enjoy education but lack access to teachers—something to look forward to in each issue.

Reviewer bio: Denise Hill is Editor of NewPages.com and reviews books she chooses based on her own personal interests.

Book Review :: 1:6 The Graphic Novel

1/6: The Graphic Novel Volume 1 book cover image

As with any disaster, 1/6: The Graphic Novel is emotionally difficult to read, but nearly impossible to look away from. Volume 1: Remember This Day Forever takes readers into the surreal (for now) world of ‘what if’ the insurrection had been successful. Propaganda messaging drones patrol the streets, news stations are taken by force and resistant newscasters killed on the spot (the Second Amendment ‘trumps’ the First), and Trump supporters rally on the National Mall for the unveiling of an “Independence Day January 6, 2021” statue with state militia (Georgia and Arizona specifically) recognized for their efforts. A MAGA father whose son was killed in the event comes to honor him, only to be distraught by the messaging scapegoating Antifa and BLM. The hero (so far) is a journalist who joins a group of ‘freedom fighters’ working to reinstate democracy, and the cliffhanger ending reveals they’ve got a volatile treasure critical to their success. While the authors note “This is a work of speculative fiction grounded in real events,” it will be all too real a match to what many have feared might have and might still happen in our lifetimes. This will be a four-issue series with free copies available to non-profits and advocacy groups as well as wholesale pricing.

1/6: The Graphic Novel – Volume 1: Remember This Day Forever written by Alan Jenkins and Gan Golan, illustrated by Will Rosado. OneSix Comics, January 2023.

Reviewer bio: Denise Hill is Editor of NewPages.com and reviews books she chooses based on her own personal interests.